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What's a nice Alabama boy like Shawn MacArthur (Channing Tatum) doing in a rough place like New York City anyway? We never really learn the answer to that while watching the gritty new boxing drama Fighting, but it has to do with a violent falling out he had with his dad. Why he didn't choose a city closer to home rather than a place as oppressive, alien and overwhelming as Manhattan is never really clear, but we assume he wanted a major change in his life. If Shawn wasn't there -- peddling cheap goods and knock-offs on street corners (he probably has some Wolverine bootlegs for sale) -- then he would never have gotten pulled into the underground world of streetfighting and there would be no movie.
Nothing Like the Holidays
There are no ingredients in Nothing Like the Holidays that you're not already familiar with from other big-crazy-family Christmas movies. Then again, so what? The Christmas breakfast my mom makes every year never has anything new either -- in fact, there would be open rebellion if it did -- and that suits everyone just fine.
Nothing Like the Holidays is warm and comfortable in that way, mostly pleasant, mostly well acted, and moderately entertaining. Directed by Alfredo De Villa (Washington Heights), it boasts a luminous ensemble of Latino actors as two generations of Puerto Ricans living in Chicago's Humboldt Park neighborhood. It captures the cultural flavor of their yuletide festivities and intra-family squabbling without being so specific that non-Latino audiences can't appreciate it. Details aside, anyone with a family can relate to most of what happens here.
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Given the seemingly never ending popularity of the Brit gangster film, it was always inevitable that sooner or later someone would take the next logical step and combine it with the horror genre. “Dead Cert” does just that, following in the footsteps of Quentin Tarantino and Robert Rodriquez’s classic “Dusk Till Dawn” by throwing vampires into the mix. Directed by Steve Lawson (“Just For The Record”), the film comes with a cast list that reads like a who’s who of Brit genre talent, including Craig Fairbrass (“Rise Of The Footsoldier”), Billy Murray (“Essex Boys”), Dexter Fletcher (“Kick-Ass”), Steven Berkoff (“44 Inch Chest”), Dave Legeno (“Harry Potter And The Half-Blood Prince”), top character actor Jason Flemying (“Clash Of The Titans”) and even a bonus in the form of a cameo, from the one and only Danny Dyer (“Basement”). The film now arrives on DVD via Momentum Pictures, coming complete with a making of featurette and audio commentary.
Fairbass plays the titular Freddie ‘Dead Cert’ Frankham, a former crook trying to turn respectable and take a few steps up the ladder by opening up a sleazy London nightclub. Unfortunately for Freddie and his various underworld pals, said club just happens to be on the site of an ancient Black Church, established back in the 17th Century by a Romanian vampire warlord imaginatively called The Wolf. On the opening night of the club the evil one returns in his new guise as a feared Romanian drug lord, determined to rest his former seat of power back from Freddie and his goons and start an all new reign of darkness.
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Since the death of Alfred Hitchcock, many filmmakers have vied to succeed the Master of Suspense. With apologies to rip-off artist Brian De Palma, my vote goes to David Mamet, whose films House of Games and The Spanish Prisoner can stand alongside any of the best modern mystery/thrillers. No, they don't always make sense, but they are incredibly enjoyable - two characteristics that were true of many of Hitchcock's works.
If there are any 24 fans who have wondered what the TV series might be like if Liam Neeson replaced Kiefer Sutherland, Taken provides an opportunity to have that question answered. Neeson's Bryan Mills uses nearly all the Jack Bauer tactics, including torture, bone-crunching, and bloodletting. He gets involved in car chases, shootouts, and brings a gun to a knife fight. Like the Energizer Bunny, he takes a licking but keeps on ticking. When it comes to action, Taken gets the job done. The film is never boring. It is, however, completely preposterous.
The first salvo in the battle of the would-be autumn family blockbusters has been fired by Dreamworks. Beating The Incredibles to the screen by more than a month, Shark Tale represents the fourth digitally animated feature to come from the studio (following Antz, Shrek, and Shrek 2). Over the past few years, animation companies (Dreamworks and Pixar, in particular) have worked to refine a formula for digital animation. It's a lot like Disney's defunct conventional one: make the story simple but add some adult shadings; use a talented voice cast; incorporate comedy, romance, and action; throw in a few songs and pop references; and make the protagonist an underdog. By following this formula, and doing so in an energetic and infectious manner, Shark Tale has virtually assured itself a successful box office run.
