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Stylish but shallow, action-packed but without ever being exciting, Terminator Salvation is a movie that looked amazing as a trailer, but doesn't stand up as a 115 minute film.
Technically a prequel, the movie takes place in 2018, 15 years after 'Judgement Day' - the long-hinted at nuclear apocalypse that occurred at the end of Terminator 3: Rise of the Machines - when Skynet pre-emptively struck against humanity. Christian Bale is John Connor, a key figure in the fight against the machines - but not yet leader of the human resistance.
Everything in Connor's life is proceeding exactly as he was forewarned by his mother Sarah - that is until he encounters Marcus Wright (Sam Worthington) - a stranger whose last memory was being on death row. The origins of Wright lead the pair to embark on a dangerous mission into the heart of Skynet.
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Flight of the Intruder
Flight of the Intruder is an old-fashioned, red-blooded war film, a guts n' glory actioner that looks with unwavering pride at the heroic actions of its masculine heroes. It fuses the patriotic fervor of a John Wayne war flick with a clear affection for Tony Scott's Top Gun. Particularly odd that it would apply such techniques to a movie about the Vietnam War, a conflict that has traditionally been portrayed as either horrific or extremely horrific. Coming not too long after such films as Platoon and Full Metal Jacket, the jingoistic nature of Flight of the Intruder rubbed many the wrong way. While I don't find the movie as morally reprehensible as something like Wayne's The Green Berets (for one thing, this film is far more honest about the war than that one), it certainly seems more than a bit misguided in terms of tone.
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Overwhelmingly positive word of mouth can be a double-edged sword for a filmmaker. Although effusive praise builds anticipation, it can also elevate expectations to levels that cannot possibly be met. This is why some viewers who see a movie after it has won a Best Picture Oscar emerge disappointed. It also explains why some late-comers to Borat may find it to be less hilarious than expected. Don't misunderstand: Borat is a funny movie, and well worth the price of admission regardless of whether your comedy tastes run to low-brow, scatological humor or more subtle politically tinged satire. However, it's hard for any movie to live up to the hype when it's being billed as "the funniest of all-time."
The Boys & Girl From County Clare
In the late '60s, two brothers return to their hometown for the annual All-Ireland finals for traditional Irish Ceili (folk) music. Jimmy (Colm Meany) and John Joe (Bernard Hill) will do anything to keep the other one's band from winning the contest, but amidst the proceedings, new revelations come out about their past, as the beautiful violin player from John Joe's band (Andrea Corr) falls for the flute player in Jimmy's band.
Director John Irvin is best known for war films like Hamburger Hill and Dogs of War, so it's a surprise to see his name on a movie like The Boys & Girl From County Clare, which is about as far as removed from his other films as is possible. It's more impressive that he does a better job with this warm comedy than he has with other forays into other genres.
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Let's get this straight from the start: Slither isn't great art, but that doesn't mean it isn't good entertainment. One of a growing number of horror/comedy casseroles, the film provides its share of tasty mouthfuls - at least up to a point. Putting it into context, it's not as enjoyable as either Tremors (which resides on the pinnacle) or Shaun of the Dead, and is about on par with Eight Legged Freaks. Those in search of scares might do better to look elsewhere. Slither is too cheesy to be frightening. But the movie offers plenty of laughs, indicating that the production team is aware that a serious version of this story might be enough to resurrect Mystery Science Theater 3000. The tactic works - make fun of things within the context of the movie so people in the audience are laughing with the film rather than at it.
Traitor is an uncommonly intelligent espionage thriller that explores the moral and ethical dilemmas faced by agents who go deep undercover in the service of their country. For movies that revolve around terrorist organizations and acts, there are typically two approaches: a gung-ho, "John Wayne" style and a story that seeks to humanize the terrorists. Traitor takes a different, less straightforward trajectory that exhibits the complex motivations of the terrorists as well as those who oppose them without resorting to caricatures on either side. The film's villains are not cookie-cutter bad guys and the FBI agents are neither bumbling nor infallible. Caught in the middle of everything is a man trying to save innocent lives but whose actions end up taking them as well.
Homo Erectus aka National Lampoon's Stoned Age
A National Lampoon release of a Town Lake Films presentation of a Burnt Orange/Brad Wyman production. Produced by Carolyn Pfeiffer, Wyman. Executive producer, Tom Schatz. Directed, written by Adam Rifkin.
