Downloads Movie 2001: A Space Odyssey Watch Online

2001: A Space Odyssey Movie Poster

Year: 1968
Director: Stanley Kubrick

2001: A Space Odyssey Download

Cast:

Keir Dullea (Dr. Dave Bowman), Gary Lockwood (Dr. Frank Poole), William Sylvester (Dr. Heywood R. Floyd), Daniel Richter (Moon-Watcher), Leonard Rossiter (Dr. Andrei Smyslov), Margaret Tyzack (Elena), Robert Beatty (Dr. Ralph Halvorsen), Sean Sullivan (Dr. Bill Michaels), Douglas Rain (HAL 9000), Frank Miller (Mission Controller), Bill Weston (Astronaut), Ed Bishop (Aries-1B Lunar Shuttle Captain (as Edward Bishop)), Glenn Beck (Astronaut), Alan Gifford (Poole's Father), Ann Gillis (Poole's Mother), Edwina Carroll (Aries-1B Stewardess), Penny Brahms (Stewardess), Heather Downham (Stewardess), Mike Lovell (Astronaut), John Ashley (Ape)

Storyline:

2001 is a story of evolution. Sometime in the distant past someone or something nudged evolution by placing a monolith here on earth (presumably elsewhere throughout the universe as well) Evolution then enabled man to reach the moon's surface where he finds yet another monolith, one which signals the monolith-placers that we have evolved that far. Now a race begins between computers (HAL) and man (Bowman) to reach the monolith-placers, the winner will achieve the next step in evolution, whatever that may be.

Reviews:

Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.

Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.

2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.

Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.

I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.

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For all those bewildered by the length and pace of this film ("like, why does he show spaceships docking for, like, 15 minutes?"), here's a word you might want to think about:

Beauty.

Beauty is an under-rated concept. Sure, you'll often see nice photography and so on in films. But when did you last see a film that contains beauty purely for the sake of it? There is a weird belief among cinemagoers that anything which is not plot or character related must be removed. This is depressing hogwash. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. A director can show 15 minutes of spaceships for no reason than that they are beautiful, and it is neither illegal nor evil to do so.

'2001' requires you to watch in a different way than you normally watch films. It requires you to relax. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. There are different KINDS of film, and to enjoy '2001' you must tune your brain to a different wavelength and succumb to the pleasure of beauty, PURE beauty, unfettered by the banal conventions of everyday films.

"All art is quite useless" - Oscar Wilde.

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