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The combination of horror and comedy has been one of the premiere "go to" mash-ups over the past few decades. Some — like Eight Legged Freaks -- fail to deliver on any large scale, while others win over legions of fans and go on to be cult favorites. For good examples of the genre, look no further than Evil Dead II, Dead Alive, and the recent Shawn of the Dead. Now comes Infestation, a film which seeks to tread similar ground. It does turn out to be an entertaining movie, but I doubt that it will gain the same status of the combo-genres high water marks. I do suspect that it will gather a select group of fans while others will fail to see the point. I ultimately fall towards to the former, although I doubt it will ever be my go to movie for horror comedy.
No Country for Old Men
The movie opens with the flat, confiding voice of Tommy Lee Jones. He describes a teenage killer he once sent to the chair. The boy had killed his 14-year-old girlfriend. The papers described it as a crime of passion, "but he tolt me there weren't nothin' passionate about it. Said he'd been fixin' to kill someone for as long as he could remember. Said if I let him out of there, he'd kill somebody again. Said he was goin' to hell. Reckoned he'd be there in about 15 minutes."
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The movie's opening scenes are intended to be reminiscent of an old 8mm family movie. They are also intended to impress upon the viewer that Spencer's father and mother were good people who he cared for very much. However, it did a pretty poor job of conveying the intended message, because I failed to care what happened to the family. When the Megalodon appeared and ate the boat, I was relieved that something, no matter how poorly edited, had happened.
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Goth horror “Sweatshop” is about as straightforward as they come, revolving around a gang of hard-partying freaks who fall foul of a brute with a huge hammer in an abandoned warehouse. The film was originally shot back in 2009, apparently over a series of weekends, and was directed by Stacy Davidson (“Domain of the Damned)”, who has a background in visual effects, and so unsurprisingly its main selling point is the gore scenes. The film lands shortly on region 2 DVD through High Fliers.
There really isn’t anything else to add about the plot, as “Sweatshop” really is as simple as it sounds, without even bothering to waste time on any kind of back story or on fleshing out its characters. This in itself wouldn’t be a bad thing, as the film clearly isn’t the kind that anyone is going to watch for its cerebral side, though unfortunately it doesn’t translate into a nonstop cavalcade of carnage. The film certainly takes a while to get going, with the first half hour basically just following the goths hanging around, bickering and having unlikely sex. Matters aren’t helped by some bad acting from pretty much all the cast, and a lame script that seems determined to make the viewer hate the characters, none of whom are even remotely sympathetic or even interesting.
Eagle vs. Shark
Eagle vs. Shark appears to be vying for the Napoleon Dynamite audience. However, while there are superficial similarities, this production, from New Zealand writer/director Taika Waititi, is unlikely to achieve the same kind of embrace by geekdom that was lavished upon Jared Hess' feature. There are two primary reasons. In the first place, the semi-comedic tone of Eagle vs. Shark is more uneven than that of Napoleon Dynamite. The film offers some laughs but there are times when the dead zones between them are uncomfortable to endure. The bigger issue relates to the characters. Like the protagonist in Napoleon Dynamite, the main characters in Eagle vs. Shark are quirky and socially inept. Unfortunately, they are also morons, and it becomes increasingly difficult to care one way or another about characters who act like they have undergone frontal lobotomies.
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Winter Passing is a classic example of a pedestrian motion picture being lifted out of mediocrity by an arresting lead performance. Zooey Deschanel doesn't just elevate Winter Passing; she carries it. There are other things to be said in favor of Adam Rapp's debut feature - the tone is suitably melancholy and he does a nice job writing Deschanel's character - but this film belongs to the actress. This is only her second time to step out of a supporting role (she was the co-lead in All the Real Girls), and it proves that she's ready for the "big time." As she has shown in the past, and continues to display here, versatility is among her strengths.
