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He's playing games with me, I just know it. You probably think I am being paranoid but paranoia is just knowing all the facts. I mean, how else do you explain my editor once again giving me a DVD to review with zero special features. He keeps telling me to focus my reviews on them but I'd like you to tell me how you review special features like "Play" and "Scene Selection" and nothing else? I tell you that whorehopper is laughing at me.
“300” is about as violent as “Apocalypto” and twice as stupid. Adapted from a graphic novel by Frank Miller and Lynn Varley, it offers up a bombastic spectacle of honor and betrayal, rendered in images that might have been airbrushed onto a customized van sometime in the late 1970s. The basic story is a good deal older. It’s all about the ancient Battle of Thermopylae, which unfolded at a narrow pass on the coast of Greece whose name translates as Hot Gates.
M. Night Shyamalan didn’t script or direct DEVIL—he was just one of the producers, and it’s based on his story—but since this is the film that may forever be remembered for turning “From the mind of M. Night…” into a viral punchline, it’s worth noting that DEVIL (billed as “The Night Chronicles 1” on screen, if no longer in the marketing materials) does mark something of a change in direction for the beleaguered auteur. Rather than build up to a heretofore concealed, big-surprise plot twist, this movie takes the different if ill-advised tack of explaining in advance what it’s all about.
Bad Santa's Willie (Billy Bob Thornton) is the kind of guy who makes Scrooge look like a generous, mild mannered eccentric. With a character as thoroughly unlikable as this, you know immediately that Bad Santa is not going to be just another modern-day version of A Christmas Carol. It has two modes: dark and darker, and dares to do some things with the Christmas motif that haven't been done since Norman Rene's Reckless. Realistically, however, what else would you expect from a movie directed by Terry Zwigoff (Crumb, Ghost World) and executive produced by the Coen Brothers?
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As much heralded, "edgy" movies go, Transamerica fails to live up to expectations. The final 30 minutes are interesting, funny, and affecting, but that segment represents less than a third of the running time. To get to the parts of the film that work, it is necessary to endure 15 minutes of setup, then an hour of some of the most uninspired road movie tedium in recent history. Road movies often turn into vehicles for lazy screenwriters, and this is no exception. The primary purpose of this prolonged portion of Transamerica isn't to bring the characters closer or to give us insight into their personalities; it's to stretch out the running length so we're left with a motion(less) picture rather than a short.
Still Walking, the seventh feature from Japanese director Hirokazu Kore-eda, is a sublime experience. By "sublime," I don't mean "boring." Although the events depicted in the film cover the 24-hour span of an ordinary family gathering, there's a subtlety to the evoked emotions that involves the viewer rather than distancing him. The familiarity of the rhythms offer not a sense of banality or tedium, but one of comfort. Kore-eda establishes circumstances that embody a universality of experience. Everything is understated and naturalistic, and he avoids melodrama and false catharsis. As a result, there's comedy of the sort that evolves from the details of everyday life, and a sense of poignancy at the end, when Kore-eda emphasizes one of his recurring themes: the ephemeral nature of existence. The tone is perfect; this is one of those rare films that, despite being rooted firmly in the world around us, is utterly absorbing and capable of reducing the immediacies of life into abstract thoughts in the back of one's mind.
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Kids Are All Right
The kids may be all right, but the adults aren't. That's the underlying premise of Lisa Cholodenko's unconventional family drama - a motion picture that uses wry humor and uncommon sensitivity to underscore some of the difficulties inherent in any family, regardless of how unusual the structure may be. However, although many of the ideas and emotions expressed in The Kids Are All Right have universal implications, Cholodenko resists the urge to close things out in an artificially clean manner. When the 104-minute running time has expired, there's a sense of satisfaction that the story has been told, but by no means are all the loose ends neatly knotted. In fact, the untidiness of the ending hints at greater honesty than one might uncover when catharsis is achieved for all characters by squelching ambiguity.
