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The army is experimenting with a deadly toxin which turns people into mindless zombies. An army captain escapes from the Iraq war to bring this important weaponized biological agent back to America. 28 days later he has rented a terrible apartment in order to continue his research into how his evil red liquid is able to turn an ordinary human into a raging cannibal. The local gangbangers stop by to welcome him to the neighborhood. The captain sizes them up as great guinea pigs. Soon the toxin is released and the mutated zombies rampage through the apartment building.
Road of No Return
Where do I start with Road of No Return? To be honest I am very disappointed with this movie. The acting is bad, the story line could be so much better and I can't believe that I had the patience to watch Road of No Return from start to finish.
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Bridget Jones' Diary
Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral scribe Richard Curtis) successfully adapts the book into an easily-manageable 90 minute chunk while retaining much of the humor and remaining faithful to the tone. Bridget Jones's Diary is smart, sassy, and thoroughly enjoyable, and features one of the most endearing and believable characters to grace the screen this year.
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Maybe it's my math/engineering background, but I found Proof to be fascinating both on the stage and on the screen. Actually, appreciation of the film demands little math knowledge (aside from recognizing that a "proof" is a logical set of equations designed to explain and defend the veracity of a theorem). Proof is less about math than it is about the ins-and-outs of intellectual property and the relationships of one women to those around her (father, sister, lover).
When we first meet Catherine (Gwyneth Paltrow), it's the day before her father's funeral. During the last years of his life, Robert (Anthony Hopkins) - once a revered mathematician - was caught in the grip of dementia, with Catherine as his lone caregiver. Now, with his death, her sister, Claire (Hope Davis), has jetted in from New York City to pick up the pieces and bring Catherine back with her. And her father's dissertation student, Hal (Jake Gyllenhaal), is poring over Robert's old notebooks, looking for something brilliant amidst all the ramblings. Meanwhile, Catherine, who believes she may have inherited her father's madness as well as his
Punisher: War Zone
Marvel Comics must really like The Punisher. This is their third attempt to bring him to the big screen. There's a saying that "the third time's a charm," but it doesn't apply here. More appropriate is this baseball-related statement: "Three strikes and you're out." Chiefly because of the slick production values and shorter running time, Punisher: War Zone is an improvement over 2004's The Punisher (with Thomas Jane in the title role), but not to an extent that most people will notice. It's considerably better than the earlier Dolph Lundgren version, but the less said about that the better. Punisher: War Zone is bad enough that it may remind viewers how lucky we have been this year to get two superior superhero movies in Iron Man and The Dark Knight.
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Spring, Summer, Fall, Winter... and Spring
Spring Summer Fall Winter...and Spring is a gorgeous motion picture. Using perfectly composed shots to amplify an emotionally resonant story, the film successfully argues that "artistic" films do not have to be boring. Although few in the audience are likely to identify intimately with the characters (Buddhist monks who live in virtual isolation), the movie's themes about the mutability of life and the desire for peace and atonement have universal implications. One can be a New York City Stockbroker or a Salt Lake City teacher and still understand the points being made by Kim Ki-duk's film.
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Xiu Xiu: The Sent Down Girl
Certain historical periods provide rich and varied soil for the cultivation of motion picture storylines. The twilight of the Roman Empire is one. The American Civil War is another. World War II marks a third. And a fourth is the Chinese "Cultural Revolution," which spanned roughly a decade from the mid-1960s to the mid-1970s. This time of great upheaval, which was started by young ideologues forcing their harsh political views on the entire populace, led to frightened men and women denouncing others to save themselves. The events of those ten years have given rise to a number of stirring, powerful motion pictures, including Farewell My Concubine and To Live. Now, Xiu Xiu can be added to that list. This is a devastating and unforgettable portrait of hopeless love and the corruption of innocence set against the backdrop of the Cultural Revolution.
