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Based on the Pulitzer Prize-winning play by David Lindsay-Abaire (who also scripted), Rabbit Hole is a moving drama about a couple struggling to cope with the death of their child.
It's been less than a year since Becca (Nicole Kidman) and Howie Corbett's (Aaron Eckhart) four-year-old son was struck by a car and died. Becca is coiled with anger and bitterness over her son's death, and is effectively trying to remove memories of him from around their home even as Howie clings to visceral reminders such as videos and drawings.
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Director Edgar Wright coined an apt term for Shaun of the Dead's genre – Romantic Zombie Comedy, or affectionately, 'rom-zom-com'. In doing so, he opened the door for a few me-too films out there who dared to lay their cards on the table - but none have been able to measure up to the British comedy flick thus far.
Happily then, we can give Zombieland a deserving nod – an American take on the rom-zom-com, deftly juggling extreme gore with genuine laughs and a terrific cameos from one of Hollywood's finest. It falls into the pratfalls of predictability, but even the saccharine moments barely detract from this good-natured comedy.
Valley of Angels
As far as the movies go, thrillers and action movies are a dime a dozen. As genres they have been solid standbys for good entertainment since Cagney and Bogart came onscreen. Yet it is all too easy to make a thriller that is high on violence and attitude and low on story and character. And now in the post Tarantino era, it seems like every hip, young director comes on the scene with his crime opus that is supposed to set the world on fire with cooler than liquid nitrogen dialogue and badass gun fights. But if there’s one thing every filmmaker should realize is this, there is only one Tarantino and the multitudes of copycats trying to follow in his footsteps have easily proven the point. Thankfully, a new talent has sprung up from the ranks and has crafted a debut feature that is both as confident and skillful as Reservoir Dogs, while containing the spiritual contemplation often inherent in Scorsese’s films. The director’s name is Jon Rosten and his film is the ironically titled Valley of Angels.
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Max, a deaf rebel who has managed to stay under the radar, fights for his life daily as he slaughters these transformed humans with pretty effective grace. “Biosys” are humans who have been altered and engineered by scientists to soldier where designated. One of the biossys strays away from his team after realizing the influence that was inflicted upon him only to question his being and his place in this world. He seeks out Max who he believes contains the blood to antidotize the serum and cure the savage race. Along the way they also team up with 2 others who are lost as they are. Their mission is to all find this force known as the Resistance.
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Bridget Jones: The Edge of Reason
Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that exists exclusively because its predecessor was a financial success. On those rare occasions when The Edge of Reason isn't regurgitating material from Bridget Jones' Diary, it is taking ill-advised excursions into unfunny slapstick and sappy melodrama. Bridget Jones in a Thai prison? Who thought up that bit of absurdity?
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In the movie business, there's no such thing as "truth in titling." If there was, Bobby would be called A Bunch of Boring, No-Name, Cookie-Cutter Characters. Although that lacks the brevity and appeal of the real title, it's more illustrative of the film's content. There's another thing to consider as well when wondering about whether to see Bobby: the track record of the director. While it's not impossible for someone with a dubious filmography to craft an unanticipated masterpiece, a healthy bit of skepticism is warranted based on Emilio Estevez's resume as a director (Wisdom, Men at Work), which doesn't inspire confidence. Sadly, even with low expectations, Bobby disappoints.
In 1992, Walt Disney Pictures, riding a wave of euphoria generated by its recent animated successes, The Little Mermaid and Beauty and the Beast, tried to do something that was met by critics with skepticism: revive the live-action musical. Filmmakers took an in-house script in turnaround and commissioned composer Alan Menken and lyricist Jack Feldman to pen about a half-dozen songs. Choreographer Kenny Ortega (whose duties in that role included Xanadu and Dirty Dancing) was brought on board to direct. The stars underwent weeks of dancing and martial arts training, and all were allowed to sing their own parts. (There is no truth to the rumor that Marni Nixon dubbed Christian Bale.) Newsies was born, only to die an ignominious death. After bombing on opening weekend, the film was pulled from most theaters, resulting in a final box office take of less than $3 million. It has been described by many as Disney's greatest failure. Unexpectedly, however, it found a following on home video, where its surprising popularity allowed the taint to dissolve from its image.
