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The Hurt Locker
The Hurt Locker follows a U.S. Army bomb disposal squad in Iraq during the summer of 2004. Staff Sergeant William James (Jeremy Renner), Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are tasked with disarming and, if need be, detonating the countless homemade bombs, or Improvised Explosive Devices (IEDs), that have killed many of their brothers-in-arms and thousands of Iraqis.
Sanborn and Eldridge are almost immediately at odds with their new team leader. James is a cowboy with little regard for military protocol, ditches his safety armor and radio while disarming a bomb, and continually blurs the line between courage and foolhardiness. To Sanborn and Eldridge, who only have 38 days left in their tour of duty, James is a wild card they didn't need to be dealt. For a man with a unique skill set designed to help keep his fellow soldiers alive, he just might end up getting them killed.
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They've been fast. They've been furious. Hell, they've even Tokyo drifted. But can the dynamic duo of Vin Diesel and Paul Walker keep the high-speed action going with Fast Five -- the fifth installment in the popular street racing franchise? In a nutshell: yes.
When last we saw these speedsters, FBI agent Brian O'Conner (Walker) walked away from the badge in order to free Dom Toretto (Diesel) from a life in prison. His daring rescue mission involved his girlfriend and Dom's sister, Mia (Jordana Brewster), a spectacular bus crash, and -- of course -- a fleet of souped-up roadsters. Since that time, the trio has blown across the globe, eluding the authorities at every turn. But when they're been backed into a corner in Rio de Janeiro, circumstances force them to pull the proverbial "one last job" in order to buy back their freedom.
This, of course, means assembling an elite team of drivers… a team that consists of our favorite characters from the previous Fast films. That includes Matt Schulze as Vince (from The Fast and the Furious), Tyrese Gibson as Roman (from 2 Fast 2 Furious), Ludacris as Tej (also from 2 Fast 2 Furious), Sung Kang as Han (from Tokyo Drift), Tego Calderon as Leo and Don Omar as Santos (from Fast & Furious), and Gal Gadot as Gisele (also from Fast & Furious). As this car circuit dream team puts its plan in motion, they know that their only shot of getting out for good means confronting the corrupt businessman who wants the group dead. But he's not the only one on their tail.
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It's really bad enough to make yet another film from Alexandre Dumas' classic novel "The Three Musketeers." It's even worse to veer wildly from the source material, losing the story of the Musketeers, and feature choreography from the "legendary" (aren't they all recently?) fight master Xiong Xin Xin. The easy logic would be to just stand back and wonder why. Why bastardize a classic so much when very little effort in translating the book could've produced an entertaining film? But that kind of thinking will drive you insane.
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The Rock's on a roll. Anyone who doubts Dwayne Johnson can be the new millennium's answer to Arnold needs to look no further than his recent resume. The parallels are astonishing. Both come from non-acting fields where brawn is a key requisite. Both have a strong screen presence coupled with a limited acting range. And both are savvy about the importance of marketing and branding to stardom. The only thing The Rock lacks is an accent (for example, he correctly pronounces "California"); however, since he is American-born, the Presidency isn't out of the question. And which would you rather have inside the White House (as well as on its grounds): a bush or a rock?
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Gracie is a by-the-numbers sports drama about a young girl who defies the odds to succeed in an all-male arena. It's the kind of thing that might make for a compelling after school special, but is hardly what one expects to spend $10 for at a multiplex. The film hits all the expected high notes of melodrama, does plenty of preaching from the pulpit, and comes to a rather abrupt conclusion (immediately after the expected moment of redemption/triumph). Yet for all its faults, Gracie is made with enough grace to get us rooting for the protagonist. This is due more to the heartfelt performance of actress Carly Schroeder than it is the less-than-inspired inspirational screenplay by Lisa Marie Petersen and Karen Janszen.
Smokin' Aces is Tarantino lite - a vague and unsuccessful attempt to bring together a bunch of offbeat, unrelated characters in a situation where a bloody resolution is inescapable. Like an absentminded chef, however, writer/director Joe Carnahan has gone into this endeavor without the full complement of ingredients, and the missing ones are crucial to the final product's consistency. The characters are uniformly uninteresting - a bunch of ill-defined caricatures who never attain even a semblance of identity. The undercurrent of dark humor is rarely amusing and the screenplay's supposed cleverness is rarely ingenious. The setup takes too long and the resolution is a letdown. The movie demands an attentive audience to follow the diverse characters and plot threads but, in the end, it fails to reward that attention.
