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Deja Vu is how the French described the sensation of seeing or experiencing something you feel you've already seen or experienced before. Movies have created all sorts of mystical contexts or explanations for it (one of my particular favorites came from The Matrix) but Tony Scott's latest offering has a new take on the concept. For his new film he tosses in a heavy dose of sci-fi to give the phenomenon of Deja Vu an intriguing techno-edge. There's also plenty of good humor and a twist of romance, but make no mistake: it's first and foremost an action thriller and Scott, as usual, delivers.
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Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.
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Man on Wire
Man on Wire is a fascinating time capsule: a combination of talking-head interviews, actual footage, and re-creations that evokes a kinder, gentler world and provides insight into one of the most audacious stunts of the 20th century. Pieced together with some of the rhythms and beats of a heist movie, James Marsh's examination of Philippe Petit's 1974 high wire walk between the Twin Towers of the World Trade Center explores every aspect of the feat, from the detailed planning to the execution. Petit's action remains as head shakingly, jaw droppingly improbable today is it did on the morning of August 7, 1974.
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Because I Said So
Because I Said So is a made-to-order romantic comedy of the type "B" variety (that's the one where the heroine is torn between the socially and financially "ideal" guy and the one who really makes her happy). As I have previously written, a formulaic approach is not always a bad thing in a romantic comedy provided the screenplay shows moderate intelligence, the characters are appealing, and there's chemistry between the leads. Fortunately, Because I Said So satisfies these criteria. So, despite being rooted firmly in "chick flick" territory (with a high "cuteness" index), it has the capacity to please to viewers of both genders who appreciate the genre.
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Water, a meditative drama that evokes the movies of the great Satyajit Ray, brings Deepa Mehta's "Elemental Trilogy" to a close. (The previous two films were Fire and Earth.) A film that takes a long, hard look at the second-class status of widows in fundamentalist Hindu society, Water has been battered, protested, and banned by elements of Indian society for what it depicts. Like Kandahar and Moolaadé, Water explores the exploitation of women in some societies, and how difficult life can become for those who oppose custom.
There is a tradition within fundamentalist Hinduism that when a woman is widowed, she has three options: (1) to throw herself on her husband's funeral pyre, (2) to marry his brother (if he has one and it is permitted by the family), or (3) to live in poverty in a group home for widows. Although Water transpires in 1938, an endnote indicates that this practice has not been entirely abolished in India. Director Deepa Mehta's intention to address this situation from a critical perspective resulted in widespread protests that forced her to shut down filming in India during 2000. After a delay of more than three years, Water was subsequently made in Sri Lanka under less-than-ideal circumstances.
Run Fatboy Run
Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion, Simon Pegg is creatively teamed with director David Schwimmer and co-scripter Michael Ian Black. The result is tepid humor and a less-than-compelling feel-good story of redemption and re-kindled romance. With Shaun and Fuzz, Pegg took well-known genres and firmly skewered them. Those who believe the underdog/sports movie will get the same treatment in Run Fatboy Run will be disappointed. This is yet another parody that falls victim to the desire to become what it's intending to satirize.
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The opening scene of the movie explains the origins of U.S.-Saudi diplomatic relations and how energy exploitation has transformed the Middle East through a timeline sequence. It portrays the conflicts that have risen since the late 1940s for the rightful ownership of the oil industry. This includes the Persian Gulf War in Iraq and al-Qaeda's growing network of terrorism. Eventually, it explains the 9/11 terrorist attacks and how the majority of the hijackers were Saudis. This raises serious questions on the relationship between Saudi Arabia and the United States. The plot begins with the current struggle of Saudi Arabia and the kingdom's efforts to stand control of their country against terrorist extremists.
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A young Henry Oldfield (Nick Fenton) lives on a sheep farm in New Zealand, with his father and older brother, Angus. After witnessing his father's pride in Henry's natural ability at farming, Angus plays a cruel prank on him involving the bloody corpse of his pet sheep, just moments before Mrs. Mac, the farm's housekeeper, comes to tell the boys that their father has been killed in an accident. The combined shock of these two incidents leads Henry to develop a crippling phobia of sheep.
