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A year from now when it’s finally on DVD, someone I know will ask me if I’ve seen Four Christmases. “Four what?” I’ll ask. “Four Christmases,” they’ll say. “The holiday movie with Reese Witherspoon and Vince Vaughn.” And I’ll respond, “no never heard of it.” As far as I’ll know that will be the truth, because by then I’ll have forgotten this movie exists. Its cliché collection of bland, formula gags will have long since been replaced in my brain by more worthy memories. Reese Witherspoon and Vince Vaughn’s empty, uninteresting characters will have long since vanished from my consciousness.
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A Sad Trumpet Ballad
Alex de la Iglesia is also the President of the Spanish Film Academy , is a filmmaker whose titles have planted a special mark in Spanish cinema. In it are titles such as Perdita Durango, The community or the day of the beast and, most recently, crimes Oxford .
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Goth horror “Sweatshop” is about as straightforward as they come, revolving around a gang of hard-partying freaks who fall foul of a brute with a huge hammer in an abandoned warehouse. The film was originally shot back in 2009, apparently over a series of weekends, and was directed by Stacy Davidson (“Domain of the Damned)”, who has a background in visual effects, and so unsurprisingly its main selling point is the gore scenes. The film lands shortly on region 2 DVD through High Fliers.
There really isn’t anything else to add about the plot, as “Sweatshop” really is as simple as it sounds, without even bothering to waste time on any kind of back story or on fleshing out its characters. This in itself wouldn’t be a bad thing, as the film clearly isn’t the kind that anyone is going to watch for its cerebral side, though unfortunately it doesn’t translate into a nonstop cavalcade of carnage. The film certainly takes a while to get going, with the first half hour basically just following the goths hanging around, bickering and having unlikely sex. Matters aren’t helped by some bad acting from pretty much all the cast, and a lame script that seems determined to make the viewer hate the characters, none of whom are even remotely sympathetic or even interesting.
Bonnie & Clyde vs. Dracula
Bonnie and Clyde vs. Dracula is less a throwback to good old AIP drive-in flicks from the 60s than it is a throwback to straight-to-video Troma films of the 90s. I know that probably sounds like good news for you Troma junkes looking to view a micro-budget indie that re-captures the glorious goofiness of something like Redneck Zombies, but unfortunately B and C vs. D doesn't have the same reckless abandon as those early underground movies and fails to push the envelope, winding up a somewhat fun, but mostly dull, film that doesn't really deliver on its tantalizing premise of, well, Bonnie and Clyde vs. Dracula for one.
That's not to say there's not some talent at work here. For one, we've got Tiffany Shepis playing Bonnie. Shepis is considered a bit of a goddess among modern B-movie fans having started out in Troma flicks like Tromeo and Juliet. She's since laterally moved herself to somewhat more interesting yet similar genre stuff like Halo 8's Godkiller series and the recent The Violent Kind. She brings a certain bravado to her role as a girl who relishes her sexual power of Clyde and enjoys a good kill. She basically owns the entire film (you can really tell that writer/director Timothy Friend had the most fun writing this character).
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The reason "body swap" movies (in which someone's mind is transposed into a different body) are so popular is because they are ripe with potential. Unfortunately, that potential is rarely reached. Productions like Big and Prelude to a Kiss are the exceptions, not the rule. 17 Again falls into the less creative, more generic majority category. Imagine a generic script and mediocre acting and you have unearthed the essence of 17 Again, which appears to have been made for the sole purpose of spotlighting Zac Efron. The target audience is roughly the same as for Hannah Montana: The Movie, and the quality is in the same neighborhood as well.
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The Gift is an example of how superior craftsmanship can transform a ho-hum genre entry into a sporadically gripping thriller. On the surface, there's nothing special about this movie - it's a run-of-the-mill supernatural murder mystery with all of the elements one expects from this sort of a motion picture: ghostly apparitions, courtroom drama, red herrings, and an "unexpected" twist at the end. Yet, while the script, credited to Billy Bob Thornton and Tom Epperson, is strictly generic, the direction by Sam Raimi and the performances of a stellar cast are anything but that. As a result of their contributions, a film that might originally have been strictly palatable for late-night cable viewing has turned into something worthy of theatrical consumption.
Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few similarities between the films. To start with, the 1967 feature was primarily a message melodrama that doubled as an examination of race relations at the time. Kevin Rodney Sullivan's (How Stella Got Her Groove Back) 2005 movie is an overt comedy that, while not ignoring the race issues altogether, uses them more frequently for humor than to illustrate serious points. And society has changed in the last 40 years. What was controversial and daring in 1967 (interracial relationships) is no longer so today. Although it would be unfair to characterize Guess Who as vapid, it bears a closer resemblance to a fusion of Meet the Parents and The Odd Couple than to Guess Who's Coming to Dinner.
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In 1992, Walt Disney Pictures, riding a wave of euphoria generated by its recent animated successes, The Little Mermaid and Beauty and the Beast, tried to do something that was met by critics with skepticism: revive the live-action musical. Filmmakers took an in-house script in turnaround and commissioned composer Alan Menken and lyricist Jack Feldman to pen about a half-dozen songs. Choreographer Kenny Ortega (whose duties in that role included Xanadu and Dirty Dancing) was brought on board to direct. The stars underwent weeks of dancing and martial arts training, and all were allowed to sing their own parts. (There is no truth to the rumor that Marni Nixon dubbed Christian Bale.) Newsies was born, only to die an ignominious death. After bombing on opening weekend, the film was pulled from most theaters, resulting in a final box office take of less than $3 million. It has been described by many as Disney's greatest failure. Unexpectedly, however, it found a following on home video, where its surprising popularity allowed the taint to dissolve from its image.
On the scale of dumb summer comedies, Safe Men ranks a lot closer to Mafia! than to There's Something about Mary. Oh, the film has its share of amusing moments, and a few of the roles have been filled through inspired casting, but there's still too little here to justify a trip to a movie theater. It would be a lot easier to recommend this picture for video viewing, since we demand so much less of the product that plays in our living rooms.
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Agent Cody Banks
I've seen this movie before, haven't I? Actually, twice, right? I'm not suggesting that Agent Cody Banks and the two Spy Kids films are one in the same, but to be honest, when I've seen a movie done right—and twice for that matter—it is difficult to judge a fairly similar movie on its own merits. The three movies share a relatable premise, but the Spy Kids movies are, at their heart, about family. This movie is, at its heart, about one kid and his awkward teenage years. The Spy Kids movies have imagination; this one has reproduction and homage.
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99 River Street
Ernie Driscoll (John Payne) is an ex-fighter who came within seconds of winning the world championship. He's now forced to eke out a living driving a cab. A basically decent guy, he has lots of people who care about him, including Linda James (Evelyn Keyes), a slightly ditsy actress friend -- but Ernie also has a short fuse, especially where his wife Pauline (Peggie Castle) is concerned.
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Fighting Tommy Riley
Tommy Riley (J. P. Davis) stands in boxing gear in a dingy dressing room. There is a knock at the door and a voice calls out, "Are you ready?"
The film flashes back seven months. Tommy is a former boxer who almost made the 2000 U.S. Olympic boxing team as a middleweight. He works laying computer
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Sharp witted and street smart, small time hustler Elmo and his mate, Stand Up Stevie, are just trying to earn an easy buck. Life is great until Stevie gets in way over his neck selling a dodgy watch to the wrong people.
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Gossip Girl - Season Four
Gossip Girl is an American teen drama series based on the book series of the same name written by Cecily von Ziegesar. The series was created by Josh Schwartz and Stephanie Savage, and premiered on The CW on September 19, 2007. Narrated by the omniscient yet unseen blogger Gossip Girl, voiced by Kristen Bell, the series revolves around the lives of privileged young adults on Manhattans Upper East Side in New York City.
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Smiths everyday life in the dorm - hanging out with his arty, sarcastic best friend Stella, hooking up with a beautiful free spirit named London, lusting for his gorgeous but dim surfer roommate Thor - all gets turned upside-down after one fateful, terrifying night.
Although a one-time MVP for the New York Yankees, Jack Elliott is now on the down side of his baseball career. His batting average is low and one of his few claims to fame is that during the previous year, he led the team in 9th inning doubles in the month of August. With an up and coming slugger ready to replace him, he learns that hes been traded to the Chunichi Dragons of the Japanese Central baseball league. Elliott is set in his ways and quite inflexible, not only in accepting Japanese culture in general, but also with the way the baseball team is managed. When he meets his very pretty PR agent, Aya Takahashi, he begins to gain a greater appreciation that he should accept his current situation. When he realizes her other connection to the team, his attitudes begin to change at an even greater pace
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