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Ink- is a strange surreal science fiction movie that follows beings the rest of the world do not see, but are responsible for our dreams and sometimes nightmares.
We first see some flashbacks of a very busy businessman John played by Chris Kelly, who has just recently divorced from his wife, and spending some time with his daughter Emma played by Quinn Hunchar, he at first is reluctant to play her games, saying her mother is much more suited to it than him, but he relinquishes eventually and joins her in fighting the "invisible monster" who has come to kidnap her.
“Polar Storm” directed by Paul Ziller is a Sci-fi movie which again follows the gang in predicting that life on earth is nearing its end. Since this movie not shot on a lavish budget, the scope for breathtaking graphics are minimal and the director cleverly chose to have electro magnetic field as the culprit for the destruction of life on earth.
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For a while, Chloe looks like the long-awaited return to form by Canadian filmmaker Atom Egoyan, whose early films (Exotica, The Adjuster, Speaking Parts) were often absorbing character studies cloaked in the guise of a thriller and spiked with sexual tension. Unfortunately, the wait continues. This remake of the French-language hit Nathalie... eventually becomes the sort of risibly naughty picture you'd normally find on late-night Cinemax - complete with a gratuitous girl-on-girl sex scene - only infinitely better acted.
Before seeing Jackass 3D, I only knew the franchise by reputation. I never watched the show or saw the first two movies. I was familiar with the premise: guys torture themselves for our amusement. The intellectual in me (tiny as he may be) always scoffed at the subject. “What a sad commentary on the state of entertainment in post-modern American (cue snobbish laugh)”. But then I remember that I watch Tosh.0 every week and seeing the self-inflected misfortunes of others makes me giggle. With that in mind, I went to see Jackass 3D and got exactly what I expected. While the 3D is only used effectively for about a quarter of the film’s sketches (particularly the first and last sketch), most of the gags are clever and some of the gags will make you gag. But there is no mistaking Jackass 3D, even if this is the first time you’ve stared into their abyss of pain.
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La Vie En Rose
The singer Edith Piaf (1915-1963) was a unique soul, as beloved in France as much as, say, Elvis Presley was in the U.S. She had an unusual stage presence, almost mousy and withdrawn, but forceful in her voice; the effect was one of breaking out of her shell, and audiences connected with her. Her haunting voice is probably familiar to many Americans, as her songs continue to turn up as atmosphere in American movies, everything from Bull Durham (1988) to Saving Private Ryan (1998), Bernardo Bertolucci's The Dreamers (2003) to 2005's Valiant. She appeared in person in a few movies as well, notably Jean Renoir's French Cancan (1954). My favorite Edith Piaf moment comes in Babe: Pig in the City (1998), when Babe accidentally destroys Mickey Rooney's magic show, setting the stage aflame in slow motion to the tune of "Non, Je Ne Regrette Rien."
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It feels as if years have passed since I first heard about Fanboys. Once it fell under the purview of the Weinsteins there were reported orders of cuts, edits, and re-shoots, along with an ever-delayed release date. I had long since given up on the possibility of seeing it on the big screen, completely expecting to see it pop up on the DVD release schedule some random week. Well, color me surprised when I saw it actually arriving on the big screen, albeit in severely limited release. Consider me officially excited to find that one of those few theaters is not too far from me. The only question left was whether or not it would live up to expectations, considering the delayed schedule and the decidedly geeky nature of its subject matter.
Why does it feel like this review should be written in capital letters? Perhaps this is just the influence of the DVD tagline, which screams at high volume: FROZEN FOR 150 MILLION YEARS… NOW HE’S HUNGRY!
Following closely on the heels/fins/tentacles of recent schlock cult hit “Sharktopus” is “Dinoshark”, which basically sees legendary B-movie mogul Roger Corman serving up more of the same, with yet another beach resort being terrorised by an unlikely though hungry aquatic fiend. The film certainly has a suitable helmer in Kevin O’Neill, a man who previously swam similar waters with “Dinocroc”, as well as working on visual effects for the likes of the “Piranha” remake and the “Feast” series. Somewhat unusually for this kind of direct to DVD, made for cable foolishness, the film actually has a pretty decent cast, with a handful of semi-recognisable faces, including headline stars Eric Balfour (“Skyline”) and Iva Hasperger (“Exorcism”). The film hits region 2 DVD shortly via Anchor Bay in an extras-free, bones edition, not that it particularly matters.
