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Bunraku takes the combined talents of Josh Hartnett, Woody Harrelson, Demi Moore and Ron Perlman and places them in an utterly insane universe where cowboys clash with samurai warriors and megalomaniacal despots in a hyper-real, hyper-stylised environment. The name comes from an ancient from of Japanese puppet theatre, and at times the movie feels like a stage-play on film, the back-drops popping up and down, the camera zooming in and out origami-like wonderlands.
Yet in spite of the film's technical achievements, it fails to hold together as a coherent whole, the result overlong and undercooked.
Phil and Claire Foster (Steve Carell and Tina Fey) are a self-proclaimed boring couple from New Jersey. Work and parenting dominate every moment of their lives, leaving them in a comfortable but passionless rut. Not wanting to end up like their divorced friends, Phil and Claire opt to do something really special this time for their regular date night away from the kids: dinner at a posh Manhattan restaurant. But when it looks like they won't land a table, Phil fatefully steals the reservation of a no-show couple named the Tripplehorns so that he can treat his wife to a nice evening.
Everything's going great until two thugs (Common and Jimmi Simpson) show up at their table and escort them outside. It turns out the Tripplehorns have crossed the city's crime lord and are in possession of a flash drive that he wants back. This leads to one long crazy night where Phil and Claire must outrun some of the city's most powerful and notorious figures, but they also just might put a little spark back into their relationship along the way.
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It is tempting to see Francis Ford Coppola’s latest work — “Tetro,” a visually lush cinematic fugue about love, ambivalence and two brothers fleeing the dark shadow of their domineering father, a world-famous conductor — through the lens of autobiography. But like much of this movie, the lens appears clouded. Mr. Coppola’s father, Carmine, who died in 1991, was a rather less celebrated musician, best known for some of the scores for his youngest son’s films, including “The Godfather: Part II” and “Apocalypse Now.” Then again, the ravenous, larger-than-life patriarch in “Tetro” could also be a self-portrait of the director.
Sex and the City: the Movie
Remember Carrie Bradshaw, Samantha Jones, Miranda Hobbes and Charlotte York? If you have never watched an episode of “Sex And The City,” then these names may mean nothing to you, but, to thousands of women, these four are the soldiers on the front lines for single women everywhere, answering their questions, making the mistakes, and, of course, testing out the shoes.
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The Dolphin: Story of a Dreamer
The Dolphin: Story of a Dreamer is a relatively cute little animated adventure that tries so hard to be Finding Nemo, that it’s just plain sad. Based on Sergio Bambarén’s children’s book of the same name, this film is charming in some parts yet corny in others. It's a dangerous combination that will most likely win over the young ones but at the same time, repel adults.
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Exorcism of Emily Rose
The Exorcism of Emily Rose is being sold as the latest PG-13 horror movie, albeit one that deals with demonic possession instead of ghosts. In reality, however, it's a courtroom drama with a twinge of the supernatural (most of which occurs during flash-backs). Those expecting to be scared by this movie will be disappointed. Aside from the occasional "boo!" moment, the film lacks anything to stand nape hairs on end, and the trail - which occupies a majority of the overlong 113 minute running length - is unremarkable, despite some nice performances.
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All Good Things
On paper, the story of Robert Durst makes for fascinating drama, even though it's missing an ending and several parts of the middle. When someone is writing a nonfiction book or making a documentary, such things have limited importance. But when it comes to a feature film, leaving an audience with an incomplete feeling is not always the best approach. Director Andrew Jarecki, best known for his documentary, Capturing the Friedmans, deserves credit for sticking as much to the facts as he reasonably can. However, by not resorting to invention, his dramatization of Durst's life and alleged crimes, All Good Things, feels unfinished.
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Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few similarities between the films. To start with, the 1967 feature was primarily a message melodrama that doubled as an examination of race relations at the time. Kevin Rodney Sullivan's (How Stella Got Her Groove Back) 2005 movie is an overt comedy that, while not ignoring the race issues altogether, uses them more frequently for humor than to illustrate serious points. And society has changed in the last 40 years. What was controversial and daring in 1967 (interracial relationships) is no longer so today. Although it would be unfair to characterize Guess Who as vapid, it bears a closer resemblance to a fusion of Meet the Parents and The Odd Couple than to Guess Who's Coming to Dinner.
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Surviving the Game
What are Ice-T and F. Murray Abraham doing in the same movie? Remaking The Most Dangerous Game for the umpteenth time, as it turns out. Remade every 10 or so years, this 1932 classic pit a megalomaniacal hunter on a remote island against his quarry of human prey. The basic conflict, with its elements of the chase and the mano-a-mano showdown, must be a natural for the movie screen or so it would seem by the frequency with which we return to it. With last year's Hard Target, and now this, it appears that the frequency quotient of this hunter vs. human hunted narrative form has just been upped.
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Dragon Tiger Gate
I am convinced that comic-to-film adaptations are possibly the single most difficult movies to make. There have been countless failures in Hollywood and Hong Kong over the years. It may have to do with audience expectations not being met, a colossal misinterpretation of the source material or just plain old bad filmmaking. Hollywood finally got wise to an extent by pairing talented filmmakers with both obscure and mainstream comic book heroes. They have been riding high on a string of successes that began with BLADE and looks to continue with 300. But as the recent release of GHOST RIDER has proven, there is no magic formula and for every success there are at least two critical, if not commercial flops. Unfortunately, Hong Kong’s DRAGON TIGER GATE falls into this latter category.
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Bristol Boys stars Thomas Guiry as Michael McCarthy, a man who becomes a drug dealer in order to provide for his family. That family becomes threatened as his career grows much larger than he ever intended.
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Confessions of a Dangerous Mind
Chuck Barris' (Sam Rockwell) sole purpose through his teenage years (Michael Céra) in Philadelphia concerns promiscuity, but he is unsuccessful. Inspired by a television advertisement, he moves to Manhattan to become an NBC page. He dreams of becoming famous in television, but is eventually fired. Chuck moves back to Philadelphia and becomes Dick Clark's personal assistant on American Bandstand in 1961. There, he writes the successful "Palisades Park" song with Freddy Cannon and falls in love with a woman named Penny Pacino (Drew Barrymore). Chuck is given permission to pitch the concept for The Dating Game at the American Broadcasting Company (ABC); he receives $7,500 to create a television pilot for the studio. However, ABC abandons The Dating Game in favor of Hootenanny. Chuck then struggles with his life and ends up in bar fights. He is noticed by Jim Byrd (George Clooney), a CIA agent who recruits Chuck as an assassin.
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In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female soldiers show the hostility to the enemies that have killed their husbands, families and friends only Dr. Natalia and the cook treat the prisoners with dignity. Natalia has an agreement with Commander Pavlov to keep her former lover, who was wounded on the head during the war and is slow, in the camp instead of sending him to an institution in Siberia. Pavlov assigns Natalia to disclose members of the SS infiltrated in the group of prisoners. Natalia and the prisoner Max feel a great attraction for each other while the prisoner Klaus tries to convince Max to denounce a couple of prisoners to satisfy the Russian. Natalia convinces the businessman Yakov to organize an orchestra with the prisoners they are invited to play in a ball...HD 1080p PC, Mac, PS3 and XBOX 360 COMPATIBLE
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Play It to the Bone
Two aging fighters in LA, friends, get a call from a Vegas promoter because his undercard fighters for a Mike Tyson bout that night are suddenly unavailable. He wants them to box each other. They agree as long as the winner gets a shot at the middleweight title. They enlist Grace, Cesars current and Vinnies ex girlfriend, to drive them to Vegas. On the trip, we see flashbacks to their previous title shots, their competitive friendship, and Graces motivational wiles. (She has her own entrepreneurial dreams.) The fight itself is historic ten rounds of savagery and courage. Who will win, wholl get the title shot, who gets Grace, and where will she find venture capital?
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Bob Carter, a suburban real estate agent, tries to get a kindly couple, Allen and Mary Ann Doyle, to buy a house only to give them horrifying stories about the pasts of three of them. In the first story Nightmare a businessman discovers his wife cheating on him only to be killed by his spouse and her boyfriend in which she begins having dreams of her husband not staying dead. The second story Bobo involves increasing fear and paranoia from a kindly family man whose young daughter finds and adopts a stray monkey who turns out to be more than meets the eye. The third story Come To Granny involves a trouble teenager with psychic abilities who visits a therapist to warn her that she happends to be the next victim of a vicious serial killer called The Granny.
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Mad Sad & Bad
HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race relationships set in Luton. Its about mid-thirties siblings and friends whose personal lives are continuously messed up by their own selfish needs. Mad, Sad and Bad explores our contemporary metropolitan neuroses through the intersecting lives of these siblings and their friends. The narrative slips from one character to the next as they escape and attack each other. all reluctant members of the same dysfunctional family.
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