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Based on the novel Derby Girl by Shauna Cross (who also scripted), Whip It marks the feature film directorial debut of Drew Barrymore. The dramedy follows teenager Bliss Cavendar (Ellen Page) who is looking for a way out of her dead-end hometown of Bodeen, Texas. Bliss' well-meaning but domineering mother Brooke (Marcia Gay Harden) is convinced that her daughter's only ticket out is to win the local Miss Blue Bonnet Pageant, but Bliss yearns for something other than her mom's debutante dreams or working as a waitress at the Oink Joint.
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One Missed Call
One Missed Call is yet another PG-13 horror movie adapted from a Japanese source. Taken in concert with The Ring, one has to wonder if these productions illustrate some subconscious fear of technology felt by the Japanese. First, they're being menaced by video tapes. Now, it's cell phones. What's next: The Blu-Ray ghost? One Missed Call starts out with an intriguing premise then ruins it by trying to build a story around it that explains too much. Of course, the more exposition it delivers, the sillier the entire thing becomes until it collapses under its own weight. This is the kind of concept that cries out for atmosphere and existentialism, not gratuitous "boo!" moments and endless shots of people crawling around in dark spaces with a flashlight.
If ever there was a reason not to check your cell phone voicemail, this is it - not that most of us worry about a ghost hiding out in the circuitry of our most indispensable electronic gadget. (Although I wonder about gremlins sometimes…) Of course, it doesn't matter if you forget your password, because cell phones in this movie don't use them, nor do they need batteries, which could be an argument in favor of a haunted phone. No more worrying about recharging or having to hang up when the indicator reads "zero bars." Presumably, the ghost has also solved the cell signal problem. The single drawback - looming death - is one of those side effects that probably shouldn't be ignored.
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As family features go, Charlotte's Web may be the best we have seen in a while. Technically adept and surprisingly affecting, the movie translates E.B. White's children's book into a motion picture that will enthrall children and engage their parents. The animals come to life with enough credibility that it's not out of the question that a few tears may be shed for a CGI creature. Strangely, even with plucky Dakota Fanning fronting for the human actors, the film loses some of its magic when it moves outside of the barn. Comparisons to Babe are expected and warranted, but one thing missing form this story is James Cromwell.
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With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrates all of his efforts on producing and directing, and the result is the Hollywood icon's best effort in nearly a decade. The script, written by Brian Helgeland, remains reasonably faithful to Dennis Lehane's novel. This is a powerful tale of crime, guilt, and punishment - a drama that incorporates elements of whodunit mystery/thrillers and police procedurals with a richly textured three-character play.
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Freedomland is one of an increasingly endangered species: the adult movie that's about something. By "something," I mean a serious issue - the kind of thing films shy away from for fear of alienating viewers. Underneath the trappings of a police procedural, Freedomland opens a gateway to the simmering cauldron of racial/social inequality that exists across the urban landscape of this country, where people are treated differently because of the color of their skin or their lack of spending clout. Events in the movie are as fictional as the locale in which they transpire (Dempsey, NJ), but they bear an uncanny resemblance to recent news stories. It's unclear whether writer Richard Price drew from the headlines in drafting his story, or whether Freedomland shows prescience.
Layer Cake is the latest in the recent cluster of British gangster/caper films begun by Guy Ritchie's Lock, Stock and Two Smoking Barrels. Matthew Vaughn, the director and co-producer of Layer Cake, held the producing credit for Lock and Ritchie's follow-up, Snatch. As such, it's no surprise that Layer Cake borrows aspects of the "feel" of those films. There's the same morbid sense of black humor, although Layer Cake is more character driven and less gruesome than the earlier productions. And, for pure shock value, it contains a "didn't see that one coming" moment unlike anything in either of Ritchie's ventures into this genre.
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Waiting for Guffman
Thirty minutes into Waiting for Guffman, my stomach hurt from laughing. Like some of the most brilliant comedies of recent years -- Clerks, Living in Oblivion, and Flirting with Disaster, to name a few -- Waiting for Guffman reminds us of the true meaning of the term "sidesplitting." And, unlike in many of the movies on my "funniest films" list, there's nothing bizarre or twisted about this humor. The laughs dished out by Waiting for Guffman are universally accessible.
Director/co-writer Christopher Guest is most recognized for two things: his satire and his marriage to Jamie Lee Curtis. His best-known work is undoubtedly This is Spinal Tap, which he co-authored and appeared in. Those familiar with that film will find certain similarities to Waiting for Guffman, the most obvious of which is the faux documentary format. However, where Spinal Tap, like many parodies, relied upon acid humor and vicious barbs to generate laughter, Waiting for Guffman is a much gentler creation. This movie can be considered an affectionate satire, because, while it pokes fun at small-town America and high school stage productions, it also offers up a heartfelt homage to them.
