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Based on the Oni Press comic book of the same name by Greg Rucka, Whiteout is a thriller about Antarctica's first homicide. (Ironically, that was a novel idea when Whiteout was published in 1998; now, as an article from earlier this year in The New Zealand Herald recalls, the first murder there might have been committed back in 2000 -- at the same facility the story is set in!)
Kate Beckinsale stars as U.S. Marshal Carrie Stetko, the sole law enforcement officer at the Amundsen-Scott research station. The relative tranquility of the isolated U.S. outpost is shattered when a frozen body is discovered in the icy wasteland between Amundsen-Scott and its Russian counterpart, Vostok. Aided by the station's physician, Dr. John Fury (Tom Skerritt), Carrie determines that the dead man -- an American geologist named Weiss who was part of a research team studying meteorite fragments -- was killed elsewhere and then dropped from an airplane.
It is not immediately obvious why The Strangers is rated R. The horror film, about a young couple (Scott Speedman and Liv Tyler) terrorized in their home by a group of sadistic masked assailants, is reasonably violent, but not very graphic: aside from a brief glimpse of a pretty nasty gunshot wound and some stabbings that are either obscured or off-screen, there's not much here that would ordinarily raise rating board eyebrows. (The elaboration states that The Strangers is rated R for language in addition to violence, but there are, at the most, one or two muttered F-bombs.) In terms of content, PG-13 films have gotten away with worse. Hell, the PG-rated Chronicles of Narnia: Prince Caspian featured a decapitation, which is more than we see here. What, then, explains the MPAA's harsh (and no doubt economically damaging) treatment of The Strangers?
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Harry Potter and the Deathly Hallows: Part 1
So the end of the journey is here. Well nearly, because as with the forthcoming Twilight and Hobbit adaptations, Harry Potter and the Deathly Hallows has been split in two, Part 1 hitting this Christmas and Part 2 concluding the saga next summer.
The filmmakers claim that the decision was taken to do justice to J.K. Rowling's lengthy final tome, and while it does allow the audience to spend more time with these beloved characters at this most significant time, one can't escape the feeling that Part 1 is all set-up and no pay-off, resulting in a somewhat empty cinematic experience.
Director David Yates -- helming his third Potter flick -- clearly revels in the additional hours afforded him, taking his time to set the scene for the story's big finale.
He builds an oppressive sense of melancholy from the off, with Harry, Ron and Hermione preparing to leave home, perhaps for the last time. In a particularly touching scene, only alluded to in the book, Hermione removes her parents' memories of their only child to protect them for the inevitable, fast-approaching war.
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After years in Hollywood obscurity, Kevin Spacey returns to the type of complex role that established him as one of the great actors of our time by portraying former super-lobbyist Jack Abramoff. As Spacey opens up giving himself a pep-talk in a mirror, we instantly recognize the great actor and the tone is set that this is going to be an intense ride. Even though the film couldn’t live up to what it set up for us in that great opening scene, it was still nice to see Spacey at the top of his game and give life to a character that could have faltered in the hands of a less talented actor.
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2 Days in Paris
I thought this was a porn movie. No, wait, that's One Night in Paris. I guess two days is too long…
2 Days in Paris provides us with a familiar picture: Julie Delpy wandering the streets of the city in the company of an American she's in love with. The two spend much of the movie's 100 minutes talking as their wanderings allow the camera to follow them into areas where major films set in Paris rarely take us. (Another wisecrack at Ms. Hilton's expense seems appropriate here.) Although the narrative and structure of Delpy's film (which she directed, produced, wrote, starred in, scored, and edited) recalls the duet of Before Sunrise and Before Sunset, there are critical differences. In the two Richard Linklater movies, there was palpable romantic chemistry between Delpy and her co-star, Ethan Hawke. Here, barely a flicker exists between the actress and Adam Goldberg. In Sunrise and Sunset, the dialogue turned to interesting topics and seemed to evolve naturally between the performers. In 2 Days in Paris, it's banal and feels scripted. The result is a rather dull experience featuring more than 1 1/2 hours spent in the company of two characters in which it's difficult to generate much interest.
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For her feature debut, writer/director Zoe Cassavetes has elected to tread into territory where even the best stories feels like clichés. Broken English is competently made and features a solid performance from lead actress Parker Posey, but it's the kind of film that will resonate only with a tiny fraction of the available audience. Unless a viewer's age and situation mirrors that of Posey's Nora Wilder, odds are that this movie will generate a sense of déjà vu. Casavetes tells her tale, but it's one we've already seen, and she doesn't bring much that's new or fresh to the narrative.
