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Ong Bak 2
Ong Bak 2 isn't a movie; it's a videogame. Lacking the elements which generally constitute a film – little things like story or character or performance – Tony Jaa's MMA follow-up is difficult to review in any kind of meaningful cinematic context. It is, one supposes, a performance piece, a wonderfully visual display of martial arts acumen that'll succeed at keeping your rapt attention while ultimately failing to entertain.
This is due in large part to the film's structure, a sequence of grand fights spread out over a number of dynamic locations in which Jaa takes on several waves of inconsequential bad-guys only to defeat the equivalent of that location's "boss." Put a controller in the hands of every theater-goer and you'd have the world's highest resolution action-platformer in place of a watchable action film.
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“Extraordinary Measures,” a movie about a medical breakthrough, is not especially eager to break new ground of its own. Directed with care and competence by Tom Vaughan (“What Happens in Vegas”), the film hews closely to familiar themes and patterns. One strand is a drama about a family in crisis, with parents facing the illness and possible death of two of their children, who suffer from a fatal genetic disorder. Another piece is a buddy picture, in which a mismatched pair of guys — one earnest and emotive (Brendan Fraser), the other gruff and solitary (Harrison Ford) — set off on an unlikely adventure, hoping to find a cure.
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Whole Nine Yards
The Whole Nine Yards suffers from split personality syndrome - it's a strange hybrid of film noir and comedy. At first, this might not seem like an unusual approach, until you recall that most movies of this ilk are satires. That's not what's going on here - there's hardly a whiff of parody from beginning to end. Instead, The Whole Nine Yards is offered up as a straight noir thriller, with all sorts of pratfalls, jokes, and slapstick thrown in to enliven the proceedings. And, while I suppose one has to grudgingly give screenwriter Mitchell Kapner and director Jonathan Lynn (My Cousin Vinny) credit for trying something a little off the beaten path, they don't pull it off. The result is an uneven and at times annoying motion picture.
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At one point in history, indigenous populations around the globe were evolving slowly and happily, whether in North America, South America, Africa, or Australia. Then, spearheaded by a wave of intrepid explorers, came the Europeans, spreading out across the world like a plague of locusts. Whether a case of social Darwinism or unchecked Imperialist aggression, it didn't take long before the White Man had conquered those lands where they had any interest in establishing a settlement. While the backgrounds of those going to Australia and America were vastly different, the results were similar: native populations diminished and oppressed, then reduced to second-class citizens in the re-shaped lands that were once theirs.
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The two best words to describe the 2006 motion picture Miami Vice are "stylish" and "intense." One of those descriptors without the other could lead one to suspect a pretentious bore or a pointless exercise in action but, by pairing them, writer/director Michael Mann has crafted a gripping, visually interesting motion picture that doesn't fail on the basis of its needlessly convoluted plot and its hit-or-miss character arcs. As police dramas go, Miami Vice never loses its audience, in part because it is unpredictable (you never feel like anyone, even the lead characters, is destined to survive the proceedings) and in part because it never slows down.
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Indiana Jones and the Last Crusade
Although the third chapter in the Indiana Jones saga doesn't approach the highs of Raiders of the Lost Ark, it also avoids the lows of The Temple of Doom. A fitting end to the original trilogy, Indiana Jones and the Last Crusade captures some of the sense of fun that infused the first movie while using the addition of Sean Connery to up the comedic ante and provide a father/son dynamic. The absence of Karen Allen's Marion is still a sore spot (one that has been rectified in the fourth film) and leaves a gap in the love interest department that Alison Doody doesn't come close to filling. There are also times when the filmmakers' infatuation with comedy detracts from The Last Crusade's capacity for suspense. All things considered, however, it provided viewers in the '80s with something more palatable than its immediate predecessor.
