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Do you remember the time during your adolescence when you started to see your parents as people rather than just… well, your parents? Scott Bartlett (Rory Culkin) goes through this stage of his teen years in Lymelife. The backdrop of the film is Long Island, New York in 1979. Scott Bartlett is the younger of the two Bartlett boys. His older brother Jimmy (Kieran Culkin) joined the Army and only comes home to visit. Scott’s father Mickey (Alec Baldwin) is a successful real-estate developer. His mother Brenda (Jill Hennessy) is dealing with trying to ignore some of her husband’s less faithful qualities while also missing Queens and praying regularly that Scott doesn’t contract Lyme disease.
Director Kenneth Branagh's updated retelling of Anthony Shaffer's play Sleuth, previously filmed in 1972 by Joseph L. Mankiewicz, is a clever and well-made thriller that only stumbles during the homestretch. Michael Caine, who starred in the 1972 film, assumes the role played by Laurence Olivier in the original, while Jude Law has been cast in the part previously played by Caine.
Nicolas Cage is a magician with a secret: he can see into the future - only two minutes into it, mind, but it's enough to guarantee plenty of bullet-dodging in this far-fetched thriller. FBI bigwig Callie Ferris (Julianne Moore) reckons Cris (Cage) can stop a terrorist bomb, but he'd rather chase moist-lipped teacher and current object of his visions, Liz (Jessica Biel). Fun time-twisting gives way to tedious implausibility in this miscast, continuity-troubled blot on an already soiled record of Philip K Dick adaptations.
Death Sentence is Death Wish for the 2000s. However, in place of the slow-burn intensity of Charles Bronson, we have the guilt-riddled stylings of Kevin Bacon. It's easy enough to guess at what director James Wan was trying for with Death Sentence. Unfortunately, the result is such a mish-mash of conflicting tones and ideas that it doesn't play well on any level. It's too pretentious and slow-moving to work as an action movie or a thriller, and it's too over-the-top and at times campy to be effective as a drama. Elements of the one approach conflict with those of the other and the movie ends up failing in a number of ways.
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Catch and Release
Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imaginable plot, element, and device except the kitchen sink (although she manages to get the bathtub in there). Despite possessing a few effective and affecting scenes, Catch and Release is a mess and the methods it uses to bring closure to its diverse storylines feel trite and contrived. Leaving the theater, I was struck with a sense that the movie not only could have been better, but it should have been so.
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Waiting for Guffman
Thirty minutes into Waiting for Guffman, my stomach hurt from laughing. Like some of the most brilliant comedies of recent years -- Clerks, Living in Oblivion, and Flirting with Disaster, to name a few -- Waiting for Guffman reminds us of the true meaning of the term "sidesplitting." And, unlike in many of the movies on my "funniest films" list, there's nothing bizarre or twisted about this humor. The laughs dished out by Waiting for Guffman are universally accessible.
Director/co-writer Christopher Guest is most recognized for two things: his satire and his marriage to Jamie Lee Curtis. His best-known work is undoubtedly This is Spinal Tap, which he co-authored and appeared in. Those familiar with that film will find certain similarities to Waiting for Guffman, the most obvious of which is the faux documentary format. However, where Spinal Tap, like many parodies, relied upon acid humor and vicious barbs to generate laughter, Waiting for Guffman is a much gentler creation. This movie can be considered an affectionate satire, because, while it pokes fun at small-town America and high school stage productions, it also offers up a heartfelt homage to them.
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Barry Levinson had an idea, and a pretty good one at that: take an actor, have him assume the role of a vigilante, and, as public adulation of his assumed personae escalates, blur the line between being a vigilante and acting the part. Unfortunately, the idea is all that Levinson had, because the final result -- Jimmy Hollywood -- is a somnolent mess.
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Crime has hit the small town of Vidalia: A local bank's been robbed, and the thief has run off with half a million dollars. It's up to a mysterious ex-cop named Parker (James Spader), FBI newbie agent Rick Kendall (John Livingston) and the local arm of the law, Ray DeCarlo (David Keith) to catch him. But here's an added wrinkle: Parker's fallen for DeCarlo's ex-wife (Leslie Stefanson), which makes finding the crook stickier than usual.
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She Hate Me
John Henry "Jack" Armstrong (Anthony Mackie) is a financially successful and upwardly mobile executive at a biotechnology firm who, following the suicide of a colleague, Dr. Herman Schiller, is falsely accused of securities fraud by his superior, Leland Powell (Woody Harrelson). Armstrong's assets are frozen, and he finds himself unable to maintain his quality of life.
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Russ Richards (John Travolta), the weatherman for a Harrisburg, Pennsylvania television station, is revered as a local celebrity by his viewers, and fame affords him such perks as a reserved parking spot and his own booth at Denny's, where an omelet bears his name. His eternally optimistic demeanor conceals the fact his snowmobile dealership is on the verge of bankruptcy due to an unusually warm winter.
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Elvis Took a Bullet
Andy Dufresne, is sent to Shawshank Prison for the murder of his wife and secret lover. He is very isolated and lonely at first, but realises there is something deep inside your body, that people cant touch and get to....HOPE. Andy becomes friends...
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At First Sight
A driven Manhattan architect, Amy, relaxes at a resort and falls for the masseur, Virgil, blind since age 3 and assisted by his spinster sister. He helps Amy hear and sense the world, giving her new spirit and a burst of creativity. Over the sisters objections, Amy takes Virgil to New York for new, radical surgery. He regains his sight. Hes disoriented and must learn to process these new images. Finding his place in a seeing world strains his relation with Amy his absent father wants to connect with him now that he can see then, retinal disease threatens to undo the surgery. Can love survive, will he find his new place and his old tranquillity, can Amy accommodate limits?
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Fools Rush In
Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime. Alex Whitman is a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes, and some serious chemistry brings them together for one night. But Alex doesnt see Isabel again until three months later, when he learns she is pregnant. On a whim and prayer, he proposes. However, theres more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn.
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Globe-trotting Christine wakes up one ordinary day to find that her biological clock has gone off with a vengeance. But for a commitment-phobe on the wrong side of 40, the road to motherhood is strewn with bedlam, calamity and smoked out eggs. When she turns to her life long friends Margo and Mikki for support, she finds them equally embattled Margo zealously guarding the door to her recently emptied nest, and Mikki frantically fighting her evil twin foes Sagging and Drooping. Collectively, however, the girls are a force to be reckoned with, so together they take on the might of Mother Nature with hilarious results.
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Gilmore Girls - Season Four
The series explores issues of family, friendship and romance, as well as generational divides and social class. Ambition, education and work also form part of the series central concerns, telling Lorelais story from pregnant teen runaway and high school dropout to co-owner and manager of the Dragonfly Inn. Rorys transition from public school to the prestigious preparatory school, Chilton, is similarly followed by the series, exploring her ambition to study at an Ivy League college and to become a foreign correspondent. The shows social commentary manifests most clearly in Lorelais difficult relationship with her wealthy upper-class parents, Emily and Richard Gilmore, and in the interactions between the students at Chilton, and later, Yale University.
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Lying to Be Perfect
The Cinderella Pact adaptation cant even be saved by a fairy godmother.
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