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Catch and Release
Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imaginable plot, element, and device except the kitchen sink (although she manages to get the bathtub in there). Despite possessing a few effective and affecting scenes, Catch and Release is a mess and the methods it uses to bring closure to its diverse storylines feel trite and contrived. Leaving the theater, I was struck with a sense that the movie not only could have been better, but it should have been so.
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Guilt and paranoia - two powerful cornerstones of the human psyche. In his latest, award-winning drama (it has captured about a dozen significant international citations), writer/director Michael Haneke explores both, although the manner in which he weds them is more uneven than satisfying. With Caché, Haneke has a lot to say, but the weaknesses of the film threaten to overwhelm its strengths. This is one of those movies that will pit lovers of narrative filmmaking against those who view the medium as something potentially more esoteric. The way he toys with his audience indicates that Hanke falls into the latter category, and lapses of logic in his storyline don't overly concern him.
Tenacious D in the Pick of Destiny
Few movies are easier to review or define a recommendation. If you're a die-hard fan of either Jack Black or the band he formed with Kyle Gass, you'll likely love every moment of Tenacious D in the Pick of Destiny. For anyone else, the better choice would be to buy the soundtrack (if you like the music) and skip the movie. This is one of those musicals that provides moderate entertainment when the actors are singing or playing guitar, but devolves into a spiral of tediousness during the increasingly lengthy gaps between numbers. The comedy is juvenile and often unfunny. There are some laugh-aloud moments, but not nearly enough. In the end, you have to possess a sweet spot for Black and his antics to find Tenacious D more than barely watchable.
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Whole Nine Yards
The Whole Nine Yards suffers from split personality syndrome - it's a strange hybrid of film noir and comedy. At first, this might not seem like an unusual approach, until you recall that most movies of this ilk are satires. That's not what's going on here - there's hardly a whiff of parody from beginning to end. Instead, The Whole Nine Yards is offered up as a straight noir thriller, with all sorts of pratfalls, jokes, and slapstick thrown in to enliven the proceedings. And, while I suppose one has to grudgingly give screenwriter Mitchell Kapner and director Jonathan Lynn (My Cousin Vinny) credit for trying something a little off the beaten path, they don't pull it off. The result is an uneven and at times annoying motion picture.
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Mike Leigh has often been referred to as a prince of misery. His films, grounded in working class reality, are often downbeat. It's hard to argue with their quality or authenticity, but one typically doesn't walk out of a Mike Leigh film with a renewed appreciation of life. His most widely esteemed movie, Vera Drake, is an excellent example of that. The movie received deserved raves for its story, direction, and acting, but it's not the kind of thing one shows to a friend in need of a pick-me-up. That's why the buoyant tone of Leigh's latest, Happy-Go-Lucky, is such an unexpected and welcome change-of-pace. For his part, Leigh is just as grumpy as ever, but he has produced a motion picture that can best be described as optimistic.
"All the best people have bad chests and bone diseases. It's all frightfully romantic."
- Juliet Hulme, Heavenly Creatures
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Deadliest Warrior - Season One
Your average episode takes us into the top secret warehouse of history's fight club, where Deadliest Warrior's experts take a sampling of weaponry and skills and test them on fun things like wooden targets, dead animals, and ballistics dummies full of red ooze and accurate recreations of human insides. Your average episode consists of colourful 'real life experts' testing nasty looking blades, bows, guns and explosives while the show's crew looks on in awe. All of the numbers are crunched and boiled into a computer program which then decides who of our historical pugilists is the champ. Blood soaked re-enactments fill the time between talking heads. These affairs are typically cheesy and heavy handed, with tons of CG blood and stage-play level costuming. Each episode ends with a knock-down, drag-out battle between the subjects, where each shows off the respective tools and talents demoed to the bloodthirsty audience at home for the previous 40 minutes. There's definitely some crazy stuff on display, and for the most part, the show really goes a long way towards showing just HOW capable of making human soup some of these nasty implements of war really were.
