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Have you ever told a lie, that lead to another lie, that lead to a deception, circling back on itself until you've landed in the center of a small, intricately woven web of falsity? Usually, these moments compound quickly, in a blur of deceit, and when the dam finally breaks, you're left exposed and embarrassed Ė half by the truth you didn't want told and half by your ridiculous inability to tell it. Well, try to maintain that endless series of lies for more than a decade and you'll perhaps feel something like whatever Mark Whitacre must have felt while leading the FBI into a corporate price-fixing investigation entirely of his own design.
Such is Steven Soderbergh's The Informant!.
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Dario Argentoís newest film, the aptly named Giallo, isnít the saving grace his fans are expecting, yet it isnít the abomination his fans were expecting. If anything, itís a much stronger film than his recent films, in terms of plotting, but as a giallo film it doesnít offer up much new from a genre fans have grown accustomed too after 35 years. So? Fans have been really critical of Argento in the recent later stage of his career, more so than they have against Romero and even Carpenter. Immediately, they shrug off a new film, proclaiming itíll be no classic like Deep Red or Suspiria. But does a new Argento film need to be a classic each and every time? Have horror fans become that short-tempered and spoiled? I think so.
The ambitious, not to say hubristic, title Australia brings to mind the blockbuster novels of James A Michener that took a place (Hawaii, Poland, Texas) and gave us its history from the Stone Age to the present, incorporating in the later stages a romantic tale of the struggles of three or four generations. Baz Luhrmann does something vaguely like this by having a 12-year-old Aboriginal boy steeped in the lore of his people narrate the story, though the setting is confined to the Northern Territory and the time frame a mere three years from the outbreak of war in 1939 to the Japanese air raids on Darwin in 1942. But a condensed TV mini-series is nearer the mark.
I think I could forgive the endless remaking J-horror flicks if any of them were made decently. Genre fans keep telling me how ďthis movieĒ is so good and the remake has a lot of potential. Few of them live up to that potential. Even with decent acting and an interesting, if not overdone, concept, Shutter is another remake that fails to live up to what Iíve heard about the original, and has a good chance of leaving the audience yawning throughout.
Throw away all your history books, Jerry Bruckheimer's in town. This is the Hollywood version of the legend of King Arthur and his Knights of the Round Table, the one filled with macho dialogue, elaborately staged fight scenes, impossibly good looking heroes and ugly villains. Having made pirates hip again (not to mention lucrative), the producer noted for adding new meaning to the phrase 'over the top' has delved further back in time for inspiration and the chance to rewrite the past with a little more pizzazz.
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Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when recreational drug use tips over the edge into addiction. There are two things the bleak Candy has going for it: the characters are more self-aware than in most similar films (there's no denial - they're junkies and they know it) and the acting couldn't be better. Heath Ledger is as good as he has ever been, Geoffrey Rush is his usual reliable self, and Abbie Cornish is a dynamo. (Cornish, by the way, can currently be seen as a much different kind of character in A Good Year.) The movie, from Aussie director Neil Armfield, states its thesis early, and sticks to it: "When you can stop [drug use], you don't want to. When you want to, you can't."
How to Make an American Quilt
There's more to a quilt than fabric and thread -- each patchwork design has its own unique story (or stories) to tell. In How to Make an American Quilt, the first Hollywood release from Australian director Jocelyn Moorhouse (Proof), we come to understand how the tales of the seven makers imbue their creation with passion and vitality. All the sorrows, joys, longings, sufferings, and loves of these women are sewn into their quilt and, as their bittersweet memories are given expression, one young woman applies these lessons of the past to her own uncertain future.
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Ron Howard directed this thriller which stars Mel Gibson as Tom Mullen, a former fighter pilot who built a ramshackle one-plane airline into a major multinational service fleet. Mullen has a multi-million dollar fortune, a beautiful wife, Kate (Rene Russo) and a nine-year-old son, Sean (Brawley Nolte) that he dotes on. However, Mullen's life comes crashing down around him when Sean is kidnapped. The FBI are called in, but Mullen is wary -- he was the recent target of an FBI investigation in which he was found to have bribed union officials while negotiating a contract. FBI Agent Hawkins (Delroy Lindo) advises Mullen to make the $2 million dollar drop to pay the kidnappers, which will make it easier to track the criminals, but when the tradeoff goes wrong,
Looney Tunes: Back in Action
Looney Tunes: Back in Action is so jam-packed with self-referential humor, pop culture cameos, and nods to some of the greatest moments in animation, that it's almost impossible not to like it. It's a breezy, fun-filled romp that owes as much of its success to nostalgia as it does to the cutting-edge computer animation that brings human actors and animated creatures together. With one bold stroke, director Joe Dante has eviscerated the memory of the 1996 Michael Jordan worship-fest, Space Jam, replacing it with something more worthy of the likes of Bugs Bunny and Daffy Duck.
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Punjabi-speaking Shalini Singh lives a middle-classed lifestyle in the Himalayan region in India along with her mom, Kirat dad, Jaspal brother, Happy and sister, Littly, and was engaged to Neil Brar as a child. Years later Neil re-locates to the United States of America, and there is no contact between him and the Singh family but Shalini hopes to marry and live with him eventually
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The film reflects back to the ending of Friday, including the fight between Craig (Ice Cube) and Deebo (Lister Jr.). Rumor has spread to the neighborhood that Deebo has broken out of jail and will come looking for Craig. As a precaution, Craig's father (Witherspoon) decides to have him stay with Elroy (Curry), Craig's sex-crazed, lottery winning uncle, and his cousin Day-Day (Epps). Initially, life in Rancho Cucamonga seems to be ideal, however, trouble soon arises in many different areas.
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Misty plays Cynthia, a slutty schoolgirl, who accidentally kills her rival, Beth, after she finds Cyn pleasuring herself in the school shower (yea, i know how it sounds, but you just have to go with it). While driving to get rid of the body Cyn and her sis run into Juli, a girl who likes to play mind games. Those who know Seduction Cinema by their softcore movie parodies, (ie. Lord of the G strings, Spiderbabe, etc...) will be pleasantly surprised that this is a fairly competent original thriller. Twists and turns abound.
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When hard-drinking and embittered stand-up comedian Pipes (Mike Houlihan) vents his frustration at street-dweller Nuts (Ben Vereen), Nuts curses him to walk a mile or more in his vagrant and mentally unbalanced shoes. Soon, Pipes finds himself among the outcasts of society. Struggling to keep himself fed and his sanity intact, he ends up learning a thing or two in the process. Tim Kazurinski and Greg Hollimon co-star in this quirky comedy.
A Vietnam vet blinded in the war uses his samurai fighting skills and a concealed sword stick to help protect the son of a dead comrade from a crime organisation.
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Lying to Be Perfect
The Cinderella Pact adaptation cant even be saved by a fairy godmother.
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Maniac Cop 3: Badge of Silence
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
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