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Despite all the happy endings – despite all the passion fulfilled and perseverance rewarded – sometimes having a dream is the worst thing that can happen to us. We've been trained by movies, television and books to believe that reaching for our dreams, attempting to achieve the apparently impossible, will, after some hardship and challenge, finally result in success. We can all be kings, or so they say, and the ever-after is happy for us all.
Bionicle: The Legend Reborn
Once the ruler of an entire universe, the Great Spirit Mata Nui finds himself cast out of his own body, his spirit trapped inside the fabled Mask of Life, hurtling through space. After landing on the far-away planet of Bara Magna, the mask creates a new body for Mata Nui, who unwillingly gets caught up in the furious battles of the nearly barren and dangerous planet. The locals, called Agori ask for his help against the unrelenting army of the Rock Tribe, called the Skrall and their leader, Tuma.
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Beat that My Heart Skipped
The Beat that My Heart Skipped is director Jacques Audiard's re-imagination of James Toback's Fingers. Although Audiard and his co-writer, Tonino Benacquista, have retained the premise and some of the ideas of the original, this is, for the most part, a different take on the material. In fact, some of the most important thematic aspects of this film are not evident in Fingers. The Beat that My Heart Skipped is about one man's attempt to walk the tightrope between two divergent aspects of his life, and the ways in which his indecision causes him to fail at both. It's a tale of maturity and self-discovery. Whether or not it has a "happy" ending depends on your perspective. There is no ambiguity about what happens at the conclusion, but Audiard leaves it up to the viewer to put it into perspective.
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The more things change, the more they stay the same. As we enter the summer of 2003, Walt Disney Pictures reigns supreme as the distributor of the best animated fare. Yet, less than a dozen years after Beauty and the Beast became the first (and thus far only) animated film nominated for a Best Picture Oscar, Disney's in-house animated division has degraded to the point where it's a pale shadow of its former self. However, by acquiring the exclusive North American distribution rights for the films of Japanese master Hayao Miyazaki and by entering into a partnership with Pixar Films, Disney has managed to maintain its position atop the mountain, despite furious challenges from Dreamworks and Fox. Without either of those deals – especially the Pixar one – Disney's once unassailable position might have been lost.
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Life Before Her Eyes
The Life Before Her Eyes is an examination of survivor guilt. It uses as its backdrop a Columbine-like school shooting and flashes back and forth between a girl as she is at the time of the incident and the woman she will be fifteen years later. Director Vadim Perelman is careful in the way he assembles the movie to create some uncertainty about whether the "present" represents the scenes with the girl (flashing forward to her future) or the scenes with the woman (flashing back to her past). However, although events occur in two separate time lines, the screenplay eventually connects them in a way that may not be entirely expected.
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Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to triumph. However, while Legally Blonde boasts its share of cute moments, the production has at least one significant problem - the plot. Director Robert Luketic's feature debut is handicapped by a lame, predictable storyline that calls attention to itself too often. Admittedly, in all but the best comedies, plot is usually not a strong suit, but the filmmakers of Legally Blonde make the mistake of believing the audience will care about the way things progress, which is not likely to happen.
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Before he became the leader of the Cuban Revolution, Che Guevara was an introverted medical student living a sheltered life in Buenos Aires. His life changed in 1952, when, despite almost being done with his degree, he decided to take a break from his studies and join his friend, Alberto Granado, on a trip through South America. Their journey, begun on an old motorcycle and completed on foot, by hitchhiking, and on a raft, took more than seven months and covered 7500 miles. By the time it concluded in Caracas, Guevara was not the same man who started the odyssey. The Motorcycle Diaries, which is based on Guevara's journals and a book written by Granado, is the story of that trek.
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Palindromes, the fourth feature from Todd Solondz, makes me wonder whether this director only had two good films in him. A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick. In an attempt to do something "artistic," Solondz uses eight different actresses to play his 12-year old protagonist, Aviva. The idea, I suppose, is to challenge the audience into looking beyond the body type and skin color, and to recognize that the core of an individual never changes. It's a juvenile, simplistic, and embarrassingly literal device, and it dooms any hope of character identification.
