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Shoot on Sight
Shoot on Sight, the title refers to a contentious, post-9/11 British law-enforcement policy, doesn’t make pulses pound in the tradition of a big Hollywood police thriller but instead focuses on the human story and that’s what is more commendable.
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Hollywood has cornered the market on teen spy movies for a while, and now the British are getting in on the action with their own version. Enter Alex Rider, junior secret agent. Or, actually, reluctant junior secret agent. Based on the series of adventure novels by Anthony Horowitz (who also pens the screenplay), “Stormbreaker” is, alas, an ultimately drab affair that, even at under 90 minutes, seems much longer. Maybe it’s a British thing, or just uninspired direction by Geoffrey Sax (“White Noise”), but “Stormbreaker” barely breaks a sweat, and in the process, barely elicits more than a couple of mild chuckles.
It is thirty minutes in before Monster House wakes up and realizes it’s an animated film. That’s when the house first starts hulking out, and it’s the first time the film does anything that couldn’t have been rather easily accomplished by a live action movie with a capable pre-teen kid cast. There’s an instantly classic family movie buried just below the surface of Monster House, unfortunately this great script has been brought to screen using trendy computer animation instead of more appropriate big budget effects mixed with realism. But this story is too good to be killed by unneeded animating and while Monster House may not be the classic it could have been, as a family film it’s still really good.
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Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format. A supposed satire of extravagant weddings and reality shows, Debbie Isitt's feature displays little in the way of wit or insight. It's long and tedious, and amusing only on rare, widely spaced occasions. Unlike Guest's films, which show affection for the people being mocked, Isitt treats her cast of mostly unlikable characters with contempt, then attempts to redeem them
Romulus, My Father
Distilled to its essence, Romulus, My Father is a standard-order coming-of-age movie. Like most movies of this sort, it's based on someone's memoirs (in this case, those of Raimond Gaita) and includes moment of tragedy, sentimentality, and serenity. All the things one expects of a coming-of-age story can be found in Romulus, My Father. In fact, the movie is so familiar it's impossible to shake the pervasive sense of d?j? vu. It may be that the particulars of this story are new but the overall trajectory is well known to anyone with an understanding of the genre. That's not to say that Romulus, My Father is poorly made. Quite the contrary - this is a workmanlike motion picture with solid performances. It's just that the superior production values are used in service of a mediocre storyline.
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Beauty and the Beast
Walt Disney's 1991 instant classic, Beauty and the Beast, is not only the finest animated movie ever made, but deserves a prominent position on any list of all-time greats. Although not the highest grossing Disney production, nor the best-remembered by most kids (those honors go to The Lion King), Beauty and the Beast nevertheless earned the most enthusiastic notices ever by the critics and was recognized with a Best Picture Oscar nomination (considering the weak competition, it deserved to win the award). The studio knew early in development that it had a winner. In an unprecedented move, Disney screened a 70% complete work print to a packed auditorium at the 1991 New York Film Festival months before the movie was finished. The astounding reception helped to build a sense of anticipation that was unrivaled since the days of Snow White and the Seven Dwarves.
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"I think the title [of Little Women] has been so off-putting for men over the generations. They feel this is a terribly 'girly' story. But it's actually a wonderful epic tale about family where men's roles are just as important and deeply involved in the story... It is... full of heartfelt emotion and such memorable characters whose lively appeal transcends the years."
- Gillian Armstrong, director of Little Women
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The Lazarus Papers
Wow, where to begin? This movie took me by surprise, I mean look at the cover… Soldiers, helicopters, explosions and Gary Daniels and Danny Trejo; both from the destructive movie “The Expendables” and a gun blasting, explosion topped, non-stop action flick passes your mind… There must have been a miscommunication between the director and the cover artist because the only moment there was any sort of resembling action was at the beginning of the movie I don’t even recall explosions. Read on for the full nonsense…
Forgetting you’ve ever seen the cover, The movie adapts a more twisted path, a physiological trip to test your sanity, I can understand flash backs in movies but when they range from 1 year in the future, 2 days in the past and then a couple of hours in the future and a couple of weeks back in the past you’ll start to lose sense of what’s going on.
