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Oscar nominee Julie Taymor (director of Across the Universe and the Broadway rock musical Spider-Man: Turn Off the Dark) scripted and directed this visually inventive adaptation of the William Shakespeare play, The Tempest. Changing the gender of the leading role from male to female, Taymor cast Helen Mirren as the sorceress Prospera (p.k.a. Prospero).
Playing up the story's mystical elements, Taymor brings The Tempest to life as a fantasy thriller, but one marred by tonally inconsistent forays into broad comedy. In the tale, the vengeful Prospera has been stranded on a remote isle for 12 years, where she's raised her daughter Miranda (Felicity Jones, way too old to pass for 15), whom she plots to restore to her rightful position within the aristocracy of Milan. Prospera seeks to avenge herself on her treacherous brother Antonio (Chris Cooper), who usurped her duchy, and his conspirator, King Alonso (David Strathairn).
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Youth in Revolt
Based on the popular book by C. D. Payne, Youth in Revolt is awkwardly charming and subtly subversive, much like its young star, Michael Cera. In the dual role of Nick Twisp and his mischievous, imaginary alter ego Francois, Cera manages to expand on his usual on-screen persona – the sensitive, lovesick teen who finds himself out of his depth. Cera and his co-star, newcomer Portia Doubleday, are the best things about the film, which pushes the boundaries of the kinds of transgressions a protagonist can commit without losing the audience's sympathy.
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Here's the horror-comedy Jennifer's Body in a nutshell: two lifelong friends -- ridiculously hot high school cheerleader Jennifer Check (Megan Fox) and frumpy but devoted Needy Lesnicky (Amanda Seyfried) -- have the ultimate falling out when Jennifer becomes possessed and turns into a man-eating succubus. Jennifer's Body isn't the train wreck that some were probably expecting. It's just another mediocre horror movie about teenagers, and it's neither the best nor the worst of its kind. But it's also not scary enough to work as a horror film, satirical enough to always work as a comedy, or insightful enough to serve as a commentary on teen angst or men's fear of female sexuality. Perhaps the scariest thing about this movie is that it was written by an Oscar winner, Diablo Cody.
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The Wind That Shakes the Barley
"In every generation the Irish people have asserted their right to national freedom and sovereignty; six times during the past 300 years, they have asserted it in arms." -- Proclamation of the Irish Republic (1916)
It begins in the chaos of combat, men and boys wielding their weapons on the battlefield, shouting and cursing and fighting. Sure, it's only an amateur hurling match, an Irish game similar to field hockey, and the weapons are bladed wooden sticks.
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Santa Clause 3
You get what you expect with The Santa Clause 3. The two previous movies in the franchise have adequately prepared potential viewers for the experience of sitting through the third. The bland sameness of these films disallows the possibility of differentiating between them. They're lazy, live-action cartoons (think of the Rankin-Bass Christmas specials come to life), full of juvenile comedy, overt sentimentality, and holiday good cheer. In short, they're perfect entertainment for five-year olds and sheer torture for the unlucky parent(s) accompanying them to the theater.
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There's no sophomore jinx for the Wachowski Brothers. Andy and Larry, a pair of obviously talented film makers, have returned to theaters with The Matrix, a science fiction thriller that is every bit the match of their debut effort, Bound, for tension, excitement, and intelligence. In an era when movie scripts (especially those pigeonholed into the science fiction genre) are becoming increasingly more stupid and special effects reliant, the Wachowskis prove that style and substance do not have to be mutually exclusive.
Looking back at the Sylvester Stallone pugilist franchise from the end of the line, one thing becomes clear: there were really only two Rocky movies. Everything else was filler, founded on formula and driven by testosterone and adrenaline. The two real films - those that used boxing as a metaphor rather than a means to an end and that focused on human drama - were the 1977 Oscar winner that started things off and, perhaps surprisingly, Rocky Balboa, the seeming afterthought that brings the saga to a fitting conclusion. These two features are solid bookends around a mess of a series that started going wrong when Rocky beat Apollo Creed in a re-match and got worse from there.
