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Dead Man Running
When illness causes his mother (Brenda Blethyn) to need a wheelchair, doting con Nick Kane (Tamer Hassan) goes straight, opening a travel agency with a £100,000 loan from sinister gangster, Mr Thigo (50 Cent). But when the credit crunch bites, mean-spirited Mr Thigo calls in his loan and gives Nick 24 hours to pay – or his mum gets it. With best mate Bing (Danny Dyer) in tow, Nick first tries to raise the readies legally but soon slips back into his old ways of intimidation and violence.
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The Way Back
“The Way Back” is said to be about gulag escapees who, during World War II, trekked to freedom on a 4,000 mile journey from Siberia to India. I’m well aware that there are many true stories from that time about the triumph of the human spirit, but this particular story seems utterly impossible to me. Maybe it’s because the film is based on an autobiographical book that has, for all intents and purposes, been debunked. Or maybe it’s because director Peter Weir has flip flopped on the issue, on the one hand stating that the film is essentially fictional while on the other hand dedicating the film to those who made that journey. Then again, it could be something as simple as the way the film was written and shot. Whatever the case, this is one of the few World War II films that truly does seem like a work of fiction.
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Shark Attack 2
Shark Attack 2, sequel to 1999's Shark Attack, pits a new cast of characters against more of the mutant Great White sharks spawned in the first film by ill-advised science. After a shark attacks and kills a female diver, the creature is captured by distinguished biologist/shark wrangler Dr. Nick Harris (Thorsten Kaye) for use as an attraction at the fledgling Water World marine park. Beautiful Samantha Peterson (Nikita Ager), the unfortunate diver's sister, turns up to take revenge on the shark, while Water World entrepreneur Mike Francisco (Danny Keogh) tries to put a positive spin on the situation. When the shark escapes back into the open ocean and rejoins a large family group, Australian TV personality Roy Bishop (Daniel Alexander) shows up to take on the ichthyoid menace.
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When I think of director Richard Donner, my mind gravitates toward titles like Superman and Lethal Weapon - high points in the filmmaker's career. Recently, however, Donner's output has been less impressive, and includes the bloated excess of Assassins and the awfulness of Timeline. Sadly, 16 Blocks is not a film to recall the glory days. It's a cobbled together mess of clichés that fails to surprise at any of its turns. Despite occasional bursts of suspense, the movie as a whole plays out as a long 95 minutes, with its lack of inventiveness leading us more frequently into tediousness than tension.
16 Blocks is a high concept movie: a broken-down cop (Bruce Willis) is charged with taking a criminal/witness (Mos Def) on a 16 block trip through New York City, from a police lockup to a courthouse. Along the way, they become targets of dirty cops (led by David Morse) who are anxious to silence the witness. Plus, there's a time element. If the testimony doesn't happen by 10:00 am, the Grand Jury will be disbanded and the cops will be free. Once could see how this premise could result in a white-knuckle thriller. Or a bore of a retread. 16 Blocks comes closer to the latter.
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Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few similarities between the films. To start with, the 1967 feature was primarily a message melodrama that doubled as an examination of race relations at the time. Kevin Rodney Sullivan's (How Stella Got Her Groove Back) 2005 movie is an overt comedy that, while not ignoring the race issues altogether, uses them more frequently for humor than to illustrate serious points. And society has changed in the last 40 years. What was controversial and daring in 1967 (interracial relationships) is no longer so today. Although it would be unfair to characterize Guess Who as vapid, it bears a closer resemblance to a fusion of Meet the Parents and The Odd Couple than to Guess Who's Coming to Dinner.
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It's an axiom that if a group of teenagers ventures into the woods during the course of a motion picture, something bad is going to happen. Mean Creek is evidence that there are times when even the most uninspired clichés can result in compelling stories. This movie, the feature debut of writer/director Jacob Aaron Estes, elaborates its theme - the Newtonian concept that every action has a consequence - with subtlety and clarity. The characters, nearly all of whom begin as types, develop into much more, and the complexity of the story's central moral dilemma easily trumps concerns about minor plot contrivances. Mean Creek is as involving as it is disturbing.
