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Alice in Wonderland
Based on the characters created 150 years ago by Lewis Carroll, Burton and screenwriter Linda Woolverton move the story forward to a 19 year old Alice (Mia Wasikowska) on the verge of womanhood. Her mother, who we never get to know, has arranged for her marriage to a milquetoast wimp of a man. The son of a lord who used to do business with Alice's father, this dull young man has no imagination and so when Alice begins speculating on all sorts of interesting, fanciful topics, he's not only unimpressed but also taken aback. Still, his family's determined the marriage go forward and lacking any free will - or a personality - he asks for her hand in front of a gathering of hundreds of their family members and friends.
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Open Season 3
I really wanted to like this movie… but poor animation and a mediocre storyline leave this film trailing in the woods.
Boog is preparing for a trip with the guys when everyone, including his best friend Elliot, decides to bail out. Angered and hurt, Boog wanders on his own until he stumbles upon a Russian circus and a beautiful lady-bear named Ursa. Boog is so enamored by Ursa that he does not realize that Doug, another circus bear, is plotting his escape by trading places with Boog. When Boog’s friends realize that Doug is an impostor, they ban together to get their friend back.
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Horton Hears a Who!
Admittedly, it's been about 35 years since I was reader of Dr. Seuss, but my memories of his books are that they're short and economical with words. Neither of those descriptions applies to this theatrical version of Horton Hears a Who!, which has found a way to take a thin, pithy book and stretch it out to feature length - despite the fact that a completely acceptable and much shorter version already exists. This is not the first time the good doctor's material has undergone such stretching. The live action How the Grinch Stole Christmas survived the experience but The Cat in the Hat suffered fate worse than eating green eggs and ham. Horton Hears a Who! doesn't enter the live-action realm, which is probably a good thing, but the lengthened result has its own charm and is enjoyable in a family-friendly sort of way, even if it feels a little like Dr. Seuss by way of Ice Age.
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Although perhaps a little unkind, the best description I can think of for Racing Stripes is that it's a "Babe wannabe." The new film has many of the same qualities, but it isn't as fresh, as witty, or as affecting as the 1995 movie or its 1998 sequel. The concept of making animals talk is always tricky, and, for the most part, director Frederik Du Chau (in his live-action debut after helming the animated Quest for Camelot) pulls it off. The animals' mouths move in a believable fashion, and the vocal cast is first-rate. The fault lies in the script (credited to newcomer David Schmidt), which doesn't believe that the animals have much worth saying to adult audience members.
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While watching Disney's Dinosaur, with all of its incredibly rendered creatures and seamless blending of animated objects with real backgrounds, a question occurred to me: In movies like this, can the writing keep pace with the technology? Films like Toy Story and Toy Story 2 (released by Disney, but produced by Pixar) confirmed that dazzling computer animation does not have to overshadow the screenplay. Unfortunately, Dinosaur (done entirely in-house at Disney) argues the opposite. As stunning as this movie is from a visual point-of-view, it boasts little else of great interest. Like so many big summer extravaganzas, this is a classic example of the triumph of style over substance.
How the Grinch Stole Christmas
For more than three decades, How the Grinch Stole Christmas has been a holiday season television staple. The 22-minute cartoon, based on the book by Dr. Seuss and narrated by Boris Karloff, has enchanted multiple generations of children (not to mention adults), and, even with its ready availability on video, it still draws a sizable viewing audience every time it is broadcast. With the possible exception of the Peanuts Christmas Special, no other seasonal program is as beloved and respected as this venerable classic. So, in deciding to transform it into a 90-minute, live action motion picture, director Ron Howard has taken a sizable risk. There are undoubtedly those who will view the movie as a sacrilege of the most heinous kind.