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The Man from Utah
After helping prevent a bank robbery, young drifter John Weston (John Wayne) is assigned by Marshal Higgins (George "Gabby" Hayes to look into a series of suspicious deaths among champion rodeo riders. Weston falls for lovely Marjorie Carter (Polly Ann Young) along the way but she gets jealous when he suddenly shifts his attention to fiery Dolores (Anita Campillo, whose name is misspelled "Compillo" in the onscreen credits).
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Dead Man's Cards
In an after-hours world of pug-faced scouse smack addicts and street fights, James McMartin and his mentor Paul Barber are privy to a doormans-eye-view of a life most of us only glimpse. Bulldog hard but bullfrog smart, they occupy a no-mans land between the police and the perps that evokes the lawlessness of the Wild West.
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Feast II: Sloppy Seconds
The film opens with brief clips from the previous installment which the survivors Bozo, Hot Wheels, and Tuffy/Heroine 2 driving off into the sunrise.
As the movie begins, Biker Queen discover the severed arm of Harley Mom from the previous film. Upon discovering the surviving Bartender, she tortures him into telling her who killed Harley Mom. He reveals that it was Bozo and points her to a town where he lives. She knocks Bartender out and takes him with her to the town.
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The film starts off with Tom and Sarah in the airport. A few months earlier, Tom Leezak (Ashton Kutcher) and Sarah McNerney (Brittany Murphy) meet up when Tom accidentally hits Sarah with a football. A few months later, despite opposition from Sarah's rich, uptight family they get married. However they each have a secret that they want to keep from each other: Tom doesn't want Sarah to know that he accidentally killed her dog and Sarah doesn't want Tom to know she slept with Peter Prentiss (Christian Kane). Tom and Sarah decide to honeymoon at a classy hotel at the foot of the Alps. On their way there, they attempt to join the mile high club, but fail when the captain turns on the fasten seat belt sign and they are forced to go back to their seats.
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Friends with Benefits
Jamie (Mila Kunis) is an Executive Recruiter for a leading job agency in New York City and Dylan (Justin Timberlake) works as an art director for a small internet company in Los Angeles. Jamie has the task of trying to recruit Dylan to interview for a job with GQ magazine and begin working in New York City. Dylan comes to New York and after interviewing for the position learns from Jamie that he has been given an offer to work for GQ. At first Dylan is hesitant to accept and move from Los Angeles to New York, but in an effort to get Dylan to accept the job Jamie spends the evening taking him around the city trying to sell him on the opportunity and the city.
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Luke And Lucy: The Texas Rangers
Luke and Lucy find out that a masked villain called JP has kidnapped and shrunk all the Texas Rangers. They leave for Dark City, Texas with their friends and settle in the Texas Rangers' HQ. It quickly becomes clear that they are not welcome. JP terrorizes the city and has spies everywhere. The saloon dancer Miss Missy decides to join Luke and Lucy in their fight against JP, but Aunt Sybil doesn't trust her and suspects that she is secretly in cahoots with JP. Is she jealous of Ambrose (Frank Lammers) and Wilbur's (Kees Boot) interest in Miss Missy?
Luke and Lucy don't trust the Sheriff or the grocer, Theodore, who acts suspiciously. After a confrontation with JP, Luke and Lucy realize that the Sheriff's cast is fake, and they discover that a closet in Miss Missy's hotel room is filled with weapons. Who is the real culprit?
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An economically repressed young man (Bondo) loses his father in his attempt to cross the border (to send money home) at Tijuana, Mexico. As Bondo sets out on his own, he encounters an array of people holding him back, including the Chief of TJ policia that killed his father, that now wants him dead too. After a deadly attempt at crossing the boarder himself, he resourcefully constructs a flying machine out of a wheel barrow and navigates himself to the Santa Monica pier. There he will begin to complete his fathers dream.
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Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister?
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