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Green Zone's a Paul Greengrass movie through and through. What's that mean? Lots of shaky camera work, fast cuts, and gritty action scenes. And that's all fine and dandy, if you're a fan of not actually being able to focus on anything in the action scenes before Greengrass whips the camera away.Greengrass likes to tease our eyes, showing just flitting bits of a fire fight or hand-to-hand combat before taking his wiggly giggly camera off whatever it is at the center of the scene to zoom in on something else. I find this whole shaky cam thing distracting and annoying, and even a bit nauseating at times. I get the point of it, to show the realism of a scene and make you feel as though you're right there taking part in the action, but that doesn't mean I have to like watching films shot primarily in that style.
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An outrageous cut-rate producer, Charlie LaRue (Christopher Meloni) is about to fulfill his lifelong dream to make a movie about the most offensive, dirtiest jokes ever told. As Charlie and his filmmaking team hilariously struggle to write a script and assemble their award-winning cast, the movie-within-a-movie emerges with one dirty joke after another. Only one can take the crown for writing the dirtiest joke ever told and Charlie will do whatever he can to be that king. Written by Elizabeth, Marketing Manager
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Cairo Time is about yearning and longing. It's about the bond of intimacy that can be generated by a look and expanded upon by a smile. It's about an impossible love that is never spoken of or openly acknowledged. Aside from a fleeting, stolen kiss, there is little physical interaction. This is about two people who respect each other too much to make the other take the risk. The Hollywood ideal is that love conquers all. Cairo Time shows something more real and, if the ending is bittersweet (as we know it must be from the beginning), it is something most viewers will understand.
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With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrates all of his efforts on producing and directing, and the result is the Hollywood icon's best effort in nearly a decade. The script, written by Brian Helgeland, remains reasonably faithful to Dennis Lehane's novel. This is a powerful tale of crime, guilt, and punishment - a drama that incorporates elements of whodunit mystery/thrillers and police procedurals with a richly textured three-character play.
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Since they burst upon the motion picture scene with Dumb and Dumber, the Farrelly Brothers, Bobby and Peter, have been known as the Kings of Vulgar Comedy. So, given the Farrellys' reputation and a title with the word "shallow" in it, one might easily expect more of the same from the producing/writing/directing duo. In that respect, however, Shallow Hal surprises. Neither gross, nor obscene, nor perverse, this motion picture sets out to do something that no other Farrelly Brothers film has yet done: tell a story with a moral. Shallow Hal is a sweet, somewhat dumb romantic comedy that's almost impossible to actively dislike. It's also tame enough to earn a PG-13 rating from the MPAA (although, given the inconsistency of the Ratings Board, that doesn't mean much).
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Mr. Magorium's Wonder Emporium
There's something a little annoying about a movie that tries this shamelessly to be endearing and family friendly. Typically, these kinds of films feature Santa Claus in a significant role. Here, there is no Santa but there is a 243-year old guy named Mr. Magorium and he pretty much fills the same function (although he is not played by Tim Allen). The production is devoid of anything resembling dramatic conflict. The set design, production values, and general sense of good will are pleasant enough for a while but a film needs more than it offers to succeed past the first 20 minutes. Younger viewers will probably appreciate what Mr. Magorium's Wonder Emporium has to offer more than their mothers, fathers, aunts, and uncles, which places this more in the realm of a "kids' movie" than a "family feature."
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Inside Deep Throat
Inside Deep Throat, a documentary from directors Fenton Bailey and Randy Barbato, is passably interesting, occasionally compelling, sporadically amusing, and badly lacking in focus. Although the film starts out with a clear thesis, by the time its 90 minute running length has expired, it is grasping at themes and topics that are beyond the limited scope of what a superficial documentary can achieve. Inside Deep Throat comes across as a scattershot look at the war between pornography and morality during the 1970s as seen through the prism of one overhyped X-rated feature.
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Kill Bill (Volume 1)
Quentin Tarantino fans have been waiting six long years for the release of the director's follow-up to Jackie Brown. So what do they get for their patience? An incomplete movie, artlessly cleft in the middle. Cinema interruptus. A film whose editing and inelegant structure have been severely compromised by the avarice of the Miramax head honchos, who believe they can wring more money from viewers by splitting Kill Bill into two pieces and double-charging everyone.
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Nil by Mouth
There is a scene in Nil by Mouth, actor Gary Oldman's directorial debut, that is excruciatingly difficult to watch. It's not especially graphic, since the gruesome details take place out of frame, but anyone with an imagination can conjure up an image to chill the blood. The sequence depicts a particularly brutal instance of spousal abuse, and is perhaps only recently rivaled in intensity by a similar occurrence in Once Were Warriors. One might think that movie-goers, inured to explicit on-screen violence, would not flinch at what Oldman presents, but there's a major difference between the decapitations and eviscerations of a Starship Troopers and the savageness of Nil by Mouth – the former plays like a comic book come to life; the latter is shockingly real.
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Behind Enemy Lines II: Axis of Evil
The story is not linked to the first part of the series. Instead, it focuses on a fictional explanation for the Ryanggang explosion in 2004, in which an unexplained mushroom cloud occurred in North Korea.
After reconnaissance satellites detect a large, three-stage Topol intercontinental ballistic missile carrying a nuclear weapon in North Korea, which can strike anywhere in the continental United States, a fictional United States President Adair T. Manning (Peter Coyote) orders a team of U.S. Navy SEALs to destroy the missile and the launch site. The team led by Lieutenant Robert James (Nicholas Gonzalez).
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The film opens with a series of photographs of the Stella Maris College's Old Christians Rugby Team. An elder Carlitos Páez (John Malkovich) explains that the pictures were taken by his father and points out several members of the team, including himself as a young man (Bruce Ramsay), Álex Morales, Felipe Restano, Nando Parrado (Ethan Hawke) and Antonio Balbi (Vincent Spano). Carlitos then reflects on the accident in a brief monologue, speaking of heroism, the gravity of the situation, and of solitude and faith.
Marthe (Isabelle Huppert) and Michel (Olivier Gourmet) live with their three children in a house next to an abandoned highway. They use the deserted road as an extension to their property. One day without warning, construction workers begin to upgrade the road and the highway becomes open to traffic. Instead of leaving the house, the family continue to live there, despite the increased noise from the passing traffic.
Their younger daughter, Marion (Madeleine Budd), becomes obsessed about the quality and cleanliness of her surroundings. The elder daughter, Judith (Adélaïde Leroux), continues to lead her life of sunbathing out on the front lawn in her bikini, despite attracting unwanted attention from passing motorists. One day she decides to leave the house and doesn't return.
Meanwhile, the remaining family start to sound-proof their house by bricking themselves into the home. This includes blocking up all the windows and sealing all the ventilation points so no sound can get in. Confined in their own home, the pressure begins to take its toll on the family and they eventually leave their house.
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Emma (Moss) has a strong aversion towards her family’s new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously.
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Redemption: A Mile from Hell
Can one act justify a lifetime of wickedness? Explore the darkest confines of the soul from upcoming director Robert Conways film, Redemption. A genre busting Western where there is no law, no good guys only the bad and worse. Frank Harden is no stranger to the unlawful west, he is a killer. However, because of a tragic event he must battle his own worst enemy, himself.
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How to Rob a Bank
Jinx has coasted through life oblivious to the world around him and without a care in the world. His life is thrown into a spin when he gets caught in the middle of a bank heist and is forced to arbitrate this intense situation between the thieves and the police.
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