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When we first meet Ethan Frome (Liam Neeson), he is a broken man hobbling around town. The new preacher takes an interest in him and soon learns the tragic tale of Frome's life. Years ago, as a younger and more hale man, Ethan married Zeena (Joan Allen), perhaps mistakenly, as "compensation" for her giving up part of her life to nurse Ethan's mother. Zeena, however, is a sickly woman who becomes susceptible to almost every kind of illness. When she proves unable to adequately keep house, she calls on a poor cousin, Mattie (Patricia Arquette), to come to help. What Zeena cannot foresee is the attraction that develops during the course of a year between her husband and Mattie.
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Air Force One
Arguably, the favorite genre today is the action adventure film. While many are formula and derived, some provide a true action experience.
Air-Force One is a true action film!!
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Friends with Benefits
Jamie (Mila Kunis) is an Executive Recruiter for a leading job agency in New York City and Dylan (Justin Timberlake) works as an art director for a small internet company in Los Angeles. Jamie has the task of trying to recruit Dylan to interview for a job with GQ magazine and begin working in New York City. Dylan comes to New York and after interviewing for the position learns from Jamie that he has been given an offer to work for GQ. At first Dylan is hesitant to accept and move from Los Angeles to New York, but in an effort to get Dylan to accept the job Jamie spends the evening taking him around the city trying to sell him on the opportunity and the city.
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The film opens at a Los Angeles radio station, where Joe Dirt, (David Spade) works as a janitor and lives in a boiler room in the basement of the studio. When a producer at the radio station discovers Joe getting bullied in the hallway, the producer finds Joe's natural white trash demeanor too over the top to be believed, and insists he be brought into the studio to talk live on the air with a famous disc jockey named Zander Kelly (Dennis Miller). Joe tells his life story, beginning with his being inadvertently left behind by his parents at the Grand Canyon when he was eight. After growing up in a series of bizarre foster homes, Joe finds himself living in the outskirts of the village of Silvertown where he pursues a love interest, Brandy (Brittany Daniel). The local bully Robby (Kid Rock) also has a crush on Brandy but cannot get it through his head that she loves Joe and not him.
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For the past 13 years, Dr. Herbert West (Jeffrey Combs) has been serving his prison sentence for his role in the death of a teenage girl at the hands of one of his zombies. With what scant supplies he has on hand in the prison medical center, Dr. West has been capable of performing only extremely basic experiments on rats. However, his lack of supplies does not prevent him from uncovering a key element in his re-animation process. When a young doctor named Howard Phillips (Jason Barry) comes to work at the prison, he teams up with West to help him attain the supplies and tools needed to bring his experiments to the next level. Phillips is the younger brother of the teenage girl who was killed (he's shown watching West being taken away by the cops) and came to the prison for the explicit purpose of working with West. In the meantime, Phillips gets a girlfriend, the journalist Laura Olney.
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Kiss Of The Vampire aka Immortally Yours
Hamilton, Ohio was a sleepy little town. That is until a covenant of vampires decides to feed there. An upper class illuminati tries to reveal the vampires secrets to everlasting life, but in the meantime the vampires ravage the locals and baffle police. The only one with the power to stop them is one of their own.
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Hysteria grips California in the wake of the bombing of Pearl harbour as an assorted group of defenders attempt to make the coast defensible against an imagined Japanese invasion in this big budget, big cast comedy. Members of a Japanese submarine crew scout out the madness.
Its a sci-fi infused, effects driven monster movie, the kind of genre people usually steer clear of when they make super low budget movies, but thats what was so cool about the concept, the ambition to make a movie like this on a limited budget. He continues talking about taking chances in the indie world of filmmaking, Ive been moaning for ages that in the low budget world no-one takes a chance on a different genre, and although this could definitely fall into the wider realms of horror, its really quite different from your usual low budget fare.
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A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.
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The strained relationship of an engaged Brooklyn couple, Theo (Chris Messina) and Nat (Rashida Jones). Theo is bored with his job as a wedding photographer-the generic backgrounds, the artificial posing, the stilted newlyweds-so he develops an unconventional side business, called Gumshoot, a service where clients hire him to stalk them with his camera. Becoming infatuated with one of his clients, a mystery woman who goes by the name Subgirl (Meital Dohan), Theo develops a voyeuristic obsession that forces him to confront uncomfortable truths about himself and his impending marriage.