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You need only look at a film like 'The Losers' to see the pervasive influence of filmmakers like Zack Snyder and Robert Rodriguez. Their approach to comic book and graphic novel adaptations have in many ways set the textbook standard for bringing these often complex narratives to screen in a creative and satisfying manner – and 'The Losers' adds yet another film to the growing list of solid, mostly satisfying adaptations.
Originally a DC Vertigo release comprising 32 issues from writer Andy Diggle and artist Jock, 'The Losers' is very much a homage to 80s-era action movies. The story plays with an 'A-Team'-style band of hardened and uniquely skilled mercenaries who are forcibly cut free from their duties after being betrayed by their own government. After faking their own deaths, the five rogues set about taking down the man responsible: a smarmy and ruthless government suit, 'Max'.
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Little Hercules in 3-D
Friends, Epicians, lend me your ears!!! It's your friendly neighborhood reporter Epic-1 and I'm back!!! This time I come to you with Little Hercules featuring the entire Hogan family - before the messy divorce. We have Terry "Hulk" Hogan as Zeus the father of little Hercules (Richard Sandrak). So Little Herc sneaks away to earth while his father is arguing with Marduk (Paul "Big Show" Wight) about which is better: Mt. Olympus or Babylon? During his adventures he becomes friends with Curtis (Marc John Jefferies) a young kid whose mother, Dana (Robin Givens) is trying to find Mr. Right. Curtis and Hercules get into trouble with the bully in the movie XX (Nick Hogan) who tries and make's Hercules life a living hell. Hercules then goes to school with Curtis where we find out that the place is closing.
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I simply do not envy the filmmakers who feel inspired to make a haunted house flick in today's cynical age. What used to be so beautifully easy in The Haunting or House on Haunted Hill or The Innocents became a little bit tougher in The Amityville Horror and Poltergeist -- and nowadays you have to break out the video camera if you want to dazzle a young audience with your Paranormal Activity and your Grudge-inspired phantoms. But of course the haunted house movie is an essential sub-division of our beloved Horror genre, which means it's always good news when someone finds a fresh way to upgrade the essential cobwebs once in a while.
Benjamin Finnegan is a deep-sea treasure hunter certain he's onto the find of the century in waters near an island close to Key West owned by a murderous rap star to whom Ben is in debt. Ben's flat broke and recently divorced from Tess, his long-time research and diving partner whom he still loves. She's nearby, working as a steward aboard the yacht of Nigel Honeycutt, a multimillionaire. The rapper has hired a rival treasurer hunter. Can Ben convince Nigel to bