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There's a lot you can do inside a wooden coffin, as it turns out. As one-room storytelling goes, Spanish director Rodrigo Cortés takes 'Buried' to a horrific new extreme. Taking place entirely inside the confines of a wooden crate, Buried is equal parts thriller and spectacle; the kind of filmmaking that smacks of invention – but with genuine purpose, not just as an exercise in gimmickry.
Ryan Reynolds' character, Paul Conroy, is in an unfortunate position. He's a contract truck driver working in a province of Iraq and now he's buried in a box somewhere in the desert – and that's all he knows. What follows is a tense and occasionally shocking story that relies almost entirely on clever sound design and carefully manipulated lighting elements to provoke reactions from the audience.
If the highlights of your DVD collection include "Porky's" and "American Pie," then "Hooking Up" is just the kind of cinematic sexplay you're looking for. Starring Corey Feldman as a coked-out 25-year-old who abuses his starry-eyed high-school girlfriend Caroline (Alison Whitney), Brian O'Halloran ("Clerks") as a principal blind to his surroundings, and Bronson Pinchot as new teacher trying to fend off the sexual advances of the principal's 15-year-old daughter, "Hooking Up" isn't so much of a plot as it is a week in the life of a number of hormone-stuffed sex-obsessed teenagers.
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Friday the 13th
They nearly did it. The first 20-25 minutes of the new Friday the 13th threatened to tear the roof off my lowered expectations for a reboot of a devalued franchise that began nearly 30 years ago. After a tentative flashback, the set-up in the present day was classically simple, the action flared up in mean and bloody outbursts, and Jason's appearance was note-perfect. I was starting to tense up, feeling the weight of gut-level dread in the pit of my stomach.
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Richard Matheson's original short story, "Button, Button," was a nifty little morality tale about a couple faced with a peculiar opportunity -- if they push a button in a box, they'll get a sum of money but kill a stranger in doing so. That version of the story ended with the wife pushing the button and killing her husband, a man she didn't really know. As an episode of "The Twilight Zone" in 1986, the story ended with the couple paid off and assured that the device would then go to another couple to whom they qualify as strangers. Now, Richard Kelly's The Box takes that same basic premise and spins it into a mind-bender of the most baffling degree, starting out as another "Twilight Zone"-worthy variant but eventually reaching the outer limits of both patience and reason.
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Space Chimps 2: Zartog Strikes Back
Unspeakably bad digimation sequel which comprises a total vacuum of charm, energy, surprise and coherence and only barely delivers on the promises of its title (only one chimp actually goes into space and Zartog's attempt at 'striking back' is utterly feeble).
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Midnight in Paris
From time-to-time, I suppose we all succumb to daydreams of what it might be like to have lived during a different, perhaps simpler era. Filmmaker Woody Allen, whose cinematic recipes have often incorporated more than a pinch of nostalgia, embraces this conceit with his 2011 effort, Midnight in Paris. An odd creation by some standards, this production is neither pure drama nor true comedy. It is too light and airy to touch the emotions in more than a fleeting fashion, and its humor is gentle and low-key, rarely exhibiting the edge associated with Allen. Instead, Midnight in Paris is a fairy tale, a parfait of whimsy. The film is constructed in such a way that suspension of disbelief isn't too hard because there's something universal in what Allen explores. Like Santa Claus, we know it's not real but the idea is so appealing that we go along with the fantasy.
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The Skeleton Key is the latest of the new breed of PG-13 "horror" movies that emphasize atmosphere and "boo" moments over gore. This film, which is not a re-make of a Japanese production (as many of these pictures are), maintains an internal logic that allows the viewer to follow the storyline without becoming confused or losing interest. There are weaknesses - the narrative traverses a predictable trajectory, the pacing is uneven, and there are times when the action goes over-the-top. But the heroine is smarter than the average horror movie scream queen and the ending doesn't cheapen proceedings. (Actually, one could argue that the ending is the best thing about The Skeleton Key.)
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I'll Do Anything
Low, gray clouds scud across the sky while the grass of a seemingly-endless plain ripples in response to the prompting of a spring breeze. Thunder rumbles in the distance. On another day, a bright sun gazes down on those same fields while cattle roam from horizon to horizon. The silhouette of a lone cowboy on horseback stands out against an evening skyline. Above these vistas, the Rocky Mountains tower like implacable guardians, seeing all. These are only some of the images from The Horse Whisperer, a film as rich in its visual presentation as it is in its emotional resonance.
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One would expect XIII: The Conspiracy to be hindered by the fact that it was both made for television and is derived from video game material. In truth, it’s not that bad.
Friends and family pursue an estranged writer to an isolated house only to find that, once theyve entered, their own fears will kill them if they leave.
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Hellbound: Hellraiser II
The movie opens with a flashback of Captain Elliott Spencer (Doug Bradley) playing with the Lament Configuration box. When Spencer "solves" the puzzle, he is transported to Hell and transformed into the Cenobite called Pinhead.
The movie shifts to the present. Kirsty Cotton (Ashley Laurence) wakes in the Channard Institute, a psychiatric hospital, and is questioned by Homicide Detective Bronson (Angus MacInnes). The police have searched the Cotton home and discovered a bloody mattress, confiscating it as evidence. Kirsty meets Dr. Phillip Channard (Kenneth Cranham) and his assistant Kyle MacRae (William Hope). Kirsty briefly recounts her family tragedy, as featured in the first film. Kirsty begs Bronson to burn the mattress, thinking her evil stepmother, Julia, might use it to return from Hell.
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The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.
Joe the King
A destitute 14 year old struggles to keep his life together despite harsh abuse at his mothers hands, harsher abuse at his fathers, and a growing separation from his slightly older brother. Petty thefts for food grow into more major takes until he steals a cash box from the diner where he works. Although Joe uses the money to pay off some of his fathers debts and to replace his mothers records that his father smashed in a fit of temper, Joe gets no thanks...
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A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.
Its been three years since Emery Simms was wrongfully imprisoned for a murder he didnt commit. Emerys best friend Brandon (Blakemore) and ex-wife Connie (Fox) are now married, running a successful restaurant and nightclub in Atlanta. Their lives change dramatically, however, when Simms is killed in prison and new evidence emerges as to Brandons role in the framing of his friend. When Emerys estranged brother Donovan (White) enters the picture, he becomes determined to unearth the explosive truth behind his brothers downfall. New motives, deceptions and lies are revealed, but the closer Donovan gets, the deeper hell get himself into trouble and the possibility of lying in a grave, right next to his brother.
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Nate (Alec Newman) is a successful financial manager by day and a closet musician by night. One evening he hears a beautiful voice outside his apartment window accompanying his piano playing. The mysterious voice turns out to be the coat check girl, Chloe (Amy Adams), from the local jazz club. Chloe strikes a deal with Nate to perform with her at the club. Their chemistry is undeniable and with every song they play, the closer they become.
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