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The film starts off with Tom and Sarah in the airport. A few months earlier, Tom Leezak (Ashton Kutcher) and Sarah McNerney (Brittany Murphy) meet up when Tom accidentally hits Sarah with a football. A few months later, despite opposition from Sarah's rich, uptight family they get married. However they each have a secret that they want to keep from each other: Tom doesn't want Sarah to know that he accidentally killed her dog and Sarah doesn't want Tom to know she slept with Peter Prentiss (Christian Kane). Tom and Sarah decide to honeymoon at a classy hotel at the foot of the Alps. On their way there, they attempt to join the mile high club, but fail when the captain turns on the fasten seat belt sign and they are forced to go back to their seats.
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Matty Demaret (Barry Pepper) is the son of a mob boss, but he is used as little more than an errand boy. His relative and friend Chris (Andy Davoli) shares this urge to be part of something bigger, and Matty finally convinces his father to give him a job, with the help of his father's right-hand man Teddy (John Malkovich). Matty and Chris get their friend Johnny Marbles (Seth Green) to fly up to retrieve a bag full of money for Matty's father Benny "Chains" Demaret (Dennis Hopper), as there have been mysterious shortages in their money lately.
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A baby crawls into Santa Claus' (Ed Asner) sack while he is delivering toys to an orphanage one Christmas Eve. He unwittingly takes the baby back to the North Pole, where Papa Elf (Bob Newhart) volunteers to raise him. He is named William, but they rename him Buddy (Will Ferrell) because he was wearing 'Little Buddy Diapers'. He is raised unaware that he is actually a human, until his enormous size and poor toy-making abilities force Papa Elf to tell him the truth. The old elf reveals that Buddy was born to Walter Hobbs (James Caan) and Susan Wells and given up for adoption, and that Walter never knew that he was born. He explains how Susan later died, and that Walter now works at a children's book company in New York City. Santa tells Buddy that Walter is on "the naughty list"; nevertheless, he sets out for New York City to find his father.
Having no family, Marshall Hogan III (Warren Kole) has been granted residency in the house of his best friend Spence Holmes (Jason Jurman). But Hogan has a sexual habit that makes Spence's dad and girlfriend (Kaley Cuoco) fear that Spence could adopt it, too. It is an attraction to older - if not just plain old - women.
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Starting in England, Isabelle "Izzy" and Annabelle "Annie" Woods are introduced as clever twin girls with a love for pink like their cousin, Elle. They and their widowed father are moving to Southern California where they will be staying in Elle's home. Awaiting the girls are a pair of chihuahua dogs, their giddiness is cut short when they find out they are going to attend Pacific Preparatory, a private school requiring uniforms.
Upon their first day, Izzy and Annie are registering themselves and they sign for ID cards. They also start off on the wrong foot with Tiffany Donohugh, the spoiled daughter of a primary funder of "Pac Prep." And they also meet Chris, who almost is immediately smitten with Annie.
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A Thousand Acres
A THOUSAND ACRES is a drama about an American family who meets with tragedy on their land. It is the story of a father, his daughters, and their husbands, and their passion to subdue the history of their land and its stories.
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In Search of Mike
A mans face is visible in his bubble bath. Hes Brian, thinking back to when he was five and his Chatty Cathy Halloween doll disappeared. The reverie becomes a meditation on his relationship with his mother, an acerbic, unhappy, wickedly profane character, abandoned by the lads father. After dad leaves, mom chain smokes and develops emphysema. At 16, Brian sets out to lose his virginity at his return at 4 a.m., mom confronts him. Once an adult, Brian calls her on rare occasions, and she sometimes calls him. Sons and mothers is it love despite the spite?
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Marlowe (Cop Dog)
A heart felt tale about a boy and his dog who set out to solve the death of the young boys father.
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Night of the Twisters
A Nebraska farm community is plagued by a storm with a series of tornados acting against normal patterns. Dan is left at home to look after his baby brother Ryan along with his friend Arthur while Dans mother is at work. His stepfather goes to check on his grandmother. When a tornado destroys the house, Dan and Arthur attempt to re-unite the family
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