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I Spit on Your Grave
Guillermo del Toro noted that he doesn't know why people get all up in arms over the current reboot/remake craze in Hollywood. The studios have been doing it for decades, he said, and sometimes it results in pretty good movies too -- films that bring something new or different to the core concept of the original. Fair enough, though it does leave one wondering what del Toro would say about the new I Spit on Your Grave then.
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The Slammin' Salmon
The concept isn't a bad one -- a group of Miami waiters are pitted against one another in a single, frenzied night's competition to earn the most tips. To the winner goes an increasingly bodacious array of prizes, and to the loser... a fistful of pain courtesy of former boxing champ and current mean, scary and giant restaurant owner Michael Clarke Duncan. Along the way, the competition becomes heated, the staff members go to greater and greater lengths to win, and the diners who enter the high-end eatery trend towards the more and more outlandish. So why, then, doesn't The Slammin' Salmon feel like anything more than a protracted episode of John Ritter's restaurant-based Three's Company spinoff, Three's a Crowd?
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By the original title of Credo, our film “The Devil’s Curse” has all the creepiness of a cold breeze in the dark or the feeling of someone standing behind you. This latest thriller filmed entirely in London England is a surprise for the horror genre that bases much of its styles on visuals. Devils curse in many ways is a re-visit to the old ways of horror films with its low budget intensity without flair.
The Lincoln Lawyer
Having seen new legal drama The Lincoln Lawyer at the weekend, I was pleasantly surprised.
Based on the best-selling Michael Connelly novel, Matthew McConaughey puts in a career-best performance as charismatic lawyer Micky Haller. He chooses to deal with the ‘scum’ of Los Angeles by working out of the backseat of his chauffeured Lincoln Continental with a licensed plate that reads NTGUILTY; which is a situation he never finds any of his clients in. Subsequently this leads us to ask the question - has he forgotten his morals as he defends everyone from bikers to drug-dealers across the notorious city of L.A.?
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One of the best reviewed movies of 2000, Almost Famous is sure to appear on many critics' end-of-the-year Top 10 lists. A number of respected voices have already declared this to be the best film of the year. However, although there's no doubt that Almost Famous represents a thoroughly engaging two hours spent in a darkened theater, lauding it as one of the year's greatest may be an overreaction by some to the poor quality of other 2000 entries to date. In fact, one could argue that Almost Famous is not even 43 year-old writer/director Cameron Crowe's best feature - both Say Anything and Jerry Maguire were superior.
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Ghost Dog: The Way of the Samurai illustrates that, in some bizarre way, artsy films can be subject to the same major flaws that often afflict Hollywood blockbusters. It's typical for a big budget motion picture to ignore logic and consistency in order to boost the level of adrenaline. Ghost Dog, the latest from iconoclast director Jim Jarmusch, commits the same sin, albeit for radically different reasons. Jarmusch is so infatuated with his subject matter and thematic content that he force-feeds his plot through a pair of totally incomprehensible twists (one near the beginning and one at the end) in order to make statements and get things moving in a particular direction. As a result, only the most ardent Jarmusch fan will be able to suspend disbelief, and the movie turns into an exercise in ideas rather than an excursion along a stable narrative route.
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Deconstructing: To write about or analyze in a way that questions traditional assumptions about certainty, identity, and truth, asserts that words can only refer to other words, and attempts to demonstrate how statements about any text subvert their own meanings. (The American Heritage Dictionary of the English Language, Third Edition)
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Robin Hood: Prince of Thieves
`Robin Hood: Prince of Thieves" is a murky, unfocused, violent and depressing version of the classic story, with little of the lightheartedness and romance we expect from Robin Hood. It's shot mostly at night or in gloomy forests, beneath overcasts or by flickering firelight or in gloomy dungeons, which is all very well for the atmosphere, but makes the action scenes almost impossible to follow.Robin Hood: Prince of Thieves
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The intro shows a camera recording faces of corpses, with their mouths being moved by medical students. This gives a glimpse of the personality of the characters later introduced as well as their behavior towards the deceased.
