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I will be surprised if this film does well in New York City. Yankees fans, accustomed to success, are still smarting from last year's humiliating debacle, and a romantic comedy that capitalizes on the Red Sox's triumph is unlikely to pack theaters in the Five Boroughs.
Fever Pitch is a curious mix of smarts and schmaltz. The unusual combination derives from the group of creative collaborators involved in the film's development. The Farrelly Brothers, operating outside of There's Something About Mary territory, prove that they are as capable of bringing a generic, formulaic romantic comedy to the screen as they are of producing something more edgy. (Only one scene – involving vomit and a dog – can be called a "Farrelly moment.") The screenwriters are the team of Lowell Ganz & Babloo Mandel, who have elevated fake sentimentality to a high art. Their tendency towards artificiality is mitigated somewhat by the fact that they're adapting from a book by Nick Hornby (who retains an Executive Producer credit).
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If you're going to make a vampire movie, here's a piece of advice: leave Dracula out of it. The character is so iconic that virtually no cinematic interpretation will do him justice. Unfortunately, that's not something that writer/director David S. Goyer recognizes. So, in order to give vampire-hunter Blade a "worthy" adversary for his third outing, Goyer elects to pit the hybrid superhero against his old comic-book nemesis (on the written page, Blade first debuted in "Tomb of Dracula"), with unfortunate results. Take away the film's attitude, and you're left with Son of Van Helsing.
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Goodbye Solo is a simple character drama that chronicles the interaction between a man who wants to end his life with dignity on his own terms and the Good Samaritan who believes there must be another way. On the surface, Goodbye Solo might appear to be cut from the same cloth as The Odd Couple, but Ramin Bahrani (whose previous features were Man Push Cart and Chop Shop) has fashioned something more subtle and sophisticated than a traditional "buddy movie." The movie is less about friendship than it is about respect and understanding. The lack of melodrama coupled with moments of quiet celebration make Goodbye Solo a more uplifting tale than one might expect with such a less-than-joyous premise.
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Consider how mainstream movies depict violence. Bodies are chopped up, blown apart, and torn to pieces. Blood and gore flow as freely as water. Films like Interview with the Vampire are awash in a crimson tide, and no one thinks twice about it. Then along comes a film like Clean, Shaven, where nothing is gratuitous, and suddenly viewers are shocked. Henry: Portrait of a Serial Killer provoked a similar response, for the same reasons.
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Music of the Heart
To call Music of the Heart a departure for filmmaker Wes Craven is to make an understatement of colossal proportions. Craven, the driving force behind two of the world's most popular horror movie series, A Nightmare on Elm Street and Scream, has opted to venture out of the niche where he has experienced his most success and try something different. Music of the Heart is nothing if not a change of pace, and, unfortunately, Craven doesn't appear entirely comfortable in these new surroundings. Instead of crafting a powerful, insightful drama, he has used cliches and manipulation to skate through sentimental material. The end product is overwrought and guilty of pandering to a crowd-pleasing mentality. Think Dangerous Minds meets Mr. Holland's Opus.
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For six long years, CIA agent Jack Chen (Daniel Wu) has been investigating the disappearance of teenage girls from around the world. These girls are being abducted by the evil Madame M (Almen Wong), who is training them on a remote tropical island to become ruthless assassins. Charlene (Maggie Q), Katherine (Anya) and Jing (Jewel Lee) are the latest girls to ‘graduate’ in early adulthood as Madame M’s killers-for-hire; but agent Chen is hot on their trail.
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Into the Blue
Greed turns an idyllic vacation into a nightmare in this action drama. Jared Cole (Paul Walker) makes his living salvaging wreckage from ships off the coast of the Bahamas. He shares a rattle-trap trailer home with his girlfriend, Samantha "Sam" Nicholson (Jessica Alba), a shark expert who works at a nearby resort. While both are happy with their lives in the islands, Jared dreams of finding a major score and living the high life.
