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As high-concepts go, Outlander is a doozy - spaceman becomes stranded in a Viking land with an alien in hot pursuit. Yet in spite of such a ridiculous premise, the film actually works, resulting in something of a sci-fi gem.
Jim Caviezel plays Kainan, a human warrior from a faraway world, whose spacecraft crash lands in the Viking territory of Herot in 709 A.D. Soon captured by the locals, he stumbles into a bloody war between King Rothgar (John Hurt) and King Gunnar (Ron Perlman), while at the same time falling for the womanly charms of Rothgar's daughter Freya.
The Lookout is an effective little thriller that almost works from taut beginning to unspectacular end. The premise is interesting and the story is developed in such a way that the viewer is engaged throughout. The opening scene hooks us and the movie spends the next 90-plus minutes reeling us in. The ending, however, is where The Lookout's problems arise. The concluding sequences are paradoxically overplotted and underwritten. One character vanishes suddenly and inexplicably while the story engages in a few too easy contrivances in order to wrap things up. I left the theater entertained but not fully satisfied.
If you're going to make a vampire movie, here's a piece of advice: leave Dracula out of it. The character is so iconic that virtually no cinematic interpretation will do him justice. Unfortunately, that's not something that writer/director David S. Goyer recognizes. So, in order to give vampire-hunter Blade a "worthy" adversary for his third outing, Goyer elects to pit the hybrid superhero against his old comic-book nemesis (on the written page, Blade first debuted in "Tomb of Dracula"), with unfortunate results. Take away the film's attitude, and you're left with Son of Van Helsing.
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The cinematic landscape of early 2000 is littered with the carcasses of disappointing dinosaurs presented by respected, or at least recognizable, filmmakers: John Frankenheimer and What Planet Are You From?, Danny Boyle and The Beach, Brian De Palma and Mission to Mars, and Roman Polanski and The Ninth Gate. Finally, with Erin Brockovich, Steven Soderbergh has at least temporarily halted the trend. Erin Brockovich is a source of unimpeachable entertainment - a breath of fresh air in an arid, lifeless desert of studio dumps and throwaways. An intelligent and involving thriller featuring a strong performance from lead actress Julia Roberts and scene-stealing work from Albert Finney, Erin Brockovich represents the first enthusiastic recommendation I can make for a 2000 motion picture.
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Freddy Got Fingered
Before I embark upon an extended streak of name-calling and Tom Green-bashing, let me say a few words about the subjective nature of comedy. Everyone has a different opinion of exactly what constitutes good humor. For some people, it's Victor Borga. For others, it's Monty Python. And for still others, it's Tom Green. (Hopefully, those in the latter category aren't numerous.) I like to think that I have a fairly broad-based sense of humor (I suppose everyone says the same thing). I can laugh equally hard at Mark Russell, This Is Spinal Tap, American Pie, and Monty Python and the Holy Grail. Green, however, doesn't do anything for me. On those rare occasions when my channel surfing has brought me to his MTV show, I have rarely stopped for more than a minute or two before moving on. I'm sure Green fans, inasmuch as there are Green fans, will delight in the cesspool that is Freddy Got Fingered. The film probably delivers what they are expecting.
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Man on the Moon
Without a doubt, a reaction to comedy is one of the most subjective forms of human expression. What one person finds hilarious, another may view as tedious. For every person who sits through Dumb and Dumber stone-faced and unamused, another will be clutching at his sides as the tears of laughter spill from his eyes. And for everyone who chuckles knowingly at the phrase "No one expects the Spanish Inquisition!", there will be someone who offers a blank, quizzical stare. A person's reaction to a joke has less to do with intelligence, sophistication, or education than with background, mood, and personality. There are some things that almost everyone finds funny, but many attempts at humor will only be appreciated by a select audience that is in the right frame of mind at the right time.
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A curious thing happened to Cosi on its way to a United States release -- it got lost. Or at least temporarily misplaced. Miramax Films began showing trailers for this movie more than a year ago, but the opening date was repeatedly delayed until just about everyone had forgotten about it. Now, eleven months after it premiered in Australia, Cosi is finally set to open. Unfortunately, it's not really worth the wait. The film is like a half-baked amalgamation of A Midwinter's Tale and Shine, and doesn't excel as either a comedy or a drama.
