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It would be too easy to "Pete Hammond" this review by claiming: "Unstoppable is a train wreck!" But to do so would also prove fairly accurate.
Director Tony Scott's over-stylized and overproduced movie puts Denzel Washington and Chris Pine in a train engine for 100 minutes, as their "old guard/new guard" pairing tries to derail a runaway supertrain. The actors give nothing but their A-Games to what sketches of character development are here, and the movie is technically impressive in its practical effects. But it's also the kind of flick that, when its two leads aren't on screen, a viewer can become very distracted in.
Blame those distractions on Mark Bomback's screenplay. The story actually wants us to believe that lazyness and bad luck are responsible for the Triple 7 (the 777) going runaway, when it actually seems that the phantom hand of Dues Ex Machina reaches in and drops the train's throttle from neutral to "can't stop, won't stop!" From there, it's up to our heroes to stop the train carrying explosive chemicals from wiping out "Collateral Damage, PA" (population 750,000). All the while, we hear such choice lines as, "We're talking about a missile the size of the Chrysler Building!" And, "Luck has no place on the rail yard!"
Hip-hop star DMX is "The Dog," a top-level drug dealer who pulls the strings in a murderous web of deceit and terror spreading through the bloodstained streets of New Orleans. Also starring Lou Diamond Phillips, Leila Arcieri, and Keshia Knight Pulliam, this thriller set in the dark, muggy underworld of America's murder capital has police desperate to stop the violence creating a Death Toll unlike any the city has ever seen.
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A group of guinea pigs trained by the government to work in espionage, armed with the latest high-tech spy equipment, soon discover that the fate of the world is in their paws.
The triple threat of tight scripting, impassioned playing and fluid helming sells “Chiko” as a forceful Turkish-German “Scarface” set in Hamburg’s rough Dulsberg district. Latest effort from “The Edge of Heaven” director Fatih Akin’s Corazon Intl. production shingle is set to open April 18 in Teuton markets, and has the potential to be a niche draw with popcorn crowds who can get past the subtitles.
Possessed of innate street smarts and a dead-eyed stare, Chiko (Denis Moschitto) dreams of success in the drug trade. His chief liability is combustible best “bro” Tibet (Volkan Ozcan), a blustery fighter who can’t grasp the big picture. Tibet’s mom (Lilay Huser) is undergoing kidney treatments, and the young men chafe at being unable to do more to help her.
It's safe to say that, as a director, Clint Eastwood shows no fear. Only a few years beyond telling the story of Iwo Jima from the Japanese point-of-view, Eastwood ventures down another little traveled cinematic avenue by making what is essentially a "French movie" (at least in terms of narrative approach and pacing) using American money and featuring a mostly English-speaking cast. And, although the movie is imperfect and unlikely to achieve anything close to mainstream acceptance, its refusal to court box office success exhibits a nobility of purpose. Additionally, it arrives without a hint of the sanctimoniousness that accompanied the release of Eastwood's preachy parable of racial unity, Invictus.
Let me start with a few brief editorial comments about Lars von Trier. Key to understanding my views about Manderlay is my disclosure of a belief that in order to be able to criticize something, you have to have first-hand familiarity with it. Von Trier has never lived in the United States. In fact, due to his airplane phobia, he has never visited North America. But that doesn't stop him from attacking the fabric of the United States' society. (Diatribes against government policies, especially foreign policies, are another matter, but that's not what's at issue here.) His anti-American stance has often been evident, but he dropped all pretense of subtlety in Dogville. I would be the first to admit that some of what von Trier has to say is accurate, but it's hard to take such accusations seriously when they come from someone who is relying on secondhand information. The United States is not well regarded in many places abroad, and no doubt some of this global acrimony has informed von Trier's perspective. He presents the bad unfiltered by the good, and both can be found in this country - a fact that is often neglected in one-sided political tracts. It can become tiresome to watch von Trier bash the United States while realizing that he doesn't have a full understanding of what he's attacking.
