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Snakes on a Plane
Either you've already understood why this movie exists or you don't. Snakes on a Plane has a purpose, and to the crowd that gets it, it completely delivers in that aspect. Snakes is a blueprint for every future B-movie on how it's supposed to be done, and it's unbelievably fun for the full running time.
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Fistful of Dollars
A drifter, later to be known as The Man With No Name (Clint Eastwood), is born in director Sergio Leone’s Spaghetti Western, A FISTFUL OF DOLLARS. The stranger arrives in a small Mexican village that is over run by two competing gangs who control the guns and the liquor. The only legit business that seems to prosper is the old coffin maker. The anonymous drifter decides to make money by working both sides of the gang as a hired killer, adding more fuel to the hatred feud between the two families.
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Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don't), but it remains powerful and disturbing during the viewing experience, with flaws only surfacing after the credits have rolled. This movie will be most appreciated by those who don't demand viewer identification with an on-screen individual, because neither of Hard Candy's characters is the sort of person a healthy movie-goer would sympathize with.
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For some movies, timing is everything, but that's one thing Freshman Orientation doesn't have going for it. After languishing in distribution limbo for an astounding three and one-half years (it premiered under the name Home of Phobia at the 2004 Sundance Film Festival), this film has finally arrived in theaters. Unfortunately, it follows in the wake of Superbad, another rude-and-crude teen movie that raises the bar for the genre. In 2004, Freshman Orientation might have been near the top of a lame pack; in 2007, it's behind the curve. The problem isn't the dramatic material which, for the most part, is nicely handled. However, the "outrageous" comedy is consistently unfunny and sometimes bordering on cringe-worthy.
Freshman Orientation starts out on shaky ground, packing the first 30 minutes with a significant percentage of the failed humor. The over-the-top jokes feel forced and are often more awkward than amusing. Fortunately, after the uncertain beginning, the film's gradual shift toward more subtle parody and light drama redeems the final hour. The central relationship is developed with care and the movie addresses the issue of intolerance on college campuses (and, by extension, in society as a whole) without resorting to too much preaching. (There is one overt sermon but the irreverent punch line makes it somewhat forgivable.)
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Super Size Me
Amidst all the controversy this film has generated, it's safe to say one thing: very few viewers are likely to visit a fast-food restaurant immediately after seeing this movie.
Is Morgan Spurlock's Super Size Me an attack on McDonald's? Not directly, although it's certainly not a Valentine. Rather, it's a look at the deleterious effects that the modern "fast food culture" is having upon our society. The movie's "hook" is that Spurlock performs an experiment upon himself to see how he would fare if he ate nothing but McDonald's food for 30 days. However, one could see that as tangential to the film's central themes, which advocate personal responsibility, decry corporate deniability, and emphasize that people aren't getting the message that fast food can be bad for those who eat it with regularity.
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Nightmare Before Christmas
When I was a child, one of the reasons I enjoyed the Christmas season so much was the annual arrival of those endlessly-repeated television specials: Rudolph, the Red-Nosed Reindeer, Santa Claus is Coming to Town, The Year Without a Santa Claus. Tim Burton must remember those programs too, because, in his own inimitable way, he has paid homage to them in this most twisted of holiday fairy tales, The Nightmare Before Christmas.
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Gods and Monsters
Frankenstein. The Old Dark House. The Invisible Man. The Bride of Frankenstein. Show Boat. Although this may sound like one of those "which doesn't belong" games, there is a common element to all five '30s motion pictures - they are the enduring legacy of director James Whale. Whale, an Englishman who started on the British stage, came to Hollywood in 1930, and, with the release of Frankenstein in 1931, established himself as a premiere horror film maker. Whale's career spanned the '30s, but, after the spectacular failure of 1937's The Road Back (a picture on which he claims to have lost creative control), his star dimmed. By the mid-'40s, he was out of the motion picture industry and had turned his attention to painting. In 1957, following a stroke that left him in a state of constant mental deterioration, he drowned himself in a swimming pool. Gods and Monsters presents a fictionalized account of the last month of Whale's life, and is replete with flashbacks to his boyhood, his time in the trenches during World War One, and his movie-making heyday.
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The good thing about comedies, as a general rule, is that they’re too bland to have really bad plots. The search for laughs seldom strays too far off the beaten path established by the social mores of the target market, be that old ladies, stoners, or teenagers out on dates. There are comedies with solid plots, just rarely comedies with complicated plots.
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Lilo & Stitch
With the release of Lilo & Stitch, it's official: the "second Golden Age" of Disney animation, which began promisingly with 1989's The Little Mermaid, is over. Of course, some of Disney's recent efforts - Atlantis and The Emperor's New Groove come to mind - have been uneven, but they haven't been as lackluster as this movie. In terms of storytelling, voice characterization, and visual appeal, Lilo & Stitch seems more like a wannabe production than an actual Disney effort. Lilo & Stitch hails back to the Disney films of the late-'70s and early-'80s, when the craft and creativity had been leeched from the process, turning motion picture animation into an assembly-line approach.
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A Dog's Breakfast
Patrick (David Hewlett) is single, loves his dog (Mars the Dog) and still lives in his parents' house ten years after their death. Shortly before Christmas, Patrick's sister Marilyn (Kate Hewlett) visits Patrick to introduce him to Ryan (Paul McGillion), a science fiction television star.
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National Lampoon presents Cattle Call
Cattle Call follow the three male protagonists as they hold a fake casting call in Hollywood for a fictional independent film entitled Perfect for Me with the hope of meeting women. Richie is looking for a relationship, while Sherman and Glenn are more interested in sex. After going on dates with the girls, they eventually chose
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Who Am I?
Somewhere in the jungles of South Africa, a Black Ops unit ambushes a convoy and kidnaps several scientists working on a highly-volatile compound extracted from a recently discovered meteorite. Among the operatives is a Hong Kong national identified by the CIA as "Jackie Chan". The CIA sends Special Agent Morgan (Ron Smerczak) to South Africa to investigate the incident, not knowing that Morgan and newly-retired General Sherman (Ed Nelson) orchestrated the abduction for their personal profit. At the same time, the CIA assigns another operative in South Africa for a more covert operation.
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A group of friends on a weekend camping trip decide to investigate a local urban legend. The trip will change their lives as they are forced into a fight for survival against a horrific monster.
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A psychotic serial slasher starts a bloodthirsty murder rampage at Cherry Falls high school that only kills the local high school virgins. This leads to the local teenage population organising a sex party in order to lose their virginity and thus no longer be targets..
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Requiem for a Village
Although best known for his celebrated work as editor on Lindsay Andersons If.... and O Lucky Man!, as well as on the acclaimed BBC TV series Ways of Seeing, David Gladwell has rarely before been recognised as the director of a collection of extraordinary, ground-breaking films which explore Britains rural traditions and the undying power of memory. This Dual Format Edition (DVD + Blu-ray) provides the rare opportunity to finally experience Gladwells lyrical, poetic 1975 film Requiem for a Village, as well as a selection of his rare and striking short film works.
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Gilmore Girls - Season Four
The series explores issues of family, friendship and romance, as well as generational divides and social class. Ambition, education and work also form part of the series central concerns, telling Lorelais story from pregnant teen runaway and high school dropout to co-owner and manager of the Dragonfly Inn. Rorys transition from public school to the prestigious preparatory school, Chilton, is similarly followed by the series, exploring her ambition to study at an Ivy League college and to become a foreign correspondent. The shows social commentary manifests most clearly in Lorelais difficult relationship with her wealthy upper-class parents, Emily and Richard Gilmore, and in the interactions between the students at Chilton, and later, Yale University.
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