How to Eat Fried Worms
What would an after school special look like if it was made by the producers of Fear Factor? Although it's hard to say for sure, How to Eat Fried Worms provides a reasonable approximation. Despite being based on a popular children's book, the motion picture version is a gross-out lover's delight. That's because there's a difference between reading about a character chomping on nightcrawlers and seeing it happen. And these worms aren't just fried. Some are microwaved, blended, slathered under peanut butter or marshmallows, alive and wriggling, folded into an omelet, or cooked in hot sauce.
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Lilo & Stitch
With the release of Lilo & Stitch, it's official: the "second Golden Age" of Disney animation, which began promisingly with 1989's The Little Mermaid, is over. Of course, some of Disney's recent efforts - Atlantis and The Emperor's New Groove come to mind - have been uneven, but they haven't been as lackluster as this movie. In terms of storytelling, voice characterization, and visual appeal, Lilo & Stitch seems more like a wannabe production than an actual Disney effort. Lilo & Stitch hails back to the Disney films of the late-'70s and early-'80s, when the craft and creativity had been leeched from the process, turning motion picture animation into an assembly-line approach.
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The future seems bright for Kevin Burke, a security expert for the large multi-national company Jorgensen Financial. Hes just been promoted and is about to propose marriage to his girlfriend Rosalind. But that all changes when Rosalind is murdered before his eyes by a professional hitman. While tracking down her killers Kevin finds himself chased by mob hit-woman Tessa, his co-workers Junior and Mr Ficks and the police. Burkes mentor and employer Karl Jorgensen, enigmatic though supportive, seems to hold the key to the mystery.
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Enemy at the Gates
In 1942, Vassili Zaitsev (Jude Law), a shepherd from the Ural Mountains who is now a soldier in the Red Army, finds himself on the front lines of the Battle of Stalingrad. Sent on a suicidal charge against the invading Germans, he uses impressive marksmanship skills—taught to him by his grandfather from a young age—to save himself and commissar Danilov (Joseph Fiennes). Nikita Khrushchev (Bob Hoskins) arrives in Stalingrad to coordinate the city's defenses and demands ideas to improve morale. Danilov, now a senior Lieutenant, suggests that the people need figures to idolize, and publishes tales of Vassili's exploits in the army's newspaper that paint him as a national hero and propaganda icon. Vassili is transferred to the sniper division, and he and Danilov become friends. They also both become romantically interested in Tania (Rachel Weisz), a citizen of Stalingrad who has become a Private in the local militia. Danilov has her transferred to an intelligence unit away from the battlefield.
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Hearts in Atlantis
Hearts in Atlantis tells the story of Robert "Bobby" Garfield (David Morse), a middle-aged man recollecting his past, in particular the summer when he was eleven years old (Anton Yelchin). During that summer, he and his two friends, Carol Gerber (Mika Boorem) and John "Sully" Sullivan (Will Rothhaar), experienced many things together, the most mysterious of which was meeting an elderly drifter named Ted Brautigan (Anthony Hopkins).
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Two stories, 14 years apart, converge in a suburb of New York. Manuel Esquema, an international financier, whose face is badly scarred, is flying from Miami to help a New York politician negotiate a plea bargain with the Justice Department. Years before, this financier was a fresh-faced caba
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Homewrecker - Season One
Homewrecker is an American reality show on MTV that was hosted by Jackass star Ryan Dunn. The show is a twist on home renovation reality shows such as Trading Spaces and Extreme Makeover Home Edition but instead of the room being renovated, it is wrecked.
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We are somewhere in England in the 19th century. A Pretty housemaid works in a nice house, which is Dr. Jekylls house. Mary Reilly think she found her best job, because she is poor and the doctor is well-known and rich. The film tells the Dr. Jekyll and Mr. Hyde story as a woman sees the two men, one of them is good and the other is evil. And she loves them ...
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