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eXistenZ, the latest from iconoclastic director David Cronenberg (Crash, Dead Ringers, The Fly), looks at the dangers of virtual reality. The movie seems to have been designed as a cautionary tale, and, as such, contains elements of pointed satire. Unfortunately, the production as a whole has a disjointed feel, and the flaw is compounded by several ill-advised casting decisions, a meandering middle act, and an ending that cheats the audience by employing the kind of plot twist that just about anyone can see coming from a mile away. Because of the potential of the idea and Cronenberg's reputation as a film maker, it's a real disappointment to watch eXistenZ fall apart the way it does.
Undeterred by the universally hostile reaction to her previous holiday picture, Mixed Nuts, director Nora Ephron (Sleepless in Seattle) is back at it again this year with Michael, the second angel-comes-to-Earth feature of the month. While this may not be quite as sweet as The Preacher's Wife, the central theme of redemption is essentially the same. And, even though the script for Michael moderates its sugary flavor with a dash of cynicism, it's no stretch to guess that the film is going for the same audience that's enchanted by such life-affirming classics as A Christmas Carol and It's a Wonderful Life.
Lethal Weapon 4
Since 1992, when Lethal Weapon 3 became an undisputed box office hit, there has been talk about a follow-up. With the possible exception of the still-unconfirmed Die Hard 4, Lethal Weapon 4 has been the subject of more (often inaccurate) rumors than any other action movie. Creatively, there was no reason to re-assemble the cast, but Hollywood productions are driven by money, not artistic impulses. As a result, it was just a matter of time before Lethal Weapon 4 made the transition from rumors to reality. Once the hurdle of signing Mel Gibson was cleared via a huge pay check, the film was rushed into production.
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Austin Powers: International Man of Mystery
Through the years, there have been many big-screen attempts to satirize James Bond, from the terrible misfire Casino Royale to the recent, even-worse Spy Hard. In between, even the "official" Bond series got in on the act -- during the Roger Moore era, the series turned into a virtual self-parody. Now, with the resurgence of Bond as a result of 1995's Goldeneye, spoofing the spy genre is again in vogue. And, after numerous failed shots, someone has finally gotten it at least partly right. That "someone" is ex-Saturday Night Live comic Mike Myers (not to be confused with the Halloween serial killer), the co-creator of Wayne's World. Myers' Austin Powers: International Man of Mystery (directed by first-timer Jay Roach) takes aim squarely at the psychedelic '60s and its brand of spy and hits them with the full brunt of his wit.
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Into the Blue
Greed turns an idyllic vacation into a nightmare in this action drama. Jared Cole (Paul Walker) makes his living salvaging wreckage from ships off the coast of the Bahamas. He shares a rattle-trap trailer home with his girlfriend, Samantha "Sam" Nicholson (Jessica Alba), a shark expert who works at a nearby resort. While both are happy with their lives in the islands, Jared dreams of finding a major score and living the high life.
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Community college professor Ira Kane (David Duchovny) is invited by geology teacher/girls' volleyball coach Harry Block (Orlando Jones) to investigate a meteor that has crashed into a network of underground caverns under the sleepy Arizona town of Glen Canyon. They collect a sample and find that it contains extraterrestrial single-celled nitrogen-based organisms, which evolve into multi-celled organisms by the time Ira gets Harry to his office to see the discovery they made.
I Am David
Seven years after World War II, a 12-year old boy named David (Ben Tibber) escapes a Stalinist Labor camp in Bulgaria where he has spent his entire life. He sets out on a risky journey to Denmark, initially believing he is on an important mission to deliver a letter, but eventually discovering that the "mission" was to reunite him with his mother, of whom he only has faint memories. Along his journey, he faces danger, fear, loneliness, hunger, and encounters various people.
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The Man in the Glass Booth
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and irreverence about aspects of Jewish life. Nonetheless, Charlie is astonished when, one day, Israeli secret agents burst in and arrest Goldman for being not a Jewish businessman but a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face not only his presumed guilt--but their own.
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A young father asks for pumpkins at the local farm stand. In August? No. the farmer replies. The farmer ruminates on the odd request and gets involved with strangers for the first time since his sons death long ago.
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