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I Spit on Your Grave
Guillermo del Toro noted that he doesn't know why people get all up in arms over the current reboot/remake craze in Hollywood. The studios have been doing it for decades, he said, and sometimes it results in pretty good movies too -- films that bring something new or different to the core concept of the original. Fair enough, though it does leave one wondering what del Toro would say about the new I Spit on Your Grave then.
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In 1995, the South African Springbox entered the Rugby World Cup under the leadership of their captain, Francois Pienaar, and with the rousing support of President Nelson Mandela. As a country of blacks and whites cheered the team on toward their potentially historic victory – together, and in unison – it would have been impossible not to recall the previous year. Apartheid had ended. Nelson Mandela had been released from prison and in a landmark victory had been elected president. The blacks, now in the majority after years of oppression, had assumed governmental control to the fear of the white citizenry. The largely white Springboks, an athletic remnant of Apartheid, had played their worst-ever season of Rugby, dashing any hope that they might make that year's World Cup, which was to be hosted in their own backyard. Hated by the blacks and supported by the whites in a country that was headed in the opposite direction, the Springboks were on the verge of being dismantled and rebranded… until Mandela, possessing an incredible foresight, realized the potential of a rousing comeback to inspire unity amongst his divided people.
Hey folks, Valkor here. And I welcome you to TOV's "30 in 30", where I'll review 30 unique film and maybe some not so unique, all in 30 days. What's cool for most of the flicks, is that I know nothing about em. So this should be a real treat not just for you guys, but for me as well. Good or bad, this is gonna be a fun month. It all starts today July the 4th and ends on Aug the 3rd. Can I make it through? We'll know soon enough!
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If it's Disney (or its subsidiary, Miramax), it must be "inspired by true events." Or maybe it just seems that way. Those words, which appear in a caption at the beginning, are chose with care (more care than the similar preface to Hidalgo). Finding Neverland uses strands of historical fact to weave a story that is largely fictional. Yes, J.M. Barrie did write "Peter Pan," and, yes, many of the characters in the film existed, but this is predominantly a soft-ball approach to the inspiration that led Barrie to write his most famous play. For one thing, it almost completely ignores sex, which was certainly a fundamental element in Barrie's life. (The issue of pedophilia, which has dogged Barrie's reputation for a century, is briefly mentioned, then quickly dismissed, as if it isn't worth contemplation.) Still, even considering the liberties taken with the known record (and I have often said that movies should not be constrained by the same rules that govern history books), the end result is compelling and life-affirming.
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World's Fastest Indian
The World's Fastest Indian is not, as the title might suggest, a National Geographic special. Instead, it's a based-on-a-true-story tale that crosses no fewer than four genres in the space of a little more than two hours. Although some aspects of the movie work better than others, the production as a whole leaves the viewer enveloped in a warm afterglow. And the steady, reassuring presence of Anthony Hopkins, who has disappeared beneath the skin of his character, holds things together during the weaker moments.
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Shrek the Third
Four words say all that needs to be said about Shrek the Third: more of the same. The problem is, what seems fresh and pleasing the first time through starts to feel a little stale by the time we've gone through it three times (not counting video games and an amusement park ride). The recipe hasn't changed: take a few appealing characters, surround them with slightly off-kilter versions of our favorite fairy tale personalities in a land far, far away, mix in some pop songs and hip cultural references, and keep the tone generally light. It worked beautifully in Shrek and was still appealing in Shrek 2. By installment #3, it has become a little tiresome. Kids will still love the big green ogre and his wisecracking donkey, but adults may find that the formula is wearing thin. Shrek the Third is a classic example of a movie that exists because its predecessor made a lot of money. ($436 million domestically, to be exact.) There's no creative reason for this movie to have been greenlighted. It's a mass-marketed product, plain and simple, where product tie-ins fatten an already gorged pot. That's capitalism at work.
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When did Will Ferrell stop being funny? It wasn't that long ago that this Saturday Night Live alum looked to be following in the footsteps of the likes of Jim Carrey and Adam Sandler but, somewhere along the way, Ferrell's train derailed. Now, once again paired with John C. Reilly, he tries so hard and with so little effect to make us laugh that the result is almost physically painful. Few films are worse to sit through than comedies that don't work. Step Brothers is one of those. Humor is subjective, but this movie made me feel as if I had been subjected to something unpleasant.
