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Writer, producer, and wannabe action star Hector Echavarria, still fresh from shooting the MMA turkey NEVER SURRENDER, returns with another exploitive, low-budget MMA bomb in the same year and heís even wearing the exact same clothes! Again, we get a group of pro-MMA fighters in supporting roles, unnecessary soft porn, bland power rock, and shoddy fight work that does neither MMA justice nor action cinema in general.
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Whilst it may be a lucky co-incidence that married couple Michael Douglas and Catherine Zeta-Jones share the same birthday, it is a less happy co-incidence that they should both have films released to DVD by Roadshow in the same month; in the case of the latter with only a blink-or-you-miss-it theatrical run. Solitary Man, featuring Douglas, saw him receive some of his best notices of recent times yet it dribbled into Region 4. It was an opposite fate to Zeta-Jones' latest rom-com, The Rebound, which comes to DVD here prior to a December cinema date in the US. Although Solitary Man is the better film, both could be seen as victims of the GFC where it is cheaper to just get the film out rather than lavish millions on promotion.
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Shoot on Sight
Shoot on Sight, the title refers to a contentious, post-9/11 British law-enforcement policy, doesnít make pulses pound in the tradition of a big Hollywood police thriller but instead focuses on the human story and thatís what is more commendable.
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Yes, Unknown is preposterous. That in and of itself is not a reason to avoid the movie. The problems lie in the way the absurdity is presented and the manner in which the screenplay resolves once the "truth" is revealed. Alfred Hitchcock rarely met an outrageous plot twist he didn't adore, yet he was so apt at filming serpentine thrillers that we rarely recognized we were being bamboozled until long after the end credits had rolled and the house lights had come up. Many of Hitchcock's best films, if handled by a lesser talent, might have looked something like Unknown. The material keeps our attention but, as we get closer to the inevitable point at which the curtain is pulled back, the movie starts to feel more like a parody than a serious endeavor.
I suppose Blue Crush can be viewed as a "guilty pleasure", with an emphasis on the first word of that phrase over the second one. The movie, the latest directorial effort from John Stockwell (Crazy/Beautiful), is redeemed to one degree or another by some innovative camera work during the surfing sequences. However, Blue Crush's attempts at character building resort to clichés and formulas that occasionally lead the movie down annoying paths. The film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based "drama", but the emphasis on the latter leaves Blue Crush waterlogged.
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As coming of age stories go, Wah-Wah does little to distinguish itself. Based on the memories of actor-turned-director/writer Richard E. Grant, the bland film loses its focus early during the proceedings and never gets it back. With the late 1960s independence of Swaziland from Great Britain forming the political backdrop, Wah-Wah takes us through the adolescent struggles of Ralph Compton (played by Zachary Fox at first, then by Nicholas Hoult): his battles with his alcoholic father, Harry (Gabriel Byrne); his love/hate relationship with his absent mother, Lauren (Miranda Richardson); his warming interaction with his American step-mother, Ruby (Emily Watson); and his infatuation with a local girl (Olivia Grant). The problem with so much going on is that nothing gets the development it deserves. Wah-Wah comes across as derivative and perfunctory - a painless but forgettable journey across familiar cinematic territory.
Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contenders as The Grudge and The Ring. In general, I like horror, but the watered-down PG-13 content of movies like Pulse is depressing. It's not scary, it's not chilling, and it's not interesting. (Although we are treated to a bathtub scene in which an actress choreographs her movements in such a way that she reveals nothing to the camera despite getting the fright of her life.) Pulse takes things a step further. There are no effective "boo!" moments, the characters are personality deprived, and the production has such a generically dark look that it could have been composed by a computer. Director Jim Sonzero's lack of experience is on display for all those unfortunate enough to waste money and time on his feature debut.
You may have to look long and hard to find a 2005 movie with as cynical an outlook on global politics as Syriana. Sadly, this is a situation when the cynicism is understandable. In addition to painting a bleak picture, Syriana makes no concessions to impatient audiences or viewers with short attention spans. The density of narrative is remarkable considering the Hollywood trend toward simplification. This movie is plot-driven from start to finish, and it needs all 126 minutes to tell the whole story. It takes approximately three-quarters of that time before we see the pattern as more than just a random interweaving of threads. Give up on or lose track of Syriana and the payoff won't be as forceful.
Supernatural villain Pinhead finds himself on the wrong side of the law in this, the fifth film in the Hellraiser franchise. Joseph (Craig Sheffer) is a detective with the LAPD who one morning discovers he's no longer living in California -- he's been exiled to Hades, and the only way to escape is by solving the mystery of the all-powerful puzzle box.
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Empire of the Sun
Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents.
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Two college students, Halley Smith (Yvonne Gaudry) and Rich Stoker (Joel Harris), are rock climbing in the West Virginia Forest. Rich reaches the top, while Halley continues to climb. After Halley begins to struggle, she notices Rich's bloodied hand at the top of the cliff before his body is thrown off the cliff. Someone begins to pull Halley up the cliff by her climbing rope. She cuts it, making her fall. She attempts to escape to her car but trips over barbed wire before being pulled back into the woods by an unseen force, before having her throat slit.
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Adrift in Manhattan
A meditation on isolation and intersection in the big city - the layered story of three characters who find courage to move to the next stage of life through profound encounters with strangers they meet on their daily routes. Rose, an optometrist paralyzed by crushing grief after the death of her infant, has built a wall around herself, unable to relate to her estranged husband or anyone else. When an elderly patient, a painter losing his eyesight, begins to visit her office unannounced, Rose registers how alone he is, urging him to reach out and ask for help--something neither does easily. Meanwhile Simon, a late-blooming teenager with an overbearing mother, photographs people at a distance with a borrowed long lens. One day, Rose, beautiful and melancholy in a vibrant scarf, comes into focus in his camera sight. The pictures he shoots become a conduit for each of them to touch something deep within and expand their confining existence. - Caroline Libresco
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The Escort III
Cant find any description in the net. So ahh... Its some kind of a detective movie with lots of late nineties adult stars and some softcore scenes.
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Rudy: The Rudy Giuliani Story
Biographic movie of the witty, overachieving, hot-tempered Rudy Giuliani, spaning from his rising days as a New York district attorney in the early 1980s to his marriage to part-time actress Donna Hanover, to his candicies for mayor of New York City and his controversial methods to tackle the citys crime and urban problems, as well as his romance with his assistant Cristyne Lategano which lead to the failure of his marriage, to his battle with prostate cancer, all leading up to the terrible day of September 11, 2001 which Guiliani himself narrowly escaped death after suicide terrorists hijacked and crashed two passenger airliners into the twin World Trade Center towers leading to their collapse in which Guilianis toughness and spirited personality help calm the citys residents to face the chaos on that day which made him a national hero.
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Kiss the Girls
Washington DC detective Dr. Alex Cross travels to North Carolina to investigate the apparent kidnapping of his niece. Aided by escaped kidnapee Kate McTiernan, Cross hunts down the kidnapper, who operates under the pseudonym Casanova.
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Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of todays challenging times, each of the colorful citizens of this close-knit North Carolina community, will search for ways to reinvent themselves, their relationships and the very heart of their neighborhood.
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