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Other people's problems are funny. Especially when these other people don't think they have any problems to begin with. That, in a nutshell, is the premise behind the Vince Vaughn and Jon Favreau scripted Couples Retreat. But while beautiful scenery (both the film's Bora Bora location and it's lovely leading ladies), crazy improv and some mad Guitar Hero action make for rather broad-reaching humor sure to hit almost every audience demographic, the film itself amounts to just more of the same laughs we've seen executed to better effect in such R-rated comedies as Old School and Wedding Crashers.
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Elizabeth: The Golden Age
Historical epics are often met with mixed reactions from the masses. For every singular triumph like 300, there are many more disappointments. So it should be no surprise that producers, eager to fill cold seats with warm bodies, have returned to the time and place of one of recent cinema's most celebrated historical epics: sixteenth century England. Elizabeth was one of 1998-99's biggest art house hits (so big, in fact, that it spilled into some mainstream theaters), grossing more than $30 million domestic and garnering seven Oscar nominations. That kind of success can justify another installment, especially if the filmmakers feel there's more of the story to be told. Shekhar Kapur's Elizabeth: The Golden Age is the result, one of those rare beasts - a sequel to a movie whose primary audience is not teenagers. Presumably, Kapur rejected calling the movie Elizabeth II because that would have created all sorts of confusion.
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P.S. I Love You
If you want an insightful movie about the grieving process, check out Grace Is Gone, which explores how a suddenly single father must cope not only with the loss of his wife but must face telling his daughters that their mother is not coming home. Grace Is Gone is sincere and touching; P.S. I Love You is the cinematic equivalent of a Celine Dion song. Since there are plenty of people who love Dion's sappy, whiny warbling, there will no doubt be a sizable audience that will fall for the treacle dished out by P.S. I Love You. Aside from the inept August Rush, there probably isn't a more clumsily manipulative motion picture out there this holiday season than P.S. I Love You.
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Nil by Mouth
There is a scene in Nil by Mouth, actor Gary Oldman's directorial debut, that is excruciatingly difficult to watch. It's not especially graphic, since the gruesome details take place out of frame, but anyone with an imagination can conjure up an image to chill the blood. The sequence depicts a particularly brutal instance of spousal abuse, and is perhaps only recently rivaled in intensity by a similar occurrence in Once Were Warriors. One might think that movie-goers, inured to explicit on-screen violence, would not flinch at what Oldman presents, but there's a major difference between the decapitations and eviscerations of a Starship Troopers and the savageness of Nil by Mouth – the former plays like a comic book come to life; the latter is shockingly real.
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Hunchback of Notre Dame
Out of respect for the stunning visuals and family entertainment value of Disney's 34th animated feature, I can do no less than recommend The Hunchback of Notre Dame. Sadly, however, this is the least-enjoyable animated feature to come from the studio since its 1989 rebirth. The Hunchback of Notre Dame is a notch below last year's Pocahontas, which, in turn, was a drop from the previous year's The Lion King. Apparently, Disney's new wave of animation peaked early; their releases have been in a slow-but-steady decline since the delightful Beauty and the Beast.
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Jefferson in Paris
The Bostonians. A Room With A View. Mr. and Mrs. Bridge. Howards End. The Remains of the Day. These represent the best of Merchant-Ivory -- a category in which their latest, Jefferson in Paris, does not belong. Nevertheless, although this examination of several years in the life of Thomas Jefferson (the U.S. minister to France between 1784 and 1789) is flawed, it nevertheless represents two-plus hours of diverting melodrama. The historical accuracy of certain plot points may be in doubt, but this certainly isn't the first motion picture "based on a true story" to play loose with the facts.
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Rosewood, central Florida, 1923. The town's population numbered about 120, mostly black. It was a prosperous, happy community until a January day when one woman's lie set off a chain of events that would have devastating results. That woman was Fanny Taylor, and her false claim to have been assaulted by a black man resulted in the formation of a lynch mob that headed for Rosewood with arson and murder on their minds. Before the week was over, blood was shed and the town was in ashes.
