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Let the Right One In
As Let the Right One In opens in a suburb of Stockholm during the 1980s, 12-year old Oskar (Kåre Hedebrant) shows all the signs of being on the road to turning into a Columbine killer. He's a loner who is relentlessly bullied at school. His parents, who are divorced, pay him only as much attention as they can fit into their busy schedules. And his hobby is cutting out articles about murders from the local paper and pasting them into a scrapbook. This is not normal behavior even for a socially awkward boy on the cusp of adolescence. But then things take an uplifting turn. Enter Eli (Lina Leandersson), who, along with her father, moves into the apartment building next door to Oskar. She's a bit of a recluse. Despite being Oskar's age ("twelve years old - more or less"), she doesn't attend the same school. Nevertheless, the two spend time together, become friendly, and eventually agree to "go steady." Eli encourages Oskar to stand up for himself and confront the bullies who harass them. She assures him that if he shows no fear, they will back down. As good as Eli is for Oskar, however, she has a character flaw. She's a vampire.
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The reason "body swap" movies (in which someone's mind is transposed into a different body) are so popular is because they are ripe with potential. Unfortunately, that potential is rarely reached. Productions like Big and Prelude to a Kiss are the exceptions, not the rule. 17 Again falls into the less creative, more generic majority category. Imagine a generic script and mediocre acting and you have unearthed the essence of 17 Again, which appears to have been made for the sole purpose of spotlighting Zac Efron. The target audience is roughly the same as for Hannah Montana: The Movie, and the quality is in the same neighborhood as well.
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The Tracey Fragments uses its non-standard visual style, a split-screen approach that can show from one to sixteen frames at any one time, in a vain attempt to camouflage the paucity of the story. Director Bruce McDonald, working from a script by Maureen Medved, seems to believe that because he's doing something most filmmakers avoid, it qualifies The Tracey Fragments as being interesting and cutting edge. It is neither. This unexceptional and uninteresting story of a self-pitying borderline-personality teenager verges on being unwatchable as a result of McDonald's decision to bombard the audience with extraneous images in lieu of telling the story.
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Bride and Prejudice
At first, the marriage between classical British literature and Bollywood musical would seem doomed to failure. But this particular match, arranged by Gurinder Chadha, finds a surprisingly rich field of common ground. Bride and Prejudice is bright, colorful, and exhilarating, and brings new dimensions to a story that has been told so many times that it's astounding to recognize that someone has found a fresh perspective. I don't know what Jane Austen would have thought of the film, but I enjoyed it.
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In the Pantheon of Marvel Comics superheroes, Daredevil is more of a demi-god than a full-blown deity. He's a notch below Spider-Man, The Fantastic Four, The Hulk, and The X-Men. 20th Century Fox has acknowledged this when determining Daredevil's release date. This particular superhero is debuting in February, not in the middle of the summer, when competition from The X-Men and The Hulk would greatly diminish his chances of being noticed.
There's no doubt that the subject matter tackled by Arlington Road is topical. Terrorism at home is a very real danger in this current climate of world uncertainty, and, arguably, a greater danger is posed to U.S. security by radical political groups within this country than by outside forces. By borrowing heavily from the images and events surrounding the Oklahoma City tragedy, Arlington Road postulates that there might be a huge underground conspiracy driving this sort of activity, and, if it isn't stopped, history will repeat itself. As long as there's a patsy to take the fall, there's no motivation to dig deeper.
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An Ideal Husband is a delightful parfait - an irresistible concoction of brilliant dialogue, sumptuous set design, top-notch acting, and a plot littered with Machiavellian twists. Possessing a light tone tinged with an acerbic accent, An Ideal Husband represents about the best that the motion picture industry can offer. It's an exquisitely crafted movie that can be appreciated from start to finish. Writer/director Oliver Parker (who last reached the screen with his 1996 adaptation of Othello) has taken Oscar Wilde's play and tweaked it in such a way that the playwright's best lines remain intact while the setting has been opened up to offer a fresh perspective.
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Homo Erectus aka National Lampoon's Stoned Age
A National Lampoon release of a Town Lake Films presentation of a Burnt Orange/Brad Wyman production. Produced by Carolyn Pfeiffer, Wyman. Executive producer, Tom Schatz. Directed, written by Adam Rifkin.
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Missing in America
Jake (played by Danny Glover), a reclusive Vietnam War veteran, has lived in a cabin in the woods of the Pacific Northwest for 35 years, plagued with guilt over the loss of men under his command. His only interaction with other people is when he drives into town to sell firewood and buy supplies from Kate (played by Hamilton). His life is changed when he is visited by Henry, an ex-platoon member (played by Strathairn). Henry is dying of lung cancer caused by the exposure to Agent Orange, and entrusts the care of his half-Vietnamese daughter Lenny to Jake.
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Bartleby Gaines (Justin Long) is a persuasive high-school senior who, among other pranks, creates fake IDs. His gifts do not extend to grades, however, and he receives rejection letters from all of the universities and colleges to which he applies, including those with high acceptance rates. In an attempt to seek approval from his strict father (Mark Derwin), Bartleby creates a fake college, the South Harmon Institute of Technology (S.H.I.T.). He is aided by his friend Sherman Schrader III (Jonah Hill), who has been accepted into the prestigious Harmon College, and fellow rejects Rory (Maria Thayer), who was rejected from Yale University, the only school she applied to, Hands (Columbus Short), who lost his athletic scholarship after an injury, and Glen (Adam Herschman), who got a "0" on the SAT when he neglected to sign his name.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a pee gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India, namely drinking beer off of Shridhar Chillais several feet long fingernails having one of the crew lie on a bed of nails with two snakes - one on his chest and one between the legs, as well as a decorated elephant in the background and finally having a half-naked Indian Sadhu drink one of the crews urine.
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Kardia weaves fiction and science to tell the story of Hope, a pathologist who embarks on a journey of reconciliation. Hope discovers that the experimental heart operation she underwent as a child has mysteriously linked her life with another. To unlock the secret of her past, Hope must revisit her childhood and explore regions of her life that have heart stopping results.
Living & Dying
Two killers turn the tables on a trio of robbers when they find themselves in a hostage situation. Surrounded by the police, the robbers must become the heroes before the killers execute everyone.
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Madly in Love
Devan, ein in der Schweiz aufgewachsener Tamile, will dem Wunsch seines Vaters, Raja, gerecht werden und eine arrangierte Heirat eingehen. Doch vor der traditionellen Hochzeit verliebt er sich unsterblich in eine Europerin, Leo.
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Marilyn Hotchkiss' Ballroom Dancing & Charm School
Dance is a very powerful drug, if embraced judiciously to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance he asks Frank to go in his place. Its a dance class. Frank goes, to find Steves friend. The story moves back and forth among Steves childhood, the scene of the accident, and the aftermath of Franks first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story.
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Novelist Paul Sheldon crashes his car on a snowy Colorado road. He is found by Annie Wilkes, the number one fan of Pauls heroine Misery Chastaine. Annie is also somewhat unstable, and Paul finds himself crippled, drugged and at her mercy.