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Sex and the City: the Movie
Remember Carrie Bradshaw, Samantha Jones, Miranda Hobbes and Charlotte York? If you have never watched an episode of “Sex And The City,” then these names may mean nothing to you, but, to thousands of women, these four are the soldiers on the front lines for single women everywhere, answering their questions, making the mistakes, and, of course, testing out the shoes.
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Are you ready for a new kind of superhero -- a thirty-something virgin in long underwear? Darryl Walker (Damon Wayans) is a bright but socially inept man with a gift for inventing things but little skill for functioning in the real world. His brother Kevin (David Alan Grier) works on a low-class tabloid news show featuring beautiful anchorwoman Kimberley Jonz (Robin Givens), whom he secretly loves.
Away We Go
It may be fair to consider Away We Go as Sam Mendes' penance for Revolutionary Road. The director's late-2008 Winslet/DiCaprio reunion was an immersion in bile - an acidic trip underneath the placid exterior of mid-20th century suburbia to a rot that David Lynch would appreciate. To apologize, or at least argue that his view of the human condition is perhaps not so misanthropic, Mendes has crafted the far gentler Away We Go, a lighthearted road trip movie that celebrates the importance of family while delivering a few laughs and maybe a tear or two. Away We Go is not as dramatically wrenching as Revolutionary Road, but it's unquestionably more enjoyable.
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Dr. Dolittle 2
About the most positive comment I can offer about Dr. Dolittle 2 is that it's not as painful to endure as its 1998 predecessor, Dr. Dolittle. Unlike the earlier Eddie Murphy effort about the M.D. who can talk with animals, the second installment makes no pretense of being family-oriented entertainment - this is kids-only fare (hence, the PG-rating). Potentially audience members over the age of 12 won't find much to laugh at or be amused by in this by-the-numbers comedy that uses sledgehammer tactics to convey its politically correct message. Of course, to balance out the film's social conscience, there has to be one gross-out scene - in this case, it involves a bear with flatulence.
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For those who can't wait until June (and the arrival of Kenneth Branagh's Love's Labour's Lost) for their semi-regular cinematic Shakespeare fix, there's Michael Almereyda's Hamlet. Imagine the line "To be or not to be" delivered in the aisles of a Blockbuster Video store (What product placement genius!). Or "The play's the thing" referring to a movie, not a live production. Or the lead character telling Ophelia to "Get thee to a nunnery" via a phone answering machine. All of these things, and more, happen in Almereyda's re-interpretation of the classic production. However, while the director has succeeded in creating a visually interesting film, he has also lost the play's soul, and the number of cuts employed render the final product virtually incoherent.
While watching Liar Liar, it occurred to me that the chief problem with this film is that it has a script. If Jim Carrey had been unleashed without such silly, incidental constraints as plot and dialogue, who knows where things might have gone? As it is, however, Carrey is forced to confine his antics to the needs of Liar Liar's unimaginative screenplay, and the results are mixed. There are times when Carrey is excruciatingly funny, but, on those occasions when he's expected to do anything remotely approaching "real" acting, his limitations become abundantly clear.
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In the year 1606, Sawney Bean (Leigh Scott), a ruthless psychopath, earned a notoriety as the world's most brutal serial killer, predating Jack the Ripper and Bloody Bill by several hundred years. In life, Sawney was a cannibal, who captured his victims and literally butchered them, feasting on their corpses afterwards.
His practices are continued in the modern day by his in-bred descendants, who dwell in vast caves on the coast and feed on the flesh of passers-by, as a group of teenagers soon discover whilst exploring the steep cliff-face where Sawney's descendants dwell in search of flesh.
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One Hell of a Christmas
One Hell of a Christmas is a dark and action packed comedy that takes place in a modern city as well as in a fearful underworld. When Carlitos is released after doing 2 years of hard time, he attempts to redeem himself and sets an example for his 5 year-old son. However, when a friend confronts him with a very dark and horrifying scam for some quick dough and good times, he declines, but never the less he soon finds himself entangled in a web of sex, drugs and Christmas carols.
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K-19: The Widowmaker
In 1959, the Soviet Union launches its first ballistic missile nuclear submarine, the K-19 — nicknamed "The Widowmaker" due to the many deaths that occurred during its construction. The ship is led by Captain Alexei Vostrikov (Harrison Ford), aided by executive officer Mikhail Polenin (Liam Neeson). Polenin and the crew have served a number of years and missions together but Vostrikov's appointment is shown to be aided by his wife's political connections, her uncle is a member of the Politburo. During an early inspection, Vostrikov discovers the officer in charge of the sub's nuclear reactors to be drunk and asleep on-duty. Against Polenin's advice that the man is "the best reactor officer in the fleet", Vostrikov sacks the officer and orders Polenin to request a replacement. The new reactor officer arrives direct from the naval academy and has never been at sea. During the K-19's official launch, the bottle of champagne doesn't break when it strikes the bow; the sailors glance nervously at each other due to this renowned sign of bad luck.
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Chromophobia comes from the Greek word "chroma", which translates as "color", and "phobos", which translates to "fear". The two form to create a portmanteau which it is assumed means "fear of color". Chromophobia takes a look at several people and relationships. Some of these people are very wealthy and have become so obsessed with their wealth and material objects they are very detached from more important things in life. The things they choose to reject in their pursuit for the finer things in life include friendship, their children, love, and integrity. At one point or another in the movie, each character begins to realize and then face their problems and in a sense their lives come crashing down. The characters then begin to see if they can get their lives back and carry on with a new look.
Emma (Moss) has a strong aversion towards her family’s new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously.
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A honeymooning couple become entangled in a plot to recover plates for counterfeiting US dollars. SHE thinks shes just retired from a government dirty jobs department, but her superiors have other ideas. HE thinks shes a retired travel agent. Set in Spain, theres a constant flow of visual jokes, mainly at the expense of a group of incompetent thieves who are in hot pursuit of the plates. Many of the jokes are predictable, but theres enough to keep almost everyone amused.
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A teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80s prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid brother. Looking forward to a life based on her passion for art, she nevertheless gets in with the partying crowd which causes her to miss deadlines and poor grades which jeapordizes her future. Ultimately she ends up losing her virginity to an older artist wanna-be who she has had a long standing crush on.
Bill & Ted's Excellent Adventure
The film opens in San Dimas, California in the year 2688 AD. Rufus (George Carlin) prepares to use a time-traveling phone booth to travel back to 1988 to ensure the Two Great Ones–Bill S. Preston, Esq. (Alex Winter) and Ted "Theodore" Logan (Keanu Reeves)–remain together to form the band "Wyld Stallyns", whose music will become the core of the future's Utopian society. Rufus finds that Bill and Ted are on the verge of failing their high school history class, and, should Ted fail, his father, Police Captain Logan (Hal Langdon) will ship him off to an Alaskan military academy, effectively ending the pair's dreams of forming a band.
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Blood, Guts, Bullets and Octane
Slick-talking Bob and Sid run a bankrupt used-car lot. They used to work for Danny Woo, whose lot next door is the most successful one in Needles. Dannys still their friend, and what with his sick wife, Bob and Sid agree to cover for him during an IRS investigation into his finances. Meanwhile, a series of murders and an FBI investigation focus on a Pontiac convertible with a mysterious cargo originating in the Andes. Bob and Sids shady supplier offers them 250,000 to stash the car on their lot for a couple days Bobs reluctant, but Sid sees this as their ticket out. They say yes, then try to run a double cross on the Pontiacs mysterious and ruthless owner.
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When someone is murdered on New Years Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husbands betrayal threatens to destroy all that they have known