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Gods and Generals
One could easily make the argument that Gettysburg is among the best war movies ever made. Despite its four-plus hour running length, the high drama and pacing of the film allow the time to breeze by. So, when it was announced that much of the cast and production team would re-assemble to adapt Jeff Shaara's Gods and Generals, the "prequel" to The Killer Angels (the book upon which Gettysburg is based), I was encouraged. Sadly, the movie falls far short of expectations.
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Ghost in the Shell
The year is 2029. The world has become intensively information oriented and humans are well-connected to the network. Crime has developed into a sophisticated stage by hacking into the interactive network. To prevent this, Section 9 is formed. These are cyborgs with incredible strengths and abilities that can access any network on Earth.
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Be heard. Be strong. Be proud. It's time to turn up the music and have some fun with an all-new Disney original movie, starring Bridgit Mendler, and Adam Hicks, and introducing ten awesome new songs. When five ragtag freshman first meet in detention, it seems they have nothing in common.
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In the beginning of the film, Narrator Smurf describes the Blue Moon Festival, where every Smurf prepares to sing the Smurf theme song, almost every Smurf. Gutsy Smurf and Grouchy Smurf tell Clumsy Smurf he's on the "Don't Not Let In" list because he is too accident prone. Meanwhile, Papa Smurf sees a vision that Clumsy has a dragon wand, the Smurfs are in cages, and Gargamel has ultimate power. Worried that this may happen, Papa does not let Clumsy pick Smurf Roots. Clumsy refuses to listen and picks the Smurf Roots. Gargamel soon finds Clumsy and chases after him. Clumsy accidentally leads Gargamel into the hidden Smurf village, and Gargamel destroys it. Running from Gargamel, Clumsy accidentally goes the wrong direction, and some of the other Smurfs go after him and leap into a magic portal and finally discover New York City. They take shelter with a young married couple (Patrick and Grace Winslow), who are expecting a baby. The Smurfs have to return to the Middle Ages and stop Gargamel. With the help of Patrick and Grace, the Smurfs eventually defeat Gargamel.
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For the past 13 years, Dr. Herbert West (Jeffrey Combs) has been serving his prison sentence for his role in the death of a teenage girl at the hands of one of his zombies. With what scant supplies he has on hand in the prison medical center, Dr. West has been capable of performing only extremely basic experiments on rats. However, his lack of supplies does not prevent him from uncovering a key element in his re-animation process. When a young doctor named Howard Phillips (Jason Barry) comes to work at the prison, he teams up with West to help him attain the supplies and tools needed to bring his experiments to the next level. Phillips is the younger brother of the teenage girl who was killed (he's shown watching West being taken away by the cops) and came to the prison for the explicit purpose of working with West. In the meantime, Phillips gets a girlfriend, the journalist Laura Olney.
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In the not too distant future, a team of genetically unique men and women, lead by John Foster, make a daring, first attempt trip back in time in order to prevent the discovery of meteors containing a deadly, off-world bacteria... a bacteria that brings humanity to the brink of extinction. Unbeknowst to John, a mutinous officer named Dalton has personal greed driven plans of his own for a new life in the past. Set aboard a ship trapped in the Antarctic, fate and chance forever alter the lives of a group of scientists and polar researchers who encounter John and Dalton. The opposing time travelers soon discover that their return to the present day, sets into motion the terrible things to come.
David Goodman is on the pick of his career as a PR executive when he suddenly loses his chance for a big promotion and, unfortunately, his sight at a street attack. Soon after a message is left on his answering machine about a doctor, named Guillermo List, who can help David to regain his eyesight and get his career back on track with only price... his soul.
Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his companys business dinner with a new important Japanese client. His brother sets him up with his wifes cousin Nadia, who is new in town and wants to socialize, but he was warned that if she gets drunk, she loses control and becomes wild. How will the date turn out - especially when they encounter Nadias ex-boyfriend David?
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John Quincy Archibalds son Michael collapses while playing baseball as a result of heart failure. John rushes Michael to a hospital emergency room where he is informed that Michaels only hope is a transplant. Unfortunately, Johns insurance wont cover his sons transplant. Out of options, John Q. takes the emergency room staff and patients hostage until hospital doctors agree to do the transplant.
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Men at Work
Carl and James are two pleasant but unambitious garbage men. Carl has a telescope with which he observes his neighbors. One evening he sees a man giving a female neighbor a hard time. As she leaves he shoots the man with a pellet gun. Hiding, he and James miss two men strangling the man and leaving with the body. When he appears in a can on their route they are afraid and hide the body, fearing that they may be implicated in the death. Trying to crack the case, they spy on the woman, join up with a slightly to majorly crazed vietnam vet, kidnap a pizza man and help to protect the ecology.
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