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Somewhere within the Saw universe’s ridiculously convoluted back story is a film showing how the dying “Jigsaw Killer” John Kramer (Tobin Bell) won the lottery, set up corporate offices, and hired legions of worker elves to build a “torture district” the size of Disneyland. It would be a helluva lot more entertaining than watching his uber-secret second protégé (Mandylor, Mandylor, Costas Mandylor) tiptoe around the events of the previous films, which was all that the abysmal Saw V really had to offer.
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Tristan & Isolde
After the recent film debacle that was King Arthur I must admit that the idea of another ancient Britain legend movie had me wary. Hollywood’s ability to take a perfectly good story and completely foul it up has never ceased to amaze me and I expected nothing less from Tristan and Isolde. Consider me somewhat pleasantly surprised.
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When the child of a celebrity couple is kidnapped the cop on the case believes it’s the same man responsible for another kidnapping that he couldn’t solve before.
Well here was one hell of a mess of a movie. I swear this must have been a TV movie or something because it was just terrible. There is no character development whatsoever and the only way we’re introduced to past events is through two sentence dialogue between characters.
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Transformers 2: Revenge of the Fallen
There is a point in Transformers 2 where John Turturro’s character pleads with an ancient Autobot to tell him what’s going on: “Facts. Facts. Facts. Beginning, middle, end. Plot. Plot. Plot,” yells Turturro. Maybe someone should have been yelling this at Michael Bay and whoever else was involved in this incomprehensible mess of a movie.
Since we last saw Optimus Prime and his friends, the Autobots and humans have formed a secret military coalition to hunt down rogue Decepticons still wreaking havoc around the globe.
The teenage hero from the last film, Sam Witwicky (Shia LeBeouf), is back. He’s heading off to college across the country. Leaving behind Mikaela Banes (Megan Fox), his girlfriend and the Autobot Bumblebee who has been his trusty guardian disguised as a Camaro.
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Hellboy is director Guillermo del Toro's second venture behind the cameras for a comic-book themed motion picture. However, although the hyper-stylized setting and kinetic action sequences share a kinship with those in Blade 2, Hellboy showcases a lighter tone with a hero who doesn't take himself as seriously. In fact, while Hellboy doesn't quite cross the line into open comedy, it comes close. The film bears more of a resemblance to Ghostbusters and Men in Black (with a little of The Mummy thrown in for good measure) than to a traditional superhero motion picture. This isn't Batman or Superman.
American History X
Racism. It's almost impossible to turn on a news program, read a paper or magazine article, or engage in a political discussion without that word coming up at one time or another. White Rage has many forms - from the hoods of the KKK to the shaved heads and swastikas of today's apostles of Hitler - but only one terrible voice. This particular social problem is not limited to the United States. It is a worldwide phenomenon, with antecedents in every "civilized" country. To date, one of the most powerful films about modern-day race hatred has been the Australian offering, Romper Stomper. It's virtually impossible to watch that film and not leave the theater deeply affected. Although it treads similar paths, American History X does not offer the same overwhelming experience, but it has the capacity to disturb. Despite a tendency to become preachy, this film, the directorial debut of Tony Kaye, is no mere piece of propaganda. It recognizes that, when it comes to racial and ethnic hatred, no one has the answers and there are no safe harbors. And American History X does not easily dismiss the rhetoric of pro-white groups. Decoupled from their actions, some of their less-volatile arguments, borne of insecurity and frustration, sound plausible. The problem is, such doctrine frequently takes kernels of truth and distorts them into grotesque lies.
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Created as the middle section of a three-part trilogy, Malevolence is the tragic story of a group of bank robbers on the run from the law. They hide out in an abandoned house on the outskirts of town, unaware it is next door to the home of a family of serial killers. One of their hostages escapes and runs for help, but all hell breaks loose when she runs to the wrong house.
The Global Frequency is an independent, covert intelligence organization headed by a former intelligence agent who uses the alias of Miranda Zero. There are reportedly 1,001 people on the Global Frequency, forming an active smart mob communicating by specially modified video mobile phones through a central dispatch system coordinated by a young woman code-named Aleph.
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Jack Faro (Harrelson) is, at the time of the film, a recovering drug addict who has had so many relapses in the past, he ultimately decided to move into his rehab and just live there. Having been married 75 times, he is a serial husband and is always on the lookout for number 76 (At the beginning of the movie, he hits on a bartender who informs him that they had already been married even though he has no idea who she is). Even with his faults, he is a lovable guy who, just out of rehab, enters The Grand: a huge Texas Hold 'Em poker tournament in Las Vegas created by his grandfather Lucky Faro (Barry Corbin). His main motivation is to win the 10 million dollar pot to cover a loan he got from another ultimately apathetic casino owner to keep open his family's casino, The Rabbit's Foot, whom his grandfather left him when he died and that he has mismanaged into the ground. It is also a matter of contention in the film that Jack is playing in a poker competition that he owns.