A group of residents studying pathology devise a lively game: to see which of the six of them can commit the perfect undetectable murder.
Hunt for Justice
The heroic struggle of Canadian Louise Arbour, Chief War Crimes Prosecutor at the International Criminal Tribunal for the former Yugoslavia, as she battles world politics and fierce opposition to indict Slobodan Milosevic for crimes against humanity.
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In the prologue, the film depicts a panicky man who, for unknown reasons, murders his wife with a shotgun. The main storyline opens with Jack and Stephanie, a bickering young couple, who are lost while driving through the backwoods. We soon learn that they are on their way to meet a marriage counselor.
After getting bad directions from a state trooper, the couple get into a car accident when they run over some spiked metal in the road, which Jack dismisses as discarded scrap metal; they find another car which has experienced the same fate, but the occupants are missing. Forced to proceed on foot, Jack and Stephanie find the gothic Wayside Inn, where they try to phone for help. At the inn, they meet the occupants of the other car, the engaged couple Leslie and Randy. Because the phones are inoperative, both couples are forced to spend the night at the inn, which is staffed only by the eccentric proprieter Betty, her creepy son Pete (who develops an instant attraction for Leslie), and the gruff caretaker Stewart.
Lulu McAfee lives in a San Francisco home for mentally-ill adults. In June 1999, she bolts for L.A. and contacts Ben Clifton, an old flame, now unhappily writing for TV and unhappily married to a psychiatrist, Claire. Ben is ready to call Lulus doctor when she tells him they have a son, born after she became ill and their affair ended. He calls Claire to tell her hes driving Lulu to Wisconsin to meet the boy on his 16th birthday, a visit Lulu claims is arranged. On the drive, Lulu tries to rekindle the affair and restart Bens idealism. Meanwhile, Claire boards a plane to Madison to watch her marriage collapse. Is there really a son? What emotional landmines will the trip set off?
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Glenn, the Flying Robot
Synopsis Henry and Jack are two famous and talented pianists they are rivals and try to outdo each other in the various music events where they regularly compete. They have known each other since their days at the music academy and developed a very strong friendship. They met Lana there and Jack had an affair with her then. This friendship deteriorated along the years and Lana left Jack for Henry. Jacks resentment towards Henry will increase even further when he realizes that although his talent as a pianist is as great a talent as Henrys, he always ended up second... behind Henry. Simultaneously, Lana slowly realized that the only thing Henry cares about is his job. When she gets pregnant, he tells her he doesnt want the child and she leaves him, taking refuge with Jack who thus finds a way to get back at Henry. From that point, the former friends will clash with no mercy, from contest to contest until the day a domestic robot...
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Journey to Promethea
A tyrannical king reigns over his kingdom with an iron fist, but there is hope. A prophecy foretold long ago states that a boy will rise up against the oppressive regime and lead his people to the promised land of Promethea. This is the action-packed journey of one boy that sparks a rebellion that ignites a vicious clash of wills between king and commoner, where only one group can emerge alive and victorious.
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Marilyn Hotchkiss' Ballroom Dancing & Charm School
Dance is a very powerful drug, if embraced judiciously to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance he asks Frank to go in his place. Its a dance class. Frank goes, to find Steves friend. The story moves back and forth among Steves childhood, the scene of the accident, and the aftermath of Franks first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story.
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Mr. Right Now!
Shes a single mother looking for a husband. Hes a con man looking for his next victim. Together they board an emotional rollercoaster that can only be derailed by someone neither of them expected. Award-winning director David E. Talbert brings to life this passionate story of love, friendship and betrayal. Starring film and television favorite Lawrence-Hilton Jacobs (Welcome Back Kotter and The Jacksons mini-series) and a dynamic cast of unforgettable characters, MR. RIGHT NOW has the power to touch your soul and heal your heart.
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