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In drama there are two types of productions; the comedy, for happy endings and the tragedy for the sad endings. I suppose tragic would used to described the life of George Jung, which is racked with disappointment, lies, betrayal, deceit, money, and of course, lots of drugs. "Blow" is the cinematic version of an "Intimate Portrait" of George Jung (Johnny Depp), the man who claims to be responsible for importing 3/4 of the cocaine into the U.S. in the late 70's to early 80's.
For a while, The Unborn unfolds like a nice little PG-13 horror film should: a dash of atmosphere, a heroine who spends lots of time in her underwear, a general sense of enhanced creepiness, and an effective "boo!" moment or two. Then it commits a cardinal sin and tries to explain what's going on. This is where many a horror movie falls and never again rises: too much exposition. Not only does it defuse the mystery but it often makes it impossible to continue suspending disbelief. The more the characters babble about twins, demons, the door being open, and other such nonsense, the more preposterous The Unborn seems. It then crosses the threshold from ludicrous to idiotic during its final third when the blood starts flowing, the body count mounts, and the evil spirit moves freely from body to body. The climax is presented in such an operatic, over-the-top style, complete with a bombastic score, that it's nearly impossible to stifle a guffaw. Maybe approaching The Unborn as horror is the wrong approach. Perhaps this should be seen as a comedy. It is quite possibly the most egregiously laughable high-profile supernatural tale since Roman Polanski and Johnny Depp impaled themselves on The Ninth Gate.
As much heralded, "edgy" movies go, Transamerica fails to live up to expectations. The final 30 minutes are interesting, funny, and affecting, but that segment represents less than a third of the running time. To get to the parts of the film that work, it is necessary to endure 15 minutes of setup, then an hour of some of the most uninspired road movie tedium in recent history. Road movies often turn into vehicles for lazy screenwriters, and this is no exception. The primary purpose of this prolonged portion of Transamerica isn't to bring the characters closer or to give us insight into their personalities; it's to stretch out the running length so we're left with a motion(less) picture rather than a short.
Transformers 3: Dark of the Moon
In the wake of widespread criticism of the second live action Transformers movie, Revenge of the Fallen, director Michael Bay admitted dissatisfaction with the screenplay and blamed it on the writers' strike. So what's the excuse this time? If anything, the script for Transformers: Dark of the Moon is worse than that of its predecessor. In the future, maybe Bay should abandon using a screenwriter altogether and just fill up 90 minutes with disconnected images of robo-carnage. That would serve two purposes: eliminate the need to watch actors embarrass themselves trying to outshine the hardware and elide excruciating dialogue, exposition, and "character development," all of which are inferior to what one finds in the average Pink Panther cartoon.
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The previews for Muriel's Wedding liken this latest Australian import to two of its predecessors, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert. These are inaccurate, not to mention misleading, comparisons. Those expecting something light and airy from this tragic-comedy are in for an unpleasant surprise, for, while Muriel's Wedding has its moments of exhilarating humor, it is, as often as not, downbeat and even mean-spirited.
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Some say that to be the leader of a country is one of the loneliest jobs in the world. But being the child of a world leader can be doubly so. Constantly surrounded by security officers, restricted in movements and having almost every waking moment carefully monitored makes normalcy an impossibility. No one knows this better than young Luke Davenport, the son of U.S. President Davenport.
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Felicity Ward Textbook Idiot
Award winning stand up comedian and 1992 Walk-A-Thon Participant, Felicity Ward,shines a floodlight on the thoughts that should have stayed in her diary
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Love and a Bullet
While staking out his next assignment--the innocent girlfriend of his notorious boss--contract killer Malik reflects on the dark path hes chosen but cannot escape. Torn between his sense of duty and his newfound sense of humanity, he finds that the only way out is a perilous showdown with men who are every bit as cold-blooded as he is.
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Play It to the Bone
Two aging fighters in LA, friends, get a call from a Vegas promoter because his undercard fighters for a Mike Tyson bout that night are suddenly unavailable. He wants them to box each other. They agree as long as the winner gets a shot at the middleweight title. They enlist Grace, Cesars current and Vinnies ex girlfriend, to drive them to Vegas. On the trip, we see flashbacks to their previous title shots, their competitive friendship, and Graces motivational wiles. (She has her own entrepreneurial dreams.) The fight itself is historic ten rounds of savagery and courage. Who will win, wholl get the title shot, who gets Grace, and where will she find venture capital?
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15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fianc, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fianc. Mike becomes increasingly desperate to have Susan for himself, with tragic results.
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Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is It takes all kinds of critters...to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.
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Blood, Guts, Bullets and Octane
Slick-talking Bob and Sid run a bankrupt used-car lot. They used to work for Danny Woo, whose lot next door is the most successful one in Needles. Dannys still their friend, and what with his sick wife, Bob and Sid agree to cover for him during an IRS investigation into his finances. Meanwhile, a series of murders and an FBI investigation focus on a Pontiac convertible with a mysterious cargo originating in the Andes. Bob and Sids shady supplier offers them 250,000 to stash the car on their lot for a couple days Bobs reluctant, but Sid sees this as their ticket out. They say yes, then try to run a double cross on the Pontiacs mysterious and ruthless owner.
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Life as a House
When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.
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Motive is an edgy thriller that centers around Emery Simms, a highly educated and successful business tycoon who happens to be married to the quintessential wife Constance. Things go dangerously awry when the thrill seeking Emery engages in an adulterous fling with the wildly free-spirited and exotic Allanah. Timing couldnt be any worse when the politics of high society, shady business deals, bad press, and a violent murder collide, they threaten to destroy more than just his shaky marriage. As police probe into his situation, they uncover a labyrinth of deception, agendas and motives, where the stakes are enormous and nothing is what it seems.
Nick Fury: Agent of Shield
Marvels hard-boiled hero is brought to TV. He is brought back to fight the menace of Hydra after exiling himself in the Yukon since the end of the Cold War. The children of the former Hydra head, Baron Von Stucker, have taken charge of the terrorist organization. Under the lead of his vicious daughter, Viper, Hydra has seized a deadly virus and threatens the destruction of America. The covert agency SHIELD brings Fury out of retirement to fight the terrorists.
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