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Somewhere within the Saw universe’s ridiculously convoluted back story is a film showing how the dying “Jigsaw Killer” John Kramer (Tobin Bell) won the lottery, set up corporate offices, and hired legions of worker elves to build a “torture district” the size of Disneyland. It would be a helluva lot more entertaining than watching his uber-secret second protégé (Mandylor, Mandylor, Costas Mandylor) tiptoe around the events of the previous films, which was all that the abysmal Saw V really had to offer.
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The horror films coming out from Australia are rivaling the French, British and *gasp* even the Americans. Wolf Creek, Rogue, Dying Breed and others have all shown that even they....wait for it.... can make mediocre horror films.
Well Nature's Grave aka Long Weekend is just another run of the mill, when nature runs amok movie that's just like the rest of the straight to used DVD bin movies we make here.
It's unfortunate that it turned out this way. I would have expected something a little more from a movie that plotted a story of man vs nature. It's premise seemed to be slightly intriguing but in the end, all we get is a tidal wave of disappointment.
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“Haunters” offers a twist on the usual superhero tale, with Korean stars Kang Dong Won (“Secret Reunion”) and Ko Su (“White Night”) as two troubled men blessed with special powers facing off against each other in a deadly battle. The film marks the debut of Kim Min Suk, who previously scripted and worked as an assistant on director Kim Jee Woon’s wonderful kimchi Western “The Good, The Bad, The Weird”. Combining action, drama and a thoughtful exploration of what can turn a man into a monster, the film was a major commercial hit in Korea, holding onto the top box office spot for an impressive two weeks.
The film begins following Cho (Kang Dong Won, in his last film role before carrying out his army service), a young one legged man, twisted by a childhood of abuse, his parents having tried to kill him due to his having odd and terrifying mind control powers. Barely considering himself human, Cho keeps away from any kind of social contact, living by manipulating others with his psychic abilities. His quiet life comes crashing down when his path crosses with Kyu Nam (Ko Su), a simple though kind hearted man working in a pawn shop he tries to rob, who for some reason seems unaffected by his powers. After the failed heist results in the gruesome death of Kyu Nam’s father figure pawn shop owner (Byun Hee Bong, also in thriller “The Game”), he sets about bringing Cho down and making him pay for his crimes.
Dreamgirls is a wonderful entertainment: a musical that, while not skimping on the music, delivers a multi-layered storyline featuring complex characters. The average Hollywood musical focuses on spectacle and, while there's some of that to be found in Dreamgirls, the movie has loftier goals, many of which it successfully achieves. If there's one weakness in the film, it's the music. While effective within the context of the picture, the songs have a generic quality. Even the standouts are not memorable. Leaving the theater, I was not seized with the desire to stop at a music store and purchase the soundtrack. However, this is a minor quibble, and it does little to impact the viewer's enjoyment of what is sure to be a huge crowd-pleaser.
It’s somewhat of a mystery why Singaporean writer director Kelvin Tong isn’t better known than he is, having helmed one of the better modern Asian ghost films in “The Maid”, found success with romance in “Love Story”, and conquered Hong Kong with his awesomely unpredictable “Rule No.1”. For his latest outing “Kidnapper”, Tong returned to Singapore, trying something different with one of the country’s very rare hard boiled crime thrillers, co-scripting along with Ken Kwek (“The Blue Mansion”). A fast paced tale of child snatching and desperate deceptions, the film stars popular local television actor Christopher Lee (“The Shaolin Warriors”) in the lead, with Jack Lim (“Ah Long Pte Ltd”) as the ruthless villain of the title.
Consider a movie that takes place in the Big Apple and features a heterosexual romance with an age gap, a dose of "Jewishness," a psychoanalyst, and an ending that doesn't pander to all the usual clichés. This may sound like Woody Allen - in fact, it often feels like Woody Allen (minus the expected helpings of angst) - but it's not. Prime is from writer/director Ben Younger and, while it's not up to the level of Allen's great romantic comedies (Annie Hall, Manhattan), it's better than anything the acclaimed New York auteur has brought to the screen in recent years.