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Hangover Part II
When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phillips' sequel to the unexpected 2009 blockbuster, they might have been. Using the original as a template, The Hangover Part II colors within the lines, but does so with bright fluorescents rather than drab primaries. Despite being mandated by the insane box office success of its predecessor, this movie feels anything but obligatory. It delivers what it's expected to deliver, and that's likely to make it a success
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Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many instances in which the message overshadows the characters. The storylines are less compelling and there are times (such as one instance in which the action pauses for a lengthy homily) when the movie seems more concerned about advancing a political perspective than telling a story; The Visitor made many of the same points in a more organic fashion. Enough things in Crossing Over work to keep the film from becoming a bore, but this is a definite step down from Kramer's past efforts, The Cooler and Running Scared.
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"I finished shooting The Blue Kite in 1992. But while I was involved in post-production, several official organizations involved with China's film industry screened the film. They decided that it had a problem concerning its political 'leanings,' and prevented its completion. The fact that it can appear today seems like a miracle... The stories in the film are real, and they are related with total sincerity. What worries me is that it is precisely a fear of reality and sincerity that has led to the ban on such stories being told."
- Tian Zhuangzhuang, director of The Blue Kite
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FOR a movie industry enamored of cartoon heroes, Jim Carrey ought to be a dream come true. With his sparkling, silly grin and his true talent for physical clowning, Mr. Carrey comes as close to being an animated creature as a live actor ever could.
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Journey to the Center of the Earth
Journey to the Center of the Earth is the first live-action feature to take advantage of the new digital 3-D technology. However, in generating what amounts to a 90-minute theme park ride, the filmmakers lost track of the need to tell a compelling story to supplement the eye candy. Despite taking its name from one of the most famous science fiction novels of all time, Journey to the Center of the Earth is as weak when it comes to "fiction" as it is when it comes to "science." This movie is an overlong gimmick, an opportunity for special effects whiz-turned-director Eric Brevig to "wow" an audience with his technical bravura. With 3-D, a little goes a long way and, in the absence of a legitimate script with credible characters, the fun dries up long before the running time has expired.
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Sex and Death 101
Roderick Blank (Simon Baker) is a young man with a great job as an executive for 'Swallows', a high end fast food restaurant chain, and a beautiful fiancee, Fiona Wormwood (Julie Bowen). On the day of his bachelor party, he is e-mailed a list of all the women he has slept with. Strangely, while the list has 101 names, his fiancee is only number 29. He assumes the list is a prank, courtesy of his best friends Zack (Neil Flynn) and Lester (Dash Mihok) - until he meets number 30, Carlotta Valdez, who is the stripper at his bachelor party. After sleeping with Carlotta, he realises that the list includes all his sexual conquests, past, present and future.
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When his wife is killed in a seemingly random incident Harry (Turturro), prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder.
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Doctor Death: Seeker of Souls
John Considine plays the flamboyant Dr. Death, a thousand-year-old magician who has mastered he art of transferring souls from one body to another and thereby manages to perpetuate himself by jumping from one body to the next. Apparently the Doc is a kindred spirit since his blood is a highly-corrosive acid that can strip flesh from bone.
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After leaving the Army, Brian Flanagan tries to get a marketing job in New York. But without a college degree, this was not possible. He then decides to start studying for a business degree at the local City College and gets a part time job as a bartender. He realizes that its not that easy, but when his new boss Douglas Coughlin teaches him the secrets of the bar trade and they become the most famous bartenders in town. Both Brian and Doug Coughlin want their own top class cocktail bars someday and Brians Cocktail Bar is to be called Cocktails Dreams, and in order to get the necessary money to open it, Brian travels to Jamaica to work as a bartender at a resort Tiki Bar, and the pay is good. There he meets Jordan Mooney, a young and pretty, up and coming American artist on vacation with her girlfriend from New York, staying at the Island resort. Jordan and Brian spend some quality time together and fall in love. But when Brian takes a dare from his old buddy, Doug Coughlin to sleep with an older woman, who is also staying at the resort. Jordan, herself the daughter of wealthy parents back in New York, leaves the Island overnight, after seeing Brian and the older woman together after closing... Will Jordan ever forgive Brian and will they get back together?
Look Better Naked
Jessica is the star of several exercise DVDs including 10 Minute Solutions DVDs, Jessica is a featured trainer for PUSH, Exercise TV and Seventeen Magazine and has appeared on The View
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