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Phil and Claire Foster (Steve Carell and Tina Fey) are a self-proclaimed boring couple from New Jersey. Work and parenting dominate every moment of their lives, leaving them in a comfortable but passionless rut. Not wanting to end up like their divorced friends, Phil and Claire opt to do something really special this time for their regular date night away from the kids: dinner at a posh Manhattan restaurant. But when it looks like they won't land a table, Phil fatefully steals the reservation of a no-show couple named the Tripplehorns so that he can treat his wife to a nice evening.
Everything's going great until two thugs (Common and Jimmi Simpson) show up at their table and escort them outside. It turns out the Tripplehorns have crossed the city's crime lord and are in possession of a flash drive that he wants back. This leads to one long crazy night where Phil and Claire must outrun some of the city's most powerful and notorious figures, but they also just might put a little spark back into their relationship along the way.
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The highly anticipated sci-fi epic Avatar centers on Jake Sully (Sam Worthington), a paralyzed former Marine who is offered an amazing opportunity after his twin brother dies. Recruited by a big faceless corporation (is there ever any other kind in a movie?), Jake travels to the distant world of Pandora, inhabited by the simple, indigenous Na'vi, blue-skinned humanoids who stand 9' tall and have tails. Pandora is also home to a valuable mineral that could solve all of Earth's energy problems ... if only those pesky natives didn't live on top of the richest deposits of it.
Shelter is a very disappointing supernatural horror film that promised a lot from its opening 20 minutes with a creepy performance from Jonathon Rhys Meyers and an interesting take on schizophrenia but it all ended up as a ridiculous mess that was nowhere as clever as it thinks it is.
It's interesting to note that, as Kevin Smith has changed and matured as a filmmaker, he has elected to close the circle and look back from a perspective of a dozen years at the movie that put him on the indie map, Clerks. Clerks II is a direct sequel to that movie, albeit one that transpires a decade later - the first such movie Smith has done (although many of his films have featured cameos by characters from other pictures). It feels both the same as and different from its predecessor: the same, in that the script is constructed around a truckload of nearly X-rated gags, and different, in that Smith is peddling a message.
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Nights in Rodanthe
I can kind-of, sort-of see how this story might work as a novel. Bad dialogue doesn't sound as howlingly awful when not spoken aloud. Idiotic plot contrivances don't seem as painful and obvious. A love affair depends only on the spell woven by the author's words and isn't subject to the whims of flat performances, lifeless direction, and a script that rushes through key moments. Not having read the book, I can't say anything for certain about the magic (or lack thereof) of what Nicholas Sparks wrought with Nights in Rodanthe. About the movie, however, I can comment, and what ends up on screen is nothing short of a travesty.
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The Tracey Fragments uses its non-standard visual style, a split-screen approach that can show from one to sixteen frames at any one time, in a vain attempt to camouflage the paucity of the story. Director Bruce McDonald, working from a script by Maureen Medved, seems to believe that because he's doing something most filmmakers avoid, it qualifies The Tracey Fragments as being interesting and cutting edge. It is neither. This unexceptional and uninteresting story of a self-pitying borderline-personality teenager verges on being unwatchable as a result of McDonald's decision to bombard the audience with extraneous images in lieu of telling the story.
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Without a Paddle
Want to know why Paramount Pictures is struggling? Watch Without a Paddle and you'll gain some insight. At least the film understands what it is, as is indicated by the steaming pile of excrement that appears 2/3 of the way through the proceedings. By then, we don't really need the clue, but it's appreciated. About the only way to make things worse would have been to add Tom Green to the cast.
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In the beginning of the film, Narrator Smurf describes the Blue Moon Festival, where every Smurf prepares to sing the Smurf theme song, almost every Smurf. Gutsy Smurf and Grouchy Smurf tell Clumsy Smurf he's on the "Don't Not Let In" list because he is too accident prone. Meanwhile, Papa Smurf sees a vision that Clumsy has a dragon wand, the Smurfs are in cages, and Gargamel has ultimate power. Worried that this may happen, Papa does not let Clumsy pick Smurf Roots. Clumsy refuses to listen and picks the Smurf Roots. Gargamel soon finds Clumsy and chases after him. Clumsy accidentally leads Gargamel into the hidden Smurf village, and Gargamel destroys it. Running from Gargamel, Clumsy accidentally goes the wrong direction, and some of the other Smurfs go after him and leap into a magic portal and finally discover New York City. They take shelter with a young married couple (Patrick and Grace Winslow), who are expecting a baby. The Smurfs have to return to the Middle Ages and stop Gargamel. With the help of Patrick and Grace, the Smurfs eventually defeat Gargamel.
