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This Is It
The biggest movie release of the week is this somewhat bizarre documentary/concert film that chronicles what turned out to be the final weeks of global pop phenomenon Michael Jackson's life.
The flick is made up of rehearsal footage of Jackson's ill-fated 'This Is It' swansong tour, which would have seen the singer perform 50 (sold out) concert dates at London's 02 Arena. Fate intervened however, with this distillation of the hours of material shot for a making-off documentary all the public will end up seeing of the sure-to-be-spectacular show.
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The first 'reality blockbuster' is a winner. Cloverfield is a lean, brisk roller-coaster of a monster movie, buoyed by the lack of story gimmicks and absurd characterizations that weigh down most movies of this ilk, no offense to you personally Mr. Broderick. In the aftermath, it will dawn on you that it's actually quite traditional -- every character has an arc -- but it doesn't feel that way. Nor does it feel like 'found footage', but something in between. Watch the prologue carefully, as our narrator/cameraman, whose point of view we'll share, is trying to make a standard going-away party commemoration tape interesting by sniffing out some sex gossip and self-consciously creating his own drama with a girl who wishes he'd get lost. This guy has filmmaking instincts, and when circumstances change and he becomes a 'character' in a disaster movie, he goes with it. He's not just pointing a camera -- he's making Cloverfield: The Movie. Ten years ago, we would have said 'it's not realistic that this guy would keep the camera rolling,' but those days are long gone.
A lot of the time, watching a movie, we recoil or start at something in it: That's fake, we say, and dismiss the whole film. On many occasions, that impulse is correct because the film is fake, but on rare occasions, we feel that sensation of dislocated wrongness not because the film is fake but because our world is; we can't wrap our heads around the facts and ugly truths of what we see, can't comprehend how such things are possible, and recoil from them out of refusal to believe, not because they aren't believable. This is one of the challenges Defiance, the newest drama from Edward Zwick (Glory, Blood Diamond) faces as it tells the true story of the Bielski brothers, three Belorussian Jews and outlaw petty criminals who, during World War II's pogroms and purges, protected hundreds of Jews from the Nazis, some surviving and others actively fighting back.
Largo Winch (Tome 2)
Who would have thought there was a Belgian comic book hero out there to rival Tintin? I will come clean on this one right away and admit that I had never heard of Largo Winch before watching this film. However, a quick trip to Wikipedia exposes him as having a legacy spanning several decades, including numerous chronicled adventures, in both novel and comic book form, as well as a previous film incarnation and even a TV series to his name.
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The Adjustment Bureau
Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue the only woman he's ever loved across, under and through the streets of modern-day New York. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt)-a woman like none he's ever known.
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Cadillac Records, while not a "musical" in the traditional sense, is close to 50% musical content and 50% drama. Accordingly, it's about 50% good and 50% bad. The re-creations of some of the most noteworthy blues and early rock tunes from the '50s and '60s feature high-energy performances that do the originals proud. Sadly, the drama that accompanies them is hackneyed and poorly paced - the kind of thing that makes the average made-for-TV movie appear well constructed. There are plenty of small pleasures to be found throughout Darnell Martin's feature, but a compelling storyline featuring three-dimensional characters is not among them.
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13 Going on 30
There's something irresistible about a displaced consciousness story, whether it's an adult occupying the body of a child, a child occupying the body of an adult, or a gender switch. 13 Going on 30 belongs to the same sub-genre as Big, although many of the particulars are different. As films of this sort go, this one is solidly entertaining. It requires that the viewer exhibit a fair amount of willing suspension of disbelief, but buying into the essential premise is more than half the battle. Accept the magic that transports the mind of a 13-year old girl into the future body of her 30-year old self, and little else that director Gary Winick throws out will be difficult to swallow.
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Those regarding Blade II as a travelogue will not be planning their next vacation to Prague, where the bulk of the motion picture takes place. (Economic considerations caused it to be filmed there.) The Eastern European city is portrayed as a shadowy hellhole that's crawling with vampires. Like the recent Queen of the Damned, Blade II postulates that today's society is in part populated by the creatures of the night. They're everywhere. In fact, the ratio of the undead to the living in Prague appears to be ridiculously high.