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Hounddog began its public life at the 2007 Sundance Film Festival, where it was inauspiciously dubbed "the Dakota Fanning rape film." Poor audience and critical reception led the director to "re-work" the movie, which emerged from limbo for limited distribution nearly two years after its initial film festival showing. It seems destined for a quick one-week run in a few theaters before rushing to video stores, where it will gather dust. A failure on pretty much every level, Hounddog would never have been known beyond Park City had it not been for the notoriety surrounding the rape scene.
Lost World, The: Jurassic Park 2
When Jurassic Park was released in 1993, it set a new standard for state-of-the-art visual and audio effects. It was suddenly possible to see humans and dinosaurs interacting in a way that had never before been possible, and to feel the entire theater shake with the approach of a Tyrannosaurus Rex. Four years later, not a whole lot has changed. Effects houses like Industrial Lights and Magic have tackled bigger, more imposing objects such as tornadoes and volcanoes, but it's still basically the same technology that Jurassic Park ushered in. And, because The Lost World doesn't offer anything especially innovative, it seems rather familiar and almost (but not quite) disappointing.
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Red Rock West
There's a fine line between coincidence and contrivance, and what characterizes that demarcation has more to do with enjoyability than believability. Red Rock West, a film consigned to cable and video until a Bay Area theater decided to give it a shot, has a number of plot elements that don't bear close scrutiny. Their presentation is so stylish, however, that there isn't any real incentive to start picking apart the story. Red Rock West works well on its own terms, and that's good enough for ninety-plus minutes of solid entertainment.
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Speed 2: Cruise Control
I love the summertime. I love strolling down Michigan Avenue on a balmy June evening, past the tourists and the shoppers and the lovers and the people dawdling on their way home from work, and I love going into a theater for a sneak preview of a summer movie and buying popcorn and settling back in my seat and enjoying a movie containing
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Bad Girls from Valley High
Danielle is the leader of a clique of arrogant, mean high school girls she and her rich friends Tiffany and Brooke care only about their pampered selves (although Brooke has periodic misgivings). No one really hangs out with them except a dumb jock named Gavin, and the class nerd Jonathan, and poor Danielle is getting nowhere with the popular guy Drew, even after she and friends accidentally killed his last girlfriend. Its been a year, and Drew still ignores her - but he doesnt ignore the new foreign exchange student Katarina. Since Katarina cant take a hint, Danielle begins plotting her downfall. But theres a slight problem Danielle and her friends begin experiencing a level of high weirdness in which all three of them rapidly age. This serves to make Danielle more desperate than ever. Shell sacrifice anything, even Drew, to get her youth and looks back.
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Born to Ride
The stars of Starship Troopers are back in action! Mike (Casper Van Dien) decides to hit the road on his refurbished classic motorcycle along with best buddy Alex (Patrick Muldoon), but their trek takes a surprising turn when they become involved in a plan involving political blackmail.
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Check out the brand spanking new JACKASS 3.5 movie poster, and its only here at FOX411.com.This time, the JACKASS movie franchise is moving online, with the first episode of what will be weekly installments going live on the Joost.com on April 1st.Thats right - April Fools Day.The never-before-seen film, directed by Jeff Tremaine, was made specifically for the web, and it features over 85 minutes of all-new content, including never-before-seen stunts, pranks and general gross-ness from merry pranksters Johnny Knoxville, Bam Margera, Steve-O and the gang.
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Inspired by actual events, JUNKYARD DOG is a gritty psychological-horror-thriller that delves the demented mind of a cannibalistic serial rapist who kidnaps his tenth victim in as many months on Halloween night. Filmed on location in Tennessee, JUNKYARD DOG tells the terror-filled tale of Audra Buckman, a nineteen year-old college co-ed, trapped in a month-long nightmare, struggling to stay alive and uneaten while being held captive, left half-starved and repeatedly savaged by JYD, an oddly charismatic, vicious man-eating monster. Audras only hope of escape from this hell--and the mouth of a madman--is Samantha Deatherage, a tough FBI agent who is sent on a solo assignment to search for the missing girl.
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The story centers on a religiously conservative, married southern woman who receives a message from God instructing her to act as a surrogate mother and carry a child for two married gay men who live in Boston - a Jewish doctor and and African-American dance choreographer. All Hell breaks loose when the African American man comes to her home down south to micro-manage her pregnancy, and he wont leave.