The family man Wade Porter is living the American Dream with his girlfriend Laura and their son Michael they have a nice house, he has just raised a loan to make his company grow and they are going to get married. However their dream becomes a nightmare when Wade unintentionally kills a burglar that had broken into their house in the middle of the night on his lawn. He is sent to trial and accepts a deal proposed by the prosecutor, being sentenced to three years in prison. During the transportation, there is an incident in the bus and Wade is framed and sent to the maximum security wing under the command of the corrupt Lieutenant Jackson. His cell-mate John Smith that was sentenced to life revenging the death of his family befriends Wade and gives helpful advices and hope to Wade to return to his family.
Dirty Pretty Things
Okwe (Chiwetel Ejiofor) is a Nigerian man who drives a cab in London during the day and works at the front desk of a hotel at night — chewing khat (a stimulant) to keep awake. Okwe was formerly a doctor in Nigeria. In London he is pressed into giving medical treatment to other poor immigrants — including fellow cab drivers with venereal diseases. Okwe's friend Guo Yi (Benedict Wong), an employee at a hospital mortuary, provides him with antibiotics under the table.
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Confessions of a Dangerous Mind
Chuck Barris' (Sam Rockwell) sole purpose through his teenage years (Michael Céra) in Philadelphia concerns promiscuity, but he is unsuccessful. Inspired by a television advertisement, he moves to Manhattan to become an NBC page. He dreams of becoming famous in television, but is eventually fired. Chuck moves back to Philadelphia and becomes Dick Clark's personal assistant on American Bandstand in 1961. There, he writes the successful "Palisades Park" song with Freddy Cannon and falls in love with a woman named Penny Pacino (Drew Barrymore). Chuck is given permission to pitch the concept for The Dating Game at the American Broadcasting Company (ABC); he receives $7,500 to create a television pilot for the studio. However, ABC abandons The Dating Game in favor of Hootenanny. Chuck then struggles with his life and ends up in bar fights. He is noticed by Jim Byrd (George Clooney), a CIA agent who recruits Chuck as an assassin.
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Think breakdancing died in the eighties? Think again. PLANET B-BOY is a feature-length, theatrical documentary that re-discovers one of the most incredible dance phenomena the world has ever seen. Originally known as B-boying, breakdancing was an urban dance form that originated from the streets of New York City during the seventies. Along with Emceeing, Graffiti and DJing, B-boying served as one of the crucial elements in the birth of hip-hop culture in America.
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Eye of the Beholder
A nameless private eye shadows the same woman (who happens to be a serial killer of men) all over the U.S. for 10 + years, without her ever knowing and he strangely enough occasionally acts as her guardian angel.
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Chris Brander has always been friends with Jamie Palamino, but now decides it is time to take his relationship to the next step. The problem is, is that Jamie still wants to be Just Friends. When he runs away and moves to L.A., he becomes a attractive music manager, who everyone wants. When his jet crashes, when flying to Paris with his newest singing sensation, Samantha James, he ends up back home. To his surprise, he encounters Jamie again, and sets out to be more than Just Friends this time.
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L.A.P.D.: To Protect and to Serve
Exploding from todays news headlines L.A.P.D. is a story of the largest police department in the world. Captain Ellsworth (Dennis Hopper) barely manages to contain his rage after a new officer Steele (Marc Singer) disobeys orders to wait for SWAT backup and turns a bank robbery into a deadly shootout. Shortly after Steele catches Lt. Alexander (Michael Madsen) and his gang of dirty cops robbing a warehouse. Steele decides to look the other way and accept a payoff. His decision escalates into a maelstrom of corruption debauchery and murder as he falls inside the dark underworld of crime and conspiracy in the ranks of the L.A.P.D.
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Someones trying to make the students sick at the upscale boarding school, Danforth Academy! Abby, Paige, Claire and Taylor, join forces to solve the mystery. Could it be Mia or Riley - the girls who have everything that money can buy? Or Emily the know it all Principals daughter? Maybe its the wacky Sean Meneskie? Or the schools strange Professor Plume. Whoever it is, the four best friends are going to find out!
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