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Director Edgar Wright coined an apt term for Shaun of the Dead's genre – Romantic Zombie Comedy, or affectionately, 'rom-zom-com'. In doing so, he opened the door for a few me-too films out there who dared to lay their cards on the table - but none have been able to measure up to the British comedy flick thus far.
Happily then, we can give Zombieland a deserving nod – an American take on the rom-zom-com, deftly juggling extreme gore with genuine laughs and a terrific cameos from one of Hollywood's finest. It falls into the pratfalls of predictability, but even the saccharine moments barely detract from this good-natured comedy.
La jeune fille et les loups
Gilles Legrand’s second full length film has pretty well the same strengths and weaknesses of his first, Malabar Princess (2004). Both are family-friendly dramas which are set in picturesque rural France and explore man’s dual-edged relationship with the natural world. However, both films suffer from a staid, overly cautious approach to filmmaking that robs the film of any true meaning or sentiment. Whilst the film’s naive style may make it attractive to youngsters, it is less likely to appeal to adult viewers, particularly those who expect greater narrative sophistication than a child’s nativity play can offer.
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When critics complain about the dumbing down of movies into franchise popcorn, what we're really doing is yearning for a terrifically engrossing, tethered-to-the-real-world drama like Michael Clayton. It's better than good; it's such a crackling and mature and accomplished movie that it just about restores your faith. This is a tale of greed, lies, and under-the-table violence — an exposé of what corporations do, and the way corporate law firms help them get away with it — yet if that all sounds familiar from a hundred other muckraking dramas, Michael Clayton makes you feel as if you've never seen any of it before.
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50 First Dates
50 First Dates offers viewers a kinder, gentler Adam Sandler. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. In his place is a likeable goofball whose rough edges are worn off by a force more effective than sandpaper: falling in love. Although there are moments that will tickle the bellies of longtime Sandler fans (one of which involves gallons of walrus vomit dripping from an individual of indeterminate sex), 50 First Dates is sweet enough to capture the attention, and perhaps affection, of those who would not ordinarily see a movie headlined by this particular star. The fact is, 50 First Dates is more of a romantic comedy than an Adam Sandler comedy.
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Very Long Engagement
A Very Long Engagment is Jean-Pierre Jeunet's follow-up to his international success, Amelie. However, despite the return of elfin star Audrey Tautou, this is nothing like a sequel. Based on the novel by Sébastien Japrisot, A Very Long Engagment tells a darker tale. Whereas Amelie was optimistic and life-affirming, this movie spends much of its time in the bloody, muddy trenches of World War I, where death is a more likely companion than life, and optimism is only for the unrealistic.
The year is 1920. The war has ended. The trenches have been filled in and are overgrown by weeds and farmers' crops. For Mathilde (Tautou), however, there is no closure. Her fiancé, Manech (Gaspard Ulliel), has been missing for more than three years. She has been told that he died in early 1917, but her intuition tells her that he may still be alive. So she begins an investigation of her own, tracking down official government documents, putting ads in newspapers to attract the attention of survivors who may have known Manech, and hiring a private investigator. The hunt is slow, but a picture gradually begins to emerge.
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Last King of Scotland
The Last King of Scotland, in addition to having one of the most misleading titles of any movie to open this Oscar season, could also be 2006's Hotel Rwanda. Like last year's sadly overlooked feature, this one peers into another troubled African nation: Uganda. The Last King of Scotland explores the turmoil and troubles surrounding the beginning of one of the country's darkest recent periods: the Idi Amin regime, which lasted from 1971 through 1979 and resulted in thousands upon thousands of deaths. (The exact number is unknown, but is estimated to be between 80,000 and 500,000.) Based on actual events, the movie takes us into Amin's inner circle through the eyes of an outsider who is initially charmed by the charismatic leader until Amin's true nature begins to bubble to the surface.
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When her family is gunned down in cold blood, a young girl convinces a bounty hunter to train her as a gunfighter so she can seek vengeance with a six-shooter.
