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All About Steve
Sandra Bullock may yet be one of our great living movie stars, capable of stealing just about any scene from any other actor. If only she could just find her place. Her role as the woman who winds up driving the bus in Speed was the breakout performance of a lifetime. In one scene, the bus approaches a lady crossing the street pushing a baby carriage. There's nothing anyone can do, so Sandra just screams and covers her eyes. The baby carriage goes flying, and -- not a baby -- but empty cans go flying and rattling all over, with the angry woman shaking her fist at the departing bus. Keanu Reeves tries to calm Sandra down by explaining that it was just cans. Her hysteria lasts a few more seconds, but it's so over-the-top utterly charming that Keanu can't help but smile at her. I've always suspected that that was a genuine smile from Keanu, not in character, and that director Jan de Bont just left it in.
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I simply do not envy the filmmakers who feel inspired to make a haunted house flick in today's cynical age. What used to be so beautifully easy in The Haunting or House on Haunted Hill or The Innocents became a little bit tougher in The Amityville Horror and Poltergeist -- and nowadays you have to break out the video camera if you want to dazzle a young audience with your Paranormal Activity and your Grudge-inspired phantoms. But of course the haunted house movie is an essential sub-division of our beloved Horror genre, which means it's always good news when someone finds a fresh way to upgrade the essential cobwebs once in a while.
Without a doubt, the majority of the reviews of Amores Perros, the acclaimed debut feature from Mexican filmmaker Alejandro González Iñárritu, will, at one time or another, invoke Pulp Fiction. There are undeniable similarities, although most of them are at the surface level. Amores Perros, like Quentin Tarantino's Oscar-nominated opus, deals with men and women who live on the seedy side of life. The plot unravels episodically and in a non-linear fashion, with characters from one segment occasionally appearing in, or passing through, another. However, one of Pulp Fiction's trademarks was to glamorize the gangster - to make the traditional "bad guy" seem hip and interesting. This was done through clever dialogue and stylish filmmaking techniques. In Amores Perros, criminals are not romanticized. They are exposed for what they are - human beings whose moral compasses have become twisted. So, although the territory may be familiar to viewers of Pulp Fiction, the vantage point is radically different.
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Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format. A supposed satire of extravagant weddings and reality shows, Debbie Isitt's feature displays little in the way of wit or insight. It's long and tedious, and amusing only on rare, widely spaced occasions. Unlike Guest's films, which show affection for the people being mocked, Isitt treats her cast of mostly unlikable characters with contempt, then attempts to redeem them
Star Wars Episode II: Attack of the Clones
Middle episodes in trilogies have the potential to be fundamentally dissatisfying. Thankfully, George Lucas has managed to avoid that pitfall for Episode II of the Star Wars saga, Attack of the Clones. Admittedly, the primary purpose of this film is to advance the overall story, bridging the gap between the lightweight, heroic antics of The Phantom Menace and the overwhelming darkness of the as-yet unnamed Episode III. Attack of the Clones has a starting point and a stopping point, but no true beginning or end. And it also shares elements in common with Lucas' earlier Star Wars middle episode, The Empire Strikes Back.
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P.S. I Love You
If you want an insightful movie about the grieving process, check out Grace Is Gone, which explores how a suddenly single father must cope not only with the loss of his wife but must face telling his daughters that their mother is not coming home. Grace Is Gone is sincere and touching; P.S. I Love You is the cinematic equivalent of a Celine Dion song. Since there are plenty of people who love Dion's sappy, whiny warbling, there will no doubt be a sizable audience that will fall for the treacle dished out by P.S. I Love You. Aside from the inept August Rush, there probably isn't a more clumsily manipulative motion picture out there this holiday season than P.S. I Love You.
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Surviving the Game
What are Ice-T and F. Murray Abraham doing in the same movie? Remaking The Most Dangerous Game for the umpteenth time, as it turns out. Remade every 10 or so years, this 1932 classic pit a megalomaniacal hunter on a remote island against his quarry of human prey. The basic conflict, with its elements of the chase and the mano-a-mano showdown, must be a natural for the movie screen or so it would seem by the frequency with which we return to it. With last year's Hard Target, and now this, it appears that the frequency quotient of this hunter vs. human hunted narrative form has just been upped.
