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The Short Films of David Lynch Movie Poster

Year: 2002
Director: David Lynch

The Short Films of David Lynch Download

Cast:

Jeffe Alperi (Policeman ("Lumiere and Company") (archive footage)), Robert Chadwick (Father ("The Grandmother") (archive footage)), Catherine E. Coulson (Amputee ("The Amputee") (archive footage)), Eddy Dixon (Rock-a-billy Guy ("The Cowboy and the Frenchman") (archive footage)), Frederic Golchan (Pierre the Frenchman ("The Cowboy and the Frenchman") (archive footage)), Rick Guillory (Howdy ("The Cowboy and the Frenchman") (archive footage)), Michael Horse (Broken Feather ("The Cowboy and the Frenchman") (archive footage)), Patrick Houser (Gun Twirler ("The Cowboy and the Frenchman") (archive footage)), Stan Lothridge (Policeman ("Lumiere and Company") (archive footage)), David Lynch (Himself - Narrator), Peggy Lynch (Girl ("The Alphabet") (archive footage)), Virginia Maitland (Mother ("The Grandmother") (archive footage)), Dorothy McGinnis (Grandmother ("The Grandmother") (archive footage)), Jack Nance (Pete ("The Cowboy and the Frenchman") (archive footage)), Russ Pearlman (Dead Son ("Lumiere and Company") (archive footage)), Pam Pierrocish (Mother ("Lumiere and Company") (archive footage)), Clyde Small (Father ("Lumiere and Company") (archive footage)), Talisa Soto (French Girl ("The Cowboy and the Frenchman") (archive footage)), Harry Dean Stanton (Slim ("The Cowboy and the Frenchman") (archive footage)), Tracey Walter (Dusty ("The Cowboy and the Frenchman") (archive footage))

Storyline:

An oddball collection of short films from the master of oddity, David Lynch, this release provides a compelling look at some of Lynch's rarely seen shorter works, including "The Grandmother," a story about a boy who grows a grandmother as an alternative to his abusive parents; "The Amputee," a film about an amputee attempting to write a letter; and "The Alphabet," an eerie animation from Lynch's student days. Covering films from the 1960s to the 1990s, this release goes inside the peculiar sensibility and aesthetics of one of our most idiosyncratic filmmakers.

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