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The Water Horse: Legend of the Deep
About 25 years ago a small movie that was seen by one or two people told the story of a fatherless boy who finds an alien and gets it addicted to Reese’s Pieces. The alien, who appears in a backyard shed, forges a strong bond with the boy. However, the alien must leave the boy pursued by the authorities who fear the alien. I was just thinking of this movie, for no particular reason, after watching The Water Horse: Legend of the Deep.
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One of the most anticipated releases of the 2006 holiday season is the latest offering from Mexican director Guillermo del Toro, whose previous credits include The Devil's Backbone, Blade 2, and Hellboy. With Pan's Labyrinth, del Toro opens a landscape where gothic fantasy elements are infused into the real-life horrors of the second World War. Set in Spain during the days immediately before and after D-Day, the movie provides a window into the mind of a young girl who seeks escape from a life that features a cruel stepfather and a mother whose difficult pregnancy is killing her. But is this girl's method of escape a portal into another reality or is it a conjuration of her fairy tale obsessed imagination?
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Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sylvester Stallone's Oscar winner. Perhaps that's because the formula associated with boxing movies demands a sameness. Whatever the reason, the specter of Rocky hovers over Cinderella Man like a restless thing. During the concluding
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The Great Raid seeks to be the kind of epic war film that was popular during the 1950s, 1960s, and 1970s. And, unlike many recent entries in the genre, it does not seek to take a revisionist look at war. The central premise is promising: a factually-based account of a 1945 combined U.S./Philippine raid into a Japanese prison camp to free American GI's. Unfortunately, although John Dahl's film may have the length one normally expects from a war film with an ambitious trajectory, it lacks focus and the pacing is uneven. The rousing success of the final 45 minutes cannot entirely counterbalance the stumbling uncertainty of the first 90 minutes.
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Lost in Translation
Simply put, Sofia Coppola's Lost in Translation is an amazing motion picture. There may be some controversy over whether she truly wrote the screenplay on her own (there are sequences that argue that she at least had help from someone with a little more experience in life and marriage), but that doesn't impact the final analysis. This study into the unfathomable depths of human relationships has more honesty than 95% of the movies I have seen this year. Beautifully photographed with some amazing shots of nighttime Tokyo (and I thought Times Square was garish!), and a gorgeously composed scene of two characters reflected in a plate glass window as they hold a conversation, this movie has a look to match its acting and content.
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Zero Effect is a perfect example of how the medium in which a story is told can affect one's opinion of it. As a made-for-TV movie/series pilot, Zero Effect would hold a great deal of promise: it introduces offbeat characters like Daryl Zero (Bill Pullman) and Steve Arlo (Ben Stiller), who, over time, might become viewer favorites. And the premise -- a modern-day Sherlock Holmes -- while not tremendously original, has at least as much promise as Columbo. But there's a problem: Zero Effect is not intended as the forerunner of a weekly television program; it's designed as a theatrical motion picture, and, in that category, it turns out to be disappointingly ordinary.
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Kansas City is Robert Altman's disappointing followup to the equally disappointing Ready to Wear, which underwhelmed critics and audiences alike following its Christmas 1994 release. While Kansas City is a modest step forward for one of America's most-respected independent directors, it falls far short of the raw power of Short Cuts or the intricate, biting satire of The Player. Kansas City is a sadly ordinary motion picture, and, in less sure hands, it might have been something of an unfortunate mess. Even with Altman at the helm, however, it manages to be singularly unremarkable.
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James Clayton (Colin Farrell), a computer programming expert at MIT, is recruited by senior CIA instructor Walter Burke (Al Pacino) to test for a position with the agency. Clayton agrees, in part, to find information concerning his father who he suspects was a CIA operative that disappeared when Clayton was a child. After passing numerous psychometric, psychoanalytical, aptitude, and polygraph tests, Clayton is taken to The Farm, a CIA training facility. There, Burke and other instructors teach the candidates the skill sets of espionage, covert operation protocols, and intelligence gathering techniques. During a surveillance exercise, Clayton and fellow recruit Layla Moore (Bridget Moynahan) are kidnapped by men apparently from a foreign intelligence service.
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Art of Revenge
After Matt Kane leaves his wife Lara after seven years of marriage for the single, fast life that he wanted all his life after getting a promotion at work, she plots revenge against him by hiring an female ex-con and grifter, named Tuesday, to romance and bring him down in a series of encounters and plots while loyalties begin to be tested as to who is ploting against who.
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Hunt for Justice
The heroic struggle of Canadian Louise Arbour, Chief War Crimes Prosecutor at the International Criminal Tribunal for the former Yugoslavia, as she battles world politics and fierce opposition to indict Slobodan Milosevic for crimes against humanity.
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Assassin's Creed: Lineage
The story is a prequel to the video game Assassin's Creed II. It centers around Giovanni Auditore, the father of the game's main character, Ezio Auditore da Firenze.
Giovanni is an Assassin living in 15th-century Italy during the Renaissance. At this dawn of a new era, a conspiracy is being plotted by one corrupt family to overthrow the powerful Medici family and destroy a unified Italy. As an Assassin, Giovanni must face this threat and bring the guilty parties to justice. The story introduces the situation before Assassin's Creed II, and the enemies of both Giovanni and his son Ezio.
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When most of the population of Earth is infected by a virus and transformed in flesh eaters and blood drinking creatures, a group of hunters leaded by Tao and his word chases the vampire zombies to eliminate them. Six non-infected survivors try to find the exit of an abandoned hospital crowded of the infected creatures, and Tao and his group help them. Meanwhile the military command is ready to bomb and wipe out the area from the map.
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Dramatisation of the 1991 perjury trial of former Queensland state Premier Joh Bjelke-Petersen.
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Goodnight for Justice
After losing his family to murderous criminals as a youth, John Goodnight (Luke Perry) takes up the law as an adult -- eventually becoming a circuit judge in the wild Wyoming Territory of the late 19th-century frontier. Dedicated to seeing that justice is served for the innocent and victimized, Judge Goodnight relies on his skills with both words and weapons to defend the law in a harsh and often lethal landscape.
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Jack Falls aka Paul Tanter's Jack Falls
Former undercover police officer Jack Adleth returns to London seeking those who tried to have him killed in Amsterdam.
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Rayford Steele is an airline pilot whose relationship with his wife has gone sourhe ponders having an affair with an attractive flight attendant, Hattie Durham. In the midst of a flight to London, a number of their passengers mysteriously disappear, and chaos takes hold as a number of vehicles on the ground and in the air are suddenly unmanned. Meanwhile, Buck Williams, a television journalist, is pondering the rash of sudden disappearances as he works on a report about Dr. Chaim Rosenzweig, an Israeli scientist who has devised a formula that would make any soil on earth easy to cultivate. However, Buck wonders if theres more to Rosenzweig than he first imagined when he discovers the doctor is in cahoots with two multi-millionaires who plan to broker the invention to promote their own agenda of international domination.
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