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Technology is evil, I tell you... EVIL! At least, that's what Chain Letter poorly attempts to convey over the film's drawn-out, tiresomely bland 89-minute running time. Yup, Chain Letter is one of those films that tries (and fails) to scare us out of using technology. But even worse (or preposterous), our villain is an e-mail spammer who murders those who don't forward his villainous chain letters. Oooo, scary... or stupid – take your pick.
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By the time this review is over, I will have spent more time thinking about Fool's Gold than the writers of its script. This...thing...is one of the sloppiest pictures released by a major studio in recent memory. What can you say about a "romance" with no romance, a "comedy" with no laughs, an "adventure" with no excitement? Though I certainly wasn't rubbing my hands together in anticipation walking in to the theater, I thought this would at least succeed at being an enjoyable time waster. "Attractive people wearing few clothes in exotic locales -- I can handle watching that for a few hours," I thought to myself. But I was wrong. So very wrong. The whole affair is about as compelling as a two-hour fart.
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If you like Harrison Ford movies, like I do. And if you like thrillers, like I do. And if you like to sit on the edge of your seat in a movie and root for the good guy, like I really do, then youll probably love FIREWALL.
It’s somewhat of a mystery why Singaporean writer director Kelvin Tong isn’t better known than he is, having helmed one of the better modern Asian ghost films in “The Maid”, found success with romance in “Love Story”, and conquered Hong Kong with his awesomely unpredictable “Rule No.1”. For his latest outing “Kidnapper”, Tong returned to Singapore, trying something different with one of the country’s very rare hard boiled crime thrillers, co-scripting along with Ken Kwek (“The Blue Mansion”). A fast paced tale of child snatching and desperate deceptions, the film stars popular local television actor Christopher Lee (“The Shaolin Warriors”) in the lead, with Jack Lim (“Ah Long Pte Ltd”) as the ruthless villain of the title.
Crouching Tiger, Hidden Dragon
One of many things that can be said about director Ang Lee is that he's not afraid to take a chance. The Taiwanese-born director has embarked upon such diverse projects as Eat Drink Man Woman (about family relations and the clash of old and new values in modern-day Taiwan), Sense and Sensibility (based on the Jane Austen novel), The Ice Storm (a flawless look at the dark side of the '70s), and Ride With the Devil (a Civil War adventure/drama). For his latest, most ambitious outing, Lee has turned his focus to a mythical China of several hundred years ago. The critically celebrated Crouching Tiger, Hidden Dragon is an epic martial arts film that combines incredible action sequences with elements of romantic melodrama and superhero derring-do. As visually stunning as it is inventive, Crouching Tiger, Hidden Dragon is sure to gain an immediate following. It has a reserved slot on many critics' Top Ten lists and, if U.S. distributor Sony Pictures Classics has its way, it will make a splash both at the box office and when the Academy Award nominations are announced.
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I have not read Nicholas Sparks' The Notebook, but I have heard good word-of-mouth about the novel. Sadly, the elements that made the book special did not survive the transition to the screen. The Notebook, as adapted by Nick Cassavetes from a screenplay by Jan Sardi and Jeremy Leven, comes across as an ordinary romantic melodrama with a maudlin and ineffective climax. It's the kind of story for which no term seems more appropriate than "soap opera."
Whatever its flaws, one can certainly not accuse Prozac Nation of avoiding risks. The movie, directed by Erik Skjoldbjaerg (the original Insomnia) and adapted from the book by Elizabeth Wurtzel, doesn't exactly go out on a tightrope, but it frequently veers away from safe ground, in large part due to a riveting performance by Christina Ricci.
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The Quiet is a psychological thriller from director Jamie Babbit (But I'm a Cheerleader) that takes viewers to darker places than those to which one is typically transported in movies of this sort. The subject matter includes four kinds of abuse: physical, emotional, sexual, and substance. All of the main characters have secrets and/or engage in manipulation, and there's a lot going on in the unpredictable currents beneath the surface. The production is not without weaknesses - there are times when the proceedings become too lurid and the denouement feels unnecessarily protracted - but overall this is a compelling and sometimes disturbing motion picture.
