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Repo Men has Jude Law, Forest Whitaker, and Liev Schreiber in starring roles. It also has lots of action, blood, guts, gore, and bodies mutilated using a wide assortment of unusual weapons. In one particularly gruesome scene, a hacksaw is even put to use to dispatch bad guys. And after sitting through this preposterous and ponderous production, I'm ready to take that hacksaw to all Repo Men prints.
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The first 'reality blockbuster' is a winner. Cloverfield is a lean, brisk roller-coaster of a monster movie, buoyed by the lack of story gimmicks and absurd characterizations that weigh down most movies of this ilk, no offense to you personally Mr. Broderick. In the aftermath, it will dawn on you that it's actually quite traditional -- every character has an arc -- but it doesn't feel that way. Nor does it feel like 'found footage', but something in between. Watch the prologue carefully, as our narrator/cameraman, whose point of view we'll share, is trying to make a standard going-away party commemoration tape interesting by sniffing out some sex gossip and self-consciously creating his own drama with a girl who wishes he'd get lost. This guy has filmmaking instincts, and when circumstances change and he becomes a 'character' in a disaster movie, he goes with it. He's not just pointing a camera -- he's making Cloverfield: The Movie. Ten years ago, we would have said 'it's not realistic that this guy would keep the camera rolling,' but those days are long gone.
Of all the major comic book characters to transition to a less static visual media, none has been more mistreated than the Bat-Man. As originally envisioned by creator Bob Kane in 1939, Batman was a dark character who walked the tightrope between hero and vigilante. That was his image until the 1960s, when the campy TV series starring Adam West transformed the character into a silly-but-likable good guy in gray spandex. Tim Burton re-invented Batman for a surreal (and, at the time, highly anticipated) 1989 feature, but the movie ended up focusing more on The Joker, leaving the titular hero to lick his wounds as a supporting character. By the time that Batman series reached its third movie, it had fallen back to the campy level of its TV predecessor. Now, there's nothing wrong with camp, per se, but, by the 1997 arrival of Batman and Robin, fans had had enough. Batman looked dead, at least until now.
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Years after the war between humans and vampires has come to an end thanks to the aid of specially-trained Warrior Priests, the humans are living in large cities sheltered by the Church and the Priests have been disbanded. When a former Priest (Paul Bettany) learns his niece Lucy (Lily Collins) has been taken by vampires, he joins with a local sheriff (Cam Gigandet) to get her back, going against the commands of the Church who took away the Priests' powers.
Look at Me (Comme une image)
At first glance, Look at Me appears to be a standard French drama about a dysfunctional family. All the elements are in place: the domineering father whose celebrity status has made him indifferent to the needs of his family, the meek trophy wife, the overweight daughter who craves her father's unavailable affection, and several outsiders who find themselves drawn into an unstable orbit around these people. Yet first glances can be deceiving. Yes, this is a dysfunctional family drama, but it's also something more profound. Look at Me takes aim at the common human character flaw of self-absorption and examines how we no longer seem to communicate with one another. And, as is typical of her work, director Agnès Jaoui (she co-wrote Un Air de Famille for director Cedric Kapisch) gives us plenty of smart dialogue and accents her drama with black humor.
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Welcome to a world where Father knows best, where Mother cooks dinner, and where Sister and Brother's small missteps are treated with stern-but-kind lectures. It's a realm where everyone is nice to one another, where neighbors greet each other with a kind word, and where there's never any sign of lingering ill will. Obviously, this is not a real place, nor was it ever. In fact, it's the landscape of homogenous, black-and-white '50s television, the bastion of clean living and family values that has recently found a new generation of viewers through repeats on nostalgia cable channels like Nickelodeon.
Red Rock West
There's a fine line between coincidence and contrivance, and what characterizes that demarcation has more to do with enjoyability than believability. Red Rock West, a film consigned to cable and video until a Bay Area theater decided to give it a shot, has a number of plot elements that don't bear close scrutiny. Their presentation is so stylish, however, that there isn't any real incentive to start picking apart the story. Red Rock West works well on its own terms, and that's good enough for ninety-plus minutes of solid entertainment.
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Scooby, Shaggy, and the rest of the Mystery Inc. go to Hawaii in Aloha Scooby-Doo! The crew must find out why a well-known surfer has vanished while they are also threatened by a volcano that seems to be on the verge or erupting. The kids and their faithful, fearful canine companion must put the pieces together before it is too late.
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Balls of Fury
A disgraced former ping pong champion is drawn back into the world of high-stakes table tennis to carry out a top-secret mission in the feature directorial debut of Reno 911! writer/director Ben Garant. Far removed from the rigidly regulated world of professional sports, clandestine ping pong tournaments offer thrilling competition where only the strong survive.