I'm Not There
Few figures in 20th century music are more deserving of the label "enigma" than Bob Dylan. Reclusive, frequently misunderstood, and never pigeonholed into a niche, Dylan has remained a mercurial figure for the entirety of his long career. So when filmmaker Todd Haynes (Far from Heaven) announced he was going to make a film that would deconstruct Dylan, there was reason for optimism. Unfortunately, the muddled reality, called I'm Not There, doesn't live up to the promise. To capture the essence of a sometimes pretentious, occasionally unfathomable artist, Haynes has made a sometimes pretentious, occasionally unfathomable film. Dylan fans will love it for the music, but that's about all the production has going for it. In the end, many viewers will leave with two impressions: the music is as good as it always has been and Dylan is a bigger asshole than one might have suspected.
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Rosewood, central Florida, 1923. The town's population numbered about 120, mostly black. It was a prosperous, happy community until a January day when one woman's lie set off a chain of events that would have devastating results. That woman was Fanny Taylor, and her false claim to have been assaulted by a black man resulted in the formation of a lynch mob that headed for Rosewood with arson and murder on their minds. Before the week was over, blood was shed and the town was in ashes.
Deadliest Warrior - Season One
Your average episode takes us into the top secret warehouse of history's fight club, where Deadliest Warrior's experts take a sampling of weaponry and skills and test them on fun things like wooden targets, dead animals, and ballistics dummies full of red ooze and accurate recreations of human insides. Your average episode consists of colourful 'real life experts' testing nasty looking blades, bows, guns and explosives while the show's crew looks on in awe. All of the numbers are crunched and boiled into a computer program which then decides who of our historical pugilists is the champ. Blood soaked re-enactments fill the time between talking heads. These affairs are typically cheesy and heavy handed, with tons of CG blood and stage-play level costuming. Each episode ends with a knock-down, drag-out battle between the subjects, where each shows off the respective tools and talents demoed to the bloodthirsty audience at home for the previous 40 minutes. There's definitely some crazy stuff on display, and for the most part, the show really goes a long way towards showing just HOW capable of making human soup some of these nasty implements of war really were.
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Mike Reilly (Stephen Dorff) is an NYPD detective who is called to the scene of a death buster endosycoasteristicated mysterious death in the subway system. The victim, Polidori (Udo Kier), exhibits bleeding from his eyes and other orifices and, by the frozen look on his face, appears to have been scared to death.
Department of Health researcher Terry Huston (Natascha McElhone) is intrigued by the find as well, particularly when several more victims show up with identical symptoms.
A Man Apart
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the CaliforniaMexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of Memo Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetters wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but its easier said than done when all Vetter can focus on is revenge...
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The Merchant of Venice
The film opens with images of Venetian life in 1596, especially discrimination against the Jews. Words on the screen inform the audience about anti-Semitism in the period, describing the system of the ghetto and Jewish usury. Shylock and Antonio are seen among a crowd watching Jews being thrown from the Rialto Bridge into the canal.
Otherwise, the film follows the plot of Shakespeare's play closely. There are some significant emendations: In Act III, scene i, Tubal tells Shylock that in Genoa, a person "showed me a ring that he had of your daughter for a monkey." Shylock replies "Thou torturest me, Tubal: It was my turquoise; I had it of Leah when I was a bachelor; I would not have given it for a wilderness of monkeys." Nothing more is said of it. However, in an added scene at the end of the film, there is a close-up shot of the turquoise ring on Jessica's finger, implying that Shylock had jumped to the wrong conclusion.
Another significant emendation is that we don't see that Antonio receives the good news that three of his ships were not stranded and have returned safely after all at the end of the film.
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After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillingers bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.
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Chain of Command
When Merrill Ross (Michael Dudikoff) is thought to be a C.I.A. agent gone bad and teaming with some other alphabet named agency to take over the oil rich country of Qumir, he finds hes in the middle of a very explosive situation. Not knowing who he can trust, hes forced to use a process of elimination thru the chain of operatives he encounters.
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Amid a strict Muslim rearing and a social life hes never had, Tariq (Evan Ross) enters college confused. New peers, family and mentors help him find his place, but the 9-11 attacks force him to face his past and make the biggest decisions of his life.
Mr Bones 2: Back from the Past
The story of Hekule, the King of Kuvukiland who is given a gemstone by the dying Kunji Balanadin. The stone is cursed and causes Hekule to become possessed by the spirit of the mischievous Kunji. It is up Mr. Bones, the royal witch doctor to cure his King and get rid of this cursed stone by returning the gem to its home in an Indian fishing village.
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