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Somewhere between parody and homage there's just doing something badly. Alien Trespass was clearly made with the intention to both emulate and satirize the classic B-movie sci-fi films of the 1950s – and not in a semi-serious Roland Emmerich kind of way, but in a careful replication of the era, complete with flying saucers, sub-par effects and some overly hammy acting. The problem, unfortunately, is that the movie aims to have it both ways and quite simply can't, straddling the cinematic line for about 10 minutes before falling gracelessly into its own confused voice.
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The Men Who Stare at Goats
We're told at the beginning of The Men Who Stare at Goats that "more of this is true than you would believe." But the story of the U.S. Army's attempts to harness psychic powers to create super-soldiers is so bizarre it almost HAS to be true, in accordance with the "how could anyone make this up?" principle. In fact, I believe more of this admittedly fictionalized story than I do of The Fourth Kind, which claims to be 100 percent true. Surely there's a lesson in there.
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Award-winning director Joe Wright creates a boldly original suspense thriller with “Hanna,” starring Academy Award nominee Saoirse Ronan (“The Lovely Bones,” “Atonement”) in the title role. Raised by her father (Eric Bana of “Star Trek”), an ex-CIA man, in the wilds of Finland, Hanna’s upbringing and training have been one and the same, all geared to making her the perfect assassin.
Crackdown was about audacious, skyscraper-clearing leaps; Assassin’s Creed opted for nimble parkour, its protagonist dancing across rafters, swinging between jutting flagpoles. In both cases, scaling a city in any manner you chose made the game. With freerunning superman Cole, Infamous falls somewhere between Altaïr’s procedural elegance and the Agent’s unsubtle, ground-pounding zeal. The player can scamper up anything with a handhold, mastering nearly any structure in the sprawling acreage of Empire City, before plummeting back to street level without so much as a sprained ankle.
Final Destination 3
Final Destination 3 continues onward with a premise that’s already been covered adequately by the first two movies in its series as teenagers tick off death by cheating it out of their corpse. Death is a spiteful little bitch, and so goes after them again in the most bizarre, gruesome, and implausible ways imaginable. You don’t want to piss off the grim reaper. Don’t expect to escape by challenging it to a game of Twister.
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Anaconda 4. Trail of Blood
I am missing a snake. How did Anaconda 3 slither by me, unnoticed? To my mild surprise, I got a DVD in the post the other day for Anaconda 4. I watched it, and it was bad.
At the beginning of the movie we encounter an adolescent anaconda, which I reckon was captured at the end of Anaconda 3: Offspring, and who is now being used for experiments by a mild-mannered mad scientist. The baby reptile takes exception, and wreaks havoc in the Borneo-based lab before escaping, super-sizing, replicating and heading for civilization. Or are they in Romania? Oh, well… who cares? It's basically two giant, bloodthirsty snakes for the price of one, so I didn't ask any questions.
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Every time I think Hollywood has slipped beyond redemption, someone in the system produces a film like Jerry Maguire that renews my faith. Apparently, creativity is not dead in the mainstream movie market -- not entirely, at least. This is the kind of movie that reminds me why I started reviewing in the first place. Jerry Maguire is magic on celluloid -- fresh, funny, romantic, and upbeat. You'll leave the theater with a smile on your face and perhaps a tear in your eye.
Personally, I never really bought Tom Cruise as the action lead in Mission Impossible. Here, however, the actor is playing to his strength, which lies in an arena that demands less testosterone. Leave the stunts and explosions to Schwarzenegger and Stallone. Cruise is best when he stays low key and flashes the occasional smile. And, in this picture, surrounded by a superlative supporting cast, his ability shines. Jerry Maguire works because we root for the title character, and it's Cruise's performance that forges the link between his screen personae and the audience.
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These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a flood of sequels, films based on novels, films based on TV series, remakes, or a combination of the above. Sabrina joins this list as the latest classic whose script and cast have been updated for the '90s -- although in the case of this variation on the Cinderella tale, the story admittedly has a certain timeless quality.
Scent of a Woman
Scent of a Woman is about Charles Simms (Chris O'Donnell), a Boston prep school senior, and the Thanksgiving weekend he spends working as the aide and companion of Lt. Colonel Frank Slade (Al Pacino), an embittered, lonely, blind veteran. The job, which begins as an onerous task performed principally for money, becomes a tour of self-discovery when Slade decides to make an unexpected visit to New York City. There, amidst all the holiday hoopla, the lieutenant's actions force Charlie into making an emotionally painful - and potentially physically dangerous - decision.
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The story revolves around a struggle to determine which of Satan's three sons will succeed their father (Harvey Keitel) as ruler of Hell. Adrian (Rhys Ifans) is the most devious, Cassius (Tom "Tiny" Lister, Jr.) is the cruelest, and Nicky (Adam Sandler) is their father's favorite. Adrian and Cassius claim that Nicky's mother is a goat and torment him by controlling his body with their minds. Nicky has had a speech impediment and a disfigured jaw since Cassius hit him in the face with a shovel.
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The Invisible Circus
Phoebe O'Connor's California dreamin' days are done. Lost and confused in post free-love San Francisco, this headstrong flower child (played by Jordana Brewster) decides to unravel the mystery of her sister's (Cameron Diaz) suicide in Portugal. In her desperate search for answers, Phoebe is forced to face the past, as well as disturbing truths about her own future. She falls in love with her sister's boyfriend and they travel together to Portugal. She finally discovers the cause of her sister's death and returns home.
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A bomb is detonated in the plaza of the Colombian Consulate building in Los Angeles, killing 9 people including a caravan of Colombian officials and American intelligence agents. Among the civilians killed are the wife and son of LAFD firefighter, Gordon Brewer (Arnold Schwarzenegger), who was injured in the explosion as he arrived to pick up his family. Soon afterward, a tape is sent to the U.S. State Department, in which a masked man calling himself "El Lobo" (The Wolf) claims responsibility for the bombing, explaining it was in retaliation for America's oppression of Colombia. The FBI believes El Lobo is a Colombian terrorist named Claudio Perrini (Cliff Curtis). CIA Special Agent Peter Brandt (Elias Koteas), the Colombia Station Chief, is harshly reprimanded for the incident by a Senate Oversight Committee, who promptly terminate all CIA operations in Colombia. Brandt angrily returns to Mompós and meets with his paramilitary allies to plan a major offensive to take down Claudio and his guerilla forces.
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The film introduces a circle of youths who are addicted to playing Hellworld, an online computer game based on the Hellraiser series. The film opens at the funeral of Adam, one of the friends who was obsessed with the game and ultimately committed suicide after becoming too immersed in the game. The remaining five friends blame themselves for not having prevented Adam's suicide.
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Bringing Ashley Home
When her wild younger sister Ashley, who suffers from bipolar disorder and drug addiction, goes missing, Libba Phillips pours all her time and energy into finding Ashley and bringing her home. As the years go by, Libba refuses to give up hope, and, at the expense of her marriage and career, Libba finds her calling in life creating a much-needed resource center for other families whose missing loved ones have fallen through the cracks.
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Tatiana (Estelle Raskin) and her beautiful girlfriends are on holiday in Las Vegas, City of Illusion. The daughter of a magicians assistant killed tragically during an illusion gone wrong, Tatiana is drawn to Krell Darius (Billy Zane) extremely popular magic show. Entrancing audience members with the help of his beautiful assistant Samantha (Bai Ling), Darius charm, wit and magical talent prove difficult for Tatiana to resist. But as she becomes enraptured by Darius, it becomes clear that he may know something about her mothers death, and that it was not an accident. As Tatiana digs deeper into what Darius may or may not know, events take a sinister turn. One by one, Tatianas friends are found brutally murdered. Fearing Tatiana might be next, Las Vegas police detectives Simpson (Robert Davi) and Orloff (Alexander Nevsky), along with Chief Taper (Armand Assante), seek answers from Darius and Samantha. Meanwhile, Tatiana uses some of her own magic to uncover the mystery of her mothers death and track down the real killers.
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No Right Turn
A haunting fairy-tale thriller set between snowy landscapes and a neon city.
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