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The Count of Monte Cristo
Edmond Dantès (James Caviezel) and his friend, Fernand Mondego (Guy Pearce), officers of a French trading ship, head to Elba seeking medical attention for their captain. Dantès and Mondego are chased by English Dragoons who believe they are spies for the exiled Napoleon Bonaparte (Alex Norton). The Emperor arrives and declares they are not his agents, and asks Dantès to give a letter to a friend in France. When the captain dies that night, they are sent on their way. At Marseilles, Dantès is reprimanded by the ship's first mate, Danglars (Albie Woodington) for disobeying orders. However, the shipping company's boss, Morrell (Patrick Godfrey), commends Dantès' bravery, promoting him over Danglars. Mondego intercepts Dantès' fiancée Mercédès (Dagmara Dominczyk) and unsuccessfully tries to seduce her. When he hears of Dantès' promotion, Mondego realizes that Dantès will be able to marry Mercédès sooner than expected.
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Megiddo: The Omega Code 2
Gavin Fink plays this younger Stone. Noah Huntley plays Stone in his late teens and early twenties. Upon graduating from military academy, Stone meets his younger brother David. At first, David (Chad Michael Murray) admires his older brother; however, his father admonishes him to be true to himself. After graduating from the academy, Stone marries his Italian girlfriend, Gabriella.
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Enemy at the Gates
In 1942, Vassili Zaitsev (Jude Law), a shepherd from the Ural Mountains who is now a soldier in the Red Army, finds himself on the front lines of the Battle of Stalingrad. Sent on a suicidal charge against the invading Germans, he uses impressive marksmanship skills—taught to him by his grandfather from a young age—to save himself and commissar Danilov (Joseph Fiennes). Nikita Khrushchev (Bob Hoskins) arrives in Stalingrad to coordinate the city's defenses and demands ideas to improve morale. Danilov, now a senior Lieutenant, suggests that the people need figures to idolize, and publishes tales of Vassili's exploits in the army's newspaper that paint him as a national hero and propaganda icon. Vassili is transferred to the sniper division, and he and Danilov become friends. They also both become romantically interested in Tania (Rachel Weisz), a citizen of Stalingrad who has become a Private in the local militia. Danilov has her transferred to an intelligence unit away from the battlefield.
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When Ishmael is released from prison, he is forced to return to the life on the streets that he thought he had left behind. Determined to survive, he trains as a professional fighter, and struggles to stay out of the world of gangs, drugs and turf war.
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A fading country music star (Keith) returns to his hometown, where he reunites with his childhood sweetheart and also meets his 16-year-old daughter for the first time.
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Billy Madison is the 27 year-old son of Bryan Madison, a very rich man who has made his living in the hotel industry. Billy stands to inherit his fathers empire but only if he can make it through all 12 grades, 2 weeks per grade, to prove that he has what it takes to run the family business.
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Clay (as in the title) is a young man in a small town who witnesses his friend kill himself because of the ongoing affair that Clay was having with the mans wife. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Into this comes a serial killer who befriends Clay, even to murdering the nagging widow for him... but certainly not at Clays request. But that doesnt matter for the police, as well as for a savvy female FBI agent who sees Clay as their prime suspect. Yet Clay doesnt tell them of his friend who admits to him of his serial killings, primarily because Clay sees himself as somewhat of an accomplice, in that he seems to have introduced to the killer each young woman that is killed... in fact, the sheriff comments that he wishes Clay would quit finding the murdered victims, which he always seems to do. But at last Clay is able to turn from being the pigeon... to giving the film its very unpredictable conclusion.
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At the annual Vent Haven Convention in Ft. Mitchell, Kentucky, ventriloquism capital of the world, director Mark Goffman discovers five extraordinary characters straight out of a Christopher Guest mockumentary. But in this delightful, its-all-true documentary, the characters are real, and so are the emotional attachments that they have with their dummies.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a pee gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India, namely drinking beer off of Shridhar Chillais several feet long fingernails having one of the crew lie on a bed of nails with two snakes - one on his chest and one between the legs, as well as a decorated elephant in the background and finally having a half-naked Indian Sadhu drink one of the crews urine.
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