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The Hit List
The Hit List has a particularly exciting, enjoyably fascinating fantasy at its heart, tugging at the desirable idea of eliminating your enemies in real life (be careful what you wish for). As with all good thrillers, the fantasy eventually shifts into terror, as the humorous notion fades into a nightmare involving cold-blooded, violent death. The idea is brilliant, and much of the plot progression is masterful, but the overall execution is flawed. It's almost as if the writers grasped a story that was too great for their own good, unable to tackle it the way more experienced filmmakers might have. Perhaps a few more minds needed to be involved in the various editing phases.
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The Silent House
Third act plot twists are a funny thing. They can either completely alter everything you’ve just watched in a manner that’s both satisfying and thought-provoking or, alternatively, systematically destroy the entire experience. Anyone who’s watched an M. Night Shyamalan can testify to the effectiveness of this gimmick, for better or worse. Some directors know precisely how to use it, while others simply employ the device because they think that’s what modern-day movie-goers expect from their post-”Sixth Sense” horror/thrillers. I’m not opposed to such tactics when it fits the style of the movie, but when the twist comes out of absolutely nowhere in a film that doesn’t necessarily require this sort of last-minute revelation, it immediately pulls me out of the movie.
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Ghost Town is one of those romantic comedies that never quite clicks. At times, its humor is effective, provoking chuckles and laughs. At other times, the comedy feels forced and awkward. The romantic element is equally hit-and-miss. The chemistry that emerges between the leads during the film's second half is largely absent from the first 45 minutes. And the premise, rich with promise and pregnant with possibilities, is reduced to a plot device that allows Ghost Town to turn into a low-rent, modern-day version of A Christmas Carol.
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Martian Child wants to make us cry. It nearly made me gag. This is an exercise in shameless and inept emotional manipulation. The film doesn't try to hide what it's doing. If you don't cry, it hasn't worked. There's not a single genuine human emotion to be found between the beginning and end credits. Worse still, anyone with familiarity with this genre will know how things are going to turn out fifteen minutes into the production. And it's not just the ending that's obvious - it's the entire transparent journey that takes us there. Martian Child offers no surprises, not even little ones. One could argue that its heart is in the right place, but that's about the only thing it gets right.
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Youth in Revolt
From the beginning, it's apparent that there's something "off" about Youth in Revolt. It's not that the film is fatally flawed, but the tone is uneven, the satire is blunt, the comedy rarely generates more than feeble laughs, and the lead character never comes fully to life. A shadow of the novel from which it has been adapted, Youth in Revolt tries to be something more than disposable, forgettable entertainment, but doesn't quite succeed. In the end, it's really nothing more than a tepid teenage romantic comedy with a few quirks. Fans of C.D. Payne's Nick Twisp novels will probably be more disappointed than those who have never heard of Payne or read his writing.
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Overwhelmingly positive word of mouth can be a double-edged sword for a filmmaker. Although effusive praise builds anticipation, it can also elevate expectations to levels that cannot possibly be met. This is why some viewers who see a movie after it has won a Best Picture Oscar emerge disappointed. It also explains why some late-comers to Borat may find it to be less hilarious than expected. Don't misunderstand: Borat is a funny movie, and well worth the price of admission regardless of whether your comedy tastes run to low-brow, scatological humor or more subtle politically tinged satire. However, it's hard for any movie to live up to the hype when it's being billed as "the funniest of all-time."
It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as the culmination of righteous indignation, but as a pyrrhic victory devoid of catharsis. On the surface, The Proposition may echo Hollywood's storied Westerns, but the look and the feel of the film are more disquieting than anything that John Ford or Sergio Leone ever brought to the screen. Closer cousins might be Clint Eastwood's Unforgiven and the HBO TV show Deadwood.
National Lampoon presents Cattle Call
Cattle Call follow the three male protagonists as they hold a fake casting call in Hollywood for a fictional independent film entitled Perfect for Me with the hope of meeting women. Richie is looking for a relationship, while Sherman and Glenn are more interested in sex. After going on dates with the girls, they eventually chose
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Community college professor Ira Kane (David Duchovny) is invited by geology teacher/girls' volleyball coach Harry Block (Orlando Jones) to investigate a meteor that has crashed into a network of underground caverns under the sleepy Arizona town of Glen Canyon. They collect a sample and find that it contains extraterrestrial single-celled nitrogen-based organisms, which evolve into multi-celled organisms by the time Ira gets Harry to his office to see the discovery they made.
The Center of the World
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire (Peter Sarsgaard), she's a lap dancer at a club (Molly Parker). He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions: four hours per night of erotic play, and no penetration. During the days in Vegas, they get to know each other, have fun, meet a friend of hers, casino dealer Jerri (Carla Gugino); at night, at least after the first night, things seem to get complicated. When the three days are over, the stripper makes it clear that she was only there for the money and that the man she spent the time with was just a client. Upset that the feelings he had weren't mutual he then violently rapes her. She then masturbates for him to achieve orgasm. The next day he returns home heartbroken. The movie ends with his return to the strip club to see the woman he fell in love with again. She greets him fondly and says that she is glad to see him again. Because the movie is shown in a non-linear format, it is left to the viewer's interpretation of when this event occurred.
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Farscape: The Peacekeeper Wars
The story itself begins with a flashback, and as one would expect, its not good news. Crichton is apparently on his deathbed on a badly damaged Moya, and Aeryn is lamenting the possibility that Johns victory has come at the price of his own life. Two things are readily apparent the war itself is over by Crichtons hand, and Aeryn has survived the final battle. All else is suspect, and that places everything in perspective...
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Beyond the Sea
Rather than providing a straightforward biography, the film weaves fantasy sequences with scenes containing somewhat fictionalized accounts of events in Darin's life, and throughout it, the adult singer interacts with his younger self. It chronicles his determination to rise from his working class Italian-American roots as Walden Robert Cassotto, a frail Bronx boy plagued by multiple bouts of rheumatic fever, and become a singer more famous than Frank Sinatra. To achieve that goal, he
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Against All Odds
Terry Brogan, an aging football player in L.A., is cut early in the season he needs money, so he takes a job from a shady friend of his, Jake Wise, to track down Wises girlfriend, Jessie, whos somewhere in Mexico. Shes also the daughter of a very wealthy land developer, who owns Terrys team. He heads for Cozumel, finds Jessie, and promptly falls in love with her. He thinks its mutual, then without warning, she heads back to L.A. and Jake. Whats going on with her, and whats the connection between Jakes hold on Jessie and the various politicians, lawyers, and environmentalists who seem to be converging on some sort of land deal? Terry keeps looking for answers.
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Kids in America
A diverse group of high school students band together to peacefully stick it to their overbearing principal.
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After plunging her car into a river, a woman encounters a man who helps her come to terms with her life.