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Resident Evil: Afterlife
Alice is back slayin' hordes of zombies in Resident Evil: Afterlife, the fourth entry in the Capcom videogame-to-film series and the first to be shot in Avatar-style 3D. The first film's director, Paul W.S. Anderson, is back at the helm for this sequel, which takes Alice – once again played by Milla Jovovich – from Tokyo to Alaska and finally to a zombie-ravaged L.A.
The film also brings back Resident Evil: Extinction's Ali Larter as Claire Redfield, and finally introduces her ass-kicking brother, former soldier Chris Redfield (Prison Break's Wentworth Miller). Also reprising her role from the third film is Spencer Locke as K-Mart, while Shawn Roberts succeeds Jason O'Mara as the Umbrella Corp.'s evil overlord, Albert Wesker.
Resident Evil: Afterlife starts off with a very big bang as Alice takes the fight right to the door of the Umbrella Corp., slicing, dicing and blasting her way through countless goons – and later scores of the undead – in eye-popping 3D gory... er, glory. After learning that there may be a promised land of sorts in Alaska for zombie apocalypse survivors, Alice journeys there but only finds a single soul: Claire, who is suffering from amnesia after a run-in with Umbrella Corp. agents.
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Jason Statham’s new action pic Crank wasn’t made available to critics prior to its release. Big shock. After enduring all 87 excruciating minutes of this mean-spirited, blood-drenched Mountain Dew commercial masquerading as a motion picture, I wished that the studio had the courage to do the right thing, and not make it available to audiences either. It would have saved us all a little time, as well as a few brain cells. In fact, if you had the choice of doing “crank” or seeing the film Crank, I’d strongly suggest the former as a more productive use of your time.
The cinema of Bernardo Bertolucci has provided the meat of many a heated film debate since his emergence in the 1970’s. Those with a soft spot for European cinema have always maintained that his work, even at it’s most grandiloquent, deserves to be included in the pantheon of post-war classics. Those with sympathies more firmly lodged on the west coast of America have used the dreaded P word (amongst others) to describe the Italian’s output. Wherever your loyalties lie it’s impossible to ignore the buzz his films still command. He is one of only a handful of international directors whose name on the poster is the key selling point for the film, regardless of who’s starring in it, or what it’s about.
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50 First Dates
50 First Dates offers viewers a kinder, gentler Adam Sandler. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. In his place is a likeable goofball whose rough edges are worn off by a force more effective than sandpaper: falling in love. Although there are moments that will tickle the bellies of longtime Sandler fans (one of which involves gallons of walrus vomit dripping from an individual of indeterminate sex), 50 First Dates is sweet enough to capture the attention, and perhaps affection, of those who would not ordinarily see a movie headlined by this particular star. The fact is, 50 First Dates is more of a romantic comedy than an Adam Sandler comedy.
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Over the years, the tendency when incorporating Nazis into movies has been to use them as the kind of diabolical villain with whom it's difficult (or at least uncomfortable) to sympathize. The concept that there might have been Nazis in Germany during Hitler's time in power who weren't rotten to the core has largely been avoided as a moral quagmire into which filmmakers have not wanted to venture. Demonization is a more secure and profitable route. Safe Nazis - like the ones used by Steven Spielberg in his Indiana Jones movies - are bad Nazis. Adding complexity to the equation is a daring step that has only recently been attempted by a small but growing cadre of directors. Last year, there was Paul Verhoeven's Black Book. This year, in addition to Good, we have seen The Reader and Valkyrie. Unfortunately, more is needed for success than the desire to make a movie about a Nazi who bears a greater resemblance to a living, breathing human being than to the familiar caricature. Black Book, The Reader, and Valkyrie have it. Good doesn't.
Looking back at the Sylvester Stallone pugilist franchise from the end of the line, one thing becomes clear: there were really only two Rocky movies. Everything else was filler, founded on formula and driven by testosterone and adrenaline. The two real films - those that used boxing as a metaphor rather than a means to an end and that focused on human drama - were the 1977 Oscar winner that started things off and, perhaps surprisingly, Rocky Balboa, the seeming afterthought that brings the saga to a fitting conclusion. These two features are solid bookends around a mess of a series that started going wrong when Rocky beat Apollo Creed in a re-match and got worse from there.
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Halloween 6: The Curse of Michael Myers
Before Jason and Freddy, there was Michael Myers, wearing his white-painted Captain Kirk mask and stalking Jamie Lee Curtis. Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. It set a standard that nothing since has come close to equaling -- not five Halloween sequels or numerous rip-offs. Now, with the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen.
