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The Last Song
It's gotten to the point where if you've seen one film based on a Nicholas Sparks book, you've seen them all. And that applies more so than ever to The Last Song, a limp effort cobbled together from bits and pieces of Sparks' previous stories. No need to write out a detailed synopsis of this movie because if you're familiar with any of Sparks' books, or their film adaptations, you've seen the story of The Last Song done before, and done much better.
In fact, this is basically Dear John with a volleyball-playing college-bound rich kid (Liam Hemsworth) in place of a guitar-playing college bound rich kid (Amanda Seyfried), and a rebellious musical prodigy estranged from her dad (Miley Cyrus) in place of a rebellious teen-turned-soldier estranged from his dad (Channing Tatum). Both The Last Song and Dear John, which just came out on February 5th and is still fresh in moviegoers' minds, have beach scenes with water dripping off some beautiful bodies. And in addition to the aforementioned similarities, both films involve a character with a deadly disease. But, at least Dear John did a decent job of setting up the 'meet cute', whereas The Last Song makes the initial meeting between the two would-be young lovers completely unbelievable and silly.
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Harry Potter and the Half-Blood Prince
There are two faces to the story of Harry Potter. The first is that of a young boy forced into the wondrous and oftentimes dark world of wizardry in order to destroy the evil Lord Voldemort who had long-ago murdered his parents. This is the face that bears the saga's many adventures – magical tournaments and enchanted creatures, harrowing broomstick battles and spells exchanged like gunfire. It is also the face of mystery and intrigue – of secret sects both light and dark, of ministries of magic and old vendettas made new. Then there is the second face – the one of a boy growing slowly and awkwardly into manhood with friends who will prove to be the greatest of his life. It is the face of a boy becoming aware of his abilities and weaknesses, developing a passion for Potions or sports, discovering confidence and virtue, romance and responsibility. It is a face we've all worn, and while those of us who've followed Harry Potter on his seven-story adventure might never know the joys of conjuring a Patronus or casting some spectacular spell, we've all known the joyous -- and occasionally painful -- experience of growing up.
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Amid the documentaries and dramas and short film programs playing at the 2009 Tribeca Film Festival right now, there are a handful of genre films that seem to have built up a name recognition factor already. The tongue-in-cheek tribute to/spoof of the blaxploitation genre of the '70s, Black Dynamite, is one of those movies. Co-writer Michael Jai White -- the actor who is best known for his turns in Spawn and The Dark Knight -- also stars as the ass-kicking title character in what is essentially a mash-up of Grindhouse and I'm Gonna Git You Sucka with a dash of online viral video flavor thrown in for good measure.
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28 Weeks Later
Nothing satisfies the appetite for allegory quite like a movie about flesh-eating zombies. Somehow the genre, at least as practiced by its masters, has the capacity to illuminate some brute facts about the human condition and its contemporary dysfunctions. There are not many recent movies that match, for example, the social criticism undertaken by George Romero in his “Living Dead” cycle.
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I like urban fantasy, a lot. But it appears to be a difficult genre to translate to the silver screen. It seems that creating an elaborate modern fantasy world is just too much trouble for a mere 90 minutes adventure. Ink is one of the rare few that dares to tackle the genre full on, and does a marvelous job at that. All hail to director Winans for taking the leap.
The only thing that made this flick even more strange is that I just noticed that Adolf Hitler has starring credit on IMDB for the film. And here I thought that shape-changing aliens and weird hungry, furry, sharp toothed creatures was enough. I don’t exactly recall seeing Hitler in the movie but I remember hearing that terrible song Power of the Night more than a few times. It’s been a long time since I picked up all the Critters films but I just never got around to watching them. There’s always time for cheese in The Film Reel’s schedule though and I just happen to have enough time right now for all 4 films!
Traitor is an uncommonly intelligent espionage thriller that explores the moral and ethical dilemmas faced by agents who go deep undercover in the service of their country. For movies that revolve around terrorist organizations and acts, there are typically two approaches: a gung-ho, "John Wayne" style and a story that seeks to humanize the terrorists. Traitor takes a different, less straightforward trajectory that exhibits the complex motivations of the terrorists as well as those who oppose them without resorting to caricatures on either side. The film's villains are not cookie-cutter bad guys and the FBI agents are neither bumbling nor infallible. Caught in the middle of everything is a man trying to save innocent lives but whose actions end up taking them as well.
Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with a little extra imagination, it could have been a whole lot more. There seems to be a mentality in Hollywood to settle for something once it reaches a certain acceptable entertainment level. Why take a chance and "push the envelope"? Crimson Tide is a perfect example of this sort of thinking.
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Dracula: Dead and Loving It
When it comes to spoofs of horror films, one of the greatest of all time is surely Mel Brooks' Young Frankenstein, a movie that's as clever as it is funny. Now, more than two decades later, Brooks has attempted to re-create the magic by doing to Bram Stoker's vampire legend what he did in 1974 to Mary Shelly's gothic tale. Alas, Dracula: Dead and Loving It doesn't come close to the level attained by Young Frankenstein. It's a toothless parody that misses more often than it hits.
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"All the best people have bad chests and bone diseases. It's all frightfully romantic."
- Juliet Hulme, Heavenly Creatures
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Stop! Or My Mom Will Shoot
By-the-book macho Los Angeles supercop Joe Bamowski played by Stallone gets his high-pressure life on the edge complicated by his overprotective visiting elderly mother (Getty). The obscenely preposterous bad sitcom plot has him partnering up with her to investigate a smarmy crime lord (Rees). Along the way his mom teaches him to open up to the woman he loves (Jobeth Williams), another cop who happens to be his superior.
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The 007 World Is Not Enough
Ten years ago, when the second and final Timothy Dalton Bond movie, Licence to Kill, tanked at the box office, it looked like the venerable secret agent had finally run out of gas, driven into the ground by the likes of The Terminator and Rambo. A six year hiatus followed, and, when Bond finally returned in 1995's Goldeneye, Dalton had been replaced by Pierce Brosnan and the series was said to have been given a complete overhaul. Actually, as Goldeneye and its sequel, Tomorrow Never Dies, illustrated, the changes were more cosmetic than anything else.
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Set in contemporary London, DEAD CREATURES follows a group of seemingly-normal young women who have all contracted a terrible, degenerative illness that forces them to murder and feed on human flesh.
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An alien couple known as Beldar and Prymatt with cone-shaped heads from the planet called Remulak is mistakingly ditched on earth, during a scouting mission for planet conquest. While here, they dodge the INS, have a child and discover that life on Earth is quite good. But unfortunately they are being chased by the government who knows something is not quite right with the Conehead family. After they are rescued and taken back to their planet, Belder is told to come back and destroy planet Earth!
This is the year 2035. Everybody in the world relies on a huge system of robots, which are programmed specifically to help humans and not harm them in any way. But one person does not think that robots are helpful. Chicago homicide detective Del Spooner. but one day, he received a call from the United States Robotics (USR) about a recent death of renowned robot scientist Dr. Alfred J. Laning. Spooner immediately blamed this incident on robots without justifiable reason or proof. Then, he begins his investigation on Lannings death, only to discover Sonny, a unique robot. What Spooner does not realize, is that something is about to happen. Something that is beyond even spooners wildest dreams.
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The great sorcerer Merlin has returned to Camelot, a kingdom now vulnerable to ill fates and war since the theft of the Holy Grail, its greatest gift and protection. With the help of Jack, an irascible young beggar-thief imbued with his own unruly magic, the fight against unknown dangers begins-to find the Grail, restore it to its rightful place, and bring Camelot back to its glory days.
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