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Sometimes after watching a fantastic film you get that sudden rush of enjoyment and sheer excitement that the horror genre is head in the right way again. After watching Babysitter Wanted I had that feeling and I knew that the horror genre is still capable of pumping out fantastic films on a budget. This is one of those films that I am very proud to be able to review and let everyone know that this is a film that you have to keep your eye on. It is without a doubt one of the best films I have seen in the past ten years. So may this review serve as an open letter to all the horror fans, distributors and fellow horror critics hunt this movie down and watch it. You won't regret it.
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Into the Wild
For those who have read Thoreau's Walden, there comes a time, maybe only lasting a few hours or a day, when the notion of living alone in a tiny cabin beside a pond and planting some beans seems strangely seductive. Certain young men, of which I was one, lecture patient girl friends about how such a life of purity and denial makes perfect sense. Christopher McCandless did not outgrow this phase.
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About a Boy
Talk about an unenviable task... Universal Pictures has chosen About a Boy to be a sacrificial lamb, electing to open it on May 17, opposite Attack of the Clones. Maybe they're hoping that movie-goers disappointed by sell-outs at the latest Star Wars sequel will buy a ticket to this movie. Or maybe it's counter-programming, although the desire to see the Star Wars movies cuts across racial, class, gender, and generational boundaries. It's too bad that the distributor has matched About a Boy against such an undefeatable opponent - this movie is deserving of more exposure than it's likely to get. It may not be a "must-see" blockbuster, but it's better than a lot of what passes for summer entertainment.
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Blood and Chocolate
How do you get a werewolf movie to earn a PG-13 rating? Turn it into a Harlequin romance. Actually, Blood and Chocolate still shows signs of neutering but what has been toned down to get the teen-friendly classification is the sex and nudity not the gore. One has to give the filmmakers credit for carving out a new niche in werewolf lore (this sort of story is typically reserved for vampires - werewolves aren't generally viewed as sexy). Director Katja von Garnier approaches a human/lycanthrope coupling as a Romeo & Juliet affair, only with a little more fur involved.
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Harold and Kumar Escape from Guantanamo Bay
Harold and Kumar Escape from Guantanamo Bay exists because it was cheap to make and has a devoted core audience, not because its predecessor, Harold and Kumar Go to White Castle, was a blockbuster. The filmmakers, understanding what made the first movie successful with its adherents, avoided changing the formula this time around. The second H&K movie might just as easily be called Harold and Kumar: More of the Same. Escape from Guantanamo Bay picks up where White Castle ended and continues the comedic episodic story, stretching it out to epic length, albeit without epic content.
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It's not a stretch to say that I am not a member of Aquamarine's target demographic. It's a good bet that about 90% of the film's viewers will be girls between the ages of 8 and 14. I'm sure the movie works better for them than it did for me. Still, all things considered, I have to admit that sitting through Aquamarine was not the most unpleasant recent cinematic experience I have had. The plot - a cliché-riddled, modern day amalgamation of two fairy tales ("The Little Mermaid" and "Cinderella") - won't win points for originality, but the screenplay includes some snappy dialogue, smart observations, and an uplifting message about the importance of friendship. And, although there are a fair number of stock characters, including the bitchy bitch and the studly stud, the protagonists are likable and nicely rounded. The problem faced by 20th Century Fox is selling the movie.
To describe The Ring, two adjectives leap to mind: spooky and lame. The former refers to the tone and atmosphere, which are about as good as it gets for a ghost story. The latter refers to the storyline, which is about as poorly constructed as can be imagined – a sad amalgamation of irritating contrivances and gaping plot holes that defy even a generous attempt to suspend disbelief. And, while I normally appreciate open-ended motion pictures, The Ring takes things too far by leaving about 75% of its questions unanswered. This isn't an artistic choice; it's screenwriting sloppiness, and it results in a profoundly dissatisfying experience.
Gods and Monsters
Frankenstein. The Old Dark House. The Invisible Man. The Bride of Frankenstein. Show Boat. Although this may sound like one of those "which doesn't belong" games, there is a common element to all five '30s motion pictures - they are the enduring legacy of director James Whale. Whale, an Englishman who started on the British stage, came to Hollywood in 1930, and, with the release of Frankenstein in 1931, established himself as a premiere horror film maker. Whale's career spanned the '30s, but, after the spectacular failure of 1937's The Road Back (a picture on which he claims to have lost creative control), his star dimmed. By the mid-'40s, he was out of the motion picture industry and had turned his attention to painting. In 1957, following a stroke that left him in a state of constant mental deterioration, he drowned himself in a swimming pool. Gods and Monsters presents a fictionalized account of the last month of Whale's life, and is replete with flashbacks to his boyhood, his time in the trenches during World War One, and his movie-making heyday.
