Downloads Movie 1408 Watch Online

1408 Movie Poster

Year: 2007
Director: Mikael Håfström

1408 Download

Cast:

John Cusack (Mike Enslin), Samuel L. Jackson (Gerald Olin), Mary McCormack (Lily), Tony Shalhoub (Sam Farrell), Len Cariou (Mike's Father), Isiah Whitlock Jr. (Hotel Engineer), Jasmine Jessica Anthony (Katie), Paul Birchard (Mr. Innkeeper), Margot Leicester (Mrs. Innkeeper), Walter Lewis (Book Store Cashier), Eric Meyers (Man #1 at Book Signing), David Nicholson (Man #2 at Book Signing), Holly Hayes (Lady at Book Signing), Alexandra Silber (Young Woman at Book Signing), Johann Urb (Surfer Dude), Andrew Lee Potts (Mailbox Guy), Emily Harvey (Secretary), William Armstrong (Clay the Lawyer), Kim Thomson (Desk Clerk), Drew Powell (Assistant Hotel Manager)

Storyline:

Based on the short Stephen King horror story of the same name, 1408 surrounds supernatural writer Mike Enslin, an author of two hit books focusing on supernatural phenomena. As research for his latest book, Enslin is determined to check out the notorious room 1408 in a New York City hotel by personally staying as a guest in the fabled room. With the intention that 1408 is just a myth perpetuated by stories and rumor that Enslin has collected for his past works. However, hotel manager Mr. Olin has strong objections to Enslin's stay and only warns him of possible danger to come. But Enslin is determined to go through and convinced that the horrific past of 1408 is just mere coincidence and a myth. But what Mike Enslin is about to experience is no myth, as 1408 truly is a room where the guests don't check out by noon.

Reviews:

I've never seen a horror film quite like 1408--can you even call this film a "horror"? Well, it's not the horror movie we're used to seeing in this day and age. The films that are supposed to scare us nowadays are made from the same recycled junk we've been seeing for years now. Nonsensical plots are dreamed up just to make use of the exciting range of CGI. Underdeveloped characters we don't care about are tortured/murdered by a psycho for no apparent reason. Most of the intended audience for these movies isn't even scared anymore.

Let me tell you, 1408 is different. Its main intention is not to scare you (though it undoubtedly will); it wants to tell you a story. It doesn't start out as a scary movie. John Cusack plays cult writer Mike Enslin, a man who visits supposed haunted spots in order to debunk their reputations in the mildly-successful books he writes with titles such as "10 Nights in Haunted Hotels". When the room 1408 at the Dolphin Hotel in New York is brought to his attention, research tells him that the death tally in the room is in the double digits. He sees the room as a solid ending chapter for the new book he's working on.

The film is based on a Stephen King short story, which I had the pleasure of reading before I saw the film. While the film does take its creative liberties, it never forgets where it comes from. Writers Matt Greenberg, Scott Alexander, and Larry Karazewski seem to be very well-read on the author, and the movie always feels just like Stephen King--if you've ever read him, you know what I'm talking about. There have been times when I've been reading a novel of his and had to tell myself, "Calm down, it's just a book." There are moments in this film of such mind-gnawing anxiety, such high-adrenaline terror that I had to tell myself, "Calm down, it's just a movie." (Note: Stephen King does recommend the film.)

Director Mikael Håfström never takes his audience's intelligence for granted. We're never beaten over the head with the same thing; the film is always headed somewhere new and exciting. The innovative ideas here are just terrific.

John Cusack is brilliant as the cynical writer with a tragic past. He's never unbelievable, and he always nails the character down perfectly. There was never a time when I wasn't rooting for Mike Enslin in 1408. There was never a time when I did not want him to get out of the room. Cusack's emotional range is really put into play here, and the casting could not have been any more dead-on.

Samuel L. Jackson gives a chilling performance as a manager who is intent on not letting Mike enter room 1408. His determination to convince Mike not to enter the room only fuels Mike's determination to enter it. Through him, we pick up on the facts about the room Mike's research couldn't provide. His warnings give us chill bumps but leave enough open so that we still don't know what we're in for.

And with room 1408, you never really know what you're in for. Who am I to ruin it for you? Just know that this is not a mystery. We will not come to understand why the room is the way it is. There are, of course, those who will be disappointed by 1408--because when all is said and done, they will find it's not a movie about a freaky hotel room, but rather the man who's trapped in that hotel room and what he finds there.

