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A group of guinea pigs trained by the government to work in espionage, armed with the latest high-tech spy equipment, soon discover that the fate of the world is in their paws.
Watching the trailers for Ridley Scott’s American Gangster it’s hard not to be reminded of Scorsese’s The Departed, the most recently successful Hollywood spin on the world of mobsters versus cops. But if there’s any similarity between the two films at all, it ends with the advertisements. Where Scorsese’s film is intense, entangled, and full of pathos Scott’s film is calculating and flat. American Gangster is a procedural more than anything; a basic, by the numbers execution of a standard good cop versus sympathetic mob boss drama.
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It's still an open question whether in this day of increased concerns about alcoholism and health you can do a remake of 1981's Arthur, a comedy about a lovable drunk, because the new Arthur, with Russell Brand playing the Dudley Moore role, is a mere burlesque riffing off the old Arthur rather than an actual remake that has reconceived or rethought the original film.
20 Dates purports to be a documentary - a real life romantic comedy about how an aspiring film maker set out to chronicle the role of dating in modern American culture and wound up discovering true love. However, like Michael Moore, whose behind-the-scenes tinkering with the reality of Roger and Me was well documented, director Myles Berkowitz doesn't have qualms about staging scenes to boost the drama of his project. The problem with that approach is that it calls into question the "truth" of all of Berkowitz's footage. Consequently, despite Berkowitz's protestations to the contrary, 20 Dates has to be seen as a semi-fictional account.
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Father of My Children
Spoiler Alert: This review mentions a key event that occurs mid-way through the movie. Those wishing a "virgin viewing experience" for The Father of My Children are urged to stop reading here and return to the review once they have seen the film.
The Father of My Children, the sophomore feature effort from director Mia Hansen-Løve, starts out as one film but ends up as another. Initially, the movie appears to be about how some parents, in attempting to balance work and family, end up shortchanging the latter in the service of the former. Ultimately, however, this is a more complex and emotionally demanding motion picture: one that presents an autopsy of a suicide, including the factors that lead up to it and the repercussions it has on those who are close to the victim. Despite the subject matter, however, The Father of My Children is neither overly sentimental nor depressing. It approaches the suicide as a fact of life and shows how individuals, once past the initial grief-induced paralysis, can overcome the guilt and move forward in positive and constructive ways. Hansen-Løve does not employ manipulative stock scenes (for example, there is no funeral or wake) designed to play on the viewer's emotions. There are tears, to be sure, but no more than necessary. Members of the audience may be shocked and saddened by the death but, like the characters, they recover.
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In my review of Woody Allen's previous misfire, Melinda and Melinda, I wrote the following: "Lately, Allen's films have sunk into a state of heightened mediocrity - sporadically entertaining, but often disappointing, at least for those clinging to the hope that Allen will return to 'form.' I no longer expect great things from a Woody Allen movie…" Indeed, it has been over a decade since Allen has produced a memorable motion picture. Match Point puts an end to the drought, and does so in an impressive and unexpected fashion. Not only could one argue that this is the best "serious" work the director has ever attempted, but it's presented in a way that even the most seasoned Allen fan will have difficulty recognizing the iconic filmmaker's fingerprints.
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Grumpier Old Men
As 1993 drew to a close, movie-goers in search of light entertainment were treated to the delightful (if formulaic) Grumpy Old Men, a reunion of the often-paired odd couple of Jack Lemmon and Walter Matthau. Now, two years later, John Gustafson (Lemmon) and best enemy Max Goldman (Matthau) are back at it again. Only this time, their barbs lack the zing of the previous outing. And that's not all that's missing in this ill- advised sequel. Grumpier Old Men isn't as fun, spontaneous, or amusing as the original. In short, it's a poor retread that can't be redeemed by the pleasure of seeing Lemmon and Matthau together.