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The Salton Sea
While playing the trumpet in a burning room, the protagonist's voice is heard in narration. His story begins with him posing as "Danny Parker", a speed freak addicted to methamphetamine, who hangs out with friends while indulging in drugs. He also moonlights as an informant for two corrupt cops, Gus Morgan (Doug Hutchison) and Al Garcetti (Anthony LaPaglia). He is trying to set up a large meth score with notorious drug dealer Pooh Bear (D'Onofrio), an eccentric psychopath who lost his nose to excessive snorting of "Gack" (meth), while also attempting to set up a sting operation for Morgan and Garcetti.
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Down to Earth
Lance Barton (Chris Rock) is a struggling comedian who is quite funny and confident in his personality, but is unable to bring his talent across in front of an audience. After being booed off stage one night he hears about an opportunity from his manager, Whitney Daniels (Frankie Faison), at the Apollo Theater, which is having a goodbye show due to its imminent closing. He is hoping to get a chance to prove himself in front of a real audience, when on his way home riding a bike Lance is distracted by Sontee Jenkins (Regina King). Not paying attention, he is hit by a semi truck and is instantly killed. Because of this, Lance is brought up to Heaven where he meets the angels, King (Chazz Palminteri) and Keyes (Eugene Levy) who reveal that Lance has died before his time, and can help Lance return to Earth.
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The story of the town Darkness Falls, (which is based on the town of Fall River, Massachusetts) begins with the legend of a widow, Matilda Dixon, who was adored by all the town's children. Matilda gave them gifts and gold coins when they lost a tooth, thus earning her the name "Tooth Fairy."
After a fire in her home left her horribly disfigured with an extreme sensitivity to light, she wore a porcelain mask, and only went out at night.
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Man About Dog
The film's main characters are Mo Chara, Scud Murphy and Cereberal Paulsy, all from West Belfast. They have an interest in dog racing, which the narrator, Mo Chara, informs us, is very important in Ireland. A hooky booky makes a proposition to them, to help him win a race through underhanded methods and in exchange, he'll give them a dog. After sabotaging the race as requested, they find out that the dog, 'Boots' as they call him, is useless as a racing dog. When
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The Prophecy: Uprising
The movie begins with the story of a woman named Allison (Wührer) who has come into possession of The Lexicon, a mysterious book of prophecies that writes itself. This book contains a 23rd chapter of the Bible, which is still not complete. The last chapter depicts the end of the war of angels. One of the angels who fell with Satan, Belial (now a demon), wants this book.
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Make It Happen
The movie opens in Glenwood, Indiana, where Lauryn Kirk (Mary Elizabeth Winstead) narrates the first few parts. There are no dance schools in Glenwood and Lauryn says goodbye to her brother, Joel (John Reardon) before departing for Chicago to audition for a famous dance school, the fictional Chicago School of Music and Dance. Although Joel, who works as a mechanic in the family garage, is wary of Lauryn's decision to enroll, he eventually gives her his blessing. When Lauryn enters the stage, however, her dance (mostly a hip hop routine) was halted by the judge, who hostilely rejects her, saying that they need to see something more "sensual and feminine".
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The film begins when a couple disappear while having a romantic night out on a yacht near the Pacific Northwest resort community, Grave's Point. The next day, local fisherman Whip Dalton (William Petersen) finds the empty lifeboat from the missing yacht and finds a large claw stuck into the boat. Whip sends the claw to a university to be analyzed and it ends up in the hands of marine biologist Dr. Herbert Talley (Ronald Guttman), who comes to Grave’s Point claiming it is from the tentacle of a Giant squid. The island harbor master Schuyler Graves (Charles Martin Smith) tries to hire Whip to kill the squid, but he refuses, so Graves sends out Lucas Coven (Larry Drake) instead. Coven succeeds in slaying the squid and the carcass is promptly sold by Graves to Sea Land Texas owner Osborne Manning (Denis Arndt).
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Eye of the Beholder
A nameless private eye shadows the same woman (who happens to be a serial killer of men) all over the U.S. for 10 + years, without her ever knowing and he strangely enough occasionally acts as her guardian angel.
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Logan's War: Bound by Honor
Logan Fallon was ten years old when his prosecutor father was marked for murder by a gangster he was prosecuting. Logan has this uncanny ability to sense danger before it happens, and he sensed the gangsters hitmen coming and survived their attack but the rest of his family was not so lucky. Logan chose not to tell the investigator who killed his family cause he wants to get them himself. He is taken in by his Uncle Jake whos an ex Army Ranger and a martial arts expert, he teaches Logan martial arts and gets him into the Rangers so that he could prepare himself to go after the people who killed his family.
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