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The concepts at the center of the Tribeca film Transcendent Man are familiar to even the most casual of sci-fi fans: artificial intelligence, nanobots, machine-against-man global wars, techno-imbibed immortality, and so on. What separates this film from your run of the mill genre movie, however, is that Transcendent Man is actually a documentary which posits that all these concepts could just be a decade or two away from really happening.
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A poem by Regular Lovers’ protagonist François (Louis Garrel) speaks of him wanting to close his eyes to “the terrible roar of nothingness,” an unexpected wish, to say the least, of a young man whole-heartedly taking part in the May ’68 uprising in Paris. But then again, director Philippe Garrel’s recreation of the time period is far from one suffuse with dramatic conventions. Instead, what we see a lot of—almost three hours worth—is quite similar to, though less romanticized than, another movie taking place during the same time period and also starring Louis Garrel, Bernardo Bertolucci’s ineffective The Dreamers. To a degree far more impressionistic and personal, than that film Regular Lovers emphasizes a sort of drugged, unwinding existence for its “revolutionary” young protagonists. After they abandon the barricades and street protests of May the youths lop around the mansion of a friend of theirs who, lucky for them, at a very young age inherited a fortune when his wealthy father died. There, they smoke pot and opium, cheat on their significant others with a lazy attempt at slyness, occasionally bring up some of the ideology of the revolution, which either sounds pat or is ridiculed in such an atmosphere, and generally seem to exist pleasurably but fruitlessly in this “nothingness” that our poet protagonist spoke of.
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Streets of Blood
Streets of Blood is as ridiculous as it sounds. The DVD box reads, 'The Big Easy is losing the fight,' but it should say, 'The Bad Movie is killing the audience.' Here is a direct-to-video Festival of the Absurd so over-the-top, so incompetently made, so lacking in decent taste and common sense that the only thing missing to keep it from late-night Skinemax is a couple of sleazy softcore sex scenes. Sure, the film loves gratuitous jiggle shots, but they are not nearly long-winded enough to make the grade. Sad, since that is the only vein in which a movie like this could be deemed remotely successful.
At first the movie simply seems outdated, since it takes place in the immediate aftermath of Hurricane Katrina in New Orleans. But we soon forget that simple fact once we realize that the setting is merely tertiary, and the story being told within that setting makes so little sense that it might as well take place in Lizard Lick, NC. Streets of Blood has literally nothing to do with New Orleans other than its characters' strained Creole accents and the occasional second-unit close-up of a Big Easy street sign that cuts away to transparent, poorly-lit sound stages.
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Robert Frost famously wrote, "Good fences make good neighbors," and that's one of the first phrases that comes to mind while watching Lakeview Terrace, the latest thriller from Neil LaBute. LaBute began his filmmaking career with the scathing In the Company of Men, but his previous effort was the deservedly reviled remake of The Wicker Man. While Lakeview Terrace isn't as horrendous as The Wicker Man, it's nowhere close to the level LaBute attained with his debut. The first two-thirds of Lakeview Terrace offer a little more subtlety and complexity than the seemingly straightforward premise would afford, but the climax is loud, dumb, generic, and over-the-top. Those hoping for something more interesting will be disappointed by the level to which the filmmaker stoops to get an unearned visceral rush. In pandering to Hollywood standards about how stories like this should unfold, LaBute has lost his edge.
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Eye of the Dolphin
Eye of the Dolphin is a family drama that will appeal to anyone who likes movies with the hard edges blunted and the narrative bumps smoothed. There's real heart to be found in the story but it comes along with borderline saccharine sentimentality, a too facile ending, and clean outcomes that aren't earned. The film's final scenes frustrate, not because bad things happen or subplots are left hanging but because there's a sense that the movie has cheated us by substituting a resolution of convenience instead of one of substance. Among its assets, Eye of the Dolphin counts wonderful photography (both above and below water) and an effective performance by leading actress Carly Schroeder. Tween and teen girls will identify with her and the character she plays, and this makes the movie targeted strongly at them. Older viewers who are hoping for something with more heft may be disappointed.