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Dr. Dolittle 3
Maya Dolittle, the Doctor's youngest daughter, has inherited her father's gift for talking to animals, but so far it's brought her nothing but trouble. So, Maya heads to Durango summer camp to get in touch with her abilities.
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Girl Fever aka 100 Women
The film starts out with a man surrounded by a large number of angry looking women in a theater. He tells his story and narrates it throughout the film.
Sam, an art student who describes himself as "accidentally funny", is having the worst day of his life: he loses his girlfriend, fails art school, and is put down by his favorite professor. Finally, his art portfolio falls open and his drawings scatter. A girl comes up with one drawing (a smiling face) and say that he has "lost his smile". The girl is Hope, a bubbly bombshell with a drive to make Sam smile again. She eventually does, and they kiss in the rain. She gives Sam her number, then is picked up by a friend. Unfortunately for Sam, the rain washes the number off of his hand.
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Chad (Elliot Olson) is snowboarding down a mountain, when suddenly someone dressed in all black on Ski's attacks him. Chad attempts to get away, but is decapitated by a piece of wire strung up between two trees.
DOA: Dead or Alive
The film opens at temple of princess Kasumi (Devon Aoki). Hayabusa informs her of the death of her brother. Not wanting to believe, she leaves the temple and becomes an outcast shinobi. Before leaving she is confronted by Ayane (Natassia Malthe) who states that if Kasumi leaves, she is honor-bound to kill her. Jumping the wall of the temple Kasumi catches a flying shuriken on which the words "You are invited to DOA" appear.
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Methodic tells the story of a boy who becomes demonically possessed by an ominous presence known as The Dollman. Forced to obey his dark half, the boy ultimately murders his parents on his birthday and is sentenced to a life under a microscope at the state mental hospital. But evil cannot be contained so easily. Instead, The Dollman simply bides his time, dwelling within the boy- waiting for the day when he will become powerful enough to completely take over his human host. And when that day comes, god help us all.
Wild at Heart
Sailor and Lula are two rebelious kids. Lulas mother hates Sailor, and pays a man to attack him. Sailor kills the attacker, and ends up in jail. Lula waits for him to be released, teams up with him, and they both cross the country trying to stay one step ahead of the mother...
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Sarah and Jillian have been best friends for so long they cant remember when their friendship started. Growing up in the small town of Goshen, Indiana the two girls couldnt be more different. Sarah is a star pupil and athlete, a 100-watt-bulb in a five-watt-town, while Jillian is star mischief-maker, a 100lbs-of-trouble in a five-pound-bag. Although both girls long to be break free of the small-town life, Jillian is the first to act, revealing to Sarah that she has been meeting men on-line with the sole purpose of finding someone who will take her away from this place. Soon thereafter, she disappears leaving Sarah with only a journal and a cryptic video message sent from her cell-phone. Sarah soon discovers that the town would rather forget that Jillian had ever existed. Distraught, she delves into the secrets surrounding her disappearance. Aided by, Jasper, the resident computer geek who secretly adores her, the two plunge head-long into Goshens dark secrets -- uncovering corrupt police, jilted boyfriends, a mother driven mad by loss, and an unsolved string of child abductions. The final truth they unearth will rock the town to its foundations.
Two female kidnappers find themselves dragged further and further into a complex mystery, fuelled by paranoia. Everything starts to spiral out of control, as one of them suspects there is something wrong in paradise.
Man About Dog
Three pedigree chumps learn that every underdog has its day in this freewheeling Irish comedy. In hock to the tune of 50,000 to a Belfast bookie and saddled with a dopey greyhound that wouldnt run if its backside was on fire, the likely lads head south on a road trip in the hope of seeing a man about a dog. Foul-mouthed and funny, Man About Dog is full of great craic.
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