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Austin Powers: International Man of Mystery
Through the years, there have been many big-screen attempts to satirize James Bond, from the terrible misfire Casino Royale to the recent, even-worse Spy Hard. In between, even the "official" Bond series got in on the act -- during the Roger Moore era, the series turned into a virtual self-parody. Now, with the resurgence of Bond as a result of 1995's Goldeneye, spoofing the spy genre is again in vogue. And, after numerous failed shots, someone has finally gotten it at least partly right. That "someone" is ex-Saturday Night Live comic Mike Myers (not to be confused with the Halloween serial killer), the co-creator of Wayne's World. Myers' Austin Powers: International Man of Mystery (directed by first-timer Jay Roach) takes aim squarely at the psychedelic '60s and its brand of spy and hits them with the full brunt of his wit.
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Twenty five years ago, the SS Corona Queen disappeared in the region known as, The Bermuda Triangle. Now, it has returned. Seven people go on board to learn the truth behind her disappearance but the ship did not return alone...
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The Football Factory
"The Football Factory" focuses on two different groups of English football supporters—the Headhunters, who support Chelsea, and the Bushwhackers, who support Millwall. Throughout the movie, the Headhunters fight with other English groups such as those supporting Tottenham Hotspur, Liverpool, and Stoke City.
The film follows Tommy Johnson (Danny Dyer), a football hooligan in his mid 20s who has begun to question his morals and the morals of those around him. Tommy's major conflict in the film stems from his inevitable aging. Although he loves his weekend 'meets', he knows he cannot possibly play forever.
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The Cry of the Owl
Based on the novel by Patricia Highsmith (The Talented Mr Ripley), a young woman becomes inexplicably attracted to a man who is stalking her. When her boyfriend goes missing, the stalker is the immediate suspect, until a game of jealousy and betrayal turns deadly.
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Requiem for a Village
Although best known for his celebrated work as editor on Lindsay Andersons If.... and O Lucky Man!, as well as on the acclaimed BBC TV series Ways of Seeing, David Gladwell has rarely before been recognised as the director of a collection of extraordinary, ground-breaking films which explore Britains rural traditions and the undying power of memory. This Dual Format Edition (DVD + Blu-ray) provides the rare opportunity to finally experience Gladwells lyrical, poetic 1975 film Requiem for a Village, as well as a selection of his rare and striking short film works.
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Skip and Harry are framed for a bank robery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a natural tallent for riding broncos with the inter-prison rodeo coming up.
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Jenny Hayden never did get over the death of her husband. So when an alien life form decides to model himself on the husband, Jenny is understandably confused if not terrified. The alien, or Starman, as he is called, has a deadline to meet, and kidnaps Jenny in order to meet it.
When a crusading chairperson of the military budget committee pressures the would be Navy secretary to begin full gender integration of the service, he offers the chance for a test case for a female trainee in the elite Navy SEALS commando force. Lt. Jordan ONiel is given the assignment, but no one expects her to succeed in an inhumanly punishing regime that has a standard 60 dropout rate for men. However, ONiel is determined to prove everyone wrong.
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A retelling of the bible story. Pharaoh Ramses decrees the death of all Hebrew children, but Moses, placed in a basket in the Nile by his mother, is taken by a royal princess and raised as the brother of the heir to the throne of Egypt, Memefta. Moses is called by God to lead his people from Egypt to the promised land. A very reluctant prophet, feeling unworthy of the call, Moses accepts the task. After a series of plagues Memefta agrees to let the Hebrews go. With second thoughts, he pursues them to annihilation of his army in the parting of the Red Sea. Starvation is averted by manna from heaven, the ten commandments are given the people through Moses, they go astray with worship of the golden calf. Forty years of wandering in the wilderness, until finally they reach what will be their home (which Moses lives to see but not to enter).
Murder Loves Killers Too
Big Stevie has a sexual problem. Murder is how he has sex. And Big Stevie knows that there is no better way for a repressed killer to blow off steam than killing a bunch of care-free free-spirited teens. After her friends are all chopped, carved, and slashed, sweet young Aggie is left alone to face off against this unreasonable psycho. Now shes got a pervert on her hands. A big one. And Big Stevies problem could become Aggies problem real fast.
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