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Youth in Revolt
Based on the popular book by C. D. Payne, Youth in Revolt is awkwardly charming and subtly subversive, much like its young star, Michael Cera. In the dual role of Nick Twisp and his mischievous, imaginary alter ego Francois, Cera manages to expand on his usual on-screen persona – the sensitive, lovesick teen who finds himself out of his depth. Cera and his co-star, newcomer Portia Doubleday, are the best things about the film, which pushes the boundaries of the kinds of transgressions a protagonist can commit without losing the audience's sympathy.
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You can bet that anyone named 'Judd' might have a few heartrending school yard stories to tell. It's not surprising that so many great comedy writers cut their teeth on stage as a way of coming to terms with depression, trauma and the occasionally grim realities of early life. And so it is with writer/director Judd Apatow (The 40-Year-Old-Virgin, Knocked Up)'s latest screen drama 'Funny People'; a crying-clown tale hidden under layers of dick jokes, allusions and cameos.
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Snakes on a Plane
Either you've already understood why this movie exists or you don't. Snakes on a Plane has a purpose, and to the crowd that gets it, it completely delivers in that aspect. Snakes is a blueprint for every future B-movie on how it's supposed to be done, and it's unbelievably fun for the full running time.
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Maybe it's just wishful thinking, but I believe Hollywood has a tendency to underestimate the teenage viewing crowd. While it's certainly true that a portion of that demographic goes to theaters only for the most superficial form of entertainment, there surely must be a thirst amongst high schoolers for movies of a more challenging and less formulaic nature. It is to them that the subject matter of Crazy/Beautiful applies; unfortunately, the narrative fails to live up to its potential. A hybrid of Mad Love and Save the Last Dance, Crazy/Beautiful boasts strong performances underutilized by a banal storyline that manipulates familiar characters into
The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters. The movie meticulously steps viewers through the Byzantine passageways of its plot while not taking the time to develop protagonists an audience can care about. In the end, while George Clooney and Cate Blanchett may look great, they aren't given more than shells to inhabit. The Good German is at times involving in the same way that any noir film is involving, but it often feels overplotted and the experience of watching it can be exhausting.
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The superheroes of DC Comics have been very good to Warner Brothers. In 1978, Superman became a major motion picture event, packing theaters and resulting in a franchise that generated three sequels before collapsing under the weight of bad writing, bad acting, and bad special effects. Then, only two years after the release of the movie that killed the Superman series (Superman IV: The Quest for Peace), Warner Brothers turned to DC's other venerable hero, Batman. From the moment the announcement was first made, fans were ecstatic, especially when it was revealed that the tone of the film would more closely resemble the dark nature of the comics, as opposed to the jokey, campy feel of the '60s TV series starring Adam West. This Batman was intended to be a different breed from any previous live-action incarnation. Like Superman, Batman spawned three sequels, and, like the saga of The Man of Steel, the Caped Crusader's adventures were eventually ended not by the successful plots of his enemies, but by the inept plots of those who helmed the series. Batman and Robin ended the profitability of a franchise that had been teetering since installment #3, Batman Forever.
"Why is the price of justice so high?"
- Maheude, Germinal
Germinal, based on the landmark novel by Emile Zola, presents a startlingly authentic and powerful look into the tumultuous, tragedy-riddled lives of 19th century French coal miners. Forced to endure hellish conditions, risk death and dismemberment, and work from before dawn until after dusk, these men and women had only one alternative to mining: starvation. Germinal is not a happy story, but it is impossible not to sense the realism that pervades the project.
How to Make an American Quilt
There's more to a quilt than fabric and thread -- each patchwork design has its own unique story (or stories) to tell. In How to Make an American Quilt, the first Hollywood release from Australian director Jocelyn Moorhouse (Proof), we come to understand how the tales of the seven makers imbue their creation with passion and vitality. All the sorrows, joys, longings, sufferings, and loves of these women are sewn into their quilt and, as their bittersweet memories are given expression, one young woman applies these lessons of the past to her own uncertain future.
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The Moon and the Stars
A wealthy Jewish homosexual film producer is making a film based on Puccini's opera Tosca and a famous German diva is cast opposite a difficult English actor. As filming gets under way on a sound stage in Rome, World War II in 1939 escalates around them threatening the film's completion.
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If I Had Known I Was a Genius
Michael (Markus Redmond) is an African American boy with a genius I.Q. His family refuses to encourage him and tries to bring him down, and his mother (Whoopi Goldberg) nicknames him "Ugly". Michael enrolls in a high school drama class and finds encouragement from an eccentric teacher.
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In My Father's Den
When his father dies, Paul Prior (Matthew Macfadyen), a disillusioned and battle-weary war photographer, decides to return home to an isolated town in the South Island of New Zealand. His brother Andrew (Colin Moy), a local ostrich farmer, is caught off-guard by Paul's sudden reappearance after 17 years away. Worlds apart, they barely recognise each other. Andrew, a pious man, pressures Paul into staying to help sort out the sale of their father's cottage and the adjoining orchard. Andrew is married to the highly religious Penny (Miranda Otto).
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The Dark Hours
Dr. Samantha Goodman, an attractive psychiatrist in her thirties, joins her husband and sister for a weekend at a winter cottage when an unexpected guest arrives. Harlan Pyne, a violent sexual offender, is convinced that Samantha conducted unethical experiments on him while she was his doctor. With the assistance of his troubled yet eager protege, Harlan forces Samantha and her family to participate in a series of nightmarish games. On this night of terror, escape is not an option, truth guarantees nothing, and revenge will not necessarily be sweet.
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Jack employs his younger brother Cal to work as a bouncer at his new club, which attracts the likes of Jools, Kathleen and Pedro. Feeling that hes living in Jacks shadow, Cal sets fire to his brothers fiancees wedding dress, accidentally burning down the club as a result - Cal goes on the lam. Meanwhile, Tatty witnesses a statue coming to life in a burnt out church. Called Amy, she only has a short amount of time on this earth, she must recieve a kiss from her true love between midnight and sunrise. Cal appears to be her ideal suitor, but he dosent know that her time is running out.
Next Day Air
When a misguided delivery driver inadvertently delivers a package containing concealed bricks of cocaine to the wrong address, it sets in motion a desperate search and battle for the coke between the furious dealer that sent it, the fearful intended recipients that missed it, and the conniving accidental recipients that plan to flip it. Time is running out and everyones trying to get their hands on the package thats been sent...Next Day Air! DVD Quality PC, Mac, PS3 and XBOX 360 COMPATIBLE
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Chain of Command
When Merrill Ross (Michael Dudikoff) is thought to be a C.I.A. agent gone bad and teaming with some other alphabet named agency to take over the oil rich country of Qumir, he finds hes in the middle of a very explosive situation. Not knowing who he can trust, hes forced to use a process of elimination thru the chain of operatives he encounters.
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A mysterious new girl arrives in a posh suburban neighborhood and quickly sets out to terrorize the town. As she starts breaking into homes and torturing the occupants, they begin to realize that she isnt just another girl next door.