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Like many recent thrillers, Vantage Point is set against the war on terror, as U.S. President Ashton (William Hurt) arrives in Salamanca, Spain to announce new international treaties and efforts in the fight against freedom's enemies. We open in a news van, as harried, hard-bitten producer Rex Brooks (Sigourney Weaver) is orchestrating her camera team and reporters on scene. When reporter Angie Brooks (Zoe Saldana) breaks from the celebratory mood to talk about the protesters outside the courtyard where the crowd awaits the President's words, Rex is miffed about the departure from the script. "We're here for the summit, not the sideshow." Rex has a very definite plan for the day in her head. As shots ring out, the President goes down and explosions ripple through the courtyard, it's clear someone else does, too. ...
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The Bourne Ultimatum
If nothing else, The Bourne Ultimatum represents the best of 2007's inordinately high number of so-called "threequels." Hopefully, that's not damning with faint praise. The Bourne Ultimatum, the third in the movie trilogy loosely based on Robert Ludlum's novels, is superior to its immediate predecessor but not quite as good as the original. The action is this movie is top-notch (despite the spastic camera) - full of suspense and kinetic energy - but the film doesn't have as much heart or emotional depth as The Bourne Identity. As with The Bourne Supremacy, this movie diverts so far from its "source material" that the only things retained from Ludlum's novel are the title and some of the character names. (Shades of how the James Bond movie producers approached many of Ian Fleming's books.) Ludlum's version of The Bourne Ultimatum is completely different from the one penned by Tony Gilroy and directed by Paul Greengrass.
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M. Night Shyamalan didn’t script or direct DEVIL—he was just one of the producers, and it’s based on his story—but since this is the film that may forever be remembered for turning “From the mind of M. Night…” into a viral punchline, it’s worth noting that DEVIL (billed as “The Night Chronicles 1” on screen, if no longer in the marketing materials) does mark something of a change in direction for the beleaguered auteur. Rather than build up to a heretofore concealed, big-surprise plot twist, this movie takes the different if ill-advised tack of explaining in advance what it’s all about.
Arsène Lupin’s harmonious childhood ends abruptly with the brutal death of his father, a notorious crook. Twenty years later, Lupin has established himself as a gentleman thief; he relieves the rich of the burden of some of their wealth, without ever resorting to violence. He also has an eye for the ladies and one day he falls under the spell of the mysterious Countess Joséphine. She lures him into recovering three crucifixes which will reveal the whereabouts of a lost royal treasure. This is to be Arsène Lupin’s greatest adventure, played for the highest stakes..
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The Boys & Girl From County Clare
In the late '60s, two brothers return to their hometown for the annual All-Ireland finals for traditional Irish Ceili (folk) music. Jimmy (Colm Meany) and John Joe (Bernard Hill) will do anything to keep the other one's band from winning the contest, but amidst the proceedings, new revelations come out about their past, as the beautiful violin player from John Joe's band (Andrea Corr) falls for the flute player in Jimmy's band.
Director John Irvin is best known for war films like Hamburger Hill and Dogs of War, so it's a surprise to see his name on a movie like The Boys & Girl From County Clare, which is about as far as removed from his other films as is possible. It's more impressive that he does a better job with this warm comedy than he has with other forays into other genres.
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Sony is releasing Prom Night under their "Screen Gems" imprint. Gems? More like turds. By its nature, the slasher film is not a terribly deep or complicated effort. To be successful, all such a movie needs is a sympathetic victim/protagonist, an implacable killer, a suspenseful buildup, and (most importantly) a cornucopia of blood and gore. The 2008 version of Prom Night misses on all four counts, making it virtually worthless by any measure of the genre. Despite having the same title and a similar premise to a 1980 Jamie Lee Curtis flick (kids getting slaughtered on prom night), this is not a remake. In fact, it really doesn't have much of a plot. It's basically The O.C. with a body count.
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Lost in Translation
Simply put, Sofia Coppola's Lost in Translation is an amazing motion picture. There may be some controversy over whether she truly wrote the screenplay on her own (there are sequences that argue that she at least had help from someone with a little more experience in life and marriage), but that doesn't impact the final analysis. This study into the unfathomable depths of human relationships has more honesty than 95% of the movies I have seen this year. Beautifully photographed with some amazing shots of nighttime Tokyo (and I thought Times Square was garish!), and a gorgeously composed scene of two characters reflected in a plate glass window as they hold a conversation, this movie has a look to match its acting and content.
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Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit.
When a CIA agent is killed during a nuclear arms purchase, his partner Oakes, recruits his twin brother, Jake Hayes. Jake had no idea he had a twin brother, let alone that he worked for the CIA. Jake, a.k.a. Michael Turner, has nine days to fill his brothers place. However, the enemy terrorists learn of his secret identity and kidnap his girlfriendfiancee. He has to rescue them and save New York city from an imminent nuclear terrorist act.
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The White Diamond
THE WHITE DIAMOND is a film about the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr.Graham Dorrington embarks on a trip to the giant Kaieteur Falls in the heart of Guyana, hoping to fly his helium-filled invention above the tree-tops. But this logistic effort will not be without risk. Twelve years ago, a similar expedition into the unique habitat of the canopy ended in disaster when Dorringtons friend Dieter Plage fell to his death. With the expedition is Werner Herzog, setting out now with a new prototype of the airship into the Lost World of the pristine rain forest of this little explored area of the world, to record and tell this unique story in an extraordinary, feature-documentary film.
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Elizar Perla is a recently retired cat burglar who has succumbed to the temptation of one final score. The target is David Gray, famous for his collection of art and other rarities. Soon after the job, Elizar disappears, leaving his daughter Marty (Gina Gershon) distraught. Desperate, Gray approaches Marty suggesting that her father will turn up as soon as the stolen artwork is recovered. She begrudgingly accepts the offer to help him locate the art, but all is not as it seems, as the rarest of stolen pieces has value beyond ordinary currency.
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Cataclysm aka The Nightmare Never Ends
Police detective, Mitchell, investigating the death of a victim of a Nazi concentration camp discovers a nightclubbing playboy who has strange powers over women and is seemingly ageless.
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How Awful About Allan
After a fire which killed his father and scarred his sister, a guilt-ridden victim of psychosomatic blindness is released from a mental hospital and goes back home to stay with his estranged sister. However, it appears that someone is out for revenge and wants to drive him crazy.
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New Orleans businessman Michael Courtlands life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he meets and falls in in love with Sandra Portinari, who bears a striking resemblance to his wife.
It Could Happen to You
Charlie Lang, a New York cop with a heart of gold, wins a share of the lottery. However, the day before, having been caught without enough money to tip waitress (Yvonne), Charlie offers her half the winnings. Charlies wife, Muriel, is the complete opposite of her husband. She wants more and more money, and shes not impressed by Charlies honest and kind nature. As Charlie and Muriel grow apart, Charlie and Yvonne grow together.
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Meet Monica Velour
When an awkward teen meets his favorite porn star, whose career peaked in the 80s, an unexpected friendship follows as the young man gets a glimpse inside Monica Velours current life as a single mom struggling to make ends meet.
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