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Dolph Lundgren is a man of many talents and he shows most of them off as he writes, directs and stars in Command Performance, which recently came out on DVD. The movie is a complete throwback to the late 80′s and early 90′s when the world was obsessed with anything “Die Hard in a…” In this case we have Die Hard in a Russian concert hall. The newly elected Russian president had two daughters who are huge fans of American pop princess Venus so the president arranges a special charity concert that features her, along with a number of other acts including rock band CMF and their drummer Joe (Lundgren). Everything seems to be going fine until terrorists take over the concert hall and start making demands. Joe, who had been sneaking a cigarette at the time, takes it upon himself to help rescue the president and stop the terrorists.
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Sometimes after watching a fantastic film you get that sudden rush of enjoyment and sheer excitement that the horror genre is head in the right way again. After watching Babysitter Wanted I had that feeling and I knew that the horror genre is still capable of pumping out fantastic films on a budget. This is one of those films that I am very proud to be able to review and let everyone know that this is a film that you have to keep your eye on. It is without a doubt one of the best films I have seen in the past ten years. So may this review serve as an open letter to all the horror fans, distributors and fellow horror critics hunt this movie down and watch it. You won't regret it.
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Roman de gare
Claude Lelouch’s “Roman de Gare” is a thriller, a murder mystery and a somewhat self-conscious literary puzzle. All of that is entertaining enough, if a bit preposterous and overdone, but the twists and convolutions of the film’s beginning and end enable a middle that is dizzying domestic comedy.
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Confession time: Not only have I read (literally) every story ever written by Stephen King (some of 'em two or three times), but I've also seen (literally) every movie inspired by his books. Some of 'em four or five times. I discovered the man's work around the time I was 13 -- and I devoured his early paperbacks like a junkie devours his drug of choice. I was hooked. All through high school and college and "grown-up" life, if there was a new King paperback out there, I had to have it. Most I liked, some I truly did not, and I few I really went crazy for. And since I'm even more of a movie geek than I am a passionate reader, I'm always pretty excited to sit down with a new cinematic adaptation. (And no amount of Dreamcatchers will ever change that.)
A young girl named Lucie (Mylène Jampanoï) is found running half-naked down a country road after having been missing for over a year. During this time she had been held captive and subjected to a steady regimen of torture, both mental and physical, before she was able to to make her escape. Officials are able to locate the abandoned slaughter house she had been imprisoned in, but aside from evidence to support her claims, the building had been evacuated and her abusers were never apprehended.
Over the years, I have come to expect great things from Michael Winterbottom. I haven't loved everything he has done, but he has made some powerful movies and even his least inspired films have been watchable. So Code 46 broadsided me, provoking an almost physical negative reaction. I left the theater shellshocked, unable to comprehend that Winterbottom could make something so awful.
Code 46 is like Solaris without the psychological depth and strong acting. The movie is flat, boring, pointless, and nonsensical. It features two of the most lifeless performances in recent memory from Tim Robbins and Samantha Morton, who seem to be feeding off one another's lethargy. Robbins is admittedly a better director than actor, but Morton has done some fantastic work in the past (Under the Skin, Minority Report). It's hard to figure out where she placed her ability when it came to making this movie.
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The Oscar buzz surrounding Peter O'Toole is deafening. Despite having been nominated seven times, he has never won an Academy Award (unless you consider the honorary statue presented to him a few years ago). Roger Michell's Venus, which may be O'Toole's final major screen appearance, could provide him with one last shot. The film, which has generated some minor controversy, centers on the relationship between a 73-year old actor and a 20-year old would-be model. The 50 year gap makes this a March/December romance that would impress even Charlie Chaplin and Tony Randall. This is tricky territory for a film, but Michell navigates it with sensitivity and class. Venus is not crass or exploitative. It deals seriously with the possibility that an old man might fall in love with a young woman, and that (at least on some level) those emotions might be reciprocated. There's a lot more going on here than a dirty old man ogling an attractive young thing.
Two for the Money
Two for the Money starts as a high voltage drama about the underbelly of the sports business - the multi-billion dollar gambling industry. The movie takes us into the warts-and-all world of 1-900 numbers and internet betting sites, bringing us on-board and suck(er)ing us along with the main character. For 60 minutes, Two for the Money is a great ride - compelling, informative, and thought-provoking. Unfortunately, around the half-way point, the melodrama kicks in, and the film's focus becomes increasingly murky. Original screenwriting gives way to clichés, and the resolution, while offering closure, seems false - too much a case of the filmmakers wanting to have their cake and eat it, too.
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Waking Ned Devine
Ned Devine is dead. The news that he was holding a lottery ticket worth over 6.8 million pounds was too much for old Ned's heart. Now, the tiny Irish village of Tullymore has a decision to make: do they bury Ned's ticket along with him or do they choose one of their own to impersonate Ned and collect the money, then split it 52 ways? Although the answer to this question may not be surprising, the smoothly entertaining manner of the storytelling is. Waking Ned Devine has been a huge hit at every film festival where it has played (and there are a lot of them), and Fox Searchlight is hoping for the same kind of enthusiastic reaction when it begins reaching theaters late in November.
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Kenan Thompson and Kel Mitchell, stars of the popular Nickelodeon series All That, confront the ogre of faceless corporate tyranny and have fun doing it in this comedy for young people. Ed (Mitchell) is a teenager who lives for his job at Good Burger, a small but friendly neighborhood hamburger stand, while his buddy Dexter (Thompson) also works there, but lack Ed's single-minded devotion to his job -- he's there because he accidentally destroyed the car of his teacher Mr. Wheat (Sinbad) and has to raise money to pay the damages.
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Chad (Elliot Olson) is snowboarding down a mountain, when suddenly someone dressed in all black on Ski's attacks him. Chad attempts to get away, but is decapitated by a piece of wire strung up between two trees.
An armored car guards elaborate plan for revenge is threatened by his relationship with an old friend -- a brilliant and unpredictable television preacher.
Thomas Luster is a troubled businessman who tries to make sense of a life being driven out-of-control by a force closer to home than he first realizes. When he discovers that the man working against him is another side of his own personality he is forced to fight back against his manipulative alter-ego as murder, madness and mayhem combine to take Luster on the most bizarre and terrifying ride of his life.
Mega Shark vs Crocosaurus
Yes, it was ridiculously horribly bad, but some reason, I enjoyed it.
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Miles from Home
Two brothers who are forced off their farm in the debt stricken mid-west become folk heroes when they begin robbing the banks that have been foreclosing on farmers.
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Nate (Alec Newman) is a successful financial manager by day and a closet musician by night. One evening he hears a beautiful voice outside his apartment window accompanying his piano playing. The mysterious voice turns out to be the coat check girl, Chloe (Amy Adams), from the local jazz club. Chloe strikes a deal with Nate to perform with her at the club. Their chemistry is undeniable and with every song they play, the closer they become.
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