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John Ford had already directed one of the three previous film versions of Peter Kyne's novel under the title Marked Men (1919) with his mentor Harry Carey, a great cowboy star of the silent era who had recently died. It's not difficult to see how the story's sentimentality and Christian symbolism might have appealed to the director's sensibility.
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Cats & Dogs
For his feature debut, director Lawrence Guterman has attempted to fuse Babe (cute talking animal trying to navigate his way through a world of humans and other talking animals) with Spy Kids (family-friendly espionage story). In a strange way, he has succeeded - Cats and Dogs takes the worst elements of both movies and pulls them together to create an end-product so juvenile and tedious that only a child could possibly appreciate what it has to offer. Cats and Dogs isn't just a miscalculation - it's a wholesale blunder.
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The true story of Richard Pimentel, a brilliant public speaker with a troubled past. As a young man, Pimentel (Ron Livingston) realized he had a remarkable gift for public speaking. Pimentel's idol is College Bowl founder Dr. Padrow (Hector Elizondo), but upon trying out for Dr. Padrow, the ambitious young speaker is informed that he won't have anything to talk about until he has lived a full life.
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Holiday in the Sun
Madison (Mary-Kate Olsen) and Alex (Ashley Olsen) Stewart are twin sisters from Illinois who are whisked away to Atlantis Resort on Paradise Island, Bahamas by their parents for winter break.
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The film follows the story of Daniel Balint, a brilliant but troublesome student at a Jewish Yeshiva who has become a fanatically violent Neo-Nazi in New York by his early 20s. The film plots his rise through the ranks of a fascist party while he attempts to reconcile his religious past and ethnic heritage with his anti-Semitism.
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War Eagle, Arkansas
Coming of age in an Ozark town. Enoch is a high school senior he stutters, has one friend, Wheels, a kid with CP whos in a wheelchair, and thinks about college in Tennessee on a baseball scholarship. Hes philosophical, loves poetry, and lives with his mom and grandfather. Life gets complicated when he finds himself attracted to Abby, one of the popular girls. When he starts hanging out with her, even though he wants Wheels along, in part to help him finish his sentences, it causes friction between the two friends and gives Enoch pause about whether he should leave town to make something of himself. Can he figure out what he wants without hurting anyones feelings? Maybe not.
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Josh Groban: Awake Live
Filmed in 2007 in Salt Lake City, in honor of his first arena concert, which was held in the same city where he performed at the 2002 Winter Olympics closing ceremonies, Awake Live raises up ever higher the most popular young Adult Contemporary star of our era.
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It was a normal night in Las Vegas, Nevada, all the lights were flashing brightly, until a man with one hand, one eye, and one leg walks into a pawn shop with a statue of a hideous looking Leprechaun. The owner claims its a good luck charm. The statue also wore a medallion around its neck. The careless pawn shop owner took off the medallion setting the Leprechaun free, along with his pot of gold that everyone wants and like before, hell kill anyone who goes near it. Driving into town that night was a young man named Scott who was off to L.A. to go to school. Along the way he meets a sarcastic, but friendly, girl named Tammy. Scott tries gambling but loses everything, so he goes to the pawn shop to pawn his Rolex watch. At the shop, he finds the dead owner and one of Leprechauns gold coins that grants a wish to its finder. Scott wishes for a winning streak, but what he does not know is that the casino is run by a crooked man who hates to lose. Also in the casino is an ignorant and dim magician Fazio and Loretta, a middle-aged gal. Before long, Leprechaun shows up to claim his coin, he bites Scott and in the process some of Leprechauns green blood spills into Scotts wound, so before long Scott transforms into a tall Leprechaun and he needs some help! Only trouble is, the hospital doesnt accept his insurance company Green Cross. The Leprechaun kills and mauls everyone in his path for his measly gold coin and Scott must choose whether to destroy the pot of gold as well as Leprechaun, or keep it and remain a Leprechaun himself.
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Mother and Child
A drama centered around three women A 50-year-old woman, the daughter she gave up for adoption 35 years ago, and an African American woman looking to adopt a child of her own.
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