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I Love You Too
If you're 33 years old, drive a miniature train for a living and eke out an existence in a granny flat with your improbably gorgeous girlfriend from the UK, logic might dictate that you're already living behind the relationship 8-ball. As such, it's really not a grand idea to date said-girl for three-and-a-half years and never tell her you love her. Frankly, it makes you look like an emotionally-stunted schmuck - and if she leaves you (and she should), you can't ponder the whys and wherefores.
And so it goes in 'I Love You Too' – the filmic product of TV presenter and comedian Peter Helliar ('Rove Live'), starring opposite acclaimed Australian actor Brendan Cowell ('Noise', 'Beneath Hill 60') and supported by a strong Australian and international cast, including the diminutive but captivating Peter Dinklage, model Megan Gale and TV's 'Chuck' star Yvonne Strahovski.
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Made of Honor
In this year’s summer preview edition of Entertainment Weekly, Made of Honor producer Neal Moritz all but admits his movie is little more than a rehash of other successful romantic comedies. He says, “we couldn’t do My Best Friend’s Wedding again, but we could do the reverse of it.” Unfortunately, they haven’t even done that much to differentiate it from the dozens of other similar movies we’ve all seen. Sure they’ve cast a guy in the role Julia Roberts played back in 1997, but he’s barely a guy, and at times the script treats him as if he’s a woman. Meanwhile it’s 2008 and Made of Honor feels like it’s still stuck there, back in good old 1997.
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his film is a horror film in a different realm. The human condition.
How we cope with things and our refusal to accept a fate or things that happen.
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Given the seemingly never ending popularity of the Brit gangster film, it was always inevitable that sooner or later someone would take the next logical step and combine it with the horror genre. “Dead Cert” does just that, following in the footsteps of Quentin Tarantino and Robert Rodriquez’s classic “Dusk Till Dawn” by throwing vampires into the mix. Directed by Steve Lawson (“Just For The Record”), the film comes with a cast list that reads like a who’s who of Brit genre talent, including Craig Fairbrass (“Rise Of The Footsoldier”), Billy Murray (“Essex Boys”), Dexter Fletcher (“Kick-Ass”), Steven Berkoff (“44 Inch Chest”), Dave Legeno (“Harry Potter And The Half-Blood Prince”), top character actor Jason Flemying (“Clash Of The Titans”) and even a bonus in the form of a cameo, from the one and only Danny Dyer (“Basement”). The film now arrives on DVD via Momentum Pictures, coming complete with a making of featurette and audio commentary.
Fairbass plays the titular Freddie ‘Dead Cert’ Frankham, a former crook trying to turn respectable and take a few steps up the ladder by opening up a sleazy London nightclub. Unfortunately for Freddie and his various underworld pals, said club just happens to be on the site of an ancient Black Church, established back in the 17th Century by a Romanian vampire warlord imaginatively called The Wolf. On the opening night of the club the evil one returns in his new guise as a feared Romanian drug lord, determined to rest his former seat of power back from Freddie and his goons and start an all new reign of darkness.
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When assessing the small motion picture sub-genre of the "fantasy comedy," it's necessary to acknowledge that the impregnable pinnacle is occupied by Rob Reiner's The Princess Bride, a classic whose prominence may never be challenged. Your Highness, David Gordon Green's entry, is more than a little distance down the slope. The problem with the film, which strives for a tone not unlike that of Piers Anthony's The Magic of Xanth series, is that, although it's a better fantasy than a comedy, it never fully embraces either side of its pedigree and ends up a piebald bastard. Green and his screenwriters (Ben Best and co-star Danny McBride) might have been more successful had they toned down some of the humor (too little of which is funny, anyway) and made Your Highness more of a straightforward homage to medieval quest adventures.
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Spoilers ahoy! It's virtually impossible to write a meaningful review of this film without giving away things. However, since 3-Iron isn't really plot-centered, it's hard to say how much these revelations will "spoil" the viewing experience. Not much, in my opinion, but I include this warning because I'm going to talk about the beginning, the middle, and the end. Paragraph #6 is where the most revealing spoilers are found.