Land and Freedom
One of the most consistent makers of excellent motion pictures during the 1980s and 1990s has been Ken Loach. With a resume highlighted by such unforgettable titles as Hidden Agenda, Riff-Raff, Raining Stones, and Ladybird, Ladybird, Loach is recognized as the kind of director who will face challenges without backing down. His provocative, idea-rich movies are always populated by believable characters, and his latest offering, Land and Freedom, is no exception. With this movie, however, Loach has moved out of his familiar territory of modern-day England, turning the clock back to 1936 Spain to tell the story of one group who stood against General Franco and his fascist supporters.
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There's no secret why this new version of Psycho exists. Redundant and unnecessary as it is, it will likely make money for Universal Pictures (a studio in dire need of a box office success). As far as I can tell, there are two audiences for this film: those who have seen Hitchcock's classic thriller and are curious about the remake, and those who haven't previously seen Psycho but are willing to give this new edition a shot because it features actors they "know" and is in color.
A Good Night to Die
One day in the life of a hit man, Ronnie, who spends it trying to save the life of fellow hit man, August, who he had brought into the business three years ago. August has become a real problem for some of the bosses around town, and Ronnie will soon find out just what his Frankensteins monster will cost him.
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That Was Then... This Is Now
Emilio Estevez adapted S.E. Hinton's teen coming-of-age novel for the screen in this film adaptation directed by Christopher Cain. Estevez also takes the lead role of Mark Jennings, a troubled teenager who has been living with his best friend Byron Douglas (Craig Sheffer) and his mother (Barbara Babcock) ever since his father went to prison for murdering his mother.
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The Librarian: Quest for the Spear
Noah Wyle plays Flynn Carsen, a perpetual college student who has 22 academic degrees . Carsen’s professor kicks him out of college, telling Carsen that he lacks real life experience and needs to experience life outside of college. Carsen’s mother, Margie (Olympia Dukakis) is constantly worried about her son and encourages him to get a job, find a bride, and be happy.
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During World War 1, and in the chaos of a charge across no man's land, a company of British soldiers is wiped-out by machine gun and artillery fire. The next morning, the survivors find themselves slowly advancing through a dense mist, which contrary to their fear is not a poison gas. As they emerge from it, the British come across a complex network of German trenches, where they find an apparently besieged handful of terrified German soldiers. Private Quinn shoots the first and attempts to shoot the second, but Private McNess stops him and the German stumbles down the trench. The third German is left, a young man named Friedrich. Convinced that they have broken through the enemy lines, the soldiers decide to secure the trenches. Doing so, they explore them and find ominous signs that something there has gone very wrong: they find rotting bodies everywhere, often wrapped in barbed wire. When detonating charges to close off some passages, they hear a demon like growl and as they walk away fail to notice vast amounts of blood pouring from the mud. Later, while Private Hawkstone is exploring more of the trench, he is called away by the other soldiers. But as he turns, he notices a body covered in mud and leaned against the wall of the trench. It turns out to be the second German who got away and as Hawkstone calls for help the German jumps at him with a shank and Hawkstone is forced to shoot him. This does not kill him and as they wrestle in the mud, Private Starinski runs up and shoots the German. He falls to his knees and Quinn finishes him with a shot to the head.
The Girl Who Swallowed Bees
Rising Aussie star Pia Miranda is featured in this sublime tale about agirl who decides to end it all with the help of some honeybees. Hugo Weaving narrates.
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Surfer, Dude is the story of Steve Addington, a soul-searching surfer who experiences an existential crisis when no waves come for over a month, whilst at the same time a virtual reality game is created emulating surfing, that completely freaks him out, and he refuses sponsorship.
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I Am You aka In Her Skin
Tale of a 15-year-old Australian girl who went missing and was found to have been murdered by her babysitter.
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Based on the letters of Colonel Robert G. Shaw. Shaw was an officer in the Federal Army during the American Civil War who volunteered to lead the first company of black soldiers. Shaw was forced to deal with the prejudices of both the enemy (who had orders to kill commanding officers of blacks), and of his own fellow officers.