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Mansfield Park has always been viewed as Jane Austen's most confounding novel. Scholars are divided over its literary merit, and many Austen-philes prefer to ignore its existence altogether, seeing it as a kind of "black sheep" in the author's catalog of six completed, published books. Mansfield Park has also intimidated filmmakers. With the exception of a BBC miniseries, this novel has never been adapted for a visual medium… until now. Canadian director Patricia Rozema's radical approach to the material will leave some Austen fans staring blankly at the screen in stunned disbelief. Others, including those who have not read the book, will be delighted by the changes and will see Mansfield Park as a welcome addition to the recent wave of impeccably produced Austen movies.
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Hurlyburly is a talky film - the entire movie is constructed around lengthy sequences of dialogue where the characters talk and talk and talk, often saying nothing. However, because the vocal rhythms are so perfect, the words are so well-chosen, and the performances are so powerful, listening to so much talk is a pleasure, not a chore. It's possible to lose oneself in Hurlyburly, precisely because nearly every line has a hypnotic quality. The action and suspense is in the words, not the deeds. We don't wait to see what the characters will do next, we wait to hear what they will say next.
My Family, the portrait of a Mexican-American family living in East Los Angeles, boasts a series of distinguished thematic antecedents, including Francis Ford Coppola's The Godfather and Zhang Yimou's To Live. Here, as in the 1972 gangster saga, the significance of family is a central issue, although each movie chooses to explore this differently. In The Godfather, Vito and Michael Corleone struggled to hold their household together regardless of outside pressures; in My Family, family unity gives meaning to existence.
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The Ghost and the Darkness
In 1898, Sir Robert Beaumont (Tom Wilkinson), the primary financier of a railroad project in Tsavo, Kenya, is furious because the project is running behind schedule. He seeks out the expertise of John Henry Patterson (Val Kilmer), a military engineer, to get the project back on track. Patterson travels by train to Tsavo, where he meets supervisors Angus Starling (Brian McCardie) and Samuel (John Kani), a native African (and the film's narrator), and the doctor, David Hawthorne (Bernard Hill). Hawthorne tells Patterson of a recent lion attack. That night, Patterson kills an approaching lion with one shot, earning the respect of the workmen. The project gets back on schedule. However, not long afterwards Mahina (Henry Cele), the construction foreman, is dragged from his tent in the middle of the night. His half-eaten body is found the next morning. Patterson then attempts a second night-time lion hunt, but the next morning another worker is found dead at the opposite end of the camp from Patterson's position.
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Norway, 709AD. Kainan, a man from beyond the stars, crashlands on Earth and is quickly apprehended by the local Viking tribe. But he is not alone, also onboard his craft is the monstrous Moorwen. In order to defeat it he must convince his captors of its existence before they are slaughtered by the beast. But can he kill it with only Iron Age weapons at his disposal?
The Crow: City of Angels
It is said that when a man dies wrongfully, a crow may bring him back to life to seek vengeance upon his killer. Like the first Crow, this revenge saga is set in a fantastical urban nightmare and is based upon the dark comic book stories of artist James O. Barr. The first film was set in a horrifying Detroit.
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Sex and Death 101
Roderick Blank (Simon Baker) is a young man with a great job as an executive for 'Swallows', a high end fast food restaurant chain, and a beautiful fiancee, Fiona Wormwood (Julie Bowen). On the day of his bachelor party, he is e-mailed a list of all the women he has slept with. Strangely, while the list has 101 names, his fiancee is only number 29. He assumes the list is a prank, courtesy of his best friends Zack (Neil Flynn) and Lester (Dash Mihok) - until he meets number 30, Carlotta Valdez, who is the stripper at his bachelor party. After sleeping with Carlotta, he realises that the list includes all his sexual conquests, past, present and future.
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The Dead Outside
A neurological pandemic has consumed the population. Drug-resistance has mutated the virus into a ravaging psychological plague, rendering the the dying desperate, paranoid and violent. Two survivors come together on an isolated farmhouse in desperate circumstances- April, a young mysterious girl with a dark past has survived alone for months, and Daniel, a man desperate and bereaved, clings desperately onto hope in the outside world. When a mysterious stranger turns up, they are confronted with a new enemy even deadlier than the one beyond the perimeter.
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Bud Abbott Lou Costello Meet Frankenstein
The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankensteins monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster, who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Draculas reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Draculas bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur, but when the full moon rises all hell breaks loose with the Wolfman, Dracula, and Frankenstein all running rampant.
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