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Get Him to The Greek
Apatow: a powerful surname in the world of comedy, and its mere association with a film release warrants a look-in. The latest of these, Get Him to The Greek is something of a side-story to 2008's Forgetting Sarah Marshall – produced by Judd Apatow and based on characters developed by Apatow-brethren performer Jason Segel. It doesn't quite stack up against the high notes, and the gags are uneven - but an overdose of pop-culture and some memorable set-ups make this a very amusing commentary on the foibles of rock stardom.
Reprising his role as Aldous Snow is comedian and performer Russell Brand. Snow represents all the lavish and egotistic contrivances the music industry breeds, embodied in a heroin-chic frame and cheeky mug. This is, of course, made all the more interesting given that Brand himself struggled with drug use and has, like his character, been clean for years now. Snow, on the other hand, ultimately tumbles off the wagon in spectacular fashion, leaving his gorgeous pop-performer partner (Aussie stunner and solid actress Rose Byrne) behind. He hits the skids after releasing an indulgent and racially offensive album – and it falls on the enthusiastic but beleaguered young music label executive, Aaron Green (Jonah Hill) to relaunch his career and get him to the Greek Theatre in Los Angeles at all costs.
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The Last Song
It's gotten to the point where if you've seen one film based on a Nicholas Sparks book, you've seen them all. And that applies more so than ever to The Last Song, a limp effort cobbled together from bits and pieces of Sparks' previous stories. No need to write out a detailed synopsis of this movie because if you're familiar with any of Sparks' books, or their film adaptations, you've seen the story of The Last Song done before, and done much better.
In fact, this is basically Dear John with a volleyball-playing college-bound rich kid (Liam Hemsworth) in place of a guitar-playing college bound rich kid (Amanda Seyfried), and a rebellious musical prodigy estranged from her dad (Miley Cyrus) in place of a rebellious teen-turned-soldier estranged from his dad (Channing Tatum). Both The Last Song and Dear John, which just came out on February 5th and is still fresh in moviegoers' minds, have beach scenes with water dripping off some beautiful bodies. And in addition to the aforementioned similarities, both films involve a character with a deadly disease. But, at least Dear John did a decent job of setting up the 'meet cute', whereas The Last Song makes the initial meeting between the two would-be young lovers completely unbelievable and silly.
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Just going by the poster and the trailer, you could probably recognize Babylon A.D. as a bloated big-budget science fiction film. But after viewing the film, and with a few facts to put the film in context -- like the fact 20th Century Fox didn't screen Babylon A.D. for critics, like the fact director Mathieu Kassovitz has already disavowed the film, like the numb dumb clang of every line of dialogue in it -- you realize that Babylon A.D. is a bad, bloated big-budget science fiction film that doesn't even have the distinction of being memorably horrible or bravely idiotic or fascinatingly inept; it's simply an inert mass, a lump of product, a failure too expensive to simply discard.
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World Trade Center
''This is not a political film. The mantra is 'This is not a political film.'" -- Oliver Stone, New York Times (July 2, 2006)
"It is one of the greatest pro-American, pro-family, pro-faith, pro-male, flag-waving, God Bless America films you will ever see." -- right-wing syndicated columnist Cal Thomas (July 20, 2006)
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In 1976, the year of the American bicentennial, the tall ships sailed from Europe to America and back again. But a smaller event was, in its way, no less impressive. In a blind taste-testing held in France, the wines of California’s Napa Valley defeated the best the French had to offer — and all the judges were French! A bottle of the winning American vintage, it is said, now rests on exhibit in the Smithsonian Institution.
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30 Days of Night: Dark Days
Let me first start out this review by saying that the 30 Days of Night series and first film are held in high regard with me. The movie fascinated me and basically is what propelled me back into the world of comic books and graphic novels. The first 30 Days of Night movie was so different than what we had been getting fed at the time on the theme of vampires. Vampire novels and books at the time that the original 30 Days came out in theaters had been reduced to romantic sparkling figures who sulked through their eternal life regretting what they were. Gone was the frightening imagery of a rabid undead who didn't think about what it was doing. It just knew it needed to eat to survive.
That's what made me so fond of 30 Days of Night. It was scary and disturbing. It was also mysterious and didn't really give you all the answers to the questions I had. Basically, all you really got was that some vampires somehow found out about a town where it's dark for 30 days and decide to go to an all-you-can-buffet vacation. While sitting in the theater, I kept asking myself "Where did these vampires come from?" Thus, I picked up the graphic novel and read it and loved it. The movie was pretty loyal to the book, give or take a few things here and there. It answered all my questions I had about the original film.
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When it comes to comedy, Will Ferrell is a Jeckyl & Hyde. When he's "on," he can be hilarious, but when he's off, he's like a drunk at a bar yelling loud, unfunny jokes at his equally inebriated buddies. And, while those guys might laugh at him, they're the only ones. Unfortunately, for Semi-Pro, Ferrell is that guy at the bar. This movie struggles for laughs, in part because the writing is lazy with too much of the humor being obvious and easily telegraphed, and in part because Semi-Pro is obsessed with being a sports film rather than merely parodying one. Admittedly, both approaches have been done so often that it's difficult to find a fresh angle, but there would seem to be more unplowed territor in the latter category than the former. Nevertheless, that's not where first-time director Kent Alterman and screenwriter Scot Armstrong take this movie. Instead of a satire, they give us a tired, tedious victory-for-the-underdog story, and the unevenness of Ferrell's comedy makes it less appealing.
