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From Spaceballs to Men in Black to Galaxy Quest, science-fiction has been ripe for spoof and satire since its very inception, and this week sees another film aim its comedy sights at the genre in the shape of Paul.
Written by and starring Simon Pegg and Nick Frost, the film follows in the footsteps of their previous celluloid collaborations Shaun of the Dead and Hot Fuzz (sans writer-director Edgar Wright) in being an ode to friendship and brotherly love, with the added addition of a cute extra-terrestrial called Paul.
Over Her Dead Body
I'm sure it sounded like a good idea in the pitch meeting. What executive in his/her right mind wouldn't laugh at the idea of a dead woman haunting her still living fiance's new girlfriend? It sounds like it would write itself. I can see the people in the room getting all atwitter about making it happen.
"Yes! This is a concept that was made to print money. Wait, it gets better, Eva Longoria has a break in her schedule and people seem to like her. Let's get her to star as the ghost, people will love it!"
I am pretty sure that's how it went down, followed by a quick scramble to get the script written and in front of cameras in time to get it to the screen before Valentine's day. Well, they succeeded with the time table, the film is here. Now, whether or not it is worth taking the time to watch is something that you will need to decide for yourself. For my money, it's a little late now to change my mind.
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Big Mommas: Like Father, Like Son
You get two Big Mommas for the price of one in Big Mommas: Like Father, Like Son, where Martin Lawrence’s FBI agent, forever undercover as a girth-challenged woman, passes the torch -- no, make that a fat suit and wig -- to a stepson who joins him in drag. This is not a case of doubling the fun so much as an anxious attempt to revive a franchise running out of gas.
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Longing is such a potent element of the human experience that it has formed the fabric of numerous stirring motion pictures. Brokeback Mountain is one such movie - a tale of love and loss, of unrealized dreams, and of lives wasted by denying passion and accepting convention. The primary difference between Brokeback Mountain and say, for example, Clint Eastwood's The Bridges of Madison County, is that in Ang Lee's picture, the central relationship is between two men. And this isn't a platonic friendship. These men are as intimately involved as two lovers can be.
Jack Twist (Jake Gyllenhaal) and Ennis Del Mar (Heath Ledger) meet in the summer of 1963 when both are hired by Joe Aguirre (Randy Quaid) to be sheepherders on Wyoming's Brokeback Mountain. Their job: keep the sheep moving and make sure as many as possible make it home. Gradually, a friendship forms between the two men, although neither is a master of words. And, one chilly night, the relationship turns physical. They agree that what happens on Brokeback Mountain stays on Brokeback Mountain, and when the summer is over, they have every expectation of never seeing each other again. Ennis is off to marry Alma (Michelle Williams), and Jack meets rodeo queen Lureen (Anne Hathaway). But, deep down, neither can forget their summer together, and Jack eventually decides to break the silence and make contact.
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It's Vin Diesel week! Suddenly, this largely unknown actor, whose only significant credits were a part in Saving Private Ryan and some voice work in The Iron Giant (as the title character), is a hot commodity with significant roles in two films opening the same day. Diesel fans are strongly advised to see both Boiler Room and Pitch Black, as they show different aspects of the actor's range. In Boiler Room, he's a regular guy working a regular job. In Pitch Black, he goes into full Arnold Schwarzenegger mode, flexing his muscles, grunting, and uttering the occasional one liner. It's not an especially challenging part, but Diesel handles it with aplomb.
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20 Dates purports to be a documentary - a real life romantic comedy about how an aspiring film maker set out to chronicle the role of dating in modern American culture and wound up discovering true love. However, like Michael Moore, whose behind-the-scenes tinkering with the reality of Roger and Me was well documented, director Myles Berkowitz doesn't have qualms about staging scenes to boost the drama of his project. The problem with that approach is that it calls into question the "truth" of all of Berkowitz's footage. Consequently, despite Berkowitz's protestations to the contrary, 20 Dates has to be seen as a semi-fictional account.
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Phantom of the Opera
I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwhelmed. Truth be told, I am not fond of Lloyd Webber's style of music, and The Phantom of the Opera suffers from a multitude of problems, not the least of which are poor writing and an uneasy marriage between a gothic setting and big-production musical numbers. The tale of the Phantom is softened considerably in an attempt to keep things from becoming too depressing.