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A successful New York attorney, Gavin Banek, is in a rush to file a power of appointment, which will prove a dead man signed his foundation over to Banek's law firm. He has a collision with another car, belonging to an insurance salesman, Doyle Gipson, who is also in a rush to a hearing to try to gain custody of his children and to prevent his estranged wife from taking them to Oregon. Banek tries to brush Gipson off with a blank check thereby disobeying the law. After Gipson refuses to accept the check and voices his desire to "do the right thing", that is, filing a police report and insurance claim, Banek strands Gipson, telling him, "better luck next time". After arriving to the court late, Gipson learns that it proceeded without him and that it didn't go in his favor.
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Psychiatrist Dr. Miranda Grey (Halle Berry) works at a mental hospital and has a car accident after trying to avoid a girl (Kathleen Mackey) on a road during a stormy night, while driving back home. She rushes to try to help the girl. The girl turns out to in fact be a ghost, and possesses Miranda's body by burning her after she extends her hand to the girl. Miranda loses consciousness. Miranda next wakes up in the very hospital she works for, but as a patient treated by her co-worker, Dr. Pete Graham (Robert Downey, Jr.). Drugged and confused, she remembers nothing of what happened after the car accident. To her horror, she learns that her husband Douglas (Charles S. Dutton) was brutally murdered and that she is the primary suspect. While Miranda copes with her new life in the hospital, the ghost uses her body to carry out messages (most noticeably, she carves the words "not alone" into Miranda's arm) which leads her former colleagues to believe Miranda is suicidal and is inflicting the wounds on herself.
In the late 40s, the swindler Raymond Martinez Fernandez seduces lonely women to steal their possessions. When he meets the deranged Martha Beck, they fall in love for each other. With the jealous Martha posing as if she were his sister, the crook Ray seduces and kills other women. Two New York Detectives - Elmer C. Robinson and Charles Hildebrandt - chase the sociopaths, but without having the evidence of a body. In the end of 40s, the couple is finally arrested and sentenced to death, being electrocuted in March, 1951 in Sing Sing.
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The story centers on two sisters (Clare Grant and Jillian Murray) who visit the Skull City Mine roadside attraction in the desert. Their plight turns into a fight for survival against menaces both human and supernatural.
On their last weekend together, Megan and Abby Graves become lost in a remote part of the Arizona desert where they are lured to Skull City, an abandoned mine town. But Skull City is anything but abandoned—and there’s no way out.
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Battlefield Earth: A Saga of the Year 3000
In the year 3000, Earth has been ruled for 1,000 years by the Psychlos, a brutal race of giant humanoid aliens. The remnants of humanity are either enslaved by the Psychlos and used for manual labor or survive in primitive tribes living in remote areas outside Psychlo control. Jonnie Goodboy Tyler (Barry Pepper), a member of one such tribe, leaves his home in the Rocky Mountains on a journey of exploration. He joins forces with Carlo (Kim Coates), a hunter, but both men are captured by a Psychlo raiding party and transported to a slave camp at the Psychlos' main base on Earth, a giant dome built over the ruins of Denver, Colorado.
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Gremlins 2: The New Batch
Yesterday it was rural Kingston Falls. Today its the Big Apple -- and lots of wild, anarchic comedy -- because a new batch of mischievous green meanies is on the loose. We told you. Remember the rules. You didnt listen. Now youll have to face up to the hilarious consequences.
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Hitting the Nuts
Even Professional Poker has a Farm System.
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When May was a child, she was a lonely girl with one lazy eye and without any friend but a weird and ugly doll kept in a glass case given by her bizarre mother on her birthday. May becomes a lonely weird young woman, working in an animal hospital and assisting the veterinary in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the weirdness and bizarre behavior of May makes Adam moves away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer.