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Transformers: Revenge of the Fallen
Set two years after the events of the first film, Transformers: Revenge of the Fallen finds Optimus Prime (voice of Peter Cullen) and his Autobots working alongside a multi-national, top secret military unit dubbed NEST -- which includes returning characters Captain Lennox (Josh Duhamel) and Master Sergeant Epps (Tyrese Gibson) -- to hunt down the remaining Decepticons hiding around the globe. There is a new administration in Washington – unlike the previous film, which implied that the president was George W. Bush, the new movie specifically refers to Barack Obama – that is at odds with the military about how to handle the alien robot dilemma, which remains a secret to the world at large. Intrusive National Security Advisor Theodore Galloway (John Benjamin Hickey) wants to disband NEST and have the Autobots leave the Earth, much to the chagrin of the military and Optimus Prime.
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As family features go, Charlotte's Web may be the best we have seen in a while. Technically adept and surprisingly affecting, the movie translates E.B. White's children's book into a motion picture that will enthrall children and engage their parents. The animals come to life with enough credibility that it's not out of the question that a few tears may be shed for a CGI creature. Strangely, even with plucky Dakota Fanning fronting for the human actors, the film loses some of its magic when it moves outside of the barn. Comparisons to Babe are expected and warranted, but one thing missing form this story is James Cromwell.
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Wendy and Lucy
Wendy and Lucy is a love story, but not of the conventional sort. It's about how the vagaries of fate can sabotage a seemingly bright future and tear apart two dear companions. It's about the desperate search of one to find the other in a place where she knows no one, is homeless, and has lost her only means of transportation. These two face uncertain prospects and, even if they are reunited, might be forced apart by the reality of their situation. One of these companions is a twenty-something woman named Wendy (Michelle Williams). The other, Lucy, is a dog.
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When in Rome
Those who were regular viewers of Veronica Mars recognize there's an immense wellspring of charisma available to Kristen Bell that she has thus far been unable to tap in her post-Mars career. When in Rome, despite being a standard-order romantic comedy with little about it that could be considered fresh or original, finally provides Bell the opportunity to exude a little of that Veronica Mars charm on the big screen. She's paired with Josh Duhamel, who moderates the cockiness he displayed in Win a Date with Tad Hamilton and two Transformers movies to the point where he's appealing. The end result is an experience that, for all its predictability and strained attempts at screwball humor, is rarely unbearable and occasionally pleasant. Compared to January's other romantic comedy, Leap Year, this falls more solidly in the watchable zone. The reason is simple: Bell and Duhamel work as a pair while the duet of Amy Adams and Matthew Goode is as melodious as fingernails on a blackboard.
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The typical Garry Marshall film (Pretty Woman, Raising Helen) can be classified by a few words: contrived, insipid, and predictable. Georgia Rule, while not the worst work Marshall has done, is a limp misfire. There are moments during the course of the movie when it looks like it might be headed in an interesting direction, but those hopes go up in smoke during the last act as everything aligns itself for the tearful, feel-good ending. The central problem with the movie isn't that it deals with several hot-button topics, but that it addresses them with a shocking lack of emotional honesty.
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I Know Who Killed Me
It has not been a good week for Lindsay Lohan. First, she does irreparable damage to her image by engaging in the sort of irresponsible and self-destructive behavior we have come to expect from her. Then she is "portrayed" on The Tonight Show by the terminally unfunny Rob Schneider. Finally, to add insult to injury, she shows up on screen in a crapfest called I Know Who Killed Me, which holds the dubious distinction of not only being a surefire member of the end-of-the-year Bottom 10 but easily marks the worst movie Lohan has appeared in and the worst performance she has given. Her participation in I Know Who Killed Me should be Exhibit A for the prosecution: only someone with impaired faculties could agree to star in this movie.
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The bayous of Louisiana are a strange and wonderful place -- a world unto their own, overflowing with a wealth of story and thematic possibilities. Whether it's the heated mystery of The Big Easy, the nonstop action of Hard Target, or the gory scares of Candyman, the cajun state has attracted projects in search of a setting like no other in North America. It is here, amidst the darkly beautiful swamps, that first-time director Kasi Lemmons has set Eve's Bayou, a fascinating tale of guilt, consequences, and voodoo.