Just Like Heaven
With Just Like Heaven, director Mark Waters (Mean Girls) wants to have his cake and eat it to. That's not necessarily a bad thing, until you consider that the recipe used for this confection is missing a few ingredients and the final product is half-baked. And, rather than eating it, he kind of chokes on it. Just Like Heaven tries to be an unholy union of Ghost and All of Me, and the result is rarely humorous, rarely romantic, and rarely affecting. Plus, the suspension of disbelief curve is so steep that even Lance Armstrong wouldn't be able to make it to the top.
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Eddie Murphy does not make "comebacks", because, according to him, he hasn't been out of the spotlight. But, following three critical and box-office flops (The Distinguished Gentleman, Beverly Hills Cop III, and Vampire in Brooklyn), Murphy is hoping The Nutty Professor gets his career back on track. Combining his own brand of high-energy comedy with that of Ace Ventura veterans Tom Shadyac and Steve Oederkerk, Murphy is attempting to appeal to as wide an audience as possible. And, while the flatulence-joke lovers who flocked to Dumb and Dumber will doubtless be overwhelmed, not to mention doubled-over, by this movie, those hoping for more cerebral humor are destined to be disappointed. The Nutty Professor aims for guffaws at the lowest level -- anyone with a double-digit IQ will get every joke. Whether you laugh at them or not is often more of a matter of taste than a question of having a sense of humor.
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East and West team up to take on bad guys in the British Empire in this sequel to the action comedy hit Shanghai Noon. Chon Wang (Jackie Chan), once an Imperial Guard in China, is now the Sheriff of Carson City, NV, while his onetime cohort, former train robber Roy O'Bannon (Owen Wilson), scrapes together a living writing dime novels based on his adventures and waiting tables in New York City. However, when Wang learns that his father was killed by bandits who broke into the Emperor's palace and stole the Imperial Seal, he's determined to bring the criminals to justice.
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The film begins in the summer of 1982, where a boy named Charlie Carbone (O'Connell) is about to become the stepson of a mobster named Salvatore Maggio (Walken). On that same day, he meets his new best friend, Louis Booker (Anderson), who saves him from drowning. The mobster's apprentice, a recently released ex-con named Frankie Lombardo (Shannon), had tried to drown Charlie intentionally by throwing a football deep into the surf, which would make it look like he wasn't responsible.
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Around the World in 80 Days
A Chinese man robs the Bank of England. To evade the police, he becomes the valet for Phileas Fogg, an inventor. Phileas is trying to break the 50-mph speed barrier, and after succeeding with the help of Passepartout, they head to the Royal Academy of Science. There, Fogg is insulted by the other "brilliant minds", in particular William Thomson, 1st Baron Kelvin, who believes that everything worth discovering has already been discovered and there is no need for further progress. Phileas is pressured into a bet to see whether he can travel around the world in 80 days. If he wins he will become Minister of Science in Lord Kelvin's place, if not he will destroy his lab and never invent anything again. Phileas and Passpartout start their journey around the world, taking a carriage and leaving London after a confrontation with Inspector Fix, a corrupt officer hired by the Royal Academy of Science to stop them.
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In 2002 German police arrested Armin Meiwes for posting an Internet message looking for a male who would allow Meiwes to eat him. To their horror authorities found a video tape showing that in 2001 Meiwes had found a willing victim in Bernd Brandes. Though the video showed the graphic killing of Brandes the German courts were faced with a quandary since Brandes had agreed to allow Meiwes to eat him. The subsequent trial and media attention brought up many questions ranging from freedom of speech on the Internet to debates about consensual homicide. In 2005 German filmmaker Marian Dora made a highly stylized dramatization of the case CANNIBAL.
Based on Andrea Yates and her family, the five children being drowned in the family bathroom by their mother.
In the film itself, which is set in a secluded family farm, the Mother (Colleen Porch) suffers a psychotic break down due to postpartum depression and after her husband, a truck driver, hits the road again after only being home a day. It’s all too much for her and she snaps, begins to break things in the middle of dinner. She then calmly walks away with the baby to the upstairs bedroom.
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When Dan OGrady returns to the U.S. after stealing some Irish leprechauns pot of gold, he thinks he can settle down and enjoy his newfound wealth. He thought wrong. The leprechaun followed him and OGrady barely gets away with his life, having locked the little monster in his basement. Ten years later, J.D. and his spoiled daughter Tory move in. By accident, the leprechaun is released and almost immediately the annoying creature starts to look for his gold, not displaying any respect for human life.