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Year One, directed by Harold Ramis and produced by Judd Apatow, follows Zed (Jack Black) and Oh (Michael Cera), a hapless pair of Paleolithic hunter-gatherers who embark on the world's first road trip. Zed deems himself "Chosen" by God after he eats the forbidden fruit from the Tree of Knowledge. Banished from their primitive tribe, the two embark on a journey to find out what life is all about, encountering several Old Testament figures along the way.
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Bring It On: Fight to the Finish
"Bring It On" starred Kirsten Dunst and Eliza Dushku and in 2000, the film nearly $70 million domestically. Dunst was a rising star, but "Bring It On" only made her star shine brighter before starring in "Spider-Man" two years later. The film was not well received by critics, but clearly showed there was an interest in cheerleading movies as "Bring It On" has now seen four direct-to-video sequels released. The films speak largely to female teenagers who enjoy watching strong female characters cheer in All-Star squads. Each of the sequels have taken place in their own little universe where there is no connection to previous films and none of the sequels have been received warmly, but "Bring It On" continues with "Fight to the Finish" and I´m guessing this won´t be the finish of the series.
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Shocking! Revolting! Sadistic! Sick! "Funny Games" is the most interesting movie experience Iíve ever had where sitting through the whole thing isn't necessarily required. I have a morbid curiosity to see how things turn out and so Iím too riveted to stop watching, even if the closing scene is an arbitrary plot note. This film isnít about plot anyway; itís about artistic statement.
The Ten is a comedy about the unlikeliest of subjects: The Ten Commandments. When I use the term "comedy," I do so loosely. This is one of those films where the humor is of the hit-and-miss variety, and it misses more often than it hits. The jokes are transparent. It's not difficult to divine what's supposed to be funny. It's just that a lot of the time, I wasn't laughing. Like a bad Monty Python or Saturday Night Live skit, there's no absence of irreverence and the viewer can sort-of understand what the performers are aiming for, but they miss the target. Sometimes it's timing and/or execution and sometimes it's that the gag isn't as funny as the filmmakers think it is, or that it runs too long, or both.
Life as We Know It
The best thing that can be said about Life as We Know It is that it gets some of the details right when it comes to the experience of sharing a home with an infant. Still, all the poop, vomit, sleepless nights, and cute, joyous little moments can't make up for the fact that the framework is constructed out of artifice. Cloying and at times annoying, Life as We Know It is egregiously manipulative, whoring itself out for a few unearned tears. In fact, although it poses as a story about the love of (adoptive) parents for a child, it's really little more than a standard-order romantic comedy. The proof is in the ending with the final ten-or-so minutes being copied chapter and verse from the Romantic Comedy Playbook. Isn't anyone else tired of having so many movies of this ilk climaxing in airports?
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Fresh from the Corman camp comes Barbarian, yet another faceless entry in the previously-thought-dead subgenre of Mega-Low-Budget Swords & Sandals. If this movie were any more hilarious, I'd start a nationwide petition to make sure video vendors plunk this one down on the Comedy shelf.
Rare is the turkey this meaty.
Girl Fever aka 100 Women
The film starts out with a man surrounded by a large number of angry looking women in a theater. He tells his story and narrates it throughout the film.
Sam, an art student who describes himself as "accidentally funny", is having the worst day of his life: he loses his girlfriend, fails art school, and is put down by his favorite professor. Finally, his art portfolio falls open and his drawings scatter. A girl comes up with one drawing (a smiling face) and say that he has "lost his smile". The girl is Hope, a bubbly bombshell with a drive to make Sam smile again. She eventually does, and they kiss in the rain. She gives Sam her number, then is picked up by a friend. Unfortunately for Sam, the rain washes the number off of his hand.
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Spider is an exploration of a schizophrenic mind told through the eyes of a grown man who is given a room in a house catering for mentally disturbed persons. The man has just been released from a mental institution and in his new abode starts piecing together or recreating in his memory an apparently fateful childhood event. The grown man roams the nearby derelict urban area and the local canal and starts to relive or visualize a period of his childhood with his mother and his father. Set in 1950s London, exterior shots were made at Kennington for the gas towers and Pullens buildings in Walworth made the exterior for 'Pegge Street'. In this visualization, a shift takes place in the child's psyche when he witnesses his mother groping with his father in the garden and, subsequently, when he sees his mother in a silky night gown she wore for his father. The son, as a grown man seems to recreate in his memory the build up to his father's murder of his mother with the passive support of his mistress who then moves into the house and is presented as his mother. The young son then kills the mistress by gassing her in the kitchen.
Using hidden cameras and never-before-seen footage, EARTHLINGS chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
The film takes place at an undetermined point in the future, when humanity has developed advanced robotic technology with enhanced artificial intelligence. This includes the use of cybernetic organisms (or cyborgs) for general labor. For unknown reasons, the machines instigate a cybernetic revolt against humanity, bombing cities and sending thousands of armed, identical TR-4 cyborgs to eradicate all human life.
A band of survivors, led by small-town Sheriff Reed (A Martinez), locates a functioning shuttle and flies to an orbiting space station in an effort to find a way to shut down the TRs remotely.
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Sea of Love
New York Police detective Frank Keller (Al Pacino) is an alcoholic. His wife ran away from him and remarried one of his colleague detectives. Frank is angry and aggressive. He investigates a murder of a man in Manhattan, shot dead while face down naked in his bed while listening to a 45rpm recording of "Sea of Love". Keller has three clues - a lipstick-smeared cigarette, a want ad the dead man placed in a newspaper and a perfect set of fingerprints.
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Roger & Me
Gym Teacher: The Movie
Roland (iCarlys Nathan Kress) is the new kid at Hamm Lake Middle School and theres just no hiding hes a super geek with no athletic ability. Dave Stewie (Emmy Award-Nominee Christopher Meloni) is the schools beloved gym teacher who once represented the U.S. in the Seoul Games, but his disastrous go-for-the-gold vault became one of sports biggest bloopers. After pressure to compete in the National Gym Class Fitness Competition, heat from the schools principal (Amy Sedaris, Shrek the Third) and foul play from a rival schools devious coach (David Alan Grier, TVs In Living Color), turn them into a potentially disastrous duo - its going to take a major game changer to bring home the gold in this hilarious Nickelodeon original movie!
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Shattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure career - on one extraordinary day. Each womans life frays under the weight of her circumstances and spirals out of control. As police officers race to save them, pieces of a shattered puzzle fall into place - maybe this wasnt just a tragic car accident after all. Both women fight for their lives, but ultimately, only one will survive
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Anti-Semitism, race relations, coming of age, and fathers and sons in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring the other in Bens case, its friendship with Sylvia, a Black student with Van, its a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert Dubbie invites Van to a motel new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin a partnership ensues.
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Meet Monica Velour
When an awkward teen meets his favorite porn star, whose career peaked in the 80s, an unexpected friendship follows as the young man gets a glimpse inside Monica Velours current life as a single mom struggling to make ends meet.
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