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Set in 1991, the film depicts the United States and People's Republic of China governments on the verge of a major trade agreement, with the American president due to pay a visit to China to seal the deal. The Central Intelligence Agency gets word that its Special Activities Division operative Tom Bishop (Brad Pitt) has been captured trying to free an Englishwoman, Elizabeth Hadley (Catherine McCormack), from a Chinese prison near Su Chou. Bishop is being questioned under torture and will be executed in 24 hours unless he is claimed by the U.S. government. If the CIA claims Bishop as an agent, they risk destroying the trade agreement. Exacerbating the situation is the fact that Bishop was operating without permission from the Agency.
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Twenty five years ago, the SS Corona Queen disappeared in the region known as, The Bermuda Triangle. Now, it has returned. Seven people go on board to learn the truth behind her disappearance but the ship did not return alone...
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The film opens with an intense scene of undercover narcotics officer Nick Tellis (Jason Patric) chasing a drug dealer through the streets of Detroit after his identity has been discovered. After the dealer fatally injects a bystander with drugs (whom Tellis was forced to leave behind), he holds a young child hostage. Tellis manages to shoot and kill the dealer before he can hurt the child. However, one of the bullets inadvertently hits the child's pregnant mother, causing her to eventually miscarry.
The Human Stain
In the late 1990s, writer Nathan Zuckerman (Gary Sinise) has settled in a lakeside New England cabin following his second divorce and a battle with prostate cancer. His idyllic life is interrupted by Coleman Silk (Anthony Hopkins), a former dean and professor of classics at local Athena College, who was forced to resign after being accused of making racist remarks in class. Coleman's wife died suddenly following the scandal, and he wants to avenge his loss of career and companion by writing a book about the events with Nathan's assistance. The project is placed on the back burner when Coleman has an affair with Faunia Farley (Nicole Kidman), a considerably younger, semi-literate woman who supports herself by working at menial jobs. Their relationship is threatened by the faculty members who forced Coleman from his job and by Faunia's stalker ex-husband Lester (Ed Harris), a mentally unbalanced Vietnam War veteran who blames her for the deaths of their children in an accident. Flashbacks of Coleman's life reveal to the audience his secret - he is an African American who has passed as a Jewish white man for most of his adult life.
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13 Hours in a Warehouse
As five underworld heavies settle in for an all night stay at an abandoned warehouse and former film studio, a series of bizarre and unsettling occurrences quickly lead them to believe they are not alone. It was supposed to be a simple night of babysitting a single hostage, but when a series of numbers began to appear on the walls things soon took a dark turn. Later, after the hostage escapes, the perplexed thugs not only learn that there is a rat in the ranks, but also discover the unsettling nature of the films that were shot in the warehouse. Now, as terror takes hold, the thieves are about to discover that they are being stalked from the shadows and that their odds of living to see daybreak are shrinking with each passing minute.
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Alexandra Bergson (Jessica Lange) inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the teenager who stirred her heart. He (David Strathairn) returns 15 years later and rekindles within Alexandra (Jessica Lange) a long-buried dream and newfound desire. Willa Cathers famous novel comes stirringly to life in this made-for-TV movie.
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The Sloans young son Daniel has been in coma for an extended period of time following a car accident. Hannah, who was driving at the time of the accident, is suffering a great deal of guilt and depression. Shortly after moving into a newly purchased farmhouse, strange occurrences begin to happen. Hannahs husband, Graham, concerned with the increasing quantity of anti-depressants Hannah is taking, along with her stories of mysterious incidents at the house, turns to Ted and Linda, the older couple next door for support. Even though they may seem like friendly neighbours eager to help, sinister motives lie behind their pleasant demeanor.
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A teenage orphan spends ten years traveling cross-country experiencing life, love and heartbreak. Based on E.L. Doctorows story, Jolene A Life.