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Julie & Julia
Filmmaker Nora Ephron transports viewers to the Paris of the 1950s and the New York City of this decade in her tale of two true stories Julie & Julia. Combining the biographies Julie & Julia by Julie Powell and My Life in France by Julia Child with Alex Prud'homme, Ephron's Julie & Julia follows cooking icon Julia Child (flamboyantly, lovingly played by Meryl Streep) in her years in postwar France as she becomes the celebrated chef and author we remember today. The secondary storyline follows Julie Powell (Amy Adams), as she seeks an outlet during her soul-crushing time in New York after 9/11 and finds much needed joy in both blogging and cooking.
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What's a nice Alabama boy like Shawn MacArthur (Channing Tatum) doing in a rough place like New York City anyway? We never really learn the answer to that while watching the gritty new boxing drama Fighting, but it has to do with a violent falling out he had with his dad. Why he didn't choose a city closer to home rather than a place as oppressive, alien and overwhelming as Manhattan is never really clear, but we assume he wanted a major change in his life. If Shawn wasn't there -- peddling cheap goods and knock-offs on street corners (he probably has some Wolverine bootlegs for sale) -- then he would never have gotten pulled into the underground world of streetfighting and there would be no movie.
Wargames. The Dead Code
WarGames: The Dead Code is neither a sequel to nor a reimagining of the Matthew Broderick/Ally Sheedy 1980's classic. It is best classified as a hybrid of the two, featuring a plot and story structure similar enough to the first one to be politely called an homage, while containing enough characters and storyline to be called a sequel.
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All the King's Men
With remakes the likes of Poseidon, The Pink Panther, and The Wicker Man already dotting 2006's cinematic landscape, why not provide a new take on the 1949 political thriller, All the King's Men? In actuality, writer/director Steven Zaillian claims not to have based this on the earlier movie, preferring instead to return to the original source material. Robert Penn Warren's Pulitzer Prize winning novel All the King's Men is a loosely fictionalized account of the rise and fall of Louisiana governor Huey Long. Regardless of what inspired the screenplay, it's a bad fit. All the King's Men is a patchwork of poor choices and uneven results, the most obvious of which is its pacing. With inappropriate flash-forwards and badly placed flashbacks, All the King's Men lurches unsteadily forward amidst variable performances and impressive cinematography.
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Dungeons & Dragons
As long ago as the early 1980s, before the Dungeons & Dragons role-playing game entered the mainstream, there was talk of a D&D movie. I can recall being at a gaming convention and listening to E. Gary Gygax, the creator of Dungeons & Dragons, discussing his plan for getting the movie made. Even at the time, when I was heavily involved in the game, I thought a film was a bad idea. After all, the essence of D&D is becoming a character in a fantasy adventure, not watching one. Killing dragons isn't a spectator sport. Now, after nearly two decades, the oft-discussed and frequently rumored D&D movie has become a reality, and, unfortunately, the hackneyed result has borne out my concerns. It's better to spend two hours in a small room with a bunch of geeks rolling funny-shaped dice than it is to sit in a theater and watch this yawn-provoking adventure through realms of warriors and wizardry.
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Jade is for cinematic anglers. There are a lot of fish inhabiting the murky, muddy waters of Joe Eszterhas' latest script, and, except for the occasional shark or two, most of them are herrings -- red herrings, to be precise. However, unlike a good mystery, where disparate plot elements are knitted together into a satisfying (if occasionally contrived) conclusion, Jade's loose ends unravel. The finale shamelessly cheats the audience, echoing that of another Eszterhas disaster: Sliver.
Breaking the Waves
According to writer/director Lars von Trier, Breaking the Waves is "a simple love story", but "simple" hardly begins to describe this deeply disturbing, multi-layered drama. In fact, nowhere is the picture's complexity more evident than in its study of contrasts -- it is highly spiritual yet anti-religious, triumphant yet tragic, and personal yet universal. Love forms the film's core, but rather than approaching the subject from a cliched perspective, Breaking the Waves examines no less than six facets of the emotion: transformative love, sacrificial love, redemptive love, destructive love, romantic love, and sexual love. And, despite a slightly disappointing conclusion, this movie still rates among the best of the year.
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On Deadly Ground
Steven Seagal, the exceedingly bankable action-movie star and exceedingly limited actor, wanted to direct. He wanted to express his profound conviction that the environment and the spiritually advanced tribes of Alaska are good, and pollution and the spiritually bankrupt oil companies of the lower 48 are bad. Warner Bros., the studio that has made a zillion dollars off Seagal in such spirituality-lite head-busters as Above the Law, Hard to Kill, and, most recently and successfully, Under Siege, wanted its star to be happy.
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A man named Andy Fiddler (Eugene Levy) is in his bathroom, preparing a speech. He works for a dental supply company, and lives in Milwaukee, Wisconsin. He will soon be giving a speech to investors in Detroit, and is very nervous.
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Owen Baker (Liam Aiken) is a 12-year-old loner who has been working as the neighborhood dog-walker so he can earn the privilege of getting a dog of his own. Owen's hard work pays off when his parents, Mr. and Mrs. Baker (Molly Shannon and Kevin Nealon), let Owen adopt a scruffy Border Terrier that he names Hubble (voice of Matthew Broderick).
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Phantom Force screenplay is seems to have something in common with the one of Lowecrafts novels submarines, deep sea and an ominous mystic artifact make this supposition believable. Phantom Force is the unique group struggling against the paranormal activity in the depths of the Aegean Sea where the ghostly sub dwells. An ancient and powerful artifact, the Hades Stones, is raised off the ocean floor and brought onboard. The stones are a portal, which connects our world and the spirits realm allowing demons and other terrific beings to creep aboard the mysterious submarine. These gates of Hell can be the devastating weapon of the Judgment day if fallen into the wrong hands.
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Michael is a recovering alcoholicdrug user. Back on the wagon, hes now responsible for a young, beautiful, and pregnant wife. Hes working the graveyard shift at a gas station to support his new family, but the job drives him crazy. Then a wealthy stranger, Stuart, enters Michaels life, taking Michael through a tour of the seediest and slimiest parts of L.A. underbelly. Is Stuart leading Michael to hell, or salvation?
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After a shocking photo of a young woman is found inside the twisted metal of a fatal car crash, veteran detective Emory Lloyd must risk everything to identify and find the woman before its too late.
Pregnant porn star Elektra Luxx is trying to make a split from the adult film industry by making a living teaching sex classes to housewives. But her life is thrown into disarray when a flight attendant with ties to Elektras past approaches her for a favor. Chaos and hilarity ensue as fiancees, private investigators, a twin sister, best selling authors and even the Virgin Mary force her to face up to an unexpected series of decisions and revelations.
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A group of friends band together to hide the truth about a mutual friends tragic death. They soon discover that an evil entity is in pursuit of them.