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This Is It
The biggest movie release of the week is this somewhat bizarre documentary/concert film that chronicles what turned out to be the final weeks of global pop phenomenon Michael Jackson's life.
The flick is made up of rehearsal footage of Jackson's ill-fated 'This Is It' swansong tour, which would have seen the singer perform 50 (sold out) concert dates at London's 02 Arena. Fate intervened however, with this distillation of the hours of material shot for a making-off documentary all the public will end up seeing of the sure-to-be-spectacular show.
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Day After Tomorrow
Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It's cheesy and over-the-top, but the disaster sequences are well crafted and some of the formulaic action sequences generate tension. The Day After Tomorrow stands a rung above Independence Day (which self-destructed in its final third) and significantly more than that above the turgid Godzilla remake.
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License to Wed
No matter how hard I try, I'm finding it difficult to write anything positive about License to Wed. This movie is bad from top to bottom, front to back, and start to finish. Many romantic comedies sacrifice humor in favor of romance; this one isn't romantic either. If this was the debut outing for Robin Williams or Mandy Moore, neither would get another job. Williams is as unfunny as he has ever been and Moore shows no evidence of charisma or charm. At least License to Wed wasn't so godawful that I wanted to drive a spike through my head to make the pain stop, and when it was all over, I didn't run gibbering up the aisle in a frantic break for the exit.
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Million Dollar Baby
Warning! Beginning with paragraph #4, there are spoilers. Viewers who like virginal movie experiences should proceed at their own risk.
What a marvelous return to form Clint Eastwood has made following the disaster of Blood Work. In fact, one could argue that his two most recent films, Mystic River and Million Dollar Baby, have ushered in the most dramatically compelling phase of Eastwood's long career in front of and behind the camera. It's difficult to say which of these two magnificent films is more powerful - both left me stunned and haunted, and both evidence only the tiniest of flaws. Mystic River captured a place in my Top 10 list of 2003; Million Dollar Baby will find a spot on the 2004 roster.
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P2 is a serviceable gore-minded thriller - a competent execution of a premise that ultimately becomes hampered by its inherent constraints. For about the first two thirds of the roughly 90 minute running time, this is a solidly made motion picture, combining white-knuckle tension with black humor and arguably the most impressive cleavage to grace the screen this year. However, as the movie accelerates toward its inevitable conclusion, things become increasingly silly and
In the early summer sweepstakes, Warner Brothers has weighed in with Twister, Paramount with Mission Impossible, and now Universal with Dragonheart, director Rob Cohen's swords-and-sorcery saga. No prizes for guessing which is most likely to be the also-ran. Dragonheart, which not only has the kiss-of-death of a De Laurentiis being listed in the credits (Raffaella is the producer), is a remarkable example of how not to fashion a solid adventure story. Crowds craving excitement will be irritated by the numerous lulls; those hoping for something of substance will feel cheated.
Open Your Eyes
Of all the films that emerged from the 1998 Sundance Film Festival, none caused me to ponder, wonder, and puzzle more than Alejandro Amenabar's sophomore feature, Open Your Eyes. Film of this intelligence, audacity, and complexity come along so rarely that it's mandatory to cry out their arrival. Saving Private Ryan may be the best movie I saw in 1998, but Open Your Eyes was the most original. (Note: North American distribution was delayed from the originally planned October 1998 to April 1999.) It is a piece of cinema that will have viewers guessing and questioning from beginning to end.
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House of Fury
Anthony Wong stars as Siu Bo, a single father who single-handedly raises his two children, Natalie and Nicky, to young adulthood after his wife's death.
Nicky works as a dolphin trainer at Ocean Park and Natalie goes to school with Ella. Her boyfriend, Jason, is a musician who does not speak Cantonese very well, and in his first scene, gives Natalie a pet pig. Siu Bo works as a Chinese traditional bonesetter and has kung fu skills, which he has passed on to his children, who display prowess while fighting each other in sibling disputes.
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Three male college students, Toby (Nick Stahl), Casey (Lukas Haas) and Jude (Johnny Galecki), start up a bookie business taking bets from various clients. Their business immediately booms, arousing suspicion among local campus authorities and Toby's girlfriend, Hunter (Rachael Leigh Cook).
Love Is the Drug
Jonah Brand (John Patrick Amedori) is a scholarship student at a private school full of wealthy students. Poor and lacking the social confidence of his classmates, at graduation he finds himself attracted to Sara Weller (Lizzy Caplan), who is part of a group of sex and drug users that include her sometime boyfriend Troy (Jonathon Trent) and their friends Lucas (D.J. Cotrona) and Erin (Jenny Wade).
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After a recent breakup, Billy returns to his hometown to find something is not quite right with his best friend.
Roy Parmenter is an FBI agent in San Diego 20 years ago his partner was killed by a Soviet spy, nicknamed Scuba, still at large. Scuba is now trying to extort the Soviets to prove hes serious, hes killing their agents one by one, including sleepers, agents under deep cover awaiting orders. Roy interviews a high school lad, Jeff Grant, an applicant to the Air Force Academy. In a routine background check, Roy discovers that Jeffs parents are sleepers. He must see if Jeff is also a spy, confront the parents yet protect them, and catch his nemesis. Meanwhile, the Soviets have sent their own spy-catcher, the loner Karpov, to reel in Scuba. Alliances shift its cat and mouse.
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Money for Nothing
When unemployed dockworker Joey Coyle finds 1.2 million that fell off of an armored car, he decides to do the logical thing take the money and run. After all, he says, finders keepers. He turns to his ex-girlfriend Monica, who works in an investment firm, for advice, before turning to the mob for help laundering the money. While Joey makes plans to leave the country, however, a detective is following his ever-warmer trail in order to recover the cash.
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Malibu's Most Wanted
Brad Gluckman (Kennedy) is a wannabe rap star from Malibu who acts and talks like hes from the hood. Concerned that his son is going to embarrass him during his campaign to become the governor of California, Brads wealthy father and his campaign manager (Underwood), hire two trained actors (Diggs and Anderson) to disguise themselves as real life gangstaz, and kidnap his son, dropping him off in the real hood in Compton, in an effort to scare the ghettofied attitude and behavior out of him.
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Year 2038 The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
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Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
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