----------------


While doing some research before reviewing 1408, I was shocked to discover that this was the first time since 2004's Riding the Bullet that a film based on a Stephen King story had gotten the big screen treatment. 1408 marks somewhat of a comeback to the silver screen for the author after mainly working with television the past couple years. Director Mikael Hafstrom has created the most atmospheric and downright tense thriller I can think of so far this year. The premise may be thin, and yeah, it doesn't always make a lot of sense. But, is it ever effective.

Mike Enslin (John Cusack) used to be a promising author until the untimely death of his young daughter, Katie (Jasmine Jessica Anthony). He now spends his time writing trashy paranormal novels about the world's most haunted areas. He travels the world, doing research by staying overnight at places that are supposed to be haunted, gets some colorful background info that he can use for material, and then moves on to his next job. One day, Mike receives a postcard informing him of an old hotel in New York City called the Dolphin Hotel, which is supposed to have a room that has quite the history. Doing some private research, he learns that the Dolphin has had a long and tragic history of deaths, all of them surrounding the guests that have stayed in Room 1408. Mike books the room, despite the warnings of the hotel manager, Gerald Olin (Samuel L.Jackson). Entering the room, nothing seems ominous at first. But then, the room itself begins to take on a life of its own, and begins tormenting Mike with various ghostly apparitions, mind tricks, and even displaying his own painful past before him in various ways.

1408 is the second thriller set around a hotel released in less than two months (the other being April's Vacancy), and is by far the superior film. The film is actually quite subtle in its way of creeping us out and disturbing us, which is a nice change of pace from the recent Hostel: Part II. Rather than bombard the audience with ghostly special effects and gore, the movie gets under your skin and goes for a much more psychological approach. The screenplay by Matt Greenberg, Scott Alexander, and Larry Karaszewski, wisely does not even attempt to explain Room 1408. It's just a very evil presence that can somehow look deep within troubled souls, and torture them to death with their own personal demons. In the wrong hands, this material could have been laughable. Even though the movie frequently flies into the realm of the unbelievable, it manages to somehow stay grounded.

A lot of this has to do with the fact that the film never loses its way, and become an excuse to throw as many special effects and jump scares into the movie as it possibly can. The human element of Mike Enslin is always at the center of the story itself, and its scares. The movie is built around the fact that he is forced to face his personal demons the longer he stays in his room, as well as try to keep his mind in check as various nightmarish hallucinations are paraded before him. It's much more effective than the usual characters that have passed as villains in recent paranormal films (usually gray-skinned people with hair over their faces), and it never once becomes heavy-handed or preachy. This is also a tricky balance to pull off. When the room started showing him flashbacks of Mike's own past, I grew nervous, thinking that the movie was going to start hitting us over the head with morales. Fortunately, it never once loses its sense of the eerie, and remains appropriately unsettling throughout.

At the center of the movie is John Cusack, who literally has to carry the movie almost by himself. This is essentially a one-man show for most of its running time, with fleeting apparitions being his main companions. Cusack has long been a favorite of mine, and this is one of his stronger recent roles. He not only has to carry almost the entire film on his own, but he also has to convincingly act like he is slowly going insane without hamming it up, or losing his personality. Any actor can tell you that madness is a difficult thing to depict. He strikes a very good balance, and remains believable throughout. Samuel L. Jackson is also notable in his small, but no less important, role as the manager who tries to talk Mike out of his decision to stay in the room. And then, of course, there is Room 1408, which is a character itself. The way it is constantly changing itself, right down to the paintings on the wall, creates an effectively creepy atmosphere that is continuously bizarre, but never so much so that we lose our sense to believe.

1408 succeeds where so many other films have failed in that it is not about apparitions jumping out at the actors or lurking in dark shadows. It digs much deeper for its horror than simple jolt thrills, and becomes an effectively thrilling horror film. It could be argued that the whole thing loses some weight when we apply logic to the story. But seriously, who wants to apply logic to a movie about an evil hotel room that can read your mind? When all is said and done, 1408 is a reminder of what horror can do. It can do so much more than thrill us. It can also make us laugh and leave us captivated. Perhaps what's more surprising than the fact that the movie can accomplish all that is that so few other horror films can.

----------------