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Diary of a Wimpy Kid
The new family comedy Diary of a Wimpy Kid, based on the best-selling book series by Jeff Kinney, follows smart-alecky Greg Heffley (Zachary Gordon) as he begins his first year at middle school. Smaller than the other kids (but not the smallest, thankfully) and not yet smitten with the opposite sex, Greg sees this period as a silly but necessary rite of passage before he can get on with becoming the rich, famous, handsome and powerful man he believes he'll grow up to be. He's in for a hard year.
Whether it's dealing with his jerk older brother Rodrick (Devon Bostick), roving local bullies, or wise-beyond her-years student newspaper reporter Angie (Kick-Ass's Chloe Moretz), Greg will learn that things aren't going to go his way as easily as he'd expected. To make matters worse, his chubby best friend -- the perpetually child-like Rowley (Robert Capron, who looks like a young Chris Farley) -- begins to outshine him. What Greg does next will teach him important lessons about friendship, honesty, and taking responsibility.
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The Eagle is a reassuringly old-fashioned 'swords and sandals' romp directed by Last King of Scotland-helmer Kevin Macdonald. Shot at the same time as 2010's similarly-themed Centurion, the studio held onto The Eagle for nearly a year to avoid a schedule clash, and for good reason, as both films share similar DNA.
Inspired by 'The Eagle of the Ninth', a much-loved kid's historical adventure novel by Rosemary Sutcliff, both The Eagle and Centurion feature the mysterious disappearance of a Roman legion in northern Britain at the heart of their tales - but told from different angles - with The Eagle being more of a direct adaptation of the source material.
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In the Loop
One of the standouts of Tribeca 2009, In the Loop actually premiered at the Sundance Film Festival back in January. That's a trend that keeps popping up at Tribeca as the fest continues to try to find its own voice -- all the really good stuff has already debuted elsewhere.
It's a fact that doesn't diminish how entertaining this British-made political comedy is, however. Adapted from the BBC TV series The Thick of It, the film satirizes the inane behind-the-scenes maneuverings of both the British and U.S. governments as the two jockey into position when their leaders decide to start a war. Sounds like fun stuff, right?
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Sean Penn is at the top of his game in FAIR GAME, the fact-based story of the beautiful, super-sexy secret agent Valerie Plame and her patriotic diplomat husband Joe Wilson and how the corrupt, fascist Bush administration deliberately tried to crush them by revealing her super-top-secret identity as a CIA operative in order to punish the heroic Wilson for speaking truth to power about the Bush-Cheney-Rove axis of evil.
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Lady in the Water
Lady in the Water has its origins in a bedtime story director M. Night Shyamalan made up for this kids. If this the kind of bedtime story he tells, I bet his kids have some freaky dreams. I also bet those dreams are a heck of a lot more intriguing than the film their dad made from the tale he wove for them.
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Children of Men
It is above all the look of "Children of Men" that stirs apprehension in the heart. Is this what we are all headed for? The film is set in 2027, when assorted natural disasters, wars and terrorist acts have rendered most of the world ungovernable, uninhabitable or anarchic. Britain stands as an island of relative order, held in line by a fearsome police state. It has been 18 years since Earth has seen the birth of a human child.
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While the director name of Uwe Boll conjures up all sorts of ranging interests in the horror sector, it has long been a hit or miss relationship with his end products. As of late I must say that his products have been outstanding. Darkly outstanding for that matter. His subject matter content takes to the extreme and hits you in ways that you least expect. One of his previous films “Seed” left me with that impression. Though this film I’m reviewing is quite different than “Seed” it is absolutely shocking in the 10th degree. Based on a true story it is hard to imagine the human cruelty factor that this film delivers. We have seen many prison films over the years and have a certain amount of familiarity with what transpires. “Stoic” by comparison feels darker and dirtier. With that kind of setup you are probably wondering what it is that I’m referring to.