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In the early summer sweepstakes, Warner Brothers has weighed in with Twister, Paramount with Mission Impossible, and now Universal with Dragonheart, director Rob Cohen's swords-and-sorcery saga. No prizes for guessing which is most likely to be the also-ran. Dragonheart, which not only has the kiss-of-death of a De Laurentiis being listed in the credits (Raffaella is the producer), is a remarkable example of how not to fashion a solid adventure story. Crowds craving excitement will be irritated by the numerous lulls; those hoping for something of substance will feel cheated.
Muay Thai Giant aka Somtum
Gentle giant Barney Emerald is drugged and robbed while on holiday in Pattaya. He befriends two Thai sisters, one who can speak English, another who is a muay-thai kick-boxing champion, and stays with them until he can recover his passport. After eating some spicy somtum at their mothers restaurant, he accidentally demolishes the place. He vows to find a way to earn the money to rebuild the restaurant.
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In 1947, noted Satanist Aleister Crowley dies. In Cambridge, 43 years later, with the help of a computer, Crowleys spirit takes over the body of Haddo, a mild-mannered, stuttering don. Over four days, as Crowley prepares for an occult extravaganza, bodies pile up, Crowleys elect engage in rites of passage, and Lia, a red-headed campus reporter, sniffs out a story that puts her in grave danger. Mathers, a scientist recently arrived from Cal Tech, may hold the key to her destiny.
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In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female soldiers show the hostility to the enemies that have killed their husbands, families and friends only Dr. Natalia and the cook treat the prisoners with dignity. Natalia has an agreement with Commander Pavlov to keep her former lover, who was wounded on the head during the war and is slow, in the camp instead of sending him to an institution in Siberia. Pavlov assigns Natalia to disclose members of the SS infiltrated in the group of prisoners. Natalia and the prisoner Max feel a great attraction for each other while the prisoner Klaus tries to convince Max to denounce a couple of prisoners to satisfy the Russian. Natalia convinces the businessman Yakov to organize an orchestra with the prisoners they are invited to play in a ball...HD 1080p PC, Mac, PS3 and XBOX 360 COMPATIBLE
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The movie centers around a film crew shooting about a small town hockey team's big game. But when a local girl is murdered, the crew begin to investigate. The filming crew, with Jake Tanner and Blanca Champion starring as the celebrity hosts, soon start to become prey to this killer. Over the course of the film, it is revealed that the killer is using lipstick cameras to spy on the unwitting crew, having stolen them from their equipment stash prior to the movie it is assumed.
After much of the crew is killed, the remaining three members of the crew make their way back to their cabin. They find video equipment set up with a portable DVD devices of some sort set up. They play it, and it reveals footage of each of the crews horrible murders on it. The three, along with Jake's dog, travel to the high school, where Blanca and the dog go inside in order to call for help on the CB radio while the other go to see if Daphne, who was abducted by the killer, was still alive.
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The Fly II
Seth Brundle was a renowned scientist whose warped experiments with teleportation transformed him into a manfly hybrid called BrundleFly. A few months after the BrundleFly insect met its demise by his lovers, Veronica, shotgun, she dies while giving birth to their son, Martin. Seths corrupt employer, Bartok, adopts Martin, only so Martin can solve the new problems that the still-functioning TelePods present and to use him as a science project because of the dormant insect genes. Martin is now fully grown, even though he is five, and the fly genes begin to awaken and make him just like dear, dead dad. With the help of his girlfriend, Beth, they go to wherever they can find a possible cure before Bartok finds them and brings them back, but not before Martin finishes his transformation into MartinFly, the deadliest of the BrundleFly species.
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A few miles off EXIT 33, lies IKES LAST CHANCE GAS. A secluded sleepy hideaway where Ike prepares a special jerky for customers, and a terrifying secret. Ike and his son are controlled by a mysterious ghost, whose bidding lead Ike to abduct and torture beautiful women travelers. But, there is more to this story than meets the eye... literally!
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Infection: The Invasion Begins
A mystery surrounds a small town that was attacked on September 9, 2009. Now sixty years later, the last survivor, Sarah, sends a high profile reporter a letter suggesting what really happened on that day. The government calls 9909 the start of the Modern Plague, and the reporter soon realizes that the truth may be harder to uncover than the lies.
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Jesse Stone: Innocents Lost
Jesse, No longer Chief of the Paradise Police Force sets out on his own to solve the murder of a young girl he had helped earlier.
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