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Ace Ventura: When Nature Calls
From Jerry Lewis to Eddie Murphy, the bottom-line rule of thumb in contemporary American film comedy has been that the more control a performer has over his movies, the less funny — less daring, more self-indulgent — they become. Not so Jim Carrey, whose fourth starring role, in Ace Ventura: When Nature Calls, is his best yet.
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Once in a Lifetime
All the romance and melodrama associated with the name of Danielle Steel is present in this adaptation of her novel ONCE IN A LIFETIME. Lindsay Wagner plays Daphne Fields, who lies in a hospital bed recalling the moments of her life that led her to such a state. While happily married, her husband and daughter are tragically killed in a house fire, leaving the pregnant Daphne alone.
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The Kid & I
Former actor Bill Williams (Tom Arnold) is about to commit suicide over his ruined career. He throws out all his stuff and gives his clothes to a poor alcoholic. The man drinks Bill's vodka and takes half of his pills messing up his suicide plan and takes off. Bill drinks his alcohol and then takes the pills not knowing he won't die. He then lies down in the bathtub and closes his eyes. Three days later a demented film agent named Johnny Bernstein (Henry Winkler) shows up at the apartment with a business offer for him. He says a billionaire, Davis Roman (Joe Mantegna) will hire Bill to write and co-star in a movie exactly like True Lies so that his son, Aaron Roman (Eric Gores), whose favorite film is True Lies, can live out his dream of being an actor and star of an action movie. Not knowing much about the boy or the billionaire, Bill agrees to do the project since he would make thousands by the end of the movie.
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Vampires vs. Zombies
This mixture of different horror styles depicts Jenna, a girl infected by a vampires bite, on her way to find and destroy the source of infection. She and her father encounter different types of carnivore and bloodthirsty creatures along their journey through the zombie-ravaged world to the lair of Carmilla, who is suspected to be the source of Jennas illness. The movie is respectively based on the Le Fanus novel Carmilla.
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Love Takes Wing
Wounded by the recent death of her husband, Dr. Belinda Simpson (Sarah Jones) arrives in the tiny town of Sikeston to take up the post of town physician. Once there, she discovers that many of the town’s residents, including children at an orphanage run by Miss Hattie Clarence (Cloris Leachman), have fallen ill to or died from an unknown ailment. Soon, Belinda begins to worry that she is in over her head, despite reassurances from her best friend, Annie (Haylie Duff), and the town's blacksmith, Lee (Jordan Bridges).
Unfortunately, the residents of Sikeston aren’t as trusting of Belinda’s abilities as a doctor – mainly because she’s a woman. As well, many of them don’t even want her to help the orphans, who they blame for infecting the rest of the town. Indeed, they would be happy to see the orphanage close altogether. Opposed by what seems like the entire town, Belinda must trust in her abilities, her friends and her faith to guide her.
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Running on Empty Dreams
Young and athletic Sydney Harris finds out that she has six months to live unless she and her husband can come up with the money for her medical treatment. Sounds simple enough get the money, save her life. But her underpaid, working class husband cant afford the treatment. And time is ticking away. As Sydney begins to seek out a means to save her life, she begins to question her existence and does some soul searching, only to find herself falling in love with a single mom in the neighborhood that Sydney and her family have just moved into. Sydney is then forced to choose between her religious upbringing, her husband and son, and a love that she hides, all while fighting a losing battle to save her own life.
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A Broken Leghorn
On Old MacDonalds farm, an egg hatches in slow-witted hen Miss Prissys nest, and out of the shell comes a baby rooster. Fearing he will be replaced by the kid rooster and sent to be slaughtered, Foghorn Leghorn plots to do away with the little tyke.
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A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both survived.!!!!! Russian is the default audio so you will have to switch to english
Le Donk & Scor-zay-zee
An improvised comedy, shot over five days by Shane Meadows, devised with and starring Paddy Considine. Rock roadie and failed musician, Le Donk has lived, loved and learned. Along the way hes lost a girlfriend but he has found a new sidekick in up-and-coming rap prodigy Scor-zay-zee. With Meadows fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee a star...with a little help from the Arctic Monkeys... This low-budget rockumentary follows Le Donk and Scorz on their journey of a lifetime its an unpredictable, irrepressible ode to spontaneous filmmaking - and to a burgeoning UK rap talent.
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