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Do you remember the time during your adolescence when you started to see your parents as people rather than just… well, your parents? Scott Bartlett (Rory Culkin) goes through this stage of his teen years in Lymelife. The backdrop of the film is Long Island, New York in 1979. Scott Bartlett is the younger of the two Bartlett boys. His older brother Jimmy (Kieran Culkin) joined the Army and only comes home to visit. Scott’s father Mickey (Alec Baldwin) is a successful real-estate developer. His mother Brenda (Jill Hennessy) is dealing with trying to ignore some of her husband’s less faithful qualities while also missing Queens and praying regularly that Scott doesn’t contract Lyme disease.
You Don't Mess with the Zohan
Let me be blunt: “You Don’t Mess With the Zohan” is the finest post-Zionist action-hairdressing sex comedy I have ever seen. That it is the only one I have ever seen — and why is that? what cultural deficiency or ideological conspiracy has prevented this genre from flourishing? — does not much detract from my judgment.
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Fierce People starts out as a satire-tinged, jocular drama that undergoes a jarring shift in tone to the dark side. While the film successfully makes light of such subjects as drug addiction and coma victims during its first half, the event that occurs around the mid-point is so grim that Dirk Wittenborn's screenplay simply closes down the humor and lets the film progress in a more sober fashion. In a way, it's a shame, because Fierce People is a lot of fun during its first hour; the final 45 minutes aren't as enjoyable. The distributor, Lionsgate, must have recognized the difficulty in getting people to watch the movie. It has taken more than two years since Fierce People's premiere at the 2005 Tribeca Film Festival for it to finally see a limited theatrical distribution.
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Had Martin Scorsese made this film 25 years ago, it would have been greeted with a surge of curiosity. Howard Hughes, one of the richest eccentrics of the 20th century, was still fresh in the public's mind at that time. Now, more than a quarter century after his death, his memory has faded like an old photograph. With The Aviator, Scorsese's aim is not to resurrect the paranoid recluse who hid from photographers and the public during the last 20 years of his life, but to show a younger, more vital businessman and adventurer, whose battles with an obsessive-compulsive disorder foreshadowed his late-life mental deterioration.
White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the character played by Michelle Pfeiffer. Ingrid is strong, beautiful, and self-possessed, but she acts as a poison to everyone around her, especially her impressionable daughter, Astrid (Alison Lohman), who idolizes her mother. Yet Ingrid acts based on her own whims and desires, without considering how they might ultimately damage the daughter she claims to love.
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"My name is Inigo Montoya. You killed my father. Prepare to die."
When William Goldman wrote those words, he did not intend for them to become a fragment of '80s pop culture. When Mandy Patinkin spoke those words, he didn't expect his every inflection to be endlessly mimicked. And when Rob Reiner directed those words, he had no idea that kids and young adults everywhere would be repeating them. Nevertheless, there's no doubting that nearly every movie-going American is familiar with those three short sentences. Reiner has stated that, along with "I'll have what she's having" and "You can't handle the truth," this represents one of the three most often quoted excerpts of dialogue from his movies.
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Most film genres may have started here in the United States but over the years some countries have placed such an indelible mark on a certain type of film that it becomes something new and specific to that nation. There was the so called spaghetti western from Italy that managed to take this all American genre into completely new directions.
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To date, the 1978 theatrical version of Superman remains the only motion picture based on a comic book to have a lush, epic feel. Developed by Godfather scribe Mario Puzo with reverence for the venerable superhero, Superman pays homage to the legend's mythology without losing sight of the character's essential humanity. Other superhero movies have attempted to recapture the feel and intent of Superman; to date, none has succeeded. Batman and X-Men, although both triumphant at the box office, have failed to match Richard Donner's 1978 feature for spectacle and grandeur. Batman, which relied too much on its visual style, was capsized by focusing on the villain. X-Men, while presenting engaging characters, was limited by a too-short running length.
