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Next Day Air
Some of us abhor vacuums, while others merely ignore them. Either way, those gaps tend to fill themselves, so that the willing world may indeed discover what a musical set to the tunes of ABBA must look like, or even how an urban answer to Guy Ritchie's twisty comic-violent crime capers would turn out.
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The Curious Case of Benjamin Button
The Curious Case of Benjamin Button is a brilliant movie for the future of film in a variety of ways that I suspect no one involved with the film will want to celebrate. For example, I suspect that hopeful movie critics for years to come will be given it as a test of their abilities. It's a tricky movie to critique. I also have my suspicions that a wide variety of film classes will make great use of it. Should we turn the sound off and examine scenes for any number of the methods and modes of film creation, this is a movie with much to teach. It is, without the slightest hint of question, a beautiful and masterfully constructed film. It is also the best silk purse example of a film I've had to suffer through since Gods & Generals.
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The horror films coming out from Australia are rivaling the French, British and *gasp* even the Americans. Wolf Creek, Rogue, Dying Breed and others have all shown that even they....wait for it.... can make mediocre horror films.
Well Nature's Grave aka Long Weekend is just another run of the mill, when nature runs amok movie that's just like the rest of the straight to used DVD bin movies we make here.
It's unfortunate that it turned out this way. I would have expected something a little more from a movie that plotted a story of man vs nature. It's premise seemed to be slightly intriguing but in the end, all we get is a tidal wave of disappointment.
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Dr. Dolittle 2
About the most positive comment I can offer about Dr. Dolittle 2 is that it's not as painful to endure as its 1998 predecessor, Dr. Dolittle. Unlike the earlier Eddie Murphy effort about the M.D. who can talk with animals, the second installment makes no pretense of being family-oriented entertainment - this is kids-only fare (hence, the PG-rating). Potentially audience members over the age of 12 won't find much to laugh at or be amused by in this by-the-numbers comedy that uses sledgehammer tactics to convey its politically correct message. Of course, to balance out the film's social conscience, there has to be one gross-out scene - in this case, it involves a bear with flatulence.
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White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the character played by Michelle Pfeiffer. Ingrid is strong, beautiful, and self-possessed, but she acts as a poison to everyone around her, especially her impressionable daughter, Astrid (Alison Lohman), who idolizes her mother. Yet Ingrid acts based on her own whims and desires, without considering how they might ultimately damage the daughter she claims to love.
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In Good Company
Universal Pictures is touting In Good Company as being "from the producers of About a Boy." While that's a true enough statement, let's not forget that the team of Chris and Paul Weitz were also responsible for the popular American Pie series. Their latest, In Good Company, is more in line with the tamer, PG-13 rated Hugh Grant movie. There are no naked women and the sex/gross-out quotient is way down. In fact, the only ribald moment comes when Dennis Quaid's Dan Foreman expresses his feelings about a surprise birthday party his wife throws for him.
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Ride with the Devil
Most Civil War films - and there have been quite a few over the years - have a tendency to skew their perspective towards the Northern viewpoint. It's not hard to understand why - the old South may have been North America's final refuge for a genteel people with courtly manners, but it was also the Western world's last major bastion of slavery. Films like Gone With the Wind can romanticize the old South by virtually ignoring this ugly, festering sore, but turning a blind eye doesn't negate the truth. In the '90s, only the balanced and historically accurate Gettysburg (arguably the best non-documentary Civil War movie ever made) has treated the South with some sympathy and dignity - until Ang Lee's Ride With the Devil.
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Little Indian, Big City
Little Indian, Big City, the American name given to Herve Palud's 1995 French fish-out-of-water comedy, L'Indian dans la Ville, is easily one of the most tedious viewing experiences of 1996. I came as close to walking out of this movie as anything I have ever watched. No one, no matter how desperate they are for family entertainment, should be subjected to the indignity of sitting through this ninety-minute excuse for a motion picture.
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One Fine Day
One Fine Day has all the ingredients of an enjoyable romantic comedy: a decent premise, likable leads, and a solid supporting cast. The problem is, instead of throwing the two main characters together and giving them an opportunity to get to know one another, the script insists on keeping them apart as they run around New York City, trying to sort out one crisis after another. By the time they finally get a chance to snuggle together on a couch, too much time has passed for us to be enthralled by the long-delayed magic that materializes.
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Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller.
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Donald Sinclair, the eccentric owner of The Venetian Resort Hotel Casino in Las Vegas, devises a new game to entertain the high rollers who visit his hotel. Six special tokens are placed in the casino's slot machines, and the winners of them are gathered together and told that two million dollars in cash is hidden in a duffel bag in a train station locker in Silver City, New Mexico. They are told they must compete in a no-holds-barred race to get there first and claim the money. Each winner is given a key that will open the locker and they are sent on their way. What they do not know is that Sinclair's wealthy patrons are placing bets on who will win the race.
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Chad (Elliot Olson) is snowboarding down a mountain, when suddenly someone dressed in all black on Ski's attacks him. Chad attempts to get away, but is decapitated by a piece of wire strung up between two trees.
Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabels authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Claras daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.
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When an army of radioactive ants are unknowingly carted into a skyscraper, a group of people have to find a way out before theyre eaten one by one.
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This time the subject matter of Lommells grainy handi-cam composition is Richard Ramirez, dubbed The Night Stalker by the media, a serial killer who killed somewhere in the neighborhood of 16 souls during his reign of terror in Los Angeles back in the Eighties. We first learn that Ramirezs unsavory uncle practically raised him to grow up a pot-smoking woman-hater. Moving from El Paso, Texas to Los Angeles, California as a young adult, Ramirez falls in with a coven of devil worshippers. To hear them talk about their satanic freedom-to-do-whatever-they-want ideals, they sound less like satanists and more like Goth hippies. Getting involved in satanism proves to be the trigger that inspired Ramirez to cross the line and begin sneaking into the homes of mildly chunky women with big boobs and gunning them down as they shower...
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