Nine represents director Rob Marshall's second big-screen musical spectacle. His previous effort, Chicago, won an Oscar; although Nine is likely to win its share of praise, it probably won't come close to achieving the same level of acclaim. Although the production numbers are equally impressive, this film is neither as inspired nor as rousing. Part of the problem may be that there are too many high profile actresses vying for the spotlight and each has to be given her moment to shine. Also, despite following its stage inspiration and bringing structure to Fellini's 8 1/2 (the ultimate source material), Nine still suffers at times from a lack of narrative drive and it doesn't have the surreal, dreamlike quality of 8 1/2 to fall back upon.
Walk Hard: The Dewey Cox Story
If nothing else, at least it can be said that Walk Hard is not just another lame, humorless attempt at lampooning a popular genre. Perhaps due to the co-authorship of Judd Apatow or perhaps because Jake Kasdan aspires to be more than this generation's version of ZAZ (see: Airplane!, The Naked Gun), this film works better than the countless recent failures to come before it. That's not to say it's comedic brilliance. A lot of the jokes don't work. There are times when the movie spins its wheels. And the songs are rarely funny or clever enough. But there are laughs to be had and, perhaps surprisingly, I found myself caring a little about the character of Dewey Cox as the story develops. Sure, he's a walking collection of cobbled together clichés, but John C. Reilly provides him with a human quality that never gets lost amidst all the physical comedy and double entendres.
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Imagine Me & You
Romantic comedies don't get more generic than this one. Imagine Me & You (beware movies that borrow their titles from pop songs…) follows the established formula with only one Sapphic deviation - the romantic leads are both female. But, for all the that script explores the societal and cultural repercussions of this, they might as well be a man and a woman. The lesbian nature of the relationship seems designed for no purpose other than to spice things up, but it doesn't work. Imagine Me & You isn't unpleasant, but it is unremarkable. If nothing else, it proves that gay romances can be just as uninspired as their heterosexual counterparts.
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Then She Found Me
This is the sort of movie that gives “chick flicks” a bad name. It’s a cross between inept melodrama and a bad sit-com. The “comedy” (for lack of a better word) is obvious, poorly timed, and not especially funny. The “drama” (again, for lack of a better word) is sloppy, sappy, and ineffective. I imagine we’re supposed to feel sympathy for these characters but, with one exception, they are self-absorbed whiners who pretty much deserve what they get. The big emotional catharses at the end are intended to make us smile with delight that everything has turned out okay. By this point, many viewers will be struggling to keep the gag reflex under control.
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Mona Lisa Smile
In 1953, Katherine Ann Watson (Julia Roberts), a 30-something grad student from California, takes a position teaching "History of Art" at Wellesley College, a conservative women's private liberal arts college in Massachusetts because she wants to make a difference and influence the next generation of women. At her first class, Katherine discovers that the girls have already memorized the entire syllabus from the textbook so she instead uses the classes to introduce them to Modern Art and encourages spirited classroom discussions about topics such as what makes good art and what the Mona Lisa's smile means. This brings her into conflict with the conservative College President who warns Katherine to stick to the syllabus if she wants to keep her job. Katherine comes to know many of the students in her class well and seeks to inspire them to seek more than marriage to eligible young men. Joan Brandwyn (Julia Stiles) dreamt of being a lawyer and enrolled as pre-law so Katherine encourages her to apply to Yale Law School, where she is accepted. Joan, however, elopes with her fiancé Tommy, is very happy and decides that what she wants most is to be a wife and mother after graduation and asks Katherine to respect her choice.
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Schrödinger's Girl aka Triple Hit
Rebecca is a disgraced scientists carrying out illegal experiments to confirm the existence and begin travel between parallel universes.She accidentally cracks the problem. Her counterparts in neighboring universes are also working on the same problem but they but they have their own agendas and things get out of hand.
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The story of a group of young Australian men who leave their various backgrounds behind and sign up to join the ANZACs in World War I. They are sent to Gallipoli, where they encounter the might of the Turkish army.
InSearchOf aka In Search Of Sex
Sex is why were all here. Power. Love. Sex. Were all looking for something. Ten characters each of whose lust sends them on a journey of discovery - sometimes decadent - spearhead the narrative threads in this unconventional American melodrama. The smart characterizations are counterbalanced by intense performances. From the virginal young man to the bored housewife a temptress and a womanizer with a dark secret In Search of Sex dramatizes situations where good people looking for short term solutions find themselves in bad circumstances with long term consequences.
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Life in Flight
While collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.
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