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Taxi Driver Movie Poster

Year: 1976
Director: Martin Scorsese

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Cast:

Robert De Niro (Travis Bickle (as Robert DeNiro)), Jodie Foster (Iris), Albert Brooks (Tom), Harvey Keitel (Matthew 'Sport' Higgins), Leonard Harris (Charles Palantine), Peter Boyle (Wizard), Cybill Shepherd (Betsy), Diahnne Abbott (Concession Girl), Frank Adu (Angry Black Man), Gino Ardito (Policeman at Rally), Victor Argo (Melio (as Vic Argo)), Garth Avery (Iris' Friend), Harry Cohn (Cabbie in Bellmore), Copper Cunningham (Hooker in Cab), Brenda Dickson (Soap Opera Woman), Harry Fischler (Dispatcher), Nat Grant (Stickup Man), Richard Higgs (Tall Secret Service Man), Beau Kayser (Soap Opera Man), Victor Magnotta (Secret Service Photographer (as Vic Magnotta))

Storyline:

Vietnam vet Travis Bickle is 26, a loner in the mean streets of New York City, slipping slowly into isolation and violent misanthropy. In solving his insomnia by driving a yellow cab on the night shift, he grows increasingly disgusted by the low-lifes that hang out at night: "Someday a real rain will come and wash all the scum off the streets." His touching attempts to woo Betsy, a Senator's campaign worker, turn sour when he takes her to a porn movie on their first date. He even fails in his attempt to persuade child prostitute Iris to desert her pimp and return to her parents and school. Driven to the edge by powerlessness, he buys four handguns and sets out to assassinate the Senator, heading for the infamy of a 'lone crazed gunman'...

Reviews:

A towering classic of American cinematic power. Martin Scorsese teams up with one of the most intense actors of that time to create a masterpiece of urban alienation. Paul Schrader's magnificent script paints a portrait of loneliness in the largest city of the world. Travis never once enters into a meaningful relationship with any character anywhere in the film. He is the most hopelessly alone person I've ever encountered on film.

He is alone with his thoughts, and his thoughts are dark ones. The film fools you on a first viewing. Is Travis an endearing eccentric? Sure, he's odd, but he's so polite, and he's got a quirky sense of humor. His affection for Betsy is actually rather endearing. But on a second view, you see it for what it is. The audience comes to see Travis's psychosis gradually, but there's actually far less development than one might think. When he talks about cleaning up the city, the repeat viewer knows he doesn't mean some sort of Giuliani-facelift. This is less a film about a character in development as it is a kind of snapshot. To be sure, it takes the stimulus to provoke the response, but does that imply some kind of central change in the character?

Tremendous supporting roles are brought to life through vivid performances by Keitel and Foster especially. Shepard's character, Betsy, is little more than a foil to highlight Travis's utter alienation from society, but she is still impeccably portrayed. With only two scenes that don't center on Travis, it is unavoidably De Niro's show. The life with which the supporting cast imbues their characters is a credit to themselves, and to the director's willingness to let the film develop from the intersection of diverse ideas and approaches. What would the plot lose by eliminating the Albert Brooks character (Tom)? Nothing at all. He makes almost no impact on Travis's life, which is where the plot lives. But his inclusion makes the film as a whole much richer and fuller.

As a piece of American cinema history, this film will live forever. But far more important than that, this film will survive as a universal, ever-relevant examination of the workings of the alienated mind. The story doesn't end when the credits roll. We know Travis will snap again. But the story doesn't end with Travis either. It continues today in the cities and in the schools. The film is about the brutal power of the disaffected mind.

This film didn't cause the incidents in Colombine, or Hawaii, or Seattle, or wherever you care to look, even with all of its disturbing images of violence. It didn't cause those things. It predicted them.

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Taxi Driver is one of the best films ever made. This is one of those films that you do not get tired of seeing and every time you watch it you realize a little detail that you have not seen before. Excellent actors, a good director, an impressive soundtrack and a real story are the main appeals of this film.

This film is about loneliness, about the isolation of a man in a society full of scum. His objective is to finish with the scum of the streets. The story uses a taxi driver as a metaphor of loneliness and it has some kind of irony because we can see that a city which is full of people can be the most lonely place for a man. The long nights in the city, the night environment full of whores, junkies, pimps and thieves are the main elements of the world in which Travis Bickle lives. Travis is an misunderstood guy who is seeking desperately for some kind of company because as he says 'loneliness has followed me all my life, everywhere' but at the same time he seems not to do anything to avoid his situation and it is seen when he goes with Betsy (Cybill Shepherd) to a porn cinema. At the end of the film the character makes real his most violent fantasies, with a look of certain soldiers from Vietnam, and he behaves like this because of his loneliness, his alienation and because he does not find any sense to his life. The violent behaviour becomes Travis into a hero, although he had killed many people and he could do it again. Although he acts with an extreme violence the spectator understand him and the reasons why he acts that way. The soundtrack of the film, which is composed by Bernard Herrmann, inspires some kind of loneliness and sometimes it is absolutely terrifying like in a horror film. This music and the slow camera showing the streets help to introduce the spectator into the world of Travis, to know what he is thinking about.

In general I cannot say any negative aspect of this film because I have not found anything bad. Although it is a film of the 70s it is not an old-fashioned movie because the essence of the story, the reality that is shown on it, can be perfectly referred to the current society. This film has the privilege of having made famous the sentence ‘You talking' to me? You talking' to me?' which will remain in the history of cinema. This is an authentic masterpiece.

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