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“Mother’s Day” … is about a set of brothers who end up in their old house only to find a new family living there. They proceed to manipulate and torture the new tenants, as well as friends who are there for a party, until the brother’s mother (Rebecca De Mornay) shows up to straighten everything out. And that’s when things get really messed up.
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It's always a shock when a movie turns out to be this bad. It's an even bigger shock when it features an actor of the caliber and reputation of Al Pacino. 88 Minutes is one of the dumbest thrillers to arrive it theaters in a long time, so it's no surprise that it has been lingering on Columbia's shelves for more than a year. (It came out on DVD in Germany early in 2007.) The screenplay is credited to Gary Scott Thompson, but could have been written by a trained chimpanzee employing a "dial-a-cliché" computer program. Director Jon Avent gets into the general sense of badness by mangling continuity and Pacino does his part by sleepwalking his way through the role. The rest of the actors follow suit.
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District B13 is action porn. It's a series of amazingly choreographed, kinetic action sequences tied together by a laughably bad script and worse acting. Substitute sex for violence and you'd have a typical hardcore XXX feature. The director is Pierre Morel, a cinematographer making his directing debut, but it should come as no surprise to see Luc Besson's name as both a screenwriter and producer. Besson (La Femme Nikita, The Professional) has spent most of his career proving to the world that not all movies coming out of France have to be slow and talky. He's the anti-Rohmer. Nowhere is that more evident than in something like District B13.
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The Lookout is an effective little thriller that almost works from taut beginning to unspectacular end. The premise is interesting and the story is developed in such a way that the viewer is engaged throughout. The opening scene hooks us and the movie spends the next 90-plus minutes reeling us in. The ending, however, is where The Lookout's problems arise. The concluding sequences are paradoxically overplotted and underwritten. One character vanishes suddenly and inexplicably while the story engages in a few too easy contrivances in order to wrap things up. I left the theater entertained but not fully satisfied.
We have reached the Season of Natalie Portman. With no fewer than six movies due to be released within a six-month period (Black Swan, The Other Woman, No Strings Attached, Hersher, Your Highness, Thor), a confirmed Golden Globe nomination (and probable win), a likely Oscar nomination (and possible win), a pregnancy, and an engagement, Portman has suddenly become ubiquitous. IFC has elected to distribute and market The Other Woman in anticipation of Portman receiving a Best Actress Academy Award nomination for Black Swan. (It will run on Video on Demand beginning January 1, 2011 and will open in limited theatrical distribution on February 4, 2011.) Otherwise, this film likely would have been headed for obscurity. It's not good enough to warrant a theatrical showing but not bad enough to deserve universal derision. Riding Portman's Oscar coattails will increase its profile, and Portman is neither good enough nor bad enough in The Other Woman for her performance to impact her chances for Black Swan. This won't be another Norbit. (That movie, released during the Oscar voting period when Eddie Murphy was nominated for Dreamgirls, is widely credited for killing the actor's chances of taking home a gold statuette.)
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Lost in Space
Lost in Space is New Line Cinema's bid to enter the space franchise race. Undoubtedly impressed by the long-term, consistent profitability of Paramount's Star Trek movies (the ninth of which will be released this year), New Line has decided to resurrect another late-'60s science fiction television enterprise, Lost in Space. Admittedly, thirty years ago, there weren't many similarities between the two programs. Star Trek was a relatively serious, socially-conscious series while Lost in Space became infected with what I'll call the "Batman sickness," and, over the course of its four-year run, devolved from a semi-straight program into pure camp. Much of that silliness has been removed for this big-budget, big-screen effort.
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Flesh & Blood
Flesh & Blood is a vivid and muscular, if less than fully startling, account of lust, savagery, revenge, betrayal and assorted other dark doings in the Middle Ages.
Drama opens with a successful siege on a castle by Lord Arnolfini (Fernando Hillbeck), who has recently been ousted from the premises.