The rest of the players all "won" their seats after winning an online poker tournament. The other players in The Grand include the Schwartzman twins, Larry (Cross) and Lainie (Hines), who have been forced into a sibling rivalry throughout their lives by their father (Kaplan). Harold Melvin (Parnell) is a genius with social issues who still lives with his mother (Estelle Harris). Other contestants are Andy Andrews (Richard Kind), a math teacher; Deuce Fairbanks (Farina), a wily old veteran of Vegas, and The German (Herzog), a cheater who ritualistically sacrifices small animals to gain luck at cards.
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She searched for a home, she searched for love. Confronted by Apartheid and a father who was Minister of censorship. With men like Jack Cope and Andre Brink she found much love, but no home. In his first speech to the South African Parliament Nelson Mandela read her poem The Dead Child of Nyanga and addresses her as one of the finest poets of South Africa.
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It is the mid-70s. A sinister cult called Unity Fields commits mass suicide in a horrific manner - by fire - at the behest of its psychopathic leader, Harris. Only one young woman named Cynthia survives to tell the tale. Now, 13 years later, Cynthia is having grim reminders of the mass-suicide, as people around her begin to die one at a time. Cynthia finds out quickly that the ghost of Harris is back... to claim his love child.
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Its a sci-fi infused, effects driven monster movie, the kind of genre people usually steer clear of when they make super low budget movies, but thats what was so cool about the concept, the ambition to make a movie like this on a limited budget. He continues talking about taking chances in the indie world of filmmaking, Ive been moaning for ages that in the low budget world no-one takes a chance on a different genre, and although this could definitely fall into the wider realms of horror, its really quite different from your usual low budget fare.
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Go is set mostly during one long Christmas Eve in the lives of a group of young adults on the events surrounding a drug deal in Los Angeles replayed three different times from three different views. In a straightforward manner when slacker Simon Baines takes off for a getaway to Las Vegas with his friends, Ronna takes his shift at the 24-hour grocery store where they work. When two guys, named Adam and Zack, walk in asking to score some dope from Simon, Ronna takes it upon herself and her friends Claire and Mannie to buy some some stuff from the local drug dealer Todd Gains. But the drug deal is a sting that Adam and Zack are forced to set up by an overzealous narcotics agent, Burke. Ronna is forced to dispose of the drugs. With no other alternative, she tries to double-cross Todd with phony drugs. Meanwhile in Las Vegas, Simons adventures with his best friend Marcus hit an unfortunate turn during a trip to a strip club, while Adam and Zack end up spending Christmas Eve with Burke and his wife Irene, and afterward while driving to a rave that Ronna is dealing, the guys accidentally hit Ronna with their car and leave her for dead. Nearby, Mannie nearly ODs on dope, and Claire gets more friendly with a vengeful Todd whom is now looking for Ronna.
A young couple very much in love are married and have started their respective careers, she as a real estate broker, he as an architect. She finds the perfect spot to build his dream house, and they get loans to finance it. When the recession hits, they stand to lose everything they own, so they go to Vegas to have one shot at winning the money they need. After losing at the tables, they are approached by a millionaire who offers them a million dollars for a night with the wife. Though the couple agrees that this is a way out of their financial dilemma, it threatens to destroy their relationship.
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Jab We Met
Aditya Kashyap (Shahid Kapoor), a demoralized industrialist, gets even more depressed after attending the marriage of the girl he loves the most. Feeling ashamed to face the world, he walks out of the marriage gathering and boards a train in the night. Over there, he meets Geet Dhillon (Kareena Kapoor), a beautiful talkative girl who is leaving Mumbai to go to her hometown - Bhatinda (Punjab). In the beginning, Geet irritates Aditya to a large extent and every meeting becomes mental torture for him. She discloses big plans to him of eloping with her boyfriend Anshuman (Tarun Arora) as she fears resentment from her parents. Geet irritates Aditya to the point of getting him to leave the train. As she tries to get him back on the train, she ends up missing it and the two find themselves stranded on a desolate station with no luggage or money. Geet confronts Aditya and tells him that he is now responsible of reaching her safely to her house in Punjab. Both of them begin an idyllic journey through the exuberant North Indian heartland, and make their way through buses, taxis and camel-carts to reach her house. On arrival, Geets family (Pawan Malhotra, Dara Singh and Kiran Juneja) mistakens the two for lovers. Before this misconception can be cleared, Geet escapes to her boyfriend in Manali. Aditya leaves with her, confirming the suspicion that they are lovers. In Manali, Aditya feels empowered to return to Mumbai and resurrect his ailing business. Destiny despises Geets love story as Anshuman avoids and dumps her. On the other hand, Aditya begins to do well in life after he resurrects his failing business empire. One day, Geets family, who think that she is with him, confronts Aditya. He is shocked to learn that Geet has not returned home. He takes it upon himself to find her and tells her family that he will bring her home in ten days. Aditya finally tracks her down in a Himalayan town and is traumatized to learn about Geets misfortune. Consoling her to face the circumstances, he manages in patching up the relationship of Geet and Anshuman, and they decide to travel back to Bhatinda. Back in Bhatinda, Geets family again mistaken the two for lovers. Trying to clear the misconception, situations make Geet realize that she is in love with Aditya not Anshuman, and therefore they get married.
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The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom hes attracted. While hes resisting temptation, his wife encounters her past love.
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