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Ricky Gervais Live 3: Fame
As always Ricky Gervais is self-depreciating and irresistibly smart. He can irritate you, he can make you break into tears laughing, but whatever - you must see this show! Ricky Gervais is performing in the same genius style as he usually does in his shows, and he is talking not only about his own experience of fame, but on what other people do to gain it. His jokes this time vary from Autistic people to Big Brother, and also touch upon his career quite a bit.
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The Seventh Stream
Shes a beautiful stranger lost in his world. Can they find a place in each others hearts?
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Artificial Intelligence: AI
Global warming has led to melting polar ice caps, flooded coastlines and a drastic reduction of the human population. There is a new class of robots called mechas, advanced humanoids capable of emulating thoughts and emotions. David (Haley Joel Osment), a prototype model created by Cybertronics, is designed to resemble a human child and to display love for its human owners. They test their creation with one of their employees, Henry Swinton (Sam Robards), and his wife Monica (Frances O'Connor). The Swintons' son, Martin (Jake Thomas), was placed in suspended animation until a cure can be found for his rare disease. Although Monica is initially frightened of David, she eventually warms to him after activating his imprinting protocol, which irreversibly causes David to project love for her, the same as any child would love a parent. He is also befriended by Teddy (Jack Angel), a robotic teddy bear, who takes upon himself to care for David's well being.
A cure is found for Martin and he is brought home; a sibling rivalry ensues between Martin and David. Martin convinces David to go to Monica in the middle of the night and cut off a lock of her hair, but the parents wake up and are very upset. At a pool party, one of Martin's friends activates David's self-protection programming by poking him with a knife. David clings to Martin and they both fall into the pool, where heavy David sinks to the bottom while still clinging to Martin. Martin is saved from drowning, but Henry in particular is shocked by David's actions. Henry persuades Monica to return David to Cybertronics, where David will be destroyed. However, on the way Monica decides to abandon David in the forest (alongside Teddy) to hide as an unregistered mecha instead of being destroyed. David is captured for an anti-mecha Flesh Fair, an event where obsolete mechas are destroyed in front of cheering crowds. David is nearly killed, but the crowd is swayed by his realistic nature (David, unlike other mechas, pleads for his life) and he escapes, along with Gigolo Joe (Jude Law), a male prostitute mecha on the run after being framed for murder.
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Deliver Us from Eva
The Dandridge sisters, Evangeline (Eva for short), Kareenah, Bethany and Jacqui live in Los Angeles, California. While Eva does not have a significant other, her sisters do. Eva, who works for the city's health department as an inspector, is bossy and believes only she knows what's best for herself and her sisters and cannot get along at all with their husbands/boyfriends. When the four sisters band together to protect a family inheritance it is the last straw. The men turn to Ray Adams (LL Cool J), a restaurant meat delivery trucker, to solve their problem, paying him to keep Eva busy and out of their respective lives. Unfortunately for Ray, he falls in love with Eva at first sight, but she proves to have a tart tongue and suspicious nature. Adams patiently begins to bring her around to the idea of a romantic relationship, even as she toys with the idea of leaving the city.
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Let It Ride
Jay Trotter drives a cab. His friend Looney does likewise and has a secret microphone in the taxi to record his passenger conversations.
Looney has a tape of two men talking about a horse race and how one of the horses, due to some unethical practice by its owner, is a sure thing to win big. Trotter realizes the potential value of knowledge of a fixed horse race and goes to the track to make a bet -- despite the fact that the day before, he told his wife Pam that he would quit betting and would be home to, "start their marriage over" at noon. Before going to the track, he heads to the bar next door. He goes into a stall in the bathroom and starts praying. He says to God, "Just one day, that's all I'm asking for, one day, I'm due." A man exiting the bathrooms says "Ya? So's Jesus. Let it ride."
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Still craving for the love of his life, Ted Striker follows Elaine onto the flight that she is working on as a member of the cabin crew. Elaine doesnt want to be with Ted anymore, but when the crew and passengers fall ill from food poisoning, all eyes are on Ted.
Joe Versus the Volcano
Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Banks job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly live like a king, die like a man - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny.
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The year is 1845, the earliest days of the Oregon Trail, and a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst and their own lack of faith in each others instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy.
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