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It's probably unfair to characterize The Phantom as a Batman-wannabe, since Lee Falk's comic book creation predated the Caped Crusader. Nevertheless, as far as motion picture adaptations are concerned, Michael Keaton first stepped into his suit seven years before Paramount Pictures released this movie. And, since both superheroes lack recognizable super powers and wear costumes, the connection is obvious. It should be noted, however, that while Batman's form-fitting suit looks a lot more stylish than The Phantom's cheesy purple outfit, appearance isn't everything -- this film is more fun than Tim Burton's 1989 atmosphere-soaked, empty-headed yarn.
Say Anything is one of the best in a long line of teen romance movies, if not the best. Unlike many of its fellow genre entries, it is not filled with crude sex jokes, nudity, a lobotomized population, and poorly-defined subplots. And, while the broad strokes of the storyline are familiar, the details are what make this movie special -- smart, well-developed characters, believable situations, and a solid emotional investment for us in the film's people and circumstances. There's nothing exploitative or condescending in Say Anything's approach -- it tells it like it is, with subtle humor and carefully-modulated pathos, capturing the nuances of teenage love in a way that few other screen productions can boast.
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Fresh from the Corman camp comes Barbarian, yet another faceless entry in the previously-thought-dead subgenre of Mega-Low-Budget Swords & Sandals. If this movie were any more hilarious, I'd start a nationwide petition to make sure video vendors plunk this one down on the Comedy shelf.
Rare is the turkey this meaty.
Ali Willis (Bijou Phillips) and Lisa Connelly (Rachel Miner) visit Bobby Kent (Nick Stahl) and Marty Puccio (Brad Renfro) at the sandwich shop where they work. Bobby slams Marty's head against a refrigerator in full view of the girls. Marty, Bobby, Ali, and Lisa all go out on a double date. While Ali performs oral sex on Bobby, Lisa and Marty have sex and enter into a relationship. Lisa later confesses that she "loves him and would do anything for him." Lisa takes a pregnancy test and learns she is pregnant, most likely with Marty's child. However, prior to this, Bobby had burst into the bedroom, interrupting Marty and Lisa having sex, and beat up Marty with the words, "I'm next...". Although it isn't shown, Lisa tells her friends that she was raped by Bobby, while Marty was unconscious. She now fears the child might be his.
K-19: The Widowmaker
In 1959, the Soviet Union launches its first ballistic missile nuclear submarine, the K-19 — nicknamed "The Widowmaker" due to the many deaths that occurred during its construction. The ship is led by Captain Alexei Vostrikov (Harrison Ford), aided by executive officer Mikhail Polenin (Liam Neeson). Polenin and the crew have served a number of years and missions together but Vostrikov's appointment is shown to be aided by his wife's political connections, her uncle is a member of the Politburo. During an early inspection, Vostrikov discovers the officer in charge of the sub's nuclear reactors to be drunk and asleep on-duty. Against Polenin's advice that the man is "the best reactor officer in the fleet", Vostrikov sacks the officer and orders Polenin to request a replacement. The new reactor officer arrives direct from the naval academy and has never been at sea. During the K-19's official launch, the bottle of champagne doesn't break when it strikes the bow; the sailors glance nervously at each other due to this renowned sign of bad luck.
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Perry Roberts is about to graduate from a prestigious private college. The son of a corrupt Congressman, Perry has lost faith in all the things he held true - his family, girlfriend, and the American Dream. He finds himself emotionally bereft and depressed. In search of self-discovery, Perry meets Giovanni, an art student with an unrealized gift, Giovanni is Perrys polar opposite. Raised by abusive parents and placed into a series of foster homes, Giovanni is brooding and nihilistic. He lives in an altered state full of drugs and sex, capped by a deadly game with a gun and a single bullet! Perry sees Gio as a free spirit, incorruptible and impervious to the pressures of society. Gio believes Perry to be a spoiled rich boy dabbling in existential angst. Perry needs Gio to believe that his pain is real, while Giovanni implores Perry to play his game of Russian roulette to prove the validity of his suffering. As Perry and Gios relationship evolves, and drug-fueled emotions churn, their fates linger at the tip of a revolver with a single bullet. Perry sets out on a quest to save Gio. The only question is, is he in time or too late?
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When Andrew and his disturbed girlfriend, Lila, travel to a secluded estate for a weekend getaway, they fall into the clutches of a predatory murderer who stalks the dark forest near the house. On Halloween night, the town of Hobbs Ferry finds itself at the mercy of the Intruder, a bloodthirsty clown, whose depraved tricks push Lila to the brink of madness.
Men in Black II
Kay and Jay are back in black as the scum-fighting super-agents - regulators of all things alien on planet Earth. Their latest mission to save the world from a total intergalactic disaster! When a renegade Kylothian monster disguised as a lingerie model threatens the survival of the human race, the boys of the MIB get the call to step up and get busy. With their headquarters under siege and time running out, Agents Kay and Jay enlist the help of Frank the Pug and a posse of hard-living worms to help them kick some seriously sexy alien butt!
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