Last Chance Harvey
Last Chance Harvey is a standard-order romantic comedy with a couple of unusual ingredients that make it worthy of notice. It is common, of course, for movies of this genre to focus on young, photogenic individuals. While not unheard of, romantic comedies featuring post-menopause women and AARP-eligible men are a rarity. In addition, when the principals of such a movie are both multiple Oscar winners, one can hardly ignore such a production, no matter how formulaic the premise and execution might be. Dustin Hoffman and Emma Thompson bring credibility to Last Chance Harvey merely by their presence. The result is a holiday parfait.
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Man on Wire
Man on Wire is a fascinating time capsule: a combination of talking-head interviews, actual footage, and re-creations that evokes a kinder, gentler world and provides insight into one of the most audacious stunts of the 20th century. Pieced together with some of the rhythms and beats of a heist movie, James Marsh's examination of Philippe Petit's 1974 high wire walk between the Twin Towers of the World Trade Center explores every aspect of the feat, from the detailed planning to the execution. Petit's action remains as head shakingly, jaw droppingly improbable today is it did on the morning of August 7, 1974.
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Saw is for hard-gore horror aficionados only. To appreciate Saw in its full gory, you have to have a penchant for productions that bask in the traditions of the Grand Guignol. While most of the film relies more on psychological tension and terror, there's plenty of gut-churning, visceral violence, especially during the final 15 minutes. That's the time period when James Wan's otherwise compelling feature goes a little too far over the top, veering out of its David Fincher-inspired darkness into the realm of self-parody. There's lots of blood, plenty of hysteria, and perhaps one twist too many. On the strength of a grippingly original concept and 90 strong minutes of building action, Saw gets a recommendation, but only if you like this kind of thing.
The Quest is Jean Claude Van Damme's directorial debut, and, judging by its somnolent pace and inability to generate any energy, it may also be his last venture behind the camera. While no one could reasonably expect this to be a "good" film in the traditional sense of the term, it comes as a surprise that The Quest is actually boring -- even the fight scenes lack panache.
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tall in the saddle
In this convoluted Western mystery, "tall in the saddle" is more of a genealogical clue than an accurate index of the hero's behavior. John Wayne has come to town, so he says, to work for a local rancher--who was murdered shortly after sending for him. Prime villain would appear to be Ward Bond, exuding oiliness as the local judge, who doesn't seem to be a real judge. Paul Fix (who cowrote the screenplay) and Harry Woods supply the thuggery. But mostly it's women that Wayne has trouble with: the dead man's genteel niece (Audrey Long) and her virago of a duenna (Elisabeth Risdon), and especially Ella Raines, who dresses like a man (well, a very pretty boy), runs the neighboring ranch, and falls into instant love-hate with Wayne. (This was Raines's glory period--within a few months in 1943-44 she was breathtakingly lovely in Corvette K-225, Hail the Conquering Hero, and Phantom Lady--but alas, here she's mostly just shrill.)
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Children of Dune
The twins of Paul Muaddib Atreides become embroiled in the political landscape of Arrakis (Dune) and the rest of the universe.
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In a flashback sequence following the first film, Lawrence Gordon (Cary Elwes) crawls from the bathroom to find help after sawing off his foot. Along the way, he reaches a steam pipe and uses it to cauterize his ankle stump. In the present, Ryan (Jon Cor) and Brad (Sebastian Pigott) awaken in a storefront window in a shopping area in front of a crowd of people, their wrists bound to a worktable. In front of each man is a buzz saw, and their mutual lover, Dina (Anne Lee Greene) is suspended above a third saw. Jigsaw's puppet tells them that they can either kill one another or allow Dina to die, and after realizing her betrayal, they decide to save themselves and allow her to lower onto the saw, killing her.
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The House on the Edge of the Park
Alex, a psychopathic mechanic, rapes a woman in the park. Later, a decadent couple pull into his shop needing car repair. They invite Alex and his mentally challenged buddy to join them at a decadent suburban party. Once there, Alex amuses himself by tormenting and raping the guests, not realizing the guests have an agenda of their own.
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Jerry and Tom
Tom and Jerry are two hit men, they work by day at a third-rate second-hand car dealership. Tom is a veteran and Jerry is a novice in their business, and their attitude toward their profession differs a lot. It shows when Tom is required to kill his old friend Karl.
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