I don't often refer to a film as "haunting," because I think it's an overused term. To me, a haunting film is one that relentlessly stays with the viewer for hours, or even days, after a viewing. Its memory refuses to diminish and it demands rumination. A good movie isn't always haunting, and a haunting one isn't always good, but there often is a correlation. Such is the case with 3-Iron, the latest film from acclaimed Korean director Kim Ki-duk (whose Spring Summer Fall Winter…and Spring made my Top 10 list last year). This enigmatic and in some ways maddening motion picture has the power to haunt every viewer it reaches.
Far From Heaven
Welcome to the world of "Father Knows Best", white picket fences, and brilliant fall colors. Todd Haynes' Far From Heaven takes us to Hartford, Connecticut, circa 1957. However, unlike most traditional period piece dramas, the intention here isn't just to replicate an American community as it was a half-century ago, but to emulate that community as it would have been portrayed in a movie of the era. One of Haynes' goals in crafting Far From Heaven is to emulate the so-called "women's films" of Douglas Sirk. In terms of style, visual approach, and general thematic content, Haynes has come as close as it's possible to in re-creating a '50s domestic melodrama for '00s consumption.
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Flesh & Blood
Flesh & Blood is a vivid and muscular, if less than fully startling, account of lust, savagery, revenge, betrayal and assorted other dark doings in the Middle Ages.
Drama opens with a successful siege on a castle by Lord Arnolfini (Fernando Hillbeck), who has recently been ousted from the premises.
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The Three Burials of Melquiades Estrada
The film has many flashbacks and sometimes the same event is shown twice from different perspectives.
Melquiades Estrada (Julio Cedillo), a Mexican immigrant working in Texas as a cowboy, shoots at a coyote which is menacing his small flock of goats. A nearby border patrolman, Norton (Barry Pepper), thinks he is being attacked and shoots back killing Melquiades. Norton quickly buries Melquiades and does not report anything. Melquiades' body is found and is reburied in a local cemetery by the sheriff's office. Evidence that he may have been killed by the U.S. Border Patrol is ignored by the local sheriff, Belmont (Dwight Yoakam), who would prefer to avoid trouble with the Border Patrol. Pete Perkins (Tommy Lee Jones), a rancher and Melquiades' best friend, finds out that the killer was Norton. Perkins kidnaps Norton and forces him to dig up Melquiades' body. Perkins had promised Melquiades that he would bury him in his home town of Jiménez in Mexico if he died in Texas. Perkins undertakes a journey horseback into Mexico with the body tied to a mule and his captive Norton in tow.
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True story about a woman who falls in love with a violent rapist and murderer. Karla Homolka marries Paul Bernado despite already having aided him in the rape and murder of her younger sister. Through their marriage he brags to her about other rapes he commits and involves Karla herself in the sexual assault and murder of three female victims. Told from Karlas point of view.
Gung Ho: Working Class Man
Hunt Stevenson works for a large car manufacturer that has just been bought out by a Japanese firm. Suddenly finding himself having to justify his own job, hes forced to choose between redundancy or the seemingly inhuman Japanese work ethic that the new owners have brought with them.
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Josh Groban: Awake Live
Filmed in 2007 in Salt Lake City, in honor of his first arena concert, which was held in the same city where he performed at the 2002 Winter Olympics closing ceremonies, Awake Live raises up ever higher the most popular young Adult Contemporary star of our era.
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Already heralded as sick, sordid and vile before it had even been released, KILLER BITCH aims to shock like all good British gangster films should. The plot sees a woman blackmailed into a deadly game in order to protect the lives those she loves. The sexy Yvette Rowland, hard-nut actorcage-fighter Alex Reid and former World Boxing Champion Robin Reid head a cast packed with genuine criminal legends including Dave Courtney and the notorious Howard Marks.
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Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads, however, as the sacrifices hes made have put him in harms way innumerable times and significantly impacted his relationship with his wife and kids. Responding to the worst blaze in his career, he becomes trapped inside a 20-story building. And as he reflects on his life, now Assistant Chief Kennedy frantically coordinates the effort to save him.
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Geraldine Ferraro Elementary is on the brink of collapse the lowest test scores in the state, teachers who are either drunk or having sex on school grounds, and a principal who extorts money from parents. Its up to Tom, the down-on-his-luck vice-principal, to rally the lazy teachers, expose the principals corruption, and turn the school around before an end of the day board decision that is certain to lead to its closure.
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