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Muay Thai Giant aka Somtum is something of a novelty film, a Thai action movie that I suspect a lot of people are either going to love or think is the corniest thing ever. Personally, I got a kick out of this movie. It’s the first headlining vehicle for Nathan Jones, a guy that you’ve probably seen at least once if you’ve watched any action flick in the past 20 years. He’s the 6’11″ giant of a man who attacked Jackie Chan in his Australian apartment in “Police Story 4: First Strike”; rammed into Tony Jaa Juggernaut-style in “Tom Yum Goon”; and fought Jet Li in a wrestling ring in “Fearless.” Oh yeah, he was also quickly defeated by Brad Pitt in the opening scenes of “Troy,” but I’m pretty sure in a real fight Nathan Jones would turn Brad Pitt into glue paste.
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Guilt by Association
Life is good for Susan, her two children and new boyfriend Russell. But life abruptly changes when she discovers her perfect boyfriend is a drug dealer. Realising the danger this could bring to her family she tells him to leave. Suddenly her house is raided and Susan is arrested as a co-conspirator in Russells drug business. Her situation goes from bad to worse when she finds herself behind bars with violent criminals. How will she ever prove her innocence when the system seems against her? Guilt By Association is a disturbing story based on true events.
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Maria is the best rumanian movie Ive ever seen, and its not that Ihaventseen a lot. Maria is a film about a young woman, who is having seriousproblems with her husband. Not to mention her 7 kids... She has to fighthard for every piece of bread, so that her family dont die inmisery.
In the prologue, the film depicts a panicky man who, for unknown reasons, murders his wife with a shotgun. The main storyline opens with Jack and Stephanie, a bickering young couple, who are lost while driving through the backwoods. We soon learn that they are on their way to meet a marriage counselor.
After getting bad directions from a state trooper, the couple get into a car accident when they run over some spiked metal in the road, which Jack dismisses as discarded scrap metal; they find another car which has experienced the same fate, but the occupants are missing. Forced to proceed on foot, Jack and Stephanie find the gothic Wayside Inn, where they try to phone for help. At the inn, they meet the occupants of the other car, the engaged couple Leslie and Randy. Because the phones are inoperative, both couples are forced to spend the night at the inn, which is staffed only by the eccentric proprieter Betty, her creepy son Pete (who develops an instant attraction for Leslie), and the gruff caretaker Stewart.
Up in the Air
Ryan Bingham (George Clooney) makes his living traveling to workplaces around the United States and breaking the news to workers that they have been let go for employers unwilling to do it themselves. Ryan also delivers motivational speeches, using the analogy "What's In Your Backpack?" to extol the virtues of a life free of burdens like relationships with people as well as things, arguing that the best way to live is to travel light, with little to hold you down.
Ryan relishes his perpetual travels. His personal ambition is to earn ten million frequent flyer miles with American Airlines. While traveling, he meets another frequent flyer named Alex (Vera Farmiga). They begin a casual relationship, meeting whenever they can arrange to cross paths.
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Winter of Frozen Dreams
Barbara Hoffman (Birch) is a University of Wisconsin science student. She is a part-time employee at a local massage parlor. She is also a killer. Now all Detective Lulling (Carradine) has to do is prove it.
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The Dream Team
Dr. Weitzman works with patients in a sanitarium. Convinced that all that his group needs is a some fresh air and some time away from the sanitarium, he pursuades the administration to allow him to take them to a ballgame. Unfortunately, he accidentally stumbles across a crime in progress and ends up in hospital. The group are stranded in New York City, forced to cope with a place which is often more bizarre than their sanitarium.
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Based on Gregory Lambersons novel JOHNNY GRUESOME When high school heavy metal rebel Johnny Grissom is murdered by a coke head, he returns from the grave as Johnny Gruesome, the Headbanger from Hell!
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No Man's Land: The Rise of Reeker
In 1978 Sheriff Reed captures the deranged serial killer known as The Death Valley Drifter in the desert and the criminal is sentenced to death. In the present day, Sheriff Reed is near retirement and will be replaced by his son. Whilst they are having a meal in a rest stop diner in the middle of the desert, a runaway car with three thieves who robbed a casino stops in the spot for refueling. One of the robbers is the former boyfriend of the waitress Maya, and another criminal is wounded in the backseat. There is a shootout among the thieves and the sheriffs and their car explodes, however the body of the wounded criminal vanishes and the survivors discover that they are stranded in the place. Furthermore, they are stalked and chased by a fiend with stench known as The Reeker.
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