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he Shortcut is a PG-13 thriller that tells the story of a group of high school seniors that decide to find out the truth about the creepy old man who lives on the wooded land intersected by the shortcut.
With its catchy tagline (“Some urban legends are real!”) and a “non-horror fan” friend’s recommendation, I decided to watch The Shortcut. What the hell was I thinking?
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Last House on the Left
In a graphic example of how creatively bankrupt Hollywood has become, it's no longer good enough merely to remake older films - now the studios have begun to remake remakes. 1972's The Last House on the Left, the first feature effort of Wes Craven, was a reworking of Ingmar Bergman's controversial 1960 picture, The Virgin Spring, which captured the 1961 Best Foreign Language Film Oscar. The third version of the story, which sticks more closely to the 1972 edition than its predecessor, is helmed by Greek filmmaker Dennis Illiadis, who has only one previous credit to his name. 2009's The Last House on the Left is a more accomplished movie than Craven's 1972 film - the technique exhibits sophistication, the screenplay is smoother, and the tone is less erratic. The wheels fall off toward the end but, until that point, Illiadis does an excellent job of generating and maintaining an intense sense of dread.
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Thank You for Smoking
Thank You for Smoking is the feature debut of Jason (son of Ivan) Reitman, who has assembled an impressive cast. In addition to Aaron Eckhart, who has the lead, the credit list includes the following names: Katie Holmes, Cameron Bright, Sam Elliot, Rob Lowe, Maria Bello, William H. Macy, and Robert Duvall. Now, that's star power! While so much wattage doesn't guarantee a home run, a double or triple should be the minimum requirement. Yet, at best, Reitman delivers a bleeder up the middle. It is a disappointment.
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It has been a while since Hollywood has produced a bona fide action hero, but it appears that one has finally emerged. Look out Vin Diesel, because the Rock appears ready to roll. He is the Schwarzenegger of the 2000s with a comprehensible accent. The symbolic torch has been passed. Indeed, had The Rundown been made in 1983, it would have been a perfect vehicle for the Pumping Iron icon. Now, however, Schwarzenegger is more interested in a new kind of The Running Man, opening the door for a pro wrestler-turned-movie star.
P2 is a serviceable gore-minded thriller - a competent execution of a premise that ultimately becomes hampered by its inherent constraints. For about the first two thirds of the roughly 90 minute running time, this is a solidly made motion picture, combining white-knuckle tension with black humor and arguably the most impressive cleavage to grace the screen this year. However, as the movie accelerates toward its inevitable conclusion, things become increasingly silly and
Anne Fontaine's Nathalie... has taken 2 1/2 years to attain U.S. distribution, and even that will be just a limited peek in select art house venues before a quick turnaround onto DVD. (A medium in which it has been available in France since 2004.) That Nathalie... has received any interest is due in large part to the star power of three of France's biggest names: Gerard Depardieu, Fanny Ardant, and Emmanuelle Beart. The film is exactly what audiences have come to expect from French cinema (and what the generic sterotype predicts): a talky affair where dialogue and character development replace plot and action, with a little tasty nudity thrown in for good measure.
Nobody's Fool is about as sublime a motion picture as is likely to come out of Hollywood. With a structure that contravenes the norm, this film concentrates on character first, letting the plot fall naturally into place. Situations are forced on neither the film's inhabitants nor on those in the audience. It's rare to sit through a drama and not feel manipulated, but the feelings generated by Robert Benton's movie are entirely natural, and likely to bring a smile to the heart.
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In Lone Star, writer/director John Sayles (City of Hope, Passion Fish) cannily blends drama, romance, mystery, and social observation into a satisfying, if slightly overlong, whole. In the hands of a lesser film maker, this material could easily have degenerated into routine melodrama, but Sayles keeps it on a consistently high level. While Lone Star is not the director's finest work (City of Hope is), it's still a very good film with enough material to stimulate energetic post-movie discussion.
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The Legend of the Tamworth Two
Based on a true story, the movie tells the story of two pigs, named Butch and Sundance, who staged a dramatic escape from an abattoir in January 1998 and remained at large for a week despite the best effort of the press and public to re-capture them.
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The Machine Girl
Ami Hyūga was an average high school girl, trying to lead a normal life but her world came crashing down when her brother Yu and his friend Takeshi Sugihara were killed by bullies led by Sho Kimura. As Ami tracks down Sho, she is surprised to discover the bullies' association with a sinister ninja yakuza family. When she goes after her revenge, she soon finds herself in over her head with her left arm lost as a result. Barely surviving, Ami escapes and seeks out shelter from Takeshi's parents Suguru and Miki Sugihara, two kindly garage mechanics who fit her with a high-powered machine gun prosthetic. With Miki's use of chainsaw, Ami proceeds on a killing spree against the murderers of their loved ones.
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In Civil War-era Alabama, a band of outlaws takes refuge at an abandoned plantation after robbing a bank that held a cache of Confederate gold. Led by William, the group includes Sam, Todd, Annabelle, Clyde and Joseph. They intend to flee to Mexico, but nightfall and a thunderstorm force the robbers to remain in place. As the night wears on, each member of the group begins to have visions of the atrocities that occurred within the house. As supernatural forces begin to manifest themselves, the six turn on one another.
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The Beast Must Die
Tom Newcliffe, a rich businessman and expert hunter summons six guests to his huge country estate which he has rigged up with video cameras and a high-tech security system. He tells them and his surprised wife that they are all to stay over a weekend and that all of them will be kept on the estate during that weekend. For each guest, dead bodies have followed in their wake and the way that the dead have been murdered means that one of the guest is a werewolf and Tom has summoned his guests here to discover who it is and to hunt it down... The film has a clip at the beginning asking people in the audience to try to identify the werewolf and near the end there is a 30-second Werewolf Break for the audience to think over the evidence...
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Devolved is a racy teen satire that follows a group of high schoolers on an ill-fated whale watching trip who find themselves stranded on a deserted island off the Mexican Coast.
In 1999, a British mine clearance engineer working for the Taliban government in Afghanistan must flee the country when he becomes embroiled in a deadly game of intrigue and betrayal.
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Angie is having no luck auditioning for movies. She thinks about going back home, but her roommate Claudia convinces her to try working at the gentlemans club with her in order to gain more life experience. Angie hopes to be able to turn the experience toward more effective acting but is having difficulty overcoming her inhibitions. She meets a burned out movie director at the club who helps her with her dilemma.
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My Own Love Song
A wheelchair-bound singer and her best friend embark on a roadtrip to Memphis.
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