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Woody Allen's 1998 feature entry, Celebrity, is arguably his weakest film in half a decade, failing to reach the level of entertaining mediocrity attained by such middle-of-the-road features as Mighty Aphrodite and Deconstructing Harry, and falling far short of the mark established by Everyone Says I Love You and Bullets Over Broadway. That's not to say that there's nothing worthwhile in Celebrity. In fact, some of the sequences in this black-and-white, episodic ensemble piece are riotously funny, but there aren't enough good moments to counterbalance the negatives. As a result, Celebrity turns out to be a minor footnote on this year's holiday film release roster. (It is also another disappointment for Miramax Films, which has been suffering through an awful year.)
The passage of time often impacts how films are viewed. Some, like Citizen Kane, evolve from being modest successes into masterpieces. Others, like Robert Redford's Ordinary People, do not fare as well. Lauded by critics and the Academy alike, Ordinary People and its director were Oscar darlings at the 1981 awards ceremony. Nearly 30 years later, the film is hazily but fondly remembered; however, its position as the most acclaimed film of 1980 has long since been usurped by a film it beat for the Oscar, Raging Bull.
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The Quest is Jean Claude Van Damme's directorial debut, and, judging by its somnolent pace and inability to generate any energy, it may also be his last venture behind the camera. While no one could reasonably expect this to be a "good" film in the traditional sense of the term, it comes as a surprise that The Quest is actually boring -- even the fight scenes lack panache.
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Dragon Tiger Gate
I am convinced that comic-to-film adaptations are possibly the single most difficult movies to make. There have been countless failures in Hollywood and Hong Kong over the years. It may have to do with audience expectations not being met, a colossal misinterpretation of the source material or just plain old bad filmmaking. Hollywood finally got wise to an extent by pairing talented filmmakers with both obscure and mainstream comic book heroes. They have been riding high on a string of successes that began with BLADE and looks to continue with 300. But as the recent release of GHOST RIDER has proven, there is no magic formula and for every success there are at least two critical, if not commercial flops. Unfortunately, Hong Kong’s DRAGON TIGER GATE falls into this latter category.
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Bernard is a teacher in the suburbs and lives with Victoria. Didier is a wealthy Parisian pharmacist and is married to Murielle, Victoria's sister. While the former drives a rusty 205, the other, the latter drives a black Mercedes. Both "beau-freres" are complete opposites and hate each other. During dinner, Didier and Bernard make a bet: to stop smoking for fifteen days, until the next family get-together. The first days go off like a dream and both are on top of the world. But things quickly turn sour. Didier and Bernard find it harder and harder to resist the temptation. They become irritable, suspicious, they lie; until the fifteenth day: the family get-together. They have kept their word, but relations between them and their wives are at an all time low. Despite this, they are both determined to remain non-smokers.
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After a deranged scientist releases a group of experimental creatures and commits suicide, a security guard loses his grip on reality. Atop unexplained hallucinations of a strange child and disembodied voices, the guard is faced with the challenge of deciphering his illusions from a dangerous reality. Consequently, he is quickly swept into a terrifying puzzle that will uncover his past, and shake the foundations of his future. The only other slight problem is that his wife has dropped off his son in the midst of this horrific nightmare.
Heaven Can Wait
Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasnt ready to die, and that his body has been cremated. A new body must be found, and that of a recently murdered millionaire is chosen. His wife and accountant, the murderers, are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.
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Home on the Range
When an eviction notice shows up at the gates of the Patch of Heaven dairy farm, three cows take it upon themselves to prevent their home from being taken away. To do so, theyll need to collect the ransom on Alameda Slim, a cattle rustler with a yodel that cant be beaten ... or ignored.
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Dr. Dempsey, an American scientist who has become a skeptic after a disastrous wrong call, isnt exactly enthusiastic to be sent by his well-funded employer to Scotland to (dis)prove the existence of the Loch Ness monster, but has no choice. He finds the locals stubborn, primitive and all but hospitable, not in the least because the Nessie legend is the only tourist attraction, but still gets romantically attracted by his independent inn-keeper Laura, and both her kid and his enthusiastic local assistant end up making him face a small family of Nessie-dinosaurs, but is this to be made public?
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