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In 1976, the year of the American bicentennial, the tall ships sailed from Europe to America and back again. But a smaller event was, in its way, no less impressive. In a blind taste-testing held in France, the wines of California’s Napa Valley defeated the best the French had to offer — and all the judges were French! A bottle of the winning American vintage, it is said, now rests on exhibit in the Smithsonian Institution.
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To an extent, Blood Diamond is a victim of its own length. While the film includes a number of disturbing political and sociological insights, the adventure story is tepid and loses momentum as the storyline bogs down. The main character, played by Leonardo DiCaprio, has an effective arc that is believable because it does not force him to act contrary to his nature, but it takes a long time for Blood Diamond to get us to DiCaprio's moment of recognition. Pacing issues aside, this is a well constructed movie - clearly the product of a director who understands how to make a top-notch motion picture. It looks great and sounds great. If only Edward Zwick's mastery of the medium had extended to pruning the screenplay and editing the final result, Blood Diamond might have been a tremendous film rather than one worthy of only a lukewarm recommendation.
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Despite a title that makes it sound like a heist movie, The Counterfeiters is actually a World War II tale. It is not, however, a traditional war film. Instead, it takes a hard look at one of the most controversial and ethically dubious activities of the war: Jewish collaboration with the Nazis. Like Tim Blake Nelson's The Grey Zone, which explored the existences of the Sonderkommandos in Auschwitz, The Counterfeiters examines many of the same issues from a slightly different perspective. The bottom line is the same, however: Is it morally reprehensible to exchange services that help the Nazis in return for a less harsh life?
Great Buck Howard
The Great Buck Howard offers John Malkovich an opportunity to do a little mugging for the camera as he plays a character who is, by nature, larger than life. Buck Howard, a fictional representation of The Amazing Kreskin, is part star and part lounge lizard. He's the proverbial legend in his own mind. The genial film, brought to the screen with a certain amount of compassion by director Sean McGinly, who could just as easily have taken the gloves off and made this a nasty, bitter satire, manages to score some telling points about the nature of stardom and how fast Andy Warhol's 15 minutes of fame can pass. Despite the presence of some A-list performers, The Great Buck Howard can't shake the feeling that it's more on the level of made-for-TV than something destined for theatrical greatness. Like its main character, the production rarely seems ready for prime time.
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Right at Your Door
The apocalyptic scenario is one that nearly everyone born after 1945 has had to consider at one time or another. From the '50s through the '80s, it was the potential of a nuclear holocaust. Now, it's terrorism. Living with the ongoing possibility has a way of desensitizing a person so that when something happens, as it did on September 11, 2001, it's a shock to the system. Like any subject matter spawned in the nightmares of reality, this material offers fertile ground for filmmakers. Some come to exploit while others come to explore. Right at Your Door, the directorial debut of Chris Gorak, falls into the latter category. Its strength is that it feels real. It follows in the footsteps of two '80s movies about nuclear devastation: the overhyped The Day After and the underrated Testament.
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Beloved, Jonathan Demme's much-anticipated adaptation of Toni Morrison's novel, is a powerful and disturbing motion picture that is likely to leave many movie-goers unsettled as they file out of the theater. Although the movie probably runs a little too long and occasionally suffers from confusing editing, it is nevertheless the kind of film that stays with a viewer for days (instead of minutes or hours) after the end credits have scrolled across the screen.
When we first meet Ethan Frome (Liam Neeson), he is a broken man hobbling around town. The new preacher takes an interest in him and soon learns the tragic tale of Frome's life. Years ago, as a younger and more hale man, Ethan married Zeena (Joan Allen), perhaps mistakenly, as "compensation" for her giving up part of her life to nurse Ethan's mother. Zeena, however, is a sickly woman who becomes susceptible to almost every kind of illness. When she proves unable to adequately keep house, she calls on a poor cousin, Mattie (Patricia Arquette), to come to help. What Zeena cannot foresee is the attraction that develops during the course of a year between her husband and Mattie.
