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No, it's not an adaptation of the classic videogame in which King Kong, Godzilla and a giant werewolf lay waste to an American city centre, but rather director Uwe Boll's latest mindless attack on our cinematic senses.
"Morally reprehensible" is probably the best phrase to describe Dr. Boll's latest foray into film, which is a shame, as technically it may just be his most accomplished work yet.
Brendan Fletcher plays Bill, a slacker twenty-something who has clearly had enough of the human race. We know this because he listens to inflammatory news broadcasts while weight-training, looking intense and throwing darts at pictures of the human form.
Stylish but shallow, action-packed but without ever being exciting, Terminator Salvation is a movie that looked amazing as a trailer, but doesn't stand up as a 115 minute film.
Technically a prequel, the movie takes place in 2018, 15 years after 'Judgement Day' - the long-hinted at nuclear apocalypse that occurred at the end of Terminator 3: Rise of the Machines - when Skynet pre-emptively struck against humanity. Christian Bale is John Connor, a key figure in the fight against the machines - but not yet leader of the human resistance.
Everything in Connor's life is proceeding exactly as he was forewarned by his mother Sarah - that is until he encounters Marcus Wright (Sam Worthington) - a stranger whose last memory was being on death row. The origins of Wright lead the pair to embark on a dangerous mission into the heart of Skynet.
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The Private Lives of Pippa Lee
Almost everybody who arrives at age 50 more or less intact carries memories of an earlier stage of life in which a wilder, unformed self lurched and blundered through young adulthood before making a fateful decision to settle. It could be a career choice or a long-term relationship, or both. For the title character of Rebecca Miller’s wry, acutely observant drama “The Private Lives of Pippa Lee,” her comfortable landing is her marriage to a successful book publisher 30 years her senior, whom she describes in a candid running voice-over as her rescuer from a life adrift.
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Mum & Dad
Steven Sheil's new feature, Mum & Dad, wears its many influences proudly and mostly gets away with it; largely because the social milieu in which Sheil sets his torture porn-inflected debut draws on some peculiarly British cultural reference points. After the briefest of set-ups we're planted straight onto the set of the Saw movies, by way of Hostel and The Texas Chainsaw Massacre, with a brief detour into Seven territory. Only, Mum & Dad is populated by a soap cast. Living in a Coronation Street house. Next to Heathrow airport.
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Goth horror “Sweatshop” is about as straightforward as they come, revolving around a gang of hard-partying freaks who fall foul of a brute with a huge hammer in an abandoned warehouse. The film was originally shot back in 2009, apparently over a series of weekends, and was directed by Stacy Davidson (“Domain of the Damned)”, who has a background in visual effects, and so unsurprisingly its main selling point is the gore scenes. The film lands shortly on region 2 DVD through High Fliers.
There really isn’t anything else to add about the plot, as “Sweatshop” really is as simple as it sounds, without even bothering to waste time on any kind of back story or on fleshing out its characters. This in itself wouldn’t be a bad thing, as the film clearly isn’t the kind that anyone is going to watch for its cerebral side, though unfortunately it doesn’t translate into a nonstop cavalcade of carnage. The film certainly takes a while to get going, with the first half hour basically just following the goths hanging around, bickering and having unlikely sex. Matters aren’t helped by some bad acting from pretty much all the cast, and a lame script that seems determined to make the viewer hate the characters, none of whom are even remotely sympathetic or even interesting.
Scary Movie 4
Scary Movie 4 is better than Scary Movie 3. Writing that sentence falls into the category of damning with faint praise, because the experience of sitting through the third installment of the comedy series was as pleasant as spreading organic fertilizer on the hottest day of the summer. The sense of desperation that pervaded Scary Movie 3 is gone, and there are enough laughs in Scary Movie 4 to keep most viewers distracted for a majority of its skinny 80-minute running time. But, to go with the good, there's plenty of bad, and it comes in the form of countless gags that misfire, far too much flatulence and urine, and (God help us) a buck naked Leslie Nielsen. Admittedly, that scene certainly puts the "scary" in Scary Movie 4.
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Great Buck Howard
The Great Buck Howard offers John Malkovich an opportunity to do a little mugging for the camera as he plays a character who is, by nature, larger than life. Buck Howard, a fictional representation of The Amazing Kreskin, is part star and part lounge lizard. He's the proverbial legend in his own mind. The genial film, brought to the screen with a certain amount of compassion by director Sean McGinly, who could just as easily have taken the gloves off and made this a nasty, bitter satire, manages to score some telling points about the nature of stardom and how fast Andy Warhol's 15 minutes of fame can pass. Despite the presence of some A-list performers, The Great Buck Howard can't shake the feeling that it's more on the level of made-for-TV than something destined for theatrical greatness. Like its main character, the production rarely seems ready for prime time.
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Two Family House
Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see Two Family House without having previous knowledge of key elements would do well to bail out now and return after they have seen the film.
Apparently, when gangsters die, they don't simply disappear, they show up in low-budget independent films. Or at least that's the impression one might get from watching Raymond De Felitta's personal period piece about defying social conventions to pursue love and a dream - because it seems like half of the cast is made up of familiar faces from TV's The Sopranos. There's Michael Rispoli (the late, great Jackie Aprile in The Sopranos) as Buddy, Vinny Pastore (the late, great Big Pussy) as Angelo, and Kathrine Narducci (the still-living Charmaine Bucco) as Estelle. The storyline and characters couldn't be further from the world of The Sopranos, but fans of the TV series will feel like they already know the players.
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The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be in the realm of visual presentation. Indeed, not only is The Crow a feast for the eyes, but it collides violently with another sense, utilizing a high decibel soundtrack to keep the energy level up.
When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.
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Around the Bend
Four generations of men who havent seen each other in years are suddenly brought together by the chance to uncover the truth about their familys past. Its a journey that takes them out on the road to a world full of surprises - some comic, some dramatic, and all of them personal.
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After being abducted by extra terrestrials, Jean and her friends are committed to a top secret government run mental institution to undergo tests and be brainwashed.
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A Raisin in the Sun
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall...
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Blood on Satan's Claw
Horror thriller set in 17th century England about the children of a village slowly converting into a coven of devil worshipers.
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Put on your dancing shoes and get ready to Gleek Out! This full-length dvd features a set list of Season Ones most sensational musical numbers - back to back so the party never has to end!The biggest appeal of GLEE is....the musical numbers! Watching them without the storyline interruptions sounds like a good thing.
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A group of friends band together to hide the truth about a mutual friends tragic death. They soon discover that an evil entity is in pursuit of them.