Mr. Brooks is a curious mix of the campy and the intelligent, of high concept and low psychology. In spite of these contradictions, or perhaps because of them, it works. This is a tense and engaging thriller, the kind of movie where the audience may feel a little discomfort because the main character is an anti-hero, but will be involved because he's so damn smart. And unlike the recent (and not entirely dissimilar) Fracture, which built its ending on character assassination and unlikely contrivances, Mr. Brooks stays true to its principals and their principles to the last frame.
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Since one of the duties of a film critic is to provide readers with enough ammunition for them to make an informed decision about whether a movie is likely to match their tastes, I must begin with a stern warning. Irreversible is the kind of film that will offend, outrage, and possibly even sicken about 90% of the mainstream viewing audience. Its brutal, unflinching depiction of violence and sexual violation is of a kind that I have never previously encountered in a movie. Those who feel they cannot stand up to the worst director Gaspar Noé has to offer will be wasting time and money on Irreversible. Walk-outs are the most common byproduct of shock and outrage.
Alvin and the Chipmunks
The tree that the chipmunks Alvin (Justin Long), Simon (Matthew Gray Gubler), and Theodore (Jesse McCartney) live in is cut down and driven to Los Angeles. Once in L.A., the Chipmunks meet struggling songwriter David Seville (Jason Lee) who had his latest song rejected by JETT Records executive Ian Hawke (David Cross), his old college roommate. Dave also once had a relationship with his next door neighbor, Claire Wilson (Cameron Richardson).
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Community college professor Ira Kane (David Duchovny) is invited by geology teacher/girls' volleyball coach Harry Block (Orlando Jones) to investigate a meteor that has crashed into a network of underground caverns under the sleepy Arizona town of Glen Canyon. They collect a sample and find that it contains extraterrestrial single-celled nitrogen-based organisms, which evolve into multi-celled organisms by the time Ira gets Harry to his office to see the discovery they made.
Down in the Valley
Set in modern-day San Fernando Valley of Los Angeles, the film begins with rebellious teenager October "Tobe" (Wood), going for a walk with her younger brother, Lonnie (Culkin). The next day, Tobe goes to the beach with friends and when they stop for gasoline they are assisted by Harlan (Norton), a young man, though much older than Tobe - who affects a folksy, cowboy style. Tobe invites much-older Harlan to the beach. He accepts, and while at the beach, they share a passionate kiss. Afterwards, Tobe goes to his house and engages in sexual activities with Harlan. He then decides to take her on a real date which involves him and Tobe taking Lonnie to get something to eat. Later on that night they go on their "real" date dancing then later meeting up with Tobe's friends for another party. That is when he takes drugs under the influence of Tobe. She returns home the next day; having returned home long after she was expected, her father becomes enraged and she retreats to her room. He attempts to talk with her, and when she refuses to open the door, he pounds on the door and leaves visible damage.
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Up in the Air
Ryan Bingham (George Clooney) makes his living traveling to workplaces around the United States and breaking the news to workers that they have been let go for employers unwilling to do it themselves. Ryan also delivers motivational speeches, using the analogy "What's In Your Backpack?" to extol the virtues of a life free of burdens like relationships with people as well as things, arguing that the best way to live is to travel light, with little to hold you down.
Ryan relishes his perpetual travels. His personal ambition is to earn ten million frequent flyer miles with American Airlines. While traveling, he meets another frequent flyer named Alex (Vera Farmiga). They begin a casual relationship, meeting whenever they can arrange to cross paths.
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Dear Diary Veronica Sawyer is sick of being part of the Heathers, the most powerful clic of Westerberg High making fun of Martha Dunnstock (Dumptruck), the fat girl, or doing some stupid polls is something shell never get used to. Meanwhile she meets JD, a cool rebel guy who wouldnt mind shooting a gun at school just to make his point. Remington Universitys party is where Veronica has to go as a Heather, and theres where she gets her ultimatum as a Heather from Heather Chandler, the head of the Heathers. So Veronica and her lover JD accidentally kill Heather Chandler and manage to cover it up by making a suicide note. Will this be just the beginning of the assasination-turned-suicide serie of Westerberg High which nor the FBI, the CIA or the PTA would be able to stop? Or will Veronica be able to pull herself together and stop her psychotic lover from killing absolutely EVERYONE at school?
Kama Sutra: A Tale of Love
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.
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My Cousin Vinny
Two teenage boys from New York are travelling down south when a series of coincidences lands them in jail charged with first degree murder. They cant afford the 50K for an attorney so they call the lawyer cousin of one of the boys. Vinny is a stereotypical New Yorker who is initially a complete disaster, but can he get them off the hook ?
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