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Haunting and disturbing, Time is the kind of motion picture that gets under your skin and doesn't let go. It lingers long after the final credits have rolled and, for those who see it with friends, it will provoke endless post-movie discussions. A meditation on identity and how our physical appearance relates to who we are, Time is the product of the fertile creative mind of controversial (some love him, some despise him) South Korean director Kim Ki-duk. Like Kim's previously seen international efforts (Spring Summer Fall Winter...and Spring, 3-Iron), this one takes a seemingly straightforward storyline and twists it to devastating effect during the final act. The result is a production of intellectual and emotional power. It's nowhere close to conventional and aptly fits the term "challenging."
Deep Blue Sea
At first glance, Deep Blue Sea might look like just another dumb, pointless monster movie crawling from the depths to take a run at the mid-summer box office chart. However, while I won't argue that this creature feature is going to enrich the mind, the script is characterized by a certain flair and Renny Harlin's direction keeps things moving at a breakneck pace. Consequently, while Deep Blue Sea may not be the most edifying motion picture to arrive in mutiplexes this year, it proves capable of doing something that many more artistically ambitious films fail at: entertaining an audience for nearly two hours.
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The four friends: Cloe (Skyler Shaye), Yasmin (Nathalia Ramos), Sasha (Logan Browning) and Jade (Janel Parrish), are about to start high school. Although nervous, they feel excited and confident that they will excel. Head girl Meredith Baxter Dimly (Chelsea Staub) wants everyone to belong to a group (i.e. a clique), and goes about organizing people. She does not like the independent spirit of the four girls. She plots to destroy their friendship and make them conform to her pre-fabricated cliques. Cloe is an ace soccer player. She meets Cameron (Stephen Lunsford) and is instantly smitten. Sasha is soon recruited as a cheerleader for her cheering ability. She amazes the squad, including the head cheerleader. Jade does well in science club and designs great outfits. She meets Dexter (Chet Hanks) and there's definitely chemistry between them. Yasmin's special talent is to sing; however she has terrible stage fright. She meets Dylan (Ian Nelson), who is deaf but very good at lip reading. She makes a crass remark to him, and, of the group of four, it is she who ends up making a terrible start to her high school career. The friends begin to drift apart, as they are compelled to stay within their cliques.
Toe to Toe
A story about two lacrosse teammates from opposite sides of the track.
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Kirsten is a 14 year old girl who lives in an isolated Australian country town. Laura is a businesswoman on her way to Brisbane. When their journeys coincide Kirsten and Laura make a connection that runs deeper than their differences.
The water supply for a large city zoo becomes contaminated with PCP, and the animals go crazy and get loose.
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A secret Service agent and a news reporter investigate the conspiracy behind the assassination of the President.
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Scarlet Frys Junkfood Horrorfest starring Calico Cooper (Alice Coopers daughter) is a sick and demented horror anthology featuring six twisted tales hosted by the ghoulish Scarlet Fry that will turn your stomach and send you crying for your mommy. See blood thirsty cannibals, satanic zombies, demented nurses, junkie serial killers, freaky perverts and more as scarlet fry takes you on the thrill ride of your life. This blood drenched film is not for the weak at heart.
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Kiss of the Dragon
Liu Jian, a police officer from China, comes to Paris to help the vice squad apprehend a Chinese drug lord and his unknown French connection. The French connection is Richard, the head of the vice squad, who intends to kill the drug lord then frame Jian. Jian ducks a bullet and escapes with a tape of what really happened. By chance, Jian turns to Jessica - a US farm girl who is one of Richards hookers - for help. She has her own problems, including the fact that Richard has her daughter locked in an orphanage to keep Jessica on the streets and silent about his activities. Can Jian protect Jessica, rescue her daughter, and give Richard the kiss of the dragon?
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Love On A Branch Line
Jasper is the perfect English Civil Servant - polite and refined. But to his girl friend, and even to himself, he is a bore. So he decides to become a painter in Paris. Not so fast. The powers-that-be send him to the country to dismantle a forgotten research unit which is headquartered in an old mansion. The eccentric owner lives in a railway train, on his own branch line, letting the government pay for the upkeep of his ancestral home. The small research unit enjoys running the stately home and everyone is content with the status quo. Enter Jasper who quickly meets Lord Flamboroughs three daughters, who, in one way or another contrive to make Jasper feel very much at home. Jaspers life is turned upside down, and he must eventually decide where his own personal future will lie.
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