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Welcome to Mooseport
What might have been… Those four words tell the sad story of too many films, and Welcome to Mooseport is one of them. It starts out with a terrific premise, ripe with the potential for the kind of political satire we haven't seen on the big screen since Bulworth: what if a popular ex-president ran against a likable hardware store owner to be the mayor of a small town? But a premise is nothing more than a sturdy building block, and, in this case, the filmmakers have employed the shoddiest construction crew imaginable. Welcome to Mooseport's satirical edge is dull and pitted, the screenplay is overlong and uninteresting, the comedy is soft and shapeless, and the actors perform like they're on a sit com. There's not a whole lot to like about Welcome to Mooseport, and, considering how lively real politics can be these days, you're likely to get more entertainment from watching two hours of CSPAN.
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Gabe Walker (Sylvester Stallone) is a member of a mountain climbing rescue team. When one of his operations goes wrong and the girlfriend of his best friend, Hal Tucker (Michael Rooker), is killed, Gabe blames himself and leaves. Eight months later, after setting up a life in Denver, he returns to the mountains to persuade his lover, Jessie (Janine Turner), to come with him. While he's there, a call for help comes in and Gabe decides to become involved in one last rescue attempt. However, unknown to him, the rescue call is a fake, put out by a group of hijackers stranded in the mountains after the crash of their plane. Led by the psychotic Qualen (John Lithgow), they're after three suitcases of money (100 million dollars) that are lost somewhere in the peaks and valleys of the Colorado Rockies.
Hearts in Atlantis
Hearts in Atlantis tells the story of Robert "Bobby" Garfield (David Morse), a middle-aged man recollecting his past, in particular the summer when he was eleven years old (Anton Yelchin). During that summer, he and his two friends, Carol Gerber (Mika Boorem) and John "Sully" Sullivan (Will Rothhaar), experienced many things together, the most mysterious of which was meeting an elderly drifter named Ted Brautigan (Anthony Hopkins).
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Firestarter 2: Rekindled
Vincent Sforza (Danny Nucci) works for a large, influential research firm, and he has been put in charge of locating several people who were part of an old experiment from the 1970s -- an experiment in which a group of college students were given a dose of a chemical called LOT-6.
Apparently, the victims of the experiment have won a class action lawsuit and need to be found so that a check can be issued. Included on the list is Charlene "Charlie" McGee (Marguerite Moreau), the offspring of two of the participants in the experiment.
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The Final Season
True story of Kent Stock, who in the early 90s, gives up a job and ditches his wedding plans to take over as head coach as the Norway High School baseball team. Kent must win over his players and convince them and himself that he can fill their former coachs shoes and that they can go out winners. In the summer of 1991 Norway Highs baseball tradition ended on a triumphant but sombre note.
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Confessions of a Window Cleaner
Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.
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Jimmy Zip is a pyromaniac runaway who escapes the clutches of a drug king pin to become the apprentice of a wildly brilliant metal sculptor with Tourettes Syndrome. In Jimmys rite of passage art and camaraderie become a matter of life and death.
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Between his tax problems and his legal battle with his wife for the custody of his daughter, these are hard times for the action movie star who finds that even Steven Seagal has pinched a role from him! In JCVD, Jean-Claude Van Damme returns to the country of his birth to seek the peace and tranquility he can no longer enjoy in the United States.
Made for Each Other
The best part of any marriage is consummating it. However after 3 months of a sexless marriage Dan, in a moment of weakness, finds himself in the throws of casual sex with another woman. Dan decides the only way to morally rectify this is of course to get his wife to cheat on him and thus he sets out to find the right man to put the hurt on his old lady.
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Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is allergic to everything, and sticks with Vada despite her hangups. When Vadas father hires Shelly, a makeup expert, in his funeral parlor, and begins to fall in love with her, Vada is outraged and does everything in her power to split them up.
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