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Based on the Pulitzer Prize-winning play by David Lindsay-Abaire (who also scripted), Rabbit Hole is a moving drama about a couple struggling to cope with the death of their child.
It's been less than a year since Becca (Nicole Kidman) and Howie Corbett's (Aaron Eckhart) four-year-old son was struck by a car and died. Becca is coiled with anger and bitterness over her son's death, and is effectively trying to remove memories of him from around their home even as Howie clings to visceral reminders such as videos and drawings.
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The Eleventh Hour
If you can forgive John Lyde and Matthew Reese their lack of resources, then “The Eleventh Hour” is not a bad way to spend 90 minutes. It’s actually a very good action film, and had the duo been in possession of, say, 10% of your average Hollywood budget, they could have produced something special. Alas, the (lack of) budget is a major source of constraint for the duo, and so instead of a globe-hopping thriller about an ex-Navy SEAL who returns home shattered and broken, only to have his past come back to grab him by the throat and send him off on an assassination run, we instead have a film set in an unnamed Midwestern town where, it would appear, running gunfights that last the better part of the day don’t get reported.
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A curse transforms a handsome and arrogant young man into everything he detests in this contemporary retelling of Beauty and the Beast. Wealthy Kyle Kingson (Alex Pettyfer) has everything a teenager could want in life, but he still gets off on humiliating the weaker and less attractive. When Kyle invites his misfit classmate Kendra (Mary-Kate Olsen) to an environmental rally at their school, she questions his motivations but reluctantly accepts. Later, Kyle blows Kendra off, prompting the spurned goth girl to cast a dark spell on the swaggering egotist.
If there are any 24 fans who have wondered what the TV series might be like if Liam Neeson replaced Kiefer Sutherland, Taken provides an opportunity to have that question answered. Neeson's Bryan Mills uses nearly all the Jack Bauer tactics, including torture, bone-crunching, and bloodletting. He gets involved in car chases, shootouts, and brings a gun to a knife fight. Like the Energizer Bunny, he takes a licking but keeps on ticking. When it comes to action, Taken gets the job done. The film is never boring. It is, however, completely preposterous.
Margaret Cho: Assassin
Apparently, I approached this production with a misapprehension. I was under the impression that Margaret Cho: Assassin was intended to be a filmed comedic performance. What I got instead was an 85-minute political rant from a liberal Asian American woman who abandoned comedy in her desire to advocate a number of causes. I have no problem with comedians who use politics as the backbone of comedy; the problem comes when nastiness supplants humor. Even those who agree with every one of Cho's positions (and I agree more often than I disagree) may find this motion picture tough going.
I'm neither a liberal nor a conservative, but, after watching Assassin, I can understand why this country is so polarized. The divisions between the far right and the far left are so deep and wide as to be unbridgeable. Cho's monologue radiates hatred and bitterness towards those who do not share her convictions. She gets applause, ovations, and laughs, but it's important to remember that those in the audience share her views. (In fairness, I should mention that it's just as offensive to watch an arch conservative give a lengthy speech. I can't endure more than about 10 minutes of Rush Limbaugh's pontificating before I have to change the station.)
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Looking back at the Sylvester Stallone pugilist franchise from the end of the line, one thing becomes clear: there were really only two Rocky movies. Everything else was filler, founded on formula and driven by testosterone and adrenaline. The two real films - those that used boxing as a metaphor rather than a means to an end and that focused on human drama - were the 1977 Oscar winner that started things off and, perhaps surprisingly, Rocky Balboa, the seeming afterthought that brings the saga to a fitting conclusion. These two features are solid bookends around a mess of a series that started going wrong when Rocky beat Apollo Creed in a re-match and got worse from there.
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Squid and the Whale
The foundation of any good family drama is interesting characters, and The Squid and the Whale is replete with them. Movies about divorce and dysfunctional families are so commonplace that it's difficult to avoid slipping into clichés yet, as a result of a sensitive and literate script coupled with uniformly strong performances, Noah Baumbach's semi-autobiographical feature navigates the minefield without incident. I won't argue that this is a great film, but it is a very good one, and it held my attention from beginning to end.
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Con Air, producer Jerry Bruckheimer's generic follow-up to 1996's blockbuster, The Rock, is the kind of motion picture that critics refer to when they moan about the "dumbing down" of American cinema. This movie is a perfect example of what's wrong with many big-budget films today: no characters, no intelligence, and, worst of all, little fun. Although director Simon West intends for Con Air to be a comic book come to life, it lacks the visual flair and imagination of all but the most trite comics. The film relies on impressive pyrotechnic displays, but it has been a long time since a well-executed explosion enraptured an audience. Con Air is noisy and flashy, but that can be said about any of the numerous, same-genre pictures that reach screens every year. What the movie lacks are tension and excitement to go along with all the bangs. The action sequences are presented in a pedestrian fashion, and there are too few instances when we feel that the protagonist is in any real danger.
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Farm Girl in New York
Repeatedly shot down in flames after arriving in the Big Apple and working tirelessly to score with the sophisticated urban girls, Midwestern yokels Sam and Matt surmise that the best way to get a date is to hold an audition. Later, as the unsuspecting applicants do their best to impress, the would-be playboys find themselves drawn to a ravishing farm girl who lacks the pretention and cynicism of her big-city counterparts.
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Larry the Cable Guy: Tailgate Party
Larry was part of the highly successful concert Blue Collar Comedy Tour with Jeff Foxworthy and Bill Engvall. The tours success led to Blue Collar Comedy Tour, The Movie, which premiered on Comedy Central and at the time was the highest rated movie in the channels history. The sequel Blue Collar Comedy Tour Rides Again is the 3rd most watched telecast in Comedy Centrals history. The Blue Collar boys reunited to shoot Blue Collar Comedy Tour, One For The Road in Washington, DC at the Warner Theater.
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Don't Look Now
John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
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This movie places some top thiefs, looking to steal money from a bank. The All-Star cast has many blunders on the way. Meanwhile a member of their group is missing and two cops chase after him.
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The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jakes Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and Northern Exposure (1990). Set in the real town of Jakes Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, its a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jakes Corner Bar. Through the years, this cast of misfits has become closer than most families - they are kin. The dynamic of the town is changed forever when Johnnys young nephew comes to live with him.
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King - Season One
King is a Canadian police drama which premired 17 April 2011 on Showcase. The series stars Amy Price-Francis as Jessica King, a veteran police officer who gets promoted to head of the Major Crimes Task Force in Toronto after her predecessor has a breakdown on television.
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Medium Raw: Night of the Wolf
Capturing the sadistic serial killer The Wolf was just the beginning for rookie cop Johnny Morgan. As he escorts the monster to his new home in the dark underground halls of Parkers Asylum, bedlam ensues and Johnny along with a handful of civilians become players in a night of survival against the worlds most terrifying inmates.
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Mom and Dad Save the World
Emperor Spengo sees Marge Nelson and using a giant magnet, kidnaps her and her husband Dick, hoping to make Marge his before blowing up the Earth. The Emperor and other inhabitants of his planet are somewhat less than bright, and Dick begins reliving episodes of Flash Gordon and Buck Rogers in order to rescue Marge, save the Earth, and restore the rightful emperor to the throne.
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