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Season of the Witch
Cage stars as a medieval knight named Behmen who, along with his comrade-in-arms Felson (Ron Perlman), have fought in the Crusades for well over a decade. War-weary and disenchanted with bloodletting for the Church, Behmen and Felson cut ties with their fellow knights and head off into the wilds of Europe.
During their journey home, Behmen and Felson enter the Palace at Marburg, whose inhabitants have been utterly devastated by the Plague. The Church elders (including Christopher Lee) blame their misfortune on an erratic girl (Claire Foy, whose character's name is never revealed) they believe to be a witch.
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Michael Mann is the obvious choice to direct a John Dillinger biopic. The story of Dillinger's later years, adapted from Bryan Burrough's Public Enemies: America's Greatest Crime Wave and the Birth of the FBI 1933–34, isn't so different from the one told in Mann's seminal crime classic Heat . Both alternate between a master criminal and the police force tracking them, both feature bank heists gone wrong and both are led by two of the biggest actors of the last forty years. Ultimately though, Public Enemies can't hold a candle to Heat on almost any count. It offers a fairly stylish, well-shot look at the legend of Dillinger with some brilliant action pieces, but lacks what should be at the heart of a film like this: a real sense of the time and place that birthed the legend of Dillinger.
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I Love You, Man
Remember when Paul Rudd was more of a dramatic actor? When he went by Paul Stephen Rudd and took on projects like The Great Gatsby and The Cider House Rules. Heck, he was even in a Halloween movie (the sixth one)! That was weird, and it was a trend that certainly didn't indicate that he would eventually find his most success with comedy.
Jason Segel, on the other hand, seems to have had the comedy thing down pat since the beginning, occasional excursions into CSI land notwithstanding. First making his mark as the rock-loving teen Nick Andopolis in Paul Feig and Judd Apatow's Freaks and Geeks, Segel was seemingly always destined for the witty greatness that he has achieved in recent years.
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I will say this for Old Dogs: It is exactly as funny as you'd expect a movie to be that stars John Travolta and Robin Williams as two bachelors who must suddenly take care of precocious 7-year-old twins, and that was directed by the man who made Wild Hogs. Which is to say, it is not the least bit funny, not once, not even for a minute. Imagine a season's worth of plot devices from TV's most generic sitcom crammed into 88 excruciating minutes.
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Girl with the Dragon Tattoo
The Girl with the Dragon Tattoo belongs to a rare genre: the literate motion picture murder mystery/thriller. (Coincidentally, I saw another good example, the Korean Mother, earlier in the week, but this one is better.) It unfolds not with the breakneck velocity of a typical movie of this sort, but with the gradual, unforced, character-based focus of a novel. It relies more on deduction and the pursuit of clues than on sudden twists and surprises. Few viewers, I imagine, will be shocked when the chief villain is unmasked, but this won't limit anyone's enjoyment of the proceedings.
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10 Things I Hate about You
Never has the teen movie genre been more active than it is today. Seemingly every weekend, there's a new entry, and the solid box office performance assures that there will be many more to come. A trend with recent teen films has been to recycle classic ideas. Clueless is a remake of Jane Austen's "Emma", She's All That is George Bernard Shaw's "Pygmalion", and Cruel Intentions is "Les Liaisons Dangereuses." 10 Things I Hate About You, the latest high school film, is a modern-day, souped-up version of William Shakespeare's "The Taming of the Shrew." What sets this apart from its many competitors for teen dollars is that not only does the movie feature a surprisingly edgy and intelligent script, but it offers a group of characters capable of holding an audience's interest for more than 90 minutes.
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How, one might ask, does one begin to defend Xanadu? To start with, by looking at it without any pretensions and seeing it for what it is. Conventional wisdom decrees that Xanadu is a horrible film. In a sense, conventional wisdom may be correct, but it ignores one key ingredient: viewed in the right frame of mind, this movie can be a lot of fun. Age has done for Xanadu what it has done for many critically reviled motion pictures that time has not forgotten: allowed us to look at it a little more kindly and appreciate it for its glorious badness. The film is too energetic, too jaw-droppingly campy, and too silly not to be enjoyed and celebrated on some level. "Cheesy" doesn't even begin to describe it, yet that's at the heart of its perverse charm. Now, that's entertainment!
Heaven and Earth
With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career.
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The Celestine Prophecy
Disillusioned and temporarily rudderless, John Woodson is about to experience a dramatic and profound metamorphosis. Through a mysterious set of coincidences, he finds himself on an adventure to Peru in search of ancient scrolls, known as the Celestine Prophecy. The prophecy and its nine key insights, predict a new awakening that redefines human life and provides a glimpse into a completely spiritual culture on earth. Resistant at first, skeptical and unsure, John finds that each step he takes, each person he encounters leads him to a new awakening. It is only in this letting go that he finds his destiny and comes to understand the meaning that had escaped him when his adventure began.
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Set in contemporary London, DEAD CREATURES follows a group of seemingly-normal young women who have all contracted a terrible, degenerative illness that forces them to murder and feed on human flesh.
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Lord of War
Yuri Orlov (Nicolas Cage), an American gunrunner of Ukrainian origin, stands in a sea of spent shell casings. He states that with over 550 million firearms in worldwide circulation, there is one firearm for every twelve people on the planet- and ponders how to arm the other eleven. The opening credits follow, set to Buffalo Springfield's "For What it's Worth". The life of a 7.62x39mm round is depicted as it is made in the Soviet Union, shipped to a warzone in Africa, loaded into the magazine of an AK-47 and fired into the head of a child soldier.
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He's Just Not That Into You
The needy Gigi Haim is a young woman seeking her prince charming somewhere amongst her unsuccessful dates. After dating estate agent Conor Barry, Gigi anxiously expects to receive a phone call from him. However Conor never calls her. Gigi decides to go to the bar where he frequents to see him, but she meets his friend Alex who works there. They become friends and Alex helps Gigi to interpret the subtle signs given out by her dates.
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Spy Kids: All the Time in the World
The film opens when Marissa, (Jessica Alba) who is trying to to fight a villain named Tick-Tock, goes into labor with a baby girl named Maria and manages to defeat him and send him to jail. She decides to retire so she doesn't put her stepchildren or her newborn in danger or find out about her being an agent. The film then revolves around twins named Rebecca and Cecil Wilson (Rowan Blanchard and Mason Cook) who always bet and compete against each other. Rebecca has no respect for her stepmother as she think she can't replace her mother since their mother has died, and their spy-hunting reporter father Wilbur Wilson (Joel McHale) has little time to spend with them and has to go to work and has not even caught one spy.
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A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via short-wave radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again.
Alain Lefevre is a French boxer in 1920s Marseilles, France. Alain is forced by local crime boss Lucien Galgani to take a dive in a fight. It turns out that Galganis girlfriend Katrina is also Alains ex-fianc
After years of looking for Mr. Right, Charlotte Charlie Cantilini finally finds the man of her dreams, Kevin Fields, only to discover that his mother, Viola, is the woman of her nightmares. A recently fired news anchor who is afraid she will lose her son the way she has just lost her career, Viola determines to scare off her sons new fianc