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I Spit on Your Grave
Guillermo del Toro noted that he doesn't know why people get all up in arms over the current reboot/remake craze in Hollywood. The studios have been doing it for decades, he said, and sometimes it results in pretty good movies too -- films that bring something new or different to the core concept of the original. Fair enough, though it does leave one wondering what del Toro would say about the new I Spit on Your Grave then.
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ďRobodocĒ the name itself reveals the plot behind the movie. The movie is all about a robot which is a doctor with a human finish on the outside. This movie is a satire on the doctors and the medicine field else what could be said of a movie that is so insane, has its share of vulgar acts and not to mention few semi-nude scenes. The movie begins with a sleazy lawyer Attorney Jake Gorman (Kenny Babel) whose only job and motive is to sue the medical fraternity and the doctors in particular. The main hospital affected by Jakeís actions is the North Mercy hospital where the doctors keep leaving after cases of negligence gets filed on them.
I Hate Valentine's Day
Genevieve (Nia Vardalos) and Greg (John Corbett), the conflicted lovebirds in the bottom-drawer romantic comedy ďI Hate Valentineís Day,Ē may be in their 30s, but they play the game of romance with the finesse of sixth graders in the spin-the-bottle phase of hormonal exploration.
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Iím Not There
I'm Not There may be a brilliant myth-making exercise, a fearsome piece of pop art, a truly fascinating film. It may also be a hollow jumble of post-modern pick-up-sticks -- a chaotic stack of signifiers and images and in-jokes with nothing at the heart. Part of me wants to see it again as soon as possible; crack its codes, follow the arcs, catch anything I missed. I also wanted to not see it ever again -- to let it be a dream, a blur, like a few notes of music that find you at an unexpected moment and you hear the rest of your life.
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It has been said that the only way to truly enjoy a stoner comedy is to smoke a joint before watching it. Considering the quality of some of the movies wedded to this genre, I'm tempted to believe that. Thankfully, Pineapple Express is an exception. The humor in this movie is smart enough that even a moderate level of intoxication or inebriation is not necessary to enjoy it. Sure, some of the jokes fall flat and others never get off the ground, but there are enough genuinely funny moments to be found in the slightly-too-long 111 minutes to make it a pleasant way to pass an afternoon or evening. The primary audience for this film might be those who partake from time to time, but it's not the only audience.
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Bridget Jones' Diary
Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral scribe Richard Curtis) successfully adapts the book into an easily-manageable 90 minute chunk while retaining much of the humor and remaining faithful to the tone. Bridget Jones's Diary is smart, sassy, and thoroughly enjoyable, and features one of the most endearing and believable characters to grace the screen this year.
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If it's Disney (or its subsidiary, Miramax), it must be "inspired by true events." Or maybe it just seems that way. Those words, which appear in a caption at the beginning, are chose with care (more care than the similar preface to Hidalgo). Finding Neverland uses strands of historical fact to weave a story that is largely fictional. Yes, J.M. Barrie did write "Peter Pan," and, yes, many of the characters in the film existed, but this is predominantly a soft-ball approach to the inspiration that led Barrie to write his most famous play. For one thing, it almost completely ignores sex, which was certainly a fundamental element in Barrie's life. (The issue of pedophilia, which has dogged Barrie's reputation for a century, is briefly mentioned, then quickly dismissed, as if it isn't worth contemplation.) Still, even considering the liberties taken with the known record (and I have often said that movies should not be constrained by the same rules that govern history books), the end result is compelling and life-affirming.
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Calling a motion picture Loser is a brave move because it places the film in a precarious position if the critical reaction is less enthusiastic than the producers expect. In this case, however, that's not an issue; this movie succeeds in a modest-yet-satisfying way. In fact, it's one of the summer of 2000's few pleasant surprises. The writer/director/co-producer is Amy Heckerling, a woman who, at age 45, still has her hand on the pulse of men and women less than half her age. With Loser, Heckerling has graduated from high school (where two of her previous outings, Fast Times at Ridgemont High and Clueless, were set), but the qualities that make her characters appealing have not been lost in the process.
Eddie Murphy does not make "comebacks", because, according to him, he hasn't been out of the spotlight. But, following three critical and box-office flops (The Distinguished Gentleman, Beverly Hills Cop III, and Vampire in Brooklyn), Murphy is hoping The Nutty Professor gets his career back on track. Combining his own brand of high-energy comedy with that of Ace Ventura veterans Tom Shadyac and Steve Oederkerk, Murphy is attempting to appeal to as wide an audience as possible. And, while the flatulence-joke lovers who flocked to Dumb and Dumber will doubtless be overwhelmed, not to mention doubled-over, by this movie, those hoping for more cerebral humor are destined to be disappointed. The Nutty Professor aims for guffaws at the lowest level -- anyone with a double-digit IQ will get every joke. Whether you laugh at them or not is often more of a matter of taste than a question of having a sense of humor.
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Reckless is a Christmas story for all of us who like our holiday fare spiced with bizarre characters and strange plot twists. This black comedy, directed by Norman Rene (Longtime Companion, Prelude to a Kiss) and written by his frequent collaborator, Craig Lucas, takes good cheer and Seasons' Greetings and turns them upside down. Insightful and very funny, this film sails through a wonderful seventy minutes before slipping slightly off-track as it slides into its denouement.
These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a flood of sequels, films based on novels, films based on TV series, remakes, or a combination of the above. Sabrina joins this list as the latest classic whose script and cast have been updated for the '90s -- although in the case of this variation on the Cinderella tale, the story admittedly has a certain timeless quality.
Starts off with three mysterious people breaking a rod and then getting caught in the act of treason. It's General Zod, Ursa, and Non. They are proclaimed guilty. Backstory of Superman is shown. This backstory video about Superman is really good.
Clark Kent is such a nerdy dweeb. He's the perfect cover for Superman.
Margot Kidder looks strikingly similar to Courtney Cox-Arquette.
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The true story of Richard Pimentel, a brilliant public speaker with a troubled past. As a young man, Pimentel (Ron Livingston) realized he had a remarkable gift for public speaking. Pimentel's idol is College Bowl founder Dr. Padrow (Hector Elizondo), but upon trying out for Dr. Padrow, the ambitious young speaker is informed that he won't have anything to talk about until he has lived a full life.
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Dirty Dancing: Havana Night
Katey Miller (Romola Garai), her parents (Sela Ward and John Slattery), and her younger sister Susie (Mika Boorem) arrive in Cuba during the Cuban revolution. A self-described bookworm, Katey is not very happy about having to move to a different country during her senior year of school as she had been planning to attend Radcliffe College; although, the rest of her family seem extremely pleased to be in Cuba. Meeting several other rich American teenagers down by the pool including James Phelps (Jonathan Jackson), the son of her father's boss; Katey becomes disgusted when one of the teenagers insults a waiter when he accidentally knocks over some of their drinks. Katey attempts to talk to the waiter - Javier (Diego Luna), who works at the hotel to support his family - because she feels awful about what had occurred but he is not interested.
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Successful doctor Artur Planck, his wife Clara and their two daughters are seeking shelter from the Nazis storming Poland. They find a safe house in the farm of Emilia, their local grocer who is all alone after her husband fought for his country and never returned. Amidst the horrors of the war that surrounds them, an impossible love triangle erupts as Emelia uncontrollably falls in love with Artur. Such a fragile arrangement is sustained by love - or is it just the will to survive? The answer to that question may not even be made known to those who make it out alive.
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Made... The Movie
Tells the story of an unpopular high school student as she pursues her dream of attaining a coveted spot on the cheerleading team.
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