Dungeons & Dragons: Wrath of the Dragon God
Damodar (Bruce Payne) made a crucial mistake when carrying out his master's orders, an error which cost him his life. At least, in a sense. He is now a member of the living dead, but even death hasn't dampened his drive for vengeance. A hundred years have passed, but Damodar still seeks to exact his revenge, even if it has to be on the ancestors of those who vanquished him. He has searched the world to find an artifact of power, such power that he could destroy his enemies. He wants to locate an orb that has the power to awaken a powerful dragon, which if he succeeds, means widespread destruction. When word of his quest reaches the Empire of Izmer, the land he wants to conquer, a group is dispatched to thwart his plans. But can this group manage to defeat Damodar yet again, or will he have his revenge?
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Mike Reilly (Stephen Dorff) is an NYPD detective who is called to the scene of a death buster endosycoasteristicated mysterious death in the subway system. The victim, Polidori (Udo Kier), exhibits bleeding from his eyes and other orifices and, by the frozen look on his face, appears to have been scared to death.
Department of Health researcher Terry Huston (Natascha McElhone) is intrigued by the find as well, particularly when several more victims show up with identical symptoms.
Who's Your Daddy?
Nice, nerdy Xenia, Ohio senior high school reporter Chris Hughes (18), paperboy and cool quarterback Hudson Reeds cool packs punching-ball, cant even get girls to attend a free booze-party. When Chriss biological parents, publisher Peter Mack and nude model Honey, die, he inherits a horny teenagers wet dream Heaven magazine porn empire, a huge Hollywood play heaven villa and 87,000,000 cash, which instantly makes him Mr. Popularity. However his uncle Duncan Duncay Mack plots with lawyer Michael Hunt, the trust administrator, to cover up their embezzlement and steal the firm while the naive heir parties and barely attends school.
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The film begins with high-level military leaders from both North and South Korea discussing the surrender of a North Korean 50 MT nuclear warhead (BiGeokJinCheonRyoe, Korean 비격진천뢰) in a secret underground development bunker near the DMZ. The warhead was secretly jointly-designed, but international pressure has forced North and South Korea to hand over the device and close the facility. North Korean officer Major Kang, displeased with the conciliation of the Koreas, rebels and steals the warhead with the help of several of his loyal soldiers, even killing some North Korean guards in the process. Due to the top-secret nature of the meeting, the leaders of both sides cannot request reinforcements to apprehend the officer, and instead dispatch a South Korean special forces platoon under the leadership of Major Jung-Woo Park, who was present at the meeting.
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Having no family, Marshall Hogan III (Warren Kole) has been granted residency in the house of his best friend Spence Holmes (Jason Jurman). But Hogan has a sexual habit that makes Spence's dad and girlfriend (Kaley Cuoco) fear that Spence could adopt it, too. It is an attraction to older - if not just plain old - women.
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The Last American Virgin
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.
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When Suzie and her parents take a visit to Japan her fathers business partner, an inventor called Tetsuro decides to make Suzie a robot. The robots name is Too Much (or TM for short) and he and Suzie become the best of friends. But when the day comes for Suzie to return home she finds shes not allowed to take TM with her, so they run away together. However, they must watch out for a rival inventor of Tetsuros is looking for them so that he can examine TMs programming. Will TM and Suzie manage to escape from his clutches and prove that love conquers all?
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In Kentucky, five sexy students are trapped to spend the night in an abandoned sanatorium, where many people were killed in the 30s when the location was devastated by an infectious white plague, as a prank of their school mates. Along the night, while trying to escape from the asylum, they are haunted by ghosts and the survivors disclose that they are descendant of the victims and are reviving their deaths.
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Everyday Black Man
Since closing the door to a violent past, quiet and thoughtful Moses Stanton everyday existence is running a small neighborhood store, and watching over his daughter who doesnt know he exists. When a young man, Malik, comes in claiming to be a black Muslim that is doing good for the neighborhood, Moses takes him on as a partner but soon realizes that Malik is nothing but a drug dealer seeking to destroy the neighborhood and Mosess daughter. Therefore, Moses must become the man he used to be in order to save his beloved neighborhood and his daughter.
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