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The operative word in Drugstore Cowboy is "drug". Matt Dillon plays the leader of a group of dopeheads who wander around the country robbing pharmacies to feed their habits. Dillon's chums include doltish James Le Gros and teen-age junkie Heather Graham; also along for the ride is Dillon's wife Kelly Lynch.
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Bartleby Gaines (Justin Long) is a persuasive high-school senior who, among other pranks, creates fake IDs. His gifts do not extend to grades, however, and he receives rejection letters from all of the universities and colleges to which he applies, including those with high acceptance rates. In an attempt to seek approval from his strict father (Mark Derwin), Bartleby creates a fake college, the South Harmon Institute of Technology (S.H.I.T.). He is aided by his friend Sherman Schrader III (Jonah Hill), who has been accepted into the prestigious Harmon College, and fellow rejects Rory (Maria Thayer), who was rejected from Yale University, the only school she applied to, Hands (Columbus Short), who lost his athletic scholarship after an injury, and Glen (Adam Herschman), who got a "0" on the SAT when he neglected to sign his name.
When a CIA agent is killed during a nuclear arms purchase, his partner Oakes, recruits his twin brother, Jake Hayes. Jake had no idea he had a twin brother, let alone that he worked for the CIA. Jake, a.k.a. Michael Turner, has nine days to fill his brothers place. However, the enemy terrorists learn of his secret identity and kidnap his girlfriendfiancee. He has to rescue them and save New York city from an imminent nuclear terrorist act.
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You Kill Me
Frank Falenczyk (Ben Kingsley) is a hit man for his Polish mob family in Buffalo, New York. He has a drinking problem, and when he messes up a critical assignment that puts the family business in peril, his uncle Roman Krzeminski (Philip Baker Hall), head of the family, sends him to San Francisco to clean up his act. He is forced to accept a job at a mortuary, and go to Alcoholics Anonymous meetings, where he confesses his job, explaining that he wants to be free of his drinking problem because it's affecting his ability to kill effectively. He falls in love with Laurel Pearson (Téa Leoni), a quirky client he meets at the funeral home. Meanwhile, an upstart Irish mob threatens the family snow-plowing business. When violence erupts, Frank returns home to face the old rivals on new terms. With assistance from Laurel, he manages to suppress his family's adversaries, killing the mob's leader and disbanding the Irish posse.
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The Cake Eaters
The Cake Eaters is a small-town, ensemble drama that explores the lives of two interconnected families coming to terms with love in the face of loss. Living in rural America, The Kimbrough family is an odd bunch: Easy, the patriarch and local butcher, is grieving over the recent loss of his wife, Ceci, while hiding a secret ongoing affair for years; Beagle, his youngest son who was left to care for his ailing mother, works in the local high school cafeteria by day but has a burning passion inside that manifests itself through painting street signs; and the eldest son, Guy, has been away from the family for years while pursuing his rock star dream in the big city until the day he learns of his mother's passing and that he has missed the funeral.
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A psychic finds herself tapping into the energy of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the cause.
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Requiem for a Village
Although best known for his celebrated work as editor on Lindsay Andersons If.... and O Lucky Man!, as well as on the acclaimed BBC TV series Ways of Seeing, David Gladwell has rarely before been recognised as the director of a collection of extraordinary, ground-breaking films which explore Britains rural traditions and the undying power of memory. This Dual Format Edition (DVD + Blu-ray) provides the rare opportunity to finally experience Gladwells lyrical, poetic 1975 film Requiem for a Village, as well as a selection of his rare and striking short film works.
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A comedy about a New York City couple (Schreiber and Hunt) in romantic crisis.
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Young, innocent, and quirky June, a violinist, spends her days working in an oddball Venice coffee shop, her nights rehearsing for a professional music career, and all-hours daydreaming about the beautiful man thats destined just for her. When she actually meets him in her own apartment building, she finds out Jack is engaged to the quintessential gorgeous bitch, Quinn. The conflict ensues and the romance is tested. Whether its indulging her loony Grandma through rehearsals of her own funeral, or dealing with the overzealous video-store manager and his crush, June stumbles through her potential love life, her best friend Mary at her side.