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Dead at 17
It’s a sad fact that most of us have lost or will lose a close friend while we are still young. My first childhood casualty happened when I was in sixth grade. A good friend succumbed after a long battle with leukemia and he was gone forever.
That was a bitter medicine when I was a child and it didn’t get any easier to swallow as I got older. Within the first year of my high school graduation I had lost another friend, and then another. Honestly, I don’t even like to think of how many young lives ended too soon, each as tragic and unnecessary as the first. Yet somehow you find the strength to carry on with your own existence, even if you are never quite the same person you were before.
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It is tempting to see Francis Ford Coppola’s latest work — “Tetro,” a visually lush cinematic fugue about love, ambivalence and two brothers fleeing the dark shadow of their domineering father, a world-famous conductor — through the lens of autobiography. But like much of this movie, the lens appears clouded. Mr. Coppola’s father, Carmine, who died in 1991, was a rather less celebrated musician, best known for some of the scores for his youngest son’s films, including “The Godfather: Part II” and “Apocalypse Now.” Then again, the ravenous, larger-than-life patriarch in “Tetro” could also be a self-portrait of the director.
The Hunt For Gollum
The Hunt for Gollum is a 40-minute indie film produced by Independent Online Cinema, released worldwide on 3rd May 2009. Based in Middle Earth shortly before the events of The Lord of the Rings, it centres on Gandalf and Aragorn's efforts to keep the ring a secret. With Gollum lurking around near Mordor, it is essential that he be found before Sauron discovers the secrets that he holds. It does of course feature a few familiar faces such as Strider (the name Aragorn goes by as a Ranger), Gandalf and of course Gollum himself.
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There are moments - few and far between, admittedly - when Something Borrowed briefly shines. Alas, those isolated instances aside, the movie is largely a waste of time. A tortured romantic comedy constructed on an uncertain foundation of artifice, this adaptation of Emily Griffin's novel routinely fails to escape the decaying orbit of familiar romantic comedy clichés. At the same time, it gives the false impression of somehow being different than and superior to the less sophisticated members of the genre. A successful romantic comedy should offer breezy wish fulfillment as sweet and airy as cotton candy. Something Borrowed is overlong and at times tedious; the taste is gritty and lingers unpleasantly.
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I'm sure there will be wags who will glibly compare Cast Away to the likes of "Gilligan's Island" and "Survivor", but, in tone, approach, and overall accomplishment, this atypical Robinson Crusoe tale bears a strong resemblance to one of director Robert Zemeckis' earlier efforts, Contact. No, Cast Away isn't about space or messages from another planet, but, at its core, neither was Contact. Both films ask the same crucial existential question, one that Shakespeare pondered for years: taking all things into account, what does it mean to be human? How do we cope with loss, hopelessness, and isolation, and still find the courage to face the next day? The love and dream of a dead father sustained Jodie Foster's character in Contact. For Tom Hanks' Chuck Noland in Cast Away, it is the promise offered by the smile of his equally absent - and equally beloved - wife-to-be.
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Jonathan Hensleigh's directorial debut is the second movie to be based on the Marvel Comics character of The Punisher. The first film, released in 1989, stars Dolph Lundgren in the role essayed here by Thomas Jane. The earlier picture is rarely cited as one of the great comic book-to-screen translations, and, unfortunately, the 2004 version doesn't make a noticeable improvement. In recent years, a lot of Marvel superheroes have made the leap from printed page to silver screen. None has been given more shoddy treatment than The Punisher.
Mike Leigh has always been known as a creator of exceptional, insightful character studies. Often, his films do little more than trace activities in the life of a person or persons over a several-day period. However, whereas comedies such as Life is Sweet and High Hopes showed Leigh's whimsical side, Naked is anything but charming. This movie is brutal and raw, and its sense of humor comes with a serrated edge.
These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a flood of sequels, films based on novels, films based on TV series, remakes, or a combination of the above. Sabrina joins this list as the latest classic whose script and cast have been updated for the '90s -- although in the case of this variation on the Cinderella tale, the story admittedly has a certain timeless quality.
Baltimore, Maryland, 1980: in his townhouse, psychiatrist Dr. Hannibal Lecter (Hopkins) hosts a dinner party, where his guests might well be dining on portions of a man they knew. Lecter is later visited by Will Graham (Norton), a gifted, young FBI agent, with whom he has been working on a psychological profile of a serial
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Tears of the Sun
A coup d'état occurs in Nigeria, violently overthrowing the Presidential Azuka family, and establishing the dictatorship of rebel general Mustafa Yakubu. The Northern Fulani Muslim rebels then execute a violent ethnic cleansing, against the Christian (mainly Catholic) Igbo tribes in the southern region.
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A hard-boiled tale of bloody revenge... Cash, a gun-slinging ex-convict, is on a death quest to find Hector Gonzales, the man who murdered his wife over a decade ago. Hector Gonzales is a ruthless kingpin who has risen through the ranks over the last ten years and now stands on the verge of ruling the city - a city on the verge of an all out syndicate war. Cash and Gonzales are on an ultra-violent collision course that will determine, once and for all, who owns the streets.
Dramatisation of the 1991 perjury trial of former Queensland state Premier Joh Bjelke-Petersen.
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Let It Ride
Jay Trotter drives a cab. His friend Looney does likewise and has a secret microphone in the taxi to record his passenger conversations.
Looney has a tape of two men talking about a horse race and how one of the horses, due to some unethical practice by its owner, is a sure thing to win big. Trotter realizes the potential value of knowledge of a fixed horse race and goes to the track to make a bet -- despite the fact that the day before, he told his wife Pam that he would quit betting and would be home to, "start their marriage over" at noon. Before going to the track, he heads to the bar next door. He goes into a stall in the bathroom and starts praying. He says to God, "Just one day, that's all I'm asking for, one day, I'm due." A man exiting the bathrooms says "Ya? So's Jesus. Let it ride."
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In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the countrys most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. In 1939, the aristocratic Lady Sarah Ashley travels from Great Britain to Australia to meet her husband Maitland Ashley in northern Australia. The husbands drover comes to the city of Darwin to bring Sarah to their farm however, when they reach Faraway Downs Farm, they find that Maitland was murdered. Sarah befriends Nullah, who tells her that the administrator Neil Fletcher is stealing her cattle has killed her husband and is working for the cattle baron King Carney. Sarah fires Fletcher and his men and together with Drover, Nullah and a group of loyal employees, they ride together to take the cattle to supply the army and win a tender in times of war. But the ambitious Fletcher has other intentions and uses Nullah to press Sarah.
Two foster brothers cant convince anyone that theyre just that But thats old hat to them. Seeing it all the time, they decide that they have to rob it The money train that collects and transports the stations fare cash.
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Mega Shark vs. Giant Octopus
The California coast is terrorized by two enormous prehistoric sea creatures as they battle each other for supremacy of the sea.
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