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There's a lot you can do inside a wooden coffin, as it turns out. As one-room storytelling goes, Spanish director Rodrigo Cortés takes 'Buried' to a horrific new extreme. Taking place entirely inside the confines of a wooden crate, Buried is equal parts thriller and spectacle; the kind of filmmaking that smacks of invention – but with genuine purpose, not just as an exercise in gimmickry.
Ryan Reynolds' character, Paul Conroy, is in an unfortunate position. He's a contract truck driver working in a province of Iraq and now he's buried in a box somewhere in the desert – and that's all he knows. What follows is a tense and occasionally shocking story that relies almost entirely on clever sound design and carefully manipulated lighting elements to provoke reactions from the audience.
The army is experimenting with a deadly toxin which turns people into mindless zombies. An army captain escapes from the Iraq war to bring this important weaponized biological agent back to America. 28 days later he has rented a terrible apartment in order to continue his research into how his evil red liquid is able to turn an ordinary human into a raging cannibal. The local gangbangers stop by to welcome him to the neighborhood. The captain sizes them up as great guinea pigs. Soon the toxin is released and the mutated zombies rampage through the apartment building.
I will say this for Old Dogs: It is exactly as funny as you'd expect a movie to be that stars John Travolta and Robin Williams as two bachelors who must suddenly take care of precocious 7-year-old twins, and that was directed by the man who made Wild Hogs. Which is to say, it is not the least bit funny, not once, not even for a minute. Imagine a season's worth of plot devices from TV's most generic sitcom crammed into 88 excruciating minutes.
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Waitress is a pleasant dramatic comedy that overcomes its tonal inconsistencies by presenting an engaging lead character with whom its virtually impossible not to empathize. The film makes its share of missteps, occasionally feeling a lot like a sit-com and sometimes calling attention to quirky filmmaking devices that don't work (such as a character's face being frozen for an inordinate amount of time in a single expression). In the end, however, Adrienne Shelly's movie has enough of a heart that it's easy to forgive, if not entirely overlook, such issues.
5x2 is a departure for François Ozon, at least from his recent films. This is a simpler, more basic story than Swimming Pool or Under the Sand, and does not star either Charlotte Rampling or Ludivine Sagnier. Throughout his career, Ozon has delighted in switching genres and tones from film-to-film. He has done everything from dark, psychological thrillers to jaunty musicals. 5x2 takes him in yet another direction: the romantic drama. And it's another winner, at least for those who appreciate this sort of adult material and the unhurried pace applied by the director.
Pursuit of Happyness
With a title like The Pursuit of Happyness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It expands into two hours a story that could have been told more effectively in one. This is not the feel-good movie of the season unless you believe that a few moments of good cheer can redeem 110 minutes of gloom. Sitting through The Pursuit of Happyness is a chore. Downbeat movies aren't inherently bad (in fact, many are powerful), but this one provides artificial characters in contrived circumstances. How is it that movies "inspired by a real story" often feel more fake than those fully embedded in the realm of fiction?
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Despite dismal box office results across-the-board, the major movie studios have yet to figure out that the American public is not interested in preachy movies about the war in Iraq. Filmmakers interested in producing compelling dramatic films about the Iraq conflict should look to the Vietnam war oeuvre, which contains many superior motion pictures. Unfortunately, what we have been immersed in thus far with the Iraq-based war stories tends to be simplistic and uninteresting. The underlying premise goes something like this: War is hell, the U.S. government is deceitful, and soldiers are being irrevocably damaged. Whether I or any other viewer agrees with this is not the point. It's the job of the filmmakers to present these themes in an intelligent, dramatically potent manner. With Stop-Loss, Kimberly Peirce is no more effective than the others (including Robert Redford, Brian De Palma, Gavin Hood, and Paul Haggis, among others) who have preceded her down this road. In her zeal to wave the flag of protest, she has lost sight of her characters and the reality of their situation. After a strong start, Stop-Loss becomes driven by a series of contrivances before falling prey to bad melodrama and even a little cheesiness.
There was a time during the long history of the adult entertainment industry that porn films showed signs of artistic ambition. During the late '70s, a small cadre of directors believed that they could combine the raunch of real sex with an involving plot. It was a lofty goal, and one that ultimately proved impossible to realize, especially with the advent of video forcing movies to be made cheaper and faster. In his new film, Boogie Nights, writer/director Paul Thomas Anderson takes us back to the disco era, and, by following a small group of characters, recreates the rise and fall of "artistic porn" and those who participated in it.
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Mr. Popper's Penguin
Thomas "Tom" Popper Jr. (Jim Carrey) is a divorced realtor whose father traveled to many far places around the world during his childhood. When his father dies, a crate containing a Gentoo Penguin (Captain) shows up at his doorstep. Eventually, due to a miscommunication, more penguins arrive (Bitey, Stinky, Lovey, Nimrod and Loudey), bringing the total to six. Popper initially intends to donate the penguins to a local zoo, but changes his mind when his children fall in love with the birds.
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The film begins with 18-year old Grace Ann Bennett (Selena Gomez) working at a diner with her best friend, Emma Danielle Perkins (Katie Cassidy), a high school dropout. Grace adds another pinch of change to her jar marked “Grace’s Fund for Paris.”
At graduation, the valedictorian is speaking when Meg Kelly-Bennett (Leighton Meester), Grace’s uptight older stepsister, comes in late. Everybody turns to look, embarrassing Meg. That night, at dinner, Grace’s stepdad (Brett Cullen) announces that he has paid for all the girls to go on a trip to France. Meg, who does not want to go with the girls, refuses. She states that she hasn't gotten along with Emma Perkins since high school, and now she’s stuck on going on a soon-to-be-disastrous trip.
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Criminal profiler and psychologist Dr Helen Hudson becomes entangled in the deadly mind game of a vicious copycat serial killer Peter Foley. Due to the horrific attack Helen suffered in her past as an agoraphobic she is confined to her apartment. The killer uses this against her in his murderous attempts to become a famous serial killer. Detectives M. J Monahan and Reuben Goetz they have the challenge of trying to capture the killer before he kills again and uses his chance to commit another atrocious murder.
I Can Do Bad All by Myself
When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have their aunt April. A heavy-drinking nightclub singer who lives off of Raymond, her married boyfriend, April wants nothing to do with the kids. But her attitude begins to change when Sandino, a handsome Columbian immigrant looking for work, moves into Aprils basement room. Making amends for his own troubled past, Sandino challenges April to open her heart. And April soon realizes she must make the biggest choice of her life between her old ways with Raymond and the new possibilities of family, faith ... and even true love.
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Liquid Courage 2
It is scary going up against a boatful of brutes. How about a quick jolt of Liquid Courage to even the odds?This expansion to Lifeboat adds a new character (Madam Wong) and a few Liquid Courage cards that add to your size in a fight but make you thirsty at the end of the round.
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Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.
Night Catches Us
In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.
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Ghosthunters find film directors haunted mansion and anger the flesh-eating ghouls inside.
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