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The Master of Disguise
In Palermo, Italy in 1979, Fabbrizio Disguisey (James Brolin), the latest in a long line of Italian secret agents known as "Masters of Disguise," barely avoids getting caught while breaking up a smuggling ring run by the evil Devlin Bowman (Brent Spiner) while disguised as Bo Derek. Bowman goes to jail and Fabbrizio decides it best to keep his family's identity a secret from his infant son, Pistachio.
Twenty years later, Fabbrizio runs an Italian restaurant in America with his unnamed wife (Edie McClurg) and Pistachio (Dana Carvey) working as, respectively, the cook and a waiter. Thanks to his heritage, Pistachio has a tendency to mock people at random, doing perfect but annoying and badly timed impersonations. He's also looking for a wife, but his nerdy demeanor makes him unlikeable to women, as well as a target for bullies, like fellow waiter Rex (Jay Johnston).
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Tears of the Sun
A coup d'état occurs in Nigeria, violently overthrowing the Presidential Azuka family, and establishing the dictatorship of rebel general Mustafa Yakubu. The Northern Fulani Muslim rebels then execute a violent ethnic cleansing, against the Christian (mainly Catholic) Igbo tribes in the southern region.
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The film follows the existential crisis of an unnamed urban sophisticate (Vanessa Redgrave) who becomes aware of the nature of world politics, economic exploitation and the vapid consumerism around her. A series of events lead her to visit an unnamed third world country, representing an exotic location somewhere in Eastern Europe, where the entire economy and populace are geared towards the tourist industry. Even as she enjoys the rare taste of its products she is made starkly aware of the reality behind the façade by a journalist (Michael Moore) who, subsequently, suggests a visit to the country's war-torn neighbour in order to experience a true picture of life in the region. She does so and her life is changed forever.
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Four lifelong friends from the dangerous streets of the Boston neighborhood of CharlestownóDoug MacRay (Ben Affleck), James "Jem" Coughlin (Jeremy Renner), Albert "Gloansy" Magloan (Slaine), and Desmond "Dez" Elden (Owen Burke)órob a bank, taking bank manager, Claire Keesey (Rebecca Hall), hostage. After escaping capture, the gang releases Claire, who has seen a distinctive tattoo on one of the robbers. Doug later follows Claire and pretends to befriend her to get information from her about the investigation, but the two become involved and a relationship begins, unbeknownst to the gang, including Doug's best friend Jem, who bears the incriminating tattoo. Doug tells Claire of his search for his long-lost mother, and how he blew his chance to be a professional hockey player for a life of crime. When Claire tells him about her knowledge of the tattoo, Doug feigns concern for Claire's safety and convinces her not to tell police about it, while gradually becoming disenchanted with his criminal lifestyle.
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Kevin & Perry Go Large
Best friends Kevin and Perry decide they need to lose their virginity and become "top DJs", and plan to go to Ibiza to do so. They receive a reward for accidentally foiling a bank raid, and with Kevin's parents agreeing on the condition that they accompany them, they go to Ibiza.
Once in Ibiza, they meet the world famous DJ Eyeball Paul (whose nickname derives from his practice of vodka eyeballing), who takes every opportunity to patronise and insult them - of which they seem to be blissfully ignorant, describing him repeatedly as "such a nice bloke" and "a rinsing geezer". Kevin and Perry persuade Eyeball Paul to play a song they have created at his next performance, but only after they carry out several chores for him, including cleaning his kitchen floor and unblocking his toilet by hand.
Throughout their stay in Ibiza, Kevin and Perry set their sights on "the girls of their dreams", Candice and Gemma, whom Kevin and Perry try and chat up with put-on posh accents. The teenagers experience several bizarre mishaps which set back their pursuit of Candice and Gemma, including being vomited on from a height and crashing mopeds, and their friendship is strained when Perry films Kevin's parents while they are having sex.
The film ends with Kevin and Perry losing their virginity to Candice and Gemma respectively. When back at home, the boys are seen signing copies of their record in a music store, whilst Kevin's parents are seen signing copies of a video they have made about better mid-marriage sex.
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London, 2000- Terminally ill Albert summons old war buddies Frank and Harry to his hospital bed with a bizarre request. When he dies, he wants them to snatch his corpse from the hospital morgue and drive it, in Harrys taxi, to Germany, where they all met, for burial. Thanks to Franks ingenuity they get the body past Customs but almost lose it in France, recovering it thanks to Vicki, a German hitch-hiker that they pick up. Their good deed is in part atonement for allowing a German girl that they knew fifty-five years earlier to be killed by Russian soldiers, as they explain to Vicki. They dug her grave too and now bury Albert in close proximity to it. Vicki departs but the two old friends find her presence has been positive for them.
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A woman struggles with her sons illness and her husbands infidelity, but, after a chance encounter with an Irish sailor and his son, her life is turned upside down in a love story that defies explanation and breaks all the rules.
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