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In the three weeks since the film's US release, this sci-fi from the team who tried and failed to make Halo (producer Peter Jackson and director Neill Blomkamp) has received rapturous critical acclaim and made a fairly remarkable opening bow at the US box office ($37m in the first weekend).
Now that the flick has almost made its way to British cinema screens (it opens this Friday), we have come to the conclusion the film almost deserves all the praise that came its way.
District 9 may not be the masterpiece some have feted it to be, but is nonetheless a highly admirable film that crackles with wit, invention, imagination and ingenuity.
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A routine trick at a man's apartment propels a cynical hustler into a series of strange and life-changing encounters in this stunningly photographed drama from San Francisco-based Joseph Graham.
One Hour Photo
One Hour Photo is an actor's triumph - a fitting destination for Robin Williams to reach after essaying increasingly darker and more dysfunctional characters in films like Death to Smoochy and Insomnia. The actor, who once was known almost exclusively for his comedic roles, has painstakingly reworked his image over the past few years, following in the footsteps of other funny men who have displayed impressive dramatic ability and range. Any lingering doubts about Williams' ability to play a role completely straight (and there shouldn't be any after Good Will Hunting and Insomnia) are erased by One Hour Photo. The film has its share of flaws, but none of them are related to the lead actor's powerful and haunting portrayal. Williams nails it.
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Winter Passing is a classic example of a pedestrian motion picture being lifted out of mediocrity by an arresting lead performance. Zooey Deschanel doesn't just elevate Winter Passing; she carries it. There are other things to be said in favor of Adam Rapp's debut feature - the tone is suitably melancholy and he does a nice job writing Deschanel's character - but this film belongs to the actress. This is only her second time to step out of a supporting role (she was the co-lead in All the Real Girls), and it proves that she's ready for the "big time." As she has shown in the past, and continues to display here, versatility is among her strengths.
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Revolver had its world premiere at the 2005 Toronto Film Festival, some 27 months before finding its way into a small number of U.S. multiplexes. If that says nothing else, it's that distributors shied away from the film, fearing its complete lack of commercial potential. Considering that the director is the hip and violent Guy Ritchie, the man behind Lock, Stock and Two Smoking Barrels and Snatch, this might seem surprising - until one sees this disastrous mess that is masquerading as a motion picture. Often, if you ask me about something I saw at a film festival more than two years ago, I'll draw a blank. But I recall Revolver with surprising clarity - for all the wrong reasons. Before this, Swept Away was universally viewed as Ritchie's worst effort. Revolver is supposed to be his comeback - a return to the genre in which his success was born. With this movie, we are supposed to believe that the remake of the Lina Wertmuller film was an aberration. But, surprise of surprises, Revolver turns out to be worse than Swept Away - and not just by a little bit.
Truth About Charlie
Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and even engaging – motion picture. It's not a great movie, or even a very good one, but, if you try not to compare it too much to the original, it works. Given the option, it's better to see Charade, which easily tops Demme's version for star power, if nothing else, but The Truth About Charlie has its own set of charms, not the least of which is Thandie Newton.
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Batman and Robin
With Batman and Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel -- pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. Sadly for all the batfans who have been waiting with baited breath for this one, Batman and Robin has become the latest blight on the long summer movie season.
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The Quest is Jean Claude Van Damme's directorial debut, and, judging by its somnolent pace and inability to generate any energy, it may also be his last venture behind the camera. While no one could reasonably expect this to be a "good" film in the traditional sense of the term, it comes as a surprise that The Quest is actually boring -- even the fight scenes lack panache.
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The Seventh Stream
Shes a beautiful stranger lost in his world. Can they find a place in each others hearts?
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Lisa Reisert (Rachel McAdams) fears flying. After attending her grandmother's funeral in Dallas, Texas, she takes a red-eye flight to Miami, Florida. While in the check-in line she meets an elderly woman (Angela Paton) who is interested in Lisa's Dr. Phil book. She tells her she's a fan, Lisa gives the old lady her book saying she has already read it. She then meets Jackson Rippner (Cillian Murphy) whom she initially finds charming and they share a drink while they wait to board their delayed flight (The name "Jackson Rippner" is likely a word play of "Jack the Ripper", Lisa realizes this allusion and points it out)
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Using hidden cameras and never-before-seen footage, EARTHLINGS chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
Arjun is an assassin trained never to miss. His body is trained to be a weapon and his mind guides his body with lethal precision.
Victor, a crime lord who specializes in contract killing, raised Arjun like a son. Things get complicated when Arjun, never allowed to have friends, meets Manasi.
At the cross-roads of his life is where we find Arjun, torn between his loyalty to Victor and his love for Manasi. Is it possible for a man to change his destiny? Can he
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A Safe Place
A young woman named Noah lives alone in New York. She is a disturbed flower child, who retreats into her past, yearning for lost innocence. She recalls her childhood, searching for a safe place. As a child she met a magician in Central Park who presented her with magical objects a levitating silver ball, a star ring, and a Noahs ark. She is romantically involved with two totally different men. Fred is practical but dull. Mitch is dynamic and sexy, her ideal fantasy partner. Neither man is able to totally fulfill her needs.
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In December, 1974, the crew of the previously-cancelled Apollo 18 mission is informed that the mission is a go, though it has now been deemed a top secret Department of Defense mission. Commander Nathan Walker, Lieutenant Colonel John Grey and Captain Benjamin Anderson are launched towards the Moon to place detectors to alert the United States of any impending ICBM attacks from the USSR.
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Eddie Ifft Live
Known for his quick wit and caustic style of comedy Eddie Ifft has a habit of speaking first and thinking never. This gets him in trouble - often. By his own admission Eddie says the most inappropriate things but somehow gets away with it. See Eddie at his very best in this extremely special presentation filmed in front of a sold out audience in Sydney Australia.
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Will (Josh Hopkins), a charming 35-year-old Philadelphia ad man, heads to Lebanon, Pa. to bury his recently deceased father. He forms an unexpected friendship with CJ (Rachel Kitson), his bright, newly pregnant 17-year-old cousin. As Will becomes interested in CJs married teacher (Samantha Mathis) and CJ confronts her conflicted father, both struggle with formidable decisions about the path their lives will take. Can we vault our differences and meet in the middle? This bittersweet comic drama tenderly explores the cultural divide in America through the lives of one extended family.
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