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Indiana Jones and the Kingdom of the Crystal Skull
It's not that Indiana Jones and the Kingdom of the Crystal Skull, exhumed after 19 years to be the fourth in this series, is bad, exactly. But it's undeniably creaky.
At its world premiere in Cannes, the audience cheered it in advance, even breaking into a wordless singing of its theme tune. But they ended up laughing at moments that weren’t intentionally funny, and they seemed listless for long spells. Their response at the end was polite but muted.
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Battle for Terra
With regard to animated films, Pixar seems to have somehow struck the balance – the precarious middle-road between youthful entertainment and more carefully nuanced adult fare. Where some films pander to the cartoonish and silly, painting the screen with slapstick heroes and cuddly, bug-eyed companions, Pixar has mastered the art of adding just the right amount of substance or intelligence or, dare we say, darkness to the recipe to produce a film that works for all audiences, on all levels. And the reason we mention Pixar, the very center of this cinematic see-saw – a company with no relation whatsoever to Battle for Terra – is that too few animated films skew toward the opposite side of the balance, unafraid to eschew the humorous in favor of offering a mature story to younger viewers.
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Allie Pennington (Britt Robertson) is transferred to a new school (Avalon High) where she discovers that her new classmates are reincarnations of King Arthur and his court. Now her mission is to solve the school's mystery before Mordred wins again. Allie also meets the high school football quarterback, Will Wagner (Gregg Sulkin) who brings the Arthurian legend alive at a contemporary high school. Allie believes that Will is King Arthur and that a mean classmate Marco is Mordred, but it turns out that Marco is another Knight while Mr. Moore, one of her teachers is Mordred.
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Let the Right One In
As Let the Right One In opens in a suburb of Stockholm during the 1980s, 12-year old Oskar (Kåre Hedebrant) shows all the signs of being on the road to turning into a Columbine killer. He's a loner who is relentlessly bullied at school. His parents, who are divorced, pay him only as much attention as they can fit into their busy schedules. And his hobby is cutting out articles about murders from the local paper and pasting them into a scrapbook. This is not normal behavior even for a socially awkward boy on the cusp of adolescence. But then things take an uplifting turn. Enter Eli (Lina Leandersson), who, along with her father, moves into the apartment building next door to Oskar. She's a bit of a recluse. Despite being Oskar's age ("twelve years old - more or less"), she doesn't attend the same school. Nevertheless, the two spend time together, become friendly, and eventually agree to "go steady." Eli encourages Oskar to stand up for himself and confront the bullies who harass them. She assures him that if he shows no fear, they will back down. As good as Eli is for Oskar, however, she has a character flaw. She's a vampire.
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Underworld: Rise of the Lycans
I'll admit to being surprised that the Underworld series has reached a third installment. Apparently, these films aren't that expensive to make because they have never been big box office performers. With the second movie, Underworld: Evolution, having wrapped up things too neatly for this production to continue moving forward, the filmmakers have elected to do some backtracking. This is an "origin story" - one that returns to the beginning and chronicles how the vampire/werewolf war started. The limitations of the Underworld saga are on display: the storyline essentially replicates that of Underworld and Underworld: Evolution, meaning that if you've seen one or both of them, there's no compelling reason to spend your hard earned dollars on the third.
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Bad News Bears
Bad News Bears may be the most entertaining remake of the year (thus far), but that's less a statement of praise than it is a condemnation of this class of movies. With a script co-credited to Bill Lancaster, who penned the original 1976 screenplay, Bad News Bears is true to its source, rarely diverging from the earlier film's storyline, and occasionally re-creating entire scenes. There is, however, a difference in tone. The '70s edition of the film was more family friendly than Richard Linklater's one. Gleefully profane and un-PC, Bad News Bears earns its PG-13 rating, and may cause more conservative parents to shy away from bringing younger children to screenings.
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This is only the second time it has happened. By "it," I'm referring to the process by which a science fiction television show is canceled, becomes a cult hit after its removal from the air, and is brought back to life as a major motion picture with the original cast. Serenity, Joss Whedon's follow-up to his defunct TV project Firefly, thus enters rarefied territory. The only other franchise to make such a lofty claim is Star Trek. (To be fair, X-Files did something similar, although it was still on the air when the movie reached theaters.) The box office numbers will determine where the Firefly characters go from here: to a sequel, to a new TV series, or to the dusty part of a DVD shelf.
Lord of the Rings, The: The Fellowship of the Ring
In the pantheon of fantasy writers, no diety is treated with greater reverence than J.R.R. Tolkien, who is regarded by most readers as the Father of Modern Fantasy. During the past three decades, the fantasy area in bookstores has expanded from a minor subsection of science fiction to a major category in its own right. A couple dozen titles have been replaced by hundreds. Fantasy has gone from being a cult genre to entering the mainstream. This would not have happened without the popularity and influence of Tolkien's The Hobbit and The Lord of the Rings. Nearly every published fantasy author acknowledges having read and been inspired by Tolkien's canon, and, while The Lord of the Rings may not be the longest or most complex fantasy series to date, it remains the standard against which all similar works are measured. It is the epic fantasy series.
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Can't Hardly Wait
With Can't Hardly Wait, I suppose first time directors Deborah Kaplan and Harry Elfont (whose previous credits include writing the script for A Very Brady Sequel) were trying to recapture the mood of a John Hughes '80s teen comedy. Unfortunately, while perhaps aiming for the level of The Breakfast Club and Fast Times at Ridgemont High, they have come a lot closer to the likes of Revenge of the Nerds. Can't Hardly Wait is a painfully predictable account of that ultimate teenage bacchanalia -- the post-graduation party. Yet, instead of bringing intriguing characters with real problems and interesting dialogue to the bash, Kaplan and Elfont take the lazy approach of pulling generic stereotypes off the shelf and throwing them into a formulaic plot that doesn't offer one genuine surprise or meaningful moment.
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The first 20 minutes of the cop-reality show comedy "Showtime" are ripe with glossy satire. Robert De Niro plays a no-nonsense Los Angeles detective forced to let TV crews follow him on and off the job so the department won't get sued for his assault on a network cameraman. The guy got in his way during a collar.
One Hell of a Christmas
One Hell of a Christmas is a dark and action packed comedy that takes place in a modern city as well as in a fearful underworld. When Carlitos is released after doing 2 years of hard time, he attempts to redeem himself and sets an example for his 5 year-old son. However, when a friend confronts him with a very dark and horrifying scam for some quick dough and good times, he declines, but never the less he soon finds himself entangled in a web of sex, drugs and Christmas carols.
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It's a Free World..
Angie (Kierston Wareing), a young woman frustrated after being fired from her thirtieth dead-end job, decides to set up a recruitment agency of her own, running it from her kitchen with her friend and flatmate Rose (Juliet Ellis). Angie is able to build a successful business, while also dealing with a neglected son who gets in trouble at school and parents who disapprove of her venture. She also has to keep reassuring Rose that they will become legitimate once the business is on a firm financial footing - they do not have a licence, but Angie at least insists on only hiring workers with papers, not illegal immigrants.
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The Waiting Room
Two complete strangers, ANNA and STEPHEN, are brought together by chance by an elderly man who waits for his wife on a station platform. Their fateful meeting acts as a catalyst for them to examine and challenge whats going on in their different relationships, and make hard but positive decisions for themselves. If they can change their lives maybe they can meet again.
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A journalist searches for her daughter as a series of catastrophic disasters push a destabilized society toward the brink of global war.
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A pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.
Memoirs of an Invisible Man
Nick Halloway is accidentally made invisible during an accident. When Jenkins finds out about Nick, he set out to recruit him into the world of espionage, seeing the potential for an invisible CIA agent. When Alice Monroe falls in love with Nick, they are forced to flee the attentions of Jenkins. Nick also has the problem of living invisibly whilst trying to find a cure.
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