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I lived a sheltered childhood, so while many people my age grew up with action stars of the late 80's and early 90's like Arnold Schwarzenegger and Jean-Claude Van Damme, I generally did not. As a twenty-something movie fan, I've filled in a few of these blanks, mainly the major ones like Die Hard, the Terminator series, but Steven Seagal is a guy I still haven't seen much of. Through no particularly evident fault of his own (mainly the normal march of time and subsequent aging), he's gone from action star to a bit of a punchline, but thanks to A&E's popular "Lawman", and with the help of Robert Rodriguez's Machete in 2010, we may be living once again in a world of Seagal. Whether people are looking forward to that or not is one thing, but in the meantime, those that are can check out The Keeper, an unoriginal but agreeable B-action picture.
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In Nanny McPhee Emma Thompson tries to break the forty-year stranglehold held on nanny related entertainment by Marry Poppins with her own take on the magical babysitter genre. Emma's entry owes a big debt to Julie Andrews, but differentiates itself just enough to avoid being labeled a blatant Nanny Poppins knockoff.
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“Haunters” offers a twist on the usual superhero tale, with Korean stars Kang Dong Won (“Secret Reunion”) and Ko Su (“White Night”) as two troubled men blessed with special powers facing off against each other in a deadly battle. The film marks the debut of Kim Min Suk, who previously scripted and worked as an assistant on director Kim Jee Woon’s wonderful kimchi Western “The Good, The Bad, The Weird”. Combining action, drama and a thoughtful exploration of what can turn a man into a monster, the film was a major commercial hit in Korea, holding onto the top box office spot for an impressive two weeks.
The film begins following Cho (Kang Dong Won, in his last film role before carrying out his army service), a young one legged man, twisted by a childhood of abuse, his parents having tried to kill him due to his having odd and terrifying mind control powers. Barely considering himself human, Cho keeps away from any kind of social contact, living by manipulating others with his psychic abilities. His quiet life comes crashing down when his path crosses with Kyu Nam (Ko Su), a simple though kind hearted man working in a pawn shop he tries to rob, who for some reason seems unaffected by his powers. After the failed heist results in the gruesome death of Kyu Nam’s father figure pawn shop owner (Byun Hee Bong, also in thriller “The Game”), he sets about bringing Cho down and making him pay for his crimes.
King of Kong
In this era, it comes a something of a surprise that a documentary might exist that isn't about a big issue: the war in Iraq, global warming, U.S. politics, terrorists, the state of the American health care system, the morality of abortion, and so on… The King of Kong isn't about any of these things. In fact, on the profundity scale, it aims toward the ground. At the core of this movie are video games. Not the kind you might play if you fired up a PS3 or Wii instead of reading this review. These are old school, hardcore games - the kind the provide the perfect defense to Roger Ebert's no-art argument.
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Kissing Jessica Stein
The smart romantic comedy occurs so infrequently that it has obtained an almost mythical status, sort of like Santa Claus or the Tooth Fairy. In the subgenre of gay and lesbian romantic comedies, intelligence is even rarer. Since the ratio of good to bad movies is about the same in the gay/lesbian niche as it is for mainstream films, and there are far fewer pictures made to accommodate the homosexual audience, it stands to reason that it can be difficult to find a gay and/or lesbian romantic comedy with a strong enough script to appeal not only to its core viewers, but to a wider audience. Kissing Jessica Stein is one of those uncommon movies.
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Layer Cake is the latest in the recent cluster of British gangster/caper films begun by Guy Ritchie's Lock, Stock and Two Smoking Barrels. Matthew Vaughn, the director and co-producer of Layer Cake, held the producing credit for Lock and Ritchie's follow-up, Snatch. As such, it's no surprise that Layer Cake borrows aspects of the "feel" of those films. There's the same morbid sense of black humor, although Layer Cake is more character driven and less gruesome than the earlier productions. And, for pure shock value, it contains a "didn't see that one coming" moment unlike anything in either of Ritchie's ventures into this genre.
