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The movie's opening scenes are intended to be reminiscent of an old 8mm family movie. They are also intended to impress upon the viewer that Spencer's father and mother were good people who he cared for very much. However, it did a pretty poor job of conveying the intended message, because I failed to care what happened to the family. When the Megalodon appeared and ate the boat, I was relieved that something, no matter how poorly edited, had happened.
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At the age of 26, Ramon Sampedro misjudged the depth of water he was diving into and broke his neck. For the next 29 years, he lived the life of a quadriplegic - one that he considered not worth living. Despite having lost the use of his body below the neck, he still had a voice and a mind, and he put both of those to use, waging a one-man war for the right to die: his right to die. In one impassioned statement, he wrote the following: "I... think that living is a right, not an obligation. Nevertheless, I have been obligated to tolerate this pitiful situation…" He was a tireless soldier in this battle, but, because of the forces allied against him - religious leaders, conservative activists, and even his own brother - the conflict seemed hopeless. Since he could not accomplish the deed on his own, he needed the help of others. However, the law would prosecute accomplices for aiding him, and Ramon was unwilling to subject another to such a penalty, so he was trapped.
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House of Sand and Fog
What happens when the so-called American Dream - a life of financial independence and home ownership - turns into the American Nightmare? For some, a house is just a place to stop and rest at night. For others, it's an investment - a means to build for the future with an eye to retirement. For still others, it's a place of refuge, comfort, and familiarity. And for a few, it's much more than any of those things - it's a key to identity and a link to the past. The dilemma faced by the characters in Vadim Perelman's stunning feature debut is that a small, semi-isolated Pacific county bungalow is a lot more than just bricks and mortar to all of them.
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Over the years, many films have taken a dark look at the supposedly perfect ideal of a white picket fence, a little house, and a nuclear family. For many, the suburban life is the American dream. For others, however, it can turn into a twisted nightmare of unfulfilled desires, repressed needs, and shattered hopes. Because of the necessity to keep up appearances, a serene facade often conceals a breeding ground for dysfunction, anxiety, and hypocrisy. Directors like David Lynch have made this their playground. Lynch in particular delights in depicting the root causes of social decay in suburbia - and he does it by autopsy. American Beauty is not as dark as a Lynch project, since it allows for small moments of redemption, but it mines the same general territory.
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Joey (Ethan Embry) is a stock trader with a gambling problem. He and his wife Ali (Kathleen Robertson) get in trouble with a loan shark Tony (Christopher McDonald). Kelly Carlson plays Lucy, the loan shark's blonde assistant.
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The Outlaw Josey Wales
Clint Eastwood has directed, played in or starred in a lot of westerns. We all have our favorites and this my favorite Eastwood western, along with the more set-in-modern-day western, "Bronco Billy." (The latter is really a drama more than a western.)
This is simply an extremely entertaining story with two lead characters - played by Eastwood and Chief Dan George - who were fascinating to watch. Also, as in most westerns, I enjoyed the good photography and was surprised, considering the year of release, that the language was pretty tame.
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I Want Candy
Joe and Baggy are two misfit English film school students whose first movie goes awry. Desperate to finance their flick, they turn to a porn producer who agrees to give them the money needed in exchanges for the guys to cast a semi-retired adult film star named Candy (Carmen Electra). Though Candy agrees to the deal, but Joe and Baggys efforts to make their own movie morphs into a raunchy show which they use Joes suburban parents house as their set.
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On Easter Island, a young rabbit named E.B. (Russell Brand) is intended to succeed his father Mr Bunny (Hugh Laurie) as the Easter Bunny. Intimidated by the calling's demands, E.B. runs away to Hollywood to pursue his dream of becoming a drummer. Mr Bunny sends his three ninja royal guards, the Pink Berets (Janet Healy), to find his son. Meanwhile, Easter Chick Carlos (Hank Azaria) and his music-obsessed assistant, Phil (also Hank Azaria), plot a coup d'état against Mr Bunny to take over the Easter organization.