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The Ghost and the Darkness
In 1898, Sir Robert Beaumont (Tom Wilkinson), the primary financier of a railroad project in Tsavo, Kenya, is furious because the project is running behind schedule. He seeks out the expertise of John Henry Patterson (Val Kilmer), a military engineer, to get the project back on track. Patterson travels by train to Tsavo, where he meets supervisors Angus Starling (Brian McCardie) and Samuel (John Kani), a native African (and the film's narrator), and the doctor, David Hawthorne (Bernard Hill). Hawthorne tells Patterson of a recent lion attack. That night, Patterson kills an approaching lion with one shot, earning the respect of the workmen. The project gets back on schedule. However, not long afterwards Mahina (Henry Cele), the construction foreman, is dragged from his tent in the middle of the night. His half-eaten body is found the next morning. Patterson then attempts a second night-time lion hunt, but the next morning another worker is found dead at the opposite end of the camp from Patterson's position.
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This story is a fairly faithful adaptation of the play and novel by J. M. Barrie. In it, the perpetually young Peter Pan (Jeremy Sumpter) from time to time visits London in the early 1900s, where he becomes enthralled by the stories that Wendy Darling (Rachel Hurd-Wood) tells to her brothers. Wendy asks to visit Never Land and Peter invites her to be the "mother" to his gang of Lost Boys (most of whom are English accented). Before leaving, she asks to bring her brothers John (Harry Newell) and Michael (Freddie Popplewell), and Peter teaches them all to fly with him.
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Ginger Snaps Back: The Beginning
The film begins with a brief summary of the Northern Legion Trading Company, stating that each spring a party from the fort traveled to Hudson Bay to trade pelts for winter provisions but in 1815 the party never returned. This is when the story begins, almost two hundred years before Ginger Snaps. Brigitte and Ginger are lost with their horse in the Canadian wilderness when they come across a seemingly abandoned camp that bears signs of a violent attack. They then notice an elderly Indian woman, who tells them that she too had a sister once, and gives Ginger and Brigitte each a necklace with a bird's skull that belonged to her and her sister. The woman speaks of them as the red and black, and warns that unless they "kill the boy" one sister will kill the other. Suddenly the girls' horse is startled and flees; they try to chase it, but Brigitte's foot gets caught in a trap set by an Indian hunter. Ginger goes back to the camp to find the Indian woman, but the hunter arrives before Ginger returns. The girls view him as a threat until he releases Brigitte and leads them to Fort Bailey where they take refuge. Ginger claims they are the daughters of a trader who drowned, seeking passage East. The men there are suspicious of them, but the sisters are permitted to stay.
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Cole and Erica run an upscale escort service which sets their clients up on anonymous and impromptu dates at hotels. They discover one of their female clients murdered, and that the man who signed up for their service on the same day happens to be her husband. They set out to untangle these mysterious circumstances before the cops follow the leads back to them, while also dealing with various romantic relationships.
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The TV Set
A television network is making a pilot of Mikes quirky comedy based on the aftermath of his brothers suicide. As the network suits ask for change after change, and as Mike struggles with compromise, there are strains on families, execs who show rushes to their children, leads who feel each other out, and assistants who put a smile on everything. Can an honest show get made in the world of reality TV chasing an audience of teen-aged boys?
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Back Soon is a story of love, loss, identity and hope. It follows the relationship between aspiring actor Logan Foster (Windham Beacham) and reformed drug dealer Gil Ramirez (Matthew Montgomery), two men who find themselves inexplicably drawn together despite their disparate backgrounds, and the fact that they both regarded themselves as straight. However, their bond is soon threatened by Gils mysterious past and a startling revelation about the true nature of their connection. Neither man is prepared for this, nor the impact it will have on their lives.
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American tattoo artist Jake Sawyer wanders the world, exploring and exploiting ethnic themes in his tattoo designs. At a tattoo expo in Singapore, he gets his first glimpse at the exotic world of traditional Samoan tattoo (tatau), and, in a thoughtless act, unwittingly unleashes a powerful angry spirit. In his devastating journey into Pacific mysticism, Jake must find a way to save his new love, Sina and recover his own soul.
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Five friendsMarcy,Bert,Karen,Paul,and Jeff leave the city for a mountain get-way and a renting a cabin in the hills. But after Bert goes shooting for squirrels but instead shoots a hermit with a flesh eating disease,(He got from his dog) begging for Berts help. Bert promise him help but lies and runs back to the cabin. Later that night after getting doped and drunk, the hermit comes to the cabin. But the friends in panic, kill the man. But when the man dies in the reservoir and Karen drinks the water, her skin is oddly being ate away. The friends send her into a shed outside the cabin. But one by one - Not knowing about the dead man in the reservoir - become infected with the disease.
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