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There are approximately 8 or 9 fights on here. Theyre real fights, including boxing matches, bare knuckle matches, and some allow the competitors to continue pummeling the opponent when theyre down. I think there were one or two girls in here that were actually attractive. Well, one at least. About three of the fights are fairly descent, three full rounds with a good amount of action. A couple of the fights end after one girl gets punched a few times and decides to quit. A few others are totally inexperienced girls flailing away at each other, completely unable to hurt each other, so they eventually become exhausted. One fight has a fat girl vs. two normal sized girls, and its like a fight from the Jerry Springer show. There are at least 5,000 punches thrown but theyre wearing padded headgear and nobody can hurt anybody. In one of the good fights, one of the girls gets her sports bra bulled up and you get to see, well, you know.
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Turn the River
Turn the River stars Famke Janssen as Kailey Sullivan, a woman rough around the edges and schooled in hard knocks. Divorced from her son's father and without visitation rights, she and her son write letters to each other and meet surreptitiously.
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Gina McVey is a radiologist who is enjoying dinner one evening with her family and her boyfriend Stefan when a mirror shatters for no apparent reason. After a few moments, no one thinks much of it, but the next day Gina is leaving work and she sees something even more troubling—a woman who looks just like her, driving a car identical to her own. Curious, Gina sneaks into the doppelganger's apartment and sees a photo of herself and her father in the hallway. Seriously rattled, Gina runs out and drives away, only to get in an accident that lands her in the hospital. After she's released, Gina asks Stefan if she can stay with him, but while he looks the same, his personality and behavior are quite different from the way she remembers him, and she begins having vivid nightmares, which become all the more terrifying when the same horrific images begin popping up in her waking hours.
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Flashbacks of a Fool
oe (Daniel Craig) is a has-been actor who seemed to have had great success at one time, but who now just spends his time drinking, doing drugs and sleeping with random women. The only person he has in his life is his personal assistant Ophelia, and even she is getting tired of him. He receives a call from his mother to say his childhood best friend, Boots, whom he has not seen in years, has died. He attends a disastrous meeting with his agent, who has lost interest in Joe and his career. Joe then meets with an up-and-coming director, during which his excessive drinking causes him to lose the part he had hoped would restore his flagging career. His agent tells him that he is washed up, no one wants to work with him, and quits. This causes Joe to go for a drunken swim and have a flashback of his teenage years and his best friend.
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InSearchOf aka In Search Of Sex
Sex is why were all here. Power. Love. Sex. Were all looking for something. Ten characters each of whose lust sends them on a journey of discovery - sometimes decadent - spearhead the narrative threads in this unconventional American melodrama. The smart characterizations are counterbalanced by intense performances. From the virginal young man to the bored housewife a temptress and a womanizer with a dark secret In Search of Sex dramatizes situations where good people looking for short term solutions find themselves in bad circumstances with long term consequences.
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On a dark winters night, a pregnant cow screams out in agony on Dans Farm. Dan is trying to deliver he calf but there is a problem. Something has gone terribly wrong with the calf inside the cow. And Dan is terrified. Over the next 35 hours we slowly learn the shocking truth of what is happening on the farm the biotech experiment gone wrong the awful reality of what has been done to the cattle and the physical danger that the five people on the farm find themselves in.
In the future, the Earth transforms into a desert wasteland called The Cursed Earth. Crowds of people now live within walled Mega Cities where crime is out-of-control and elite police forces (The Judges. Judge, Jury and Executioners all in one) enforces law and justice in the Mega Cities. Judge Joseph Dredd, the greatest Judge in Mega City One is framed for the assassination of a journalist and his wife by Renegade Judge Rico. Learning the truth about himself from Chief Justice Fargo, head of the council of Judges. Dredd with help from colleague and trusted friend Judge Hershey and cowardly computer hacker Fergie sets out to take on Rico, corrupt council member Judge Griffin and genetics scientist Ilsa Hayden and the super-strong ABC robot and put a stop to their evil plan involving genetic engineering (The key to the secrets of Dredds past) and unleashing chaos and destruction in Mega City One.
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Chester thinks he is going to get a promotion, and tells his fiancee. In a meeting with his boss he lies and says that he coached soccor before and his boss puts him as the coach of a ladies soccer team. There is only one problem, they suck. The only way to rectify the problem is to dress his fiences son as a girl and put him on the team. The only problem is that he has a crush on the bosses daughter who is also on the team.