The Parole Officer
Simon Garden is a well-meaning but ineffectual probation officer. At the beginning of the film, he is facing a tribunal after his entire department in Blackpool submit complaints against him, Garden having only had three successes in his career. He is therefore transferred to Manchester.
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Prey for Rock & Roll
Jacki (Gina Gershon), sexy punk rocker and lead singer of the all-girl band Clamdandy, is at a crossroads. With her birthday fast approaching, she must decide whether or not to keep the promise she made to herself over a decade earlier Quit the music business at 40 if she hasnt made it by then. The decision gets complicated when old secrets, false hope, and personal tragedies threaten to break up the band.
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The Haunting of M
This ghost story, set at the turn of the century, centers on the plight of elderly dowager Marianna, who is tormented by the alleged specter of a young man roaming the corridors of her mansion. After spotting a face in an old photograph that seems to match the old womans description of the visitor, Mariannas sister decides to check things out and see if any of this is for real.
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The Two Worlds Of Jennie Logan
This movie is about a woman who is trying to rebuild her shattered marriage. She and her husband move to an old Victorian style home, where she finds a beautiful dress in the attic, which has a tear in the shoulder. She has the dress repaired. When she tries it on in the restored attic, she suddenly finds herself in another era. This time travel seems to happen whenever she wears the dress. She learns the house was once owned by an artist who died under mysterious circumstances. She meets the artist and eventually falls in love with him. Knowing what she does about his fate, can her love save him and change history?
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The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.
A college freshman who trains in martial arts is beaten up at work by a racist gang. His co-worker, a Chinese cook, beats the gang up and trains the young man in kung fu. When a tournament is to be held, the teacher tells the student that he will not teach him for money. However, when the gang beats up the students best friend, the student now must make the choice of entering the tournament or keeping the promise to his teacher.
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Love N' Dancing
2002 Jake Mitchell is the defending World West Coast Swing Champion. Hes got everything going for him looks, personality, and style. Hes at the top of his game when he and his partner Corinne are crowned the unexpected winners at the World Swing Dance Championships. As the crowd cheers and the celebration begins, Jake appears uneasy. Did he really deserve to win? The music blasts and the bass is thumping, and Jake hears none of it. He feels it. Jake is completely deaf, due to an ear infection when he was a teenager. He learned how to dance by feeling the vibrations of the music.
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My Life as McDull
Surprise winner of the FIPRESCI prize at the 26th Hong Kong International Film Festival (2002). Based on characters from a successful series of comic books by co-creators Alice Mak and Brian Tse, the film is told in voice-over by the mature McDull, a piglet in a world populated by both cute animals and humans. The narrative is constructed from several intertitled set pieces involving McDulls birth, education, and training as would-be Olympian, with excursions to his mothers TV cooking show, the Maldives, and other bits of whimsy. Musical accompaniment is provided by a series of adorably jovial nonsense songs set to ruminatively elegiac classical piano pieces by Schubert and Schumann. The photo-realistically animated cityscapes, saturated with remarkable detail, are dazzling. Whats beautiful in the film, is the depth of creativity the filmmakers joyfully deploy in the play of different kinds of images. As the adult McDulls perspective begins to dominate the narrative, the animation gives way to live action. McDull isnt a piglet at all, but a normal, if somewhat intellectually limited, little boy, whose typically ambitious mother pushes him into fabricating a dream world as compensation for her relentless pressure for success. He uses this world to exercise his own creativity in comfort, but ends up disgruntled by what he terms, in a striking closing monologue, this sordid world, this is not so dreamy, not so funny a world. Thankfully, the film doesnt leave him alone facing disillusionment. Moving from fantasy to reality, from a childhood saturated with freely self-deceiving invention to sober self-recognition, McDulls life is, by extension, Hong Kongs. The film, however, proposes that the task of maturity is to start anew, and to use disappointment as a springboard to a fresh beginning. (Excerpts from the review by Shelly Kraicer). The movie is in Chinese, with optional English or Chinese subtitles.
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