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40 Days and 40 Nights
Matt Sullivan (Josh Hartnett) and his roommate, Ryan (Paulo Costanzo), are co-workers at a the San Francisco dot-com company. Matt is obsessed with his ex-girlfriend, Nicole (Vinessa Shaw), who has just gotten engaged. He confides to his brother, John (Adam Trese), who is training to become a Catholic priest, that he has sexual problems because of his obsession. Matt vows to go without sex for 40 days and 40 nights for Lent. John warns Matt that celibacy is not easy, and Ryan starts a popular office pool to bet on how long Matt can last.
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Son of the Mask
Ten years after the first film, Dr. Arthur Neuman (Ben Stein) is giving a tour of the hall of Norse mythology in Edge City Museum. A man in black comes in to view the hall. When Dr. Neuman reaches the part concerning Loki's imprisonment, the stranger becomes very angry and transforms, revealing himself to be Loki (Alan Cumming). The tourists panic and flee, but Dr. Neuman stays to argue with the angry god. Loki takes his mask, but realizes it is a fake. In anger he removes Dr. Neuman's still talking face from his body and puts it on the mask's stand before getting rid of the guards and storming out of the museum in a whirlwind of rage.
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The film is based on an 11-year-old child named Lloyd, and he is the "class clown." He often gets in trouble with teachers, one of which is very strict. When he tries to rebel, he is put into a class for "less enthusiastic students." Once there, he teams up with other students in the group: Troy, Carla, and Storm. He soon falls in love with the class' newest member, Tracy. However, she is taken by Storm. When Lloyd talks to his mother, she tells him that he can still win her back by being himself.
The role of Lloyd has been played by Todd Bosley.
Now & Later
Sex, politics and American culture are mixed into a combustible combination in Now Later. Angela (Shari Solanis) is an illegal Latina immigrant living in Los Angeles who stumbles across Bill (James Wortham), a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bills life begins to take an abrupt and unexpected turn. The film was conceived by the director in reaction to Americans penchant for violence in our culture and our puritanical censoring of anything involving sex. Familiar with philosopher Wilhelm Reichs notion that a sexually repressed society turns into a violent one, Diaz makes an unabashedly sexual yet cerebral film that challenges the perception that sex in media is harmful.
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The movie centers around the lives of Brad and Abby Cairn (Rockwell and Farmiga), two affluent Manhattanites with two children. Their firstborn, the nine-year-old Joshua (Kogan) is a child prodigy to such a degree that he thinks and acts decades ahead of his age. He is nearly always clad in conservative business attire and demonstrating limitless brilliance as a pianist with a marked predilection for "dissonant" classical pieces. Joshua gravitates toward his gay esthete uncle Ned (Dallas Roberts) as a close friend, but distances himself from his immediate kin, particularly when Abby brings a newborn baby sister home from the hospital.
The Year of Getting to Know Us
Christopher Rocket is a man devoted to his work but unable to commit to his girlfriend Anne or anything else in his personal life. He returns to his hometown after his estranged father Tom Rocket suffers a stroke. Jane Rocket, his mother, is a central figure in his dysfunctional past.
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When Jake LaMotta steps into a boxing ring and obliterates his opponent, hes a prizefighter. But when he treats his family and friends the same way, hes a ticking time bomb, ready to go off at any moment. Though LaMotta wants his familys love, something always seems to come between them. Perhaps its his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone.
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This movie places some top thiefs, looking to steal money from a bank. The All-Star cast has many blunders on the way. Meanwhile a member of their group is missing and two cops chase after him.
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Director Peter Mullan has achieved with N.E.D.S exactly what ShaneMeadows achieved with This Is England, he has captured a raw coming ofage drama that is honest and accurate in every way imaginable.. Thefilm is set in Glasgow in the early 70s and it deals with thestruggles of youth growing up at a time when knife culture was rife andthe threat of violence lingers in the air..We follow young teenagerJohn McGill and his low-life friends in and around Glasgow, as wefollow his time at school where at the start he is a model student,however his notorious brother who is a member of a gang and who is wellknown amongst the other NEDS, casts a shadow over Conors life as he issoon sucked into the gang life himself, now this may seem like a clichbut trust me there are a few good surprises that rises this film aboveall the other British films made over the past 10 years...