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I Know Who Killed Me
It has not been a good week for Lindsay Lohan. First, she does irreparable damage to her image by engaging in the sort of irresponsible and self-destructive behavior we have come to expect from her. Then she is "portrayed" on The Tonight Show by the terminally unfunny Rob Schneider. Finally, to add insult to injury, she shows up on screen in a crapfest called I Know Who Killed Me, which holds the dubious distinction of not only being a surefire member of the end-of-the-year Bottom 10 but easily marks the worst movie Lohan has appeared in and the worst performance she has given. Her participation in I Know Who Killed Me should be Exhibit A for the prosecution: only someone with impaired faculties could agree to star in this movie.
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I define a "boo!" moment as an instant in a movie when there is a loud sound, usually accompanied by a musical stinger and occasionally in concert with the fast pass of an unidentifiable object across a portion of the camera's field of view. The idea behind a "boo!" moment is to startle viewers. Most horror fans are conversant with "boo!" moments but if you're confused, The Messengers offers a primer. It's wall-to-wall "boo!" moments with almost nothing else to recommend it. By the end of the film, these instances have become so frequent that they're more comedic than horrific. (People in the audience took the "boo" to heart because that's how they reacted when the movie ended.)
Controversy is swirling around Bandit Queen, likely to be one of 1995's most discussed features. Supposedly based on the real-life experiences of a modern Indian folk hero named Phoolan Devi, the authenticity of the film's script is now under attack by none other than the subject herself. Devi has not only disavowed her autobiography, but has filed a lawsuit to keep Bandit Queen from being released in Indian theaters. At this point, there is enough confusion surrounding the factual accuracy of the movie that its claim to be "a true story" should be accepted with reservations. Nevertheless, regardless of its historical veracity, Bandit Queen is an excellent examination of caste discrimination, human suffering, and the role of women in India's changing culture.
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See Spot Run
Agent 11 is a crime-fighting bullmastiff used by the FBI; he partners with his master Murdoch in Seattle. As they go after the Mafia boss, Sonny Talia, the dog attacks him and rips off one of his testicles. Talia is taken to the hospital to have it surgically replaced. As payback, he sends his two bodyguards, Gino and Arliss, out to kill Agent 11. For protection, the dog is sent to a training facility in Alaska.
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Continental: A Film Without Guns
Four people are affected by one mans disappearance Lucette, his wife, who anxiously awaits his return Louis, a young father whose relationship with his wife is going through confusing times Chantal, a hotel receptionist who dreams of sharing her life with someone else Marcel, an ex-gambler confronted by the realities of aging.
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A Passage to India
Adela Quested, a young Englishwoman, travels to India in the late 1920s to visit her fianc
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Californication - Season Four Epizod
Hank Moody may be a talented author, despite his gift of the gab, especially for live seducing, his private life is a mess. Repeated attempts to have a stable relationship with Karen, also for the sake of their daughter Becca, fail because of their extreme libertarian infidelity. Hanks sexual appetite also infects talent agent Charlie Runkle, who indulges in all kinds of naughtiness too. More victims of hormones contribute to the lustily lust-loaded plot.
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Grace Is Gone
Stan Philippss wife Grace is a sergeant with the U.S. Army. While shes posted to Iraq, the earnest Stan is home in Minnesota with their daughters, Heidi, 12, and Dawn, 8. He manages a home supply store. After morning visitors bring Stan news, he takes the girls for a car ride that turns into a spontaneous trip to Dawns favorite place, a Florida amusement park. On the way, they stop at Stans mothers house, where his brother is staying. Heidi is an insomniac, who tries to fathom her fathers uncharacteristic behavior. Dawn is cheerfully unreflective. They have fun at the park. Stan summons his courage.
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Logan's War: Bound by Honor
Logan Fallon was ten years old when his prosecutor father was marked for murder by a gangster he was prosecuting. Logan has this uncanny ability to sense danger before it happens, and he sensed the gangsters hitmen coming and survived their attack but the rest of his family was not so lucky. Logan chose not to tell the investigator who killed his family cause he wants to get them himself. He is taken in by his Uncle Jake whos an ex Army Ranger and a martial arts expert, he teaches Logan martial arts and gets him into the Rangers so that he could prepare himself to go after the people who killed his family.
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Married Men and Single Women
When 3 married men decide to step out on their marriages, they find that infidelity has unpredictable devastating consequences. Betrayal, hypocrisy, racism, several other matters surface as married men and single women come together.
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