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The plot is centered around two underachieving pot smokers: Silas (Method Man) and Jamal (Redman). When Silas's friend Ivory (Chuck Davis) dies, Silas uses his ashes as fertilizer for a new batch of marijuana. While both are sitting in the parking lot before taking their "THC" (Testing for Higher Credentials, a parody of the SAT in allusion to Tetrahydrocannabinol) exams for college, neither is able to smoke his individual marijuana stash without the help of the other. They soon discover that smoking Silas's new batch summons the ghost of the recently deceased Ivory, visible to just the two of them. Ivory tells them the test answers as they take the test and they both score perfect scores. Several dubious colleges offer the pair scholarships, but none of them are appealing. Eventually, Chancellor Huntley (Fred
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The film begins with 18-year old Grace Ann Bennett (Selena Gomez) working at a diner with her best friend, Emma Danielle Perkins (Katie Cassidy), a high school dropout. Grace adds another pinch of change to her jar marked “Grace’s Fund for Paris.”
At graduation, the valedictorian is speaking when Meg Kelly-Bennett (Leighton Meester), Grace’s uptight older stepsister, comes in late. Everybody turns to look, embarrassing Meg. That night, at dinner, Grace’s stepdad (Brett Cullen) announces that he has paid for all the girls to go on a trip to France. Meg, who does not want to go with the girls, refuses. She states that she hasn't gotten along with Emma Perkins since high school, and now she’s stuck on going on a soon-to-be-disastrous trip.
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College Road Trip
The film is about Melanie Porter (Raven-Symoné), a 17-year-old college-bound girl who is getting ready to graduate from high school and really wants to go to Georgetown University. However, her father James Porter (Martin Lawrence), the chief of police in the quiet Chicago suburb where they live, is overprotective of Melanie, and isn't ready for her to leave and study so far away from home. Chief Porter has other plans for Melanie; he wants her to go to Northwestern University which is only 28 minutes away from home. Porter also receives problems from disagreements with his real estate agent wife, Michelle (Kym E. Whitley), the family pig Albert, who continuously annoys him, and his youngest son Trey, who spends much time with the pig. Melanie gets invited to an interview at Georgetown after a college recruiter saw her performance at a mock trial. Her two best friends, Nancy (Brenda Song) and Katie (Margo Harshman), offer to take her on their college road trip to Pittsburgh. Melanie is all set to go with her friends until her father surprises her with his own college road trip to Washington, D.C..
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The Tailor of Panama
Andy Osnard (Pierce Brosnan) is an MI6 spy exiled to Panama after having an affair with an ambassador’s mistress. He wants to uncover something big that will get him back into London’s good graces. Believing Panama to still be corrupt after General Noriega’s reign, and as the Americans have now given the Panama Canal back to Panama, Osnard concludes that if he can find out where the true balance of power surrounding the canal is, London will want him back.
His informant is a tailor, Harry Pendel (Geoffrey Rush), who has a few secrets of his own. Harry's wife, Louisa (Jamie Lee Curtis) is the assistant to the canal's director. Harry is in need of money and doesn’t have the business sense to ask his customers for the money to pay for their suits. Osnard knows that Harry has been lying about his background. He persuades the tailor to spy on his own wife to find out what the President plans on doing with the canal. Pendel agrees and begins spinning stories to keep the money from Osnard flowing.
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The Girl Who Swallowed Bees
Rising Aussie star Pia Miranda is featured in this sublime tale about agirl who decides to end it all with the help of some honeybees. Hugo Weaving narrates.
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AVH: Alien vs. Hunter
A galactic hunter chases the most dangerous alien creature in the universe to planet Earth, where humanity is caught between predator and prey.
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Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but hes only got 100 minutes per disguise.
In 2021, the whole world is connected by the gigantic Internet, and almost a half of the population is suffering from the Nerve Attenuation Syndrome (NAS).Johnny with an inplanted memory chip in his brain was ordered to transport the over loaded information from Beijing to Newark. While Pharmakom Industries supported by yakuza tries to capture him to get the informaiton back, the Low-tech group led by J-Bone tries to break the missing code to download the cure of NAS which Johnny carries.
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Madea's Big Happy Family
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the familys life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance wont change you to be someone else, but will allow you to be who you really are.
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