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If there were lingering doubts that the time has come to write an obituary for Sandra Bullock's days as a leading lady, Miss Congeniality should dispel them. Trailing in the wake of a string of duds, the most recent of which were the un-releasable Gun Shy and the not-much-better 28 Days, Miss Congeniality marks the latest wrong step in a career that once burned brightly. But the days of Speed and While You Were Sleeping are long past. Bullock must bear the responsibility for Miss Congeniality's failure - not only is she the star, but she's the producer, as well. It's impossible to absolve someone when they wear those hats - some of the disapprobation goes to director Donald Petrie (Grumpy Old Men), but the lion's portion is reserved for Bullock.
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Lamb tells the story of a young priest, Brother Sebastian, who works in a Roman Catholic institution for troubled boys on the Atlantic coast of Ireland, referred to as "a finishing school for the sons of the Idle Poor" by its head, Brother Benedict. There, the Brothers teach boys to conform in a harsh, uncompromising regime which Brother Sebastian, whose real name is Michael Lamb, finds deeply distasteful. The Brothers teach the boys "a little of God and a lot of fear."
The Shell Seekers
Artists daughter Penelope Keeling can look back on a full and varied life a bohemian childhood in London and the wilds of Cornwall...
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Let It Ride
Jay Trotter drives a cab. His friend Looney does likewise and has a secret microphone in the taxi to record his passenger conversations.
Looney has a tape of two men talking about a horse race and how one of the horses, due to some unethical practice by its owner, is a sure thing to win big. Trotter realizes the potential value of knowledge of a fixed horse race and goes to the track to make a bet -- despite the fact that the day before, he told his wife Pam that he would quit betting and would be home to, "start their marriage over" at noon. Before going to the track, he heads to the bar next door. He goes into a stall in the bathroom and starts praying. He says to God, "Just one day, that's all I'm asking for, one day, I'm due." A man exiting the bathrooms says "Ya? So's Jesus. Let it ride."
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The Man in the Glass Booth
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and irreverence about aspects of Jewish life. Nonetheless, Charlie is astonished when, one day, Israeli secret agents burst in and arrest Goldman for being not a Jewish businessman but a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face not only his presumed guilt--but their own.
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Murder by Decree
Sherlock Holmes investigates Londons most infamous case, Jack the Ripper. As he investigates, he finds that the Ripper has friends in high places.
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Assassination Games aka Weapon
Brazil and Roland Flint are the two best assassins in the world-but unknown to each other. While Flint is a master sharpshooter, Brazil is equally skilled with a knife. These two rival assassins form an uneasy alliance to take down the head of a drug cartel, which is backed by the DEA.
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Children of the Corn: Genesis
TIM and ALLIE seek shelter in a remote desert compound after becoming lost and stranded. A strange Manson-like character, PREACHER (Drago), reluctantly allows them inside with strict orders to be gone by morning and not wander where you are not invited. At first, Preacher and his mail-order wife OKSANA (Nedeljakova) deny the faint screams and cries that emanate from one of the crumbling outbuildings. When Allie sneaks outside to investigate, she discovers that she and Tim have stumbled onto a bizarre cult worshiping an entity that may -- or may not -- dwell inside a haunted little boy.
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Victor Harris is a spoiled playboy who can only feel when hes brutalizing others. Victors wife, Elizabeth, thinks hes a monster, but cant divorce him. Roman, Victors lawyer, plots the perfect solution - poison Victor and blame his death on drugs. Unfortunately, the poison fails and and only places Victor in a death-like coma. He can see , hear and feel everything but cant move - even during his autopsy. Its enough to drive him insane and out of his coma. When Victor escapes his grave he traps Elizabeth and Roman in his mansions secret chamber so he can exact his tortuous revenge.
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Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. Shes fighting a fatal illness and she will stop at nothing to defeat death, her one true enemy. She steals other peoples souls and on her quest to immortality she tricks Jonathan into supporting her work, breaking him apart from his fianc Rowena and pulling him into her dark, mysterious world. They settle down in an old manor by the Black Sea where Ligeias everlasting presence slowly drives Jonathan to madness...