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An Australian entry into the "found footage" genre of horror movies like The Blair Witch Project, Paranormal Activity and [REC], The Tunnel has mostly gotten press so far for its distribution model - with producers raising money by encouraging people to buy a frame of the movie for $1 and releasing it for free on torrent sites, in addition to having a physical DVD release - rather than it's actual content. Make no mistake though, although the way it's been marketed and distributed is clever, the movie itself has some tricks up its sleeve too, even if it is a bit derivative of the films mentioned above.
The story goes like this: In order to combat the city's water shortage problem, government officials planned to use the vast collection of abandoned railway tunnels below Sydney to build a water recycling facility, even though this would disrupt the population of homeless who supposedly live down there. Suddenly, the project is dropped and there are rumors of homeless people disappearing in the tunnels, even though the government continues to deny that there even are homeless people down there. Investigative journalist Natasha Warner (Bel Delia) decides to go into the tunnels herself to find out what's really going on, but when she's unable to get a permit, she sneaks in along with fellow journalist Peter (Andy Rodoreda), cameraman Steve (Steve Davis) and soundman 'Tangles' (Luke Arnold). They soon discover that there IS something down there, but it may or may not be human. What's worse, it's dark in those old tunnels, and they're running out of light...
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Mission: Impossible III
Mission: Impossible III provides lots of action, but too little excitement. It generates lots of pyrotechnics, but too little heat. And it offers lots of Tom Cruise, but too little Ethan Hunt. In short, if you're yearning for a flashy, leave-your-brain-at-the-door summer movie that never does anything interesting or challenging, Mission: Impossible III has what you're looking for. It's loud, raucous, frenetic, and blows things up real good. But it's testosterone without adrenaline, danger without suspense. Maybe it's foolish to be disappointed by a pure popcorn movie, but as I walked out of this film, I felt it had failed in its mission of pure entertainment.
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Justified - Season Two
The FX drama series Justified is enjoying one of the most critically acclaimed seasons of any show on television this year, and today the network has ordered another season of the hit series, picking up a 13-episode third season, announced John Landgraf, President and General Manager of FX Networks. Six all new episodes remain in season two, airing Wednesdays at 10 PM ET/PT, with the second season finale airing May 4.
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Cross of Iron
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann Stransky is assigned as the new commander of his squad. After a bloody battle of Steiners squad against the Russian troops led by the brave Lieutenant Meyer that dies in the combat, the coward Stransky claims that he led his squad against the Russian and requests to be awarded with the Iron of Cross to satisfy his personal ambition together with his aristocratic family. Stransky gives the names of Steiner and of the homosexual Lieutenant Triebig as witnesses of his accomplishment, but Steiner, who has problems with the chain of command in the army and with the arrogance of Stransky, refuses to participate in the fraud. When Colonel Brandt gives the order to leave the position in the front, Stransky does not retransmit the order to Steiners squad, and they are left alone surrounded by the enemy and having to fight to survive.
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A serial killer brutally slays and dismembers several gay men in New Yorks SM and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him.
Howard the Duck
The story begins of a sarcastic humanoid duck the size of a man by the name of Howard from outer space is pulled from his home world to Earth through a laser beam and somehow winds up in Cleavland where he meets and quickly befriends with Beverly Switzler, a lead singer where they must stop an alien invader known as the Dark Overlords at all costs.
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Men in Black II
Kay and Jay are back in black as the scum-fighting super-agents - regulators of all things alien on planet Earth. Their latest mission to save the world from a total intergalactic disaster! When a renegade Kylothian monster disguised as a lingerie model threatens the survival of the human race, the boys of the MIB get the call to step up and get busy. With their headquarters under siege and time running out, Agents Kay and Jay enlist the help of Frank the Pug and a posse of hard-living worms to help them kick some seriously sexy alien butt!
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No Time to Fear
The most frightening thing about turning a new leaf is discovering death is just around the corner.
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