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The Fourth Kind
Much like The Blair Witch Project and the recent sleeper hit Paranormal Activity, The Fourth Kind is a faux docudrama about weird happenings. But where those two films dealt with the realm of the supernatural, The Fourth Kind chronicles what it claims is a real-life case of alien abduction.
After an introduction by Milla Jovovich, which promises us that disturbing documentary footage is in store, The Fourth Kind follows both the "real" and the reel Dr. Abigail Tyler (played in reenactments by Jovovich) as she recounts her tale of alien abduction, a fourth kind of close encounter that Steven Spielberg never explored. Abby, a psychologist in Nome, Alaska, is still traumatized by her husband's violent, mysterious death. She has vowed to continue the psychological study that he had begun, which employs hypnosis to help patients remember traumatic events they've blocked out.
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Pirates of the Caribbean: Dead Manís Chest
AT first glance, it seems like a pretty good deal. You put down your money ó still less than $10 in most cities ó and in return you get two and a half hours of spirited swashbuckling, with an all-star three-way battle of the cheekbones (Orlando Bloom vs. Keira Knightley vs. Johnny Depp) and some extra-slimy computer-generated imagery thrown in at no additional cost.
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King of California
King of California is the second movie opening this month to feature Evan Rachel Wood and, while it's better than the other one (Across the Universe), it's not that much better. Wood's performance is at about the same level, albeit without the singing. Here's she's paired opposite Michael Douglas, who plays her father. This is the art-house answer to National Treasure - it's about a mentally ill man who believes he has found a treasure map. The movie develops in two pieces - one dealing with the quest for the hidden riches and once concentrating on the relationship between father and daughter. The latter works; the former doesn't. The ending is touching without being too melodramatic.
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50 First Dates
50 First Dates offers viewers a kinder, gentler Adam Sandler. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. In his place is a likeable goofball whose rough edges are worn off by a force more effective than sandpaper: falling in love. Although there are moments that will tickle the bellies of longtime Sandler fans (one of which involves gallons of walrus vomit dripping from an individual of indeterminate sex), 50 First Dates is sweet enough to capture the attention, and perhaps affection, of those who would not ordinarily see a movie headlined by this particular star. The fact is, 50 First Dates is more of a romantic comedy than an Adam Sandler comedy.
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At one point in history, indigenous populations around the globe were evolving slowly and happily, whether in North America, South America, Africa, or Australia. Then, spearheaded by a wave of intrepid explorers, came the Europeans, spreading out across the world like a plague of locusts. Whether a case of social Darwinism or unchecked Imperialist aggression, it didn't take long before the White Man had conquered those lands where they had any interest in establishing a settlement. While the backgrounds of those going to Australia and America were vastly different, the results were similar: native populations diminished and oppressed, then reduced to second-class citizens in the re-shaped lands that were once theirs.
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By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. Itís a perfect example of how awful direction and performances can ruin an adequate screenplay. Granted, whatís on paper isnít perfect and it contains a number of ripe lines of dialogue, but the way it is butchered by director François Girard is shocking. Thereís very little that this movie does right; itís hard to believe it came from the man who directed two acclaimed motion pictures (Thirty Two Short Films about Glenn Gould, The Red Violin).
There are two ways that you can look at Kevin Costner's The Postman (not to be confused with the former Oscar contender of the same name, starring Massimo Troisi). The first is that it's a muddled but occasionally-brilliant lampoon of epic motion pictures. The other is that it's a horribly written, badly acted miscalculation of Ishtar-like proportions. If you take The Postman at face value - that it's a straightforward, post-apocalyptic adventure tale, then it could seem like one of the worst movies of the year, if not of all time. However, since I laughed so hard during some scenes, I prefer to be a little kinder. Yes, it's a bad movie, but it's not one of the most unbearable theatrical experiences of the year. In fact, if you approach The Postman in the right mood, it's a highly watchable motion picture.
It has been several years since I've read a book by John Grisham (I believe the last one was The Client). After three or four of Grisham's novels, I grew tired of the predictable repetitiveness and contrived suspense of the narratives. As a result, the intelligence and subtlety of The Rainmaker took me by surprise. I don't know if this is because the novel is better than any of the prolific lawyer-turned-author's previous efforts, or if Francis Ford Coppola has performed a near-miracle in transforming the written pages into a screenplay. Whatever the case, The Rainmaker stands above any other filmed Grisham adaptation, including A Time to Kill, the former holder of that title.
The Ice Pirates
''THE ICE PIRATES,'' which opens today at the Warner and other theaters, is a busy, bewildering, exceedingly jokey science-fiction film that looks like a ''Star Wars'' spinoff made in an underdeveloped galaxy.
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Star Trek: Nemesis
Is this the end of Star Trek? Has the long-running TV/film franchise finally reached the point where it can no longer seek out new life and new civilizations? After defeating Klingons, Romulans, and Borg, will the ultimate enemy Ė the multiplex box office Ė finally bring it down? Only time will answer those questions, but, with the arrival of Star Trek: Nemesis, the tenth Star Trek motion picture, the venerable series is looking outmoded and outdated. Media saturation and age have taken their toll.
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99 River Street
Ernie Driscoll (John Payne) is an ex-fighter who came within seconds of winning the world championship. He's now forced to eke out a living driving a cab. A basically decent guy, he has lots of people who care about him, including Linda James (Evelyn Keyes), a slightly ditsy actress friend -- but Ernie also has a short fuse, especially where his wife Pauline (Peggie Castle) is concerned.
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Dave Buznik is a hardworking businessman with a pacifistic nature that has often gotten the best of him. But a simple misunderstanding aboard an airplane quickly escalates into a legal nightmare for Dave. Now, the only way he can avoid jail time is to seek the help of a very unlikely anger management instructor known as Dr. Buddy Rydell. The good doctors unorthodox methods border on unconventional and nearly psychotic, but may be the perfect antidote for Dave, who has been a stepping stone his entire life.
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Across the Line: The Exodus of Charlie Wright
The story centers on Charlie, a Los Angeles billionaire financial whiz who goes into self-imposed exile in Tijuana after his empire is revealed to have been a Ponzi scheme. While looking for the woman he abandoned there 25 years before, Charlie is pursued by a Mexican gangster, a federal agent and thugs sent by a former client looking to retrieve his money.
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Clay (as in the title) is a young man in a small town who witnesses his friend kill himself because of the ongoing affair that Clay was having with the mans wife. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Into this comes a serial killer who befriends Clay, even to murdering the nagging widow for him... but certainly not at Clays request. But that doesnt matter for the police, as well as for a savvy female FBI agent who sees Clay as their prime suspect. Yet Clay doesnt tell them of his friend who admits to him of his serial killings, primarily because Clay sees himself as somewhat of an accomplice, in that he seems to have introduced to the killer each young woman that is killed... in fact, the sheriff comments that he wishes Clay would quit finding the murdered victims, which he always seems to do. But at last Clay is able to turn from being the pigeon... to giving the film its very unpredictable conclusion.
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An American couple and a foreign couple test the limits of friendship and love when they switch partners and get married for green cards.
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Jackboots on Whitehall
A satirical alternative history of World War II where the Nazis seize London and England must band together to prevent a full on invasion.
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