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When I decided to go and see The Orphanage I was unsure of what to expect. Considering the title and the setting, I was expecting a redux of the French film House of Voices. There are distinct similarities between the two, mainly in their similar setting and the central character experiencing strange goings on within the creepy confines.
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Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don't), but it remains powerful and disturbing during the viewing experience, with flaws only surfacing after the credits have rolled. This movie will be most appreciated by those who don't demand viewer identification with an on-screen individual, because neither of Hard Candy's characters is the sort of person a healthy movie-goer would sympathize with.
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Calling Bug a "horror" film may be misleading. Although the movie includes some of the trappings genre fans would expect - including a moment of gore that will cause some viewers to turn away from the screen - it's more of a psychological drama. It's also very strange, although I suppose that's only to be expected considering that the film is adapted from a play about two characters who spend most of their time inside a motel room feeding off each other's paranoid delusions (not the most delectable entrée). Bug is creepy and hard to dismiss, but it's not a lot of fun and its weaknesses leave a bitter aftertaste.
In all likelihood, Robert Ludlum fans will not be pleased by this adaptation of one of the spy master's best-received novels. That's because The Bourne Identity uses the premise, a few character names, and some isolated incidents from the novel, then runs off in its own direction. This film has less in common with its print inspiration than The Sum of All Fears, but, considering the inherent differences between books and movies, that's not necessarily a bad thing. The divergence allows The Bourne Identity's cinematic incarnation to be judged on its own strengths and weaknesses, without being repeatedly compared to the book - a problem that the 1988 mini-series had. That production (which starred a wooden Richard Chamberlain) made the mistake of trying to be faithful to Ludlum's text; consequently, events had a rushed feel, as if too much had been crammed into four hours. However, this version of The Bourne Identity is nicely paced and fits the bill for those in search of two hours of spy-based action and martial arts. The movie has credibility issues, but none are insurmountable in the name of entertainment.
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Sometimes, I wonder how the human races survives it. By "it," I am referring to that seemingly insurmountable time of life when body chemistry and societal pressures conspire to make every day seem like a titanic struggle - the teenage years. Even for those who live to a healthy, happy old age, the fourteenth year of life may be the cruelest one. Self-esteem is determined not by accomplishment or intelligence, but by how one is accepted by his or her peers. The pressure to rebel is overwhelming, even for the most calm and obedient child. It is a time of harrowing inner turmoil that, unfortunately, most movies reduce to a series of inane clichés.
The first salvo in the battle of the would-be autumn family blockbusters has been fired by Dreamworks. Beating The Incredibles to the screen by more than a month, Shark Tale represents the fourth digitally animated feature to come from the studio (following Antz, Shrek, and Shrek 2). Over the past few years, animation companies (Dreamworks and Pixar, in particular) have worked to refine a formula for digital animation. It's a lot like Disney's defunct conventional one: make the story simple but add some adult shadings; use a talented voice cast; incorporate comedy, romance, and action; throw in a few songs and pop references; and make the protagonist an underdog. By following this formula, and doing so in an energetic and infectious manner, Shark Tale has virtually assured itself a successful box office run.
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The Orphanage is an effective mixture of horror and fantasy, with the supernatural bleeding into dreams that teeter on the brink of reality. It employs a similar, although not identical, approach to the one that marked 2006's late-year success, Pan's Labyrinth. It should come as no surprise, therefore, that filmmaker Guillermo del Toro, the director of Pan's Labyrinth, has lent his support to The Orphanage, allowing the opening credits and poster art to state "Presented by Guillermo del Toro." So his shadow looms large over the film and one can acknowledge that director J.A. Bayona and screenwriter Sergio G. Sanchez have learned well from him as they proceed down this unusual path.
One Week casts Joshua Jackson as Ben Tyler, an elementary school teacher who learns that he has stage four cancer and subsequently embarks on a cross-country trip across Canada. Writer/director Michael McGowan has fashioned a road movie that packs an unexpected emotional punch, as the filmmaker places as much of an emphasis on Ben's emotional journey as his physical one. And while McGowan occasionally skirts the line of egregious quirkiness - ie Ben's encounter with the Stanley
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The Prize Winner of Defiance, Ohio
The Prize Winner of Defiance, Ohio is based on the true story of housewife Evelyn Ryan, who helped support her family by winning entries in jingle-writing contests.
Evelyn's husband, Kelly, failed to support his family in part due to apparent alcoholism. He had dreamed of being a singer but lost his singing voice in a car accident, and was often cruel and abusive.
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A British design executive, who seemingly has everything going for him has his life totally changed when a refrigerator falls from an aircraft and lands on his wife. He decides to getaway from it all by taking a trip to Australia. On his bus, he meets a wild group of eccentrics, including a woman who has stolen cash from her drug-dealing boy friend. As the movie moves along, we learn further that the executive is constantly accident-prone and drawn into unlikely situations. The films title refers to a new design color that Roache is trying to develop.
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Journey To The Sun
Mehmet, a young Turkish man newly migrated from the village Tire, takes a job searching for water leaks below the surface of the streets of Istanbul. Due to a strange set of events, he is mistaken for a Kurd, imprisoned, and brutally beaten. Upon his release a week later, he becomes an outcast marked as a Kurd, losing his apartment, his job, and eventually his girl friend, Arzu. When a Kurdish friend, Berzan is killed in a street protest triggered by a hunger strike, Mehmet takes a trek to return the body to Berzans home village near the Iraqi border, and learns why so many Kurds are refugees.
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Picnic at Hanging Rock
Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentines Day, 1900. Widely (and incorrectly) regarded as being based on a true story, the movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them.
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Jungle 2 Jungle
A New York commodities broker who was married several years ago has been separated from his wife. Now he wants to marry his new girlfriend, so he has to divorce her first. So he goes to Venezuela, and is brought deep into the jungle and told that when they separated she was pregnant and chose not to tell him since he stated he was not really interested in becoming a father. Today, the boy has reached the age where he has to go on a quest, in New York, so his father reluctantly brings him along, and a culture clash follows. The boy has spent all of his life with the tribe he grew up with, and his father has a bit of problem so he cant spent as much as time with his son as his son likes.
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San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires lawyer Teddy Barnes to defend him, despite the fact she hasnt handled a criminal case for many years. Theres a certain chemistry between them and Teddy soon finds herself defending the man she loves.
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Metamorphosis: Beyond the Screen Door
A man awakens one morning to find himself incapable of leaving his room. Since he financially supports his parents and teenager sister, this is a problem. HIs abusive boss keeps appearing to insult him, as if he was still at work. His family feed him leftovers, hoping his health will return and he will go back to work. After a while, the family plots to get rid of the bedridden, rotting person in the room. The Metamorphosis by Franz Kafka provides the ingredients to this pitch black comedy.
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Although a one-time MVP for the New York Yankees, Jack Elliott is now on the down side of his baseball career. His batting average is low and one of his few claims to fame is that during the previous year, he led the team in 9th inning doubles in the month of August. With an up and coming slugger ready to replace him, he learns that hes been traded to the Chunichi Dragons of the Japanese Central baseball league. Elliott is set in his ways and quite inflexible, not only in accepting Japanese culture in general, but also with the way the baseball team is managed. When he meets his very pretty PR agent, Aya Takahashi, he begins to gain a greater appreciation that he should accept his current situation. When he realizes her other connection to the team, his attitudes begin to change at an even greater pace
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