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Dolph Lundgren is a man of many talents and he shows most of them off as he writes, directs and stars in Command Performance, which recently came out on DVD. The movie is a complete throwback to the late 80′s and early 90′s when the world was obsessed with anything “Die Hard in a…” In this case we have Die Hard in a Russian concert hall. The newly elected Russian president had two daughters who are huge fans of American pop princess Venus so the president arranges a special charity concert that features her, along with a number of other acts including rock band CMF and their drummer Joe (Lundgren). Everything seems to be going fine until terrorists take over the concert hall and start making demands. Joe, who had been sneaking a cigarette at the time, takes it upon himself to help rescue the president and stop the terrorists.
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Paul Verhoeven is a filmmaker who takes no prisoners. He wants nothing more than to fracture reality through his particularly pulpy cinematic lens and to project this grotesque image in front of as many spectators as possible. He makes no excuses for his excesses and this is one of the reasons why he has been marginalized by much of the mainstream media. They have comfortably divided his career into two convenient phases: on the one hand, he is the Dutch art filmmaker who received worldwide acclaim for his “complex” films such as “Turkish Delight”, “Soldier of Orange” and “The Fourth Man”. On the other, he is the tabloid Hollywood sensationalist who glorified sleazy sex and extreme violence in such films as “RoboCop”, “Total Recall”, “Basic Instinct” and his American albatross, “Showgirls”. The division is merely convenient and nothing more than an illusion. All of the films mentioned, Dutch and American, are the work of a singular, brilliant filmmaker whose work has not changed at all from Holland to Hollywood and back.
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Nick and Norah's Infinite Playlist
Nick and Norah have the kind of lives any suburban teenager would envy-- for one night, at least. Wandering from dingy club to slightly dingier club, across what remains of Manhattan's gritty East Village, the two wax poetic about their favorite bands, engage in the usual battle of the sexes and, what would you know, fall in love. Nick and Norah's Infinite Playlist, based on the popular young adult novel of the same name, is a surprisingly timeless story given its hip trappings, and will enthrall teen viewers who imagine such a adventurous, music-fueled life for themselves.
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Paranoid Park is a rare breed: a movie about teenagers in which the characters talk like real teenagers, act like real teenagers, and are played by real teenagers. The difference between what's presented in this production compared to what we're used to is striking. Suddenly, the viewer is back in high school, navigating halls clogged with human bodies and trying to stay awake in classes where teachers drone on in monotones. You don't get that feeling from American Pie or Fast Times at Ridgemont High. Of course, director Gus Van Sant's objective with Paranoid Park isn't merely to remind audiences of their lost youth - it's to provide a window into the mind of a protagonist who, as the result of a bad decision and a worse accident, is forced to cope with issues that the average kid never even considers.
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Charlie and the Chocolate Factory
If there is any living director who can do justice to the warped nature of Roald Dahl's "children's stories," it's Tim Burton. Charlie and the Chocolate Factory isn't the first time these two have "collaborated." Burton produced Henry Selick's animated James and the Giant Peach, but this time he's in the director's chair, with his favorite star in the camera's crosshairs. Although this movie is an adaptation of one of Dahl's best loved stories, Charlie and the Chocolate Factory feels like Burton through-and-through - from the bits and pieces cut from Edward Scissorhands to an ending that hearkens back to the theme of father/son affection from Big Fish.
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A sample of questions that floated through this reviewer's mind while watching RV... Is the name "Big Rolling Turd" supposed to apply to the RV or the movie? Where's Chevy Chase when you need him? And, considering all the movies not being shown to critics this year, why did the studio choose this one to subject us to?
Have you ever been at a party where a guy starts telling a long-winded, unremarkable story? He thinks it's so hilarious that he guffaws his way through it. The problem is, he's the only one who thinks it's funny. One or two moments might be worth a chuckle, but the thing as a whole is a bore. You want nothing more than to find a reason to get away from this guy and look for someone - anyone - else to mingle with. RV is that story, and Barry Sonnenfeld is the storyteller.