Adventures of a Teenage Dragonslayer
Branded as a 'nerd' and harassed by the school bully, 12-year-old Arthur is rescued by a magical troll who knows that the boy unwittingly holds the secret to defeat an evil dragon. Arthur's loving mom, struggling to keep her devious ex-husband from gaining custody of Arthur, dismisses her son's 'fantasies' until she realizes the all-too-real immediate danger and joins forces with Arthur, the troll, and a dashing but washed up video-game master. Together, they hope to conquer the dragon and the wicked vice-principal who threaten civilization.
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Struck by lightning, an endearing little robot known only as "Number 5" escapes from an experimental electronics firm. Technician Newton Crosby (Steve Guttenberg) and his indecipherable East Indian assistant, Ben Jabituya (Fisher Stevens), set out to locate Number 5 before the military can go through with its plans to destroy the robot. Number 5 takes refuge with loopy Stephanie Speck (Ally Sheedy),
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"Part One: The Prisoner" tells of a troubled actor, Gary, who is wearing the green bracelet on his wrist. Gary is under house arrest living in another person's house because he burned down his own. The owner of the house is described as a TV writer away on work. While living in the house he is befriended by both a P.R. "handler", Margaret, and the single mother next door, Sarah, who may or may not be interested in him romantically. Over the course of his house arrest, Gary becomes convinced that he is being haunted by the number nine, including finding a note saying "Look for the nines" in his handwriting. He also sees different versions of himself around the house, which unsettles him, causing him to break out of his house arrest barrier, which in turn causes a blip in reality. He encounters many occurrences of the number nine, while playing backgammon he rolls nines, while reading newspaper advertisements he becomes obsessed with finding nines. Asking Sarah about 9, he worries her and she cryptically tells him "I can get you out of here".
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Preston Blake started out in his career hoping to be a disc jockey as a young man, slowly working his way up through the ranks to found Blake Media, a corporation running hundreds of television and radio stations and with 50 thousand employees. After Blake freezes to death at the summit of Mount Everest with a triumphant smile on his face, a search for his heir begins.
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Katherine "Katy" McLaughlin (Alison Lohman) has big dreams of administering her father's Wyoming horse ranch one day, but her father, Rob (Tim McGraw), has other plans for his daughter. He is currently grooming her older brother, Howard (Ryan Kwanten), to take over the ranch and sends Katy away to an exclusive private school where she constantly feels like a misfit. Being a similar, independent spirit to Katy, Rob has a hard time understanding his daughter as she continually defies his authority to follow her own path.
Lyon Gaultier is a deserter in the Foreign Legion arriving in the USA entirely hard up. He finds his brother between life and death and his sister-in-law without the money needed to heal her husband and to maintain her child. To earn the money needed, Gaultier decides to take part in some very dangerous clandestine fights.
Flirting with Disaster
Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, wont agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mels birth mother. The best part, Mel tells Nancy, is its all free. Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, shes footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancys misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until -- at last -- Mels real parents, the Schlictings (mispronounced as Shit-kings by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all.
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Little Black Book
Stacy Holt, an associate producer for a daytime talk show, is confounded by her boyfriend Dereks unwillingness to talk about his previous relationships. Egged on by her co-worker Barb, Stacy sneaks a look at his personal digital organizer, scores the names and numbers of his exes, and sets up interviews with them--all in an effort to get closer to her man. Her plan starts to unravel, however, when she becomes friends with one of the women.
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Mommy Is at the Hairdresser's
Summer 1966. Its time to enjoy the summer holiday, total freedom. Teenage lise discovers that the sudden departure of her mother completely disrupts the family. Her brother Coco seeks solace in the garage, building a super racing car. Her youngest brother Benot throws himself into his own inner world. The father seems absolutely knocked out by the situation. lise decides to take control of her family, in an eloquent attempt to save them. With the assistance of flourishing nature around her, she stands on the threshold of an incomparable summer.
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