Based on the evidence at hand, it's impossible to say whether director Oliver Hirschbiegel's (Downfall) original cut of The Invasion would have been any good. What can be said is that the mismatched blending of Hirschbiegel's low-key horror and the Wachowski Brothers' anything-but-low-key action sequences results in a cinematic dud. The Invasion doesn't know what it wants to be - an action film, a horror movie, a science fiction allegory, a mother/son bonding picture - and , as a result, it ends up being none of the above. After an atmospheric and well-paced first two reels, the movie loses coherence as it rushes through potentially slower sequences to get to the pyrotechnic payoffs that result in an abrupt, unsatisfying conclusion.
Colour Me Kubrick: A True...ish Story
Colour Me Kubrick begins with a direct homage to A Clockwork Orange with the after-effects of one of Alan Conway's (Malkovich) minor cons: two thugs are sent to collect a bar bill that Conway has generated by impersonating Kubrick. Conway has provided the address of an elderly couple as Kubrick's home address. Conway is nowhere to be seen, and the thugs are arrested by the police for causing a ruckus outside the house.
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The Cat's Meow
It is November 15, 1924, and among those boarding the luxury yacht Oneida in San Pedro, California are its owner, publishing magnate William Randolph Hearst, and his mistress, silent film star Marion Davies; Ince, whose birthday is the reason for the weekend cruise, and his mistress, starlet Margaret Livingston; Charlie Chaplin; English writer Elinor Glyn; and Louella Parsons, the film critic for Hearst's New York American.
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In ancient China during the Warring States Period, a nameless prefect of a small jurisdiction arrives at the Qin state's capital city to meet the king of Qin. The king has just survived an attempt on his life by three feared assassins (Long Sky, Flying Snow and Broken Sword), and has taken precautions to protect himself, including forbidding visitors to approach closer than 100 paces to his throne. Nameless claims that he had slain the three assassins and he displays their weapons before the king, who is impressed and allows Nameless to sit progressively closer to him and tell him his story.
Mona Lisa Smile
In 1953, Katherine Ann Watson (Julia Roberts), a 30-something grad student from California, takes a position teaching "History of Art" at Wellesley College, a conservative women's private liberal arts college in Massachusetts because she wants to make a difference and influence the next generation of women. At her first class, Katherine discovers that the girls have already memorized the entire syllabus from the textbook so she instead uses the classes to introduce them to Modern Art and encourages spirited classroom discussions about topics such as what makes good art and what the Mona Lisa's smile means. This brings her into conflict with the conservative College President who warns Katherine to stick to the syllabus if she wants to keep her job. Katherine comes to know many of the students in her class well and seeks to inspire them to seek more than marriage to eligible young men. Joan Brandwyn (Julia Stiles) dreamt of being a lawyer and enrolled as pre-law so Katherine encourages her to apply to Yale Law School, where she is accepted. Joan, however, elopes with her fiancé Tommy, is very happy and decides that what she wants most is to be a wife and mother after graduation and asks Katherine to respect her choice.
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The Godfathers of Mondo
A look at the careers of Gualtiero Jacopetti and Franco Prosperi who invented the mondo genre with MONDO CANE in 1962. It follows their career until their split in following the making of GOODBYE UNCLE TOM in 1971.
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Bill & Ted's Excellent Adventure
The film opens in San Dimas, California in the year 2688 AD. Rufus (George Carlin) prepares to use a time-traveling phone booth to travel back to 1988 to ensure the Two Great Ones–Bill S. Preston, Esq. (Alex Winter) and Ted "Theodore" Logan (Keanu Reeves)–remain together to form the band "Wyld Stallyns", whose music will become the core of the future's Utopian society. Rufus finds that Bill and Ted are on the verge of failing their high school history class, and, should Ted fail, his father, Police Captain Logan (Hal Langdon) will ship him off to an Alaskan military academy, effectively ending the pair's dreams of forming a band.
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The Illustrated Man
A man, whose body is almost completely covered in tattoos, is looking for the woman who drew all the intricate designs on him. Each tattoo hides a futuristic story, which you experience when you stare at it.
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Jenny Hayden never did get over the death of her husband. So when an alien life form decides to model himself on the husband, Jenny is understandably confused if not terrified. The alien, or Starman, as he is called, has a deadline to meet, and kidnaps Jenny in order to meet it.
A group of friends band together to hide the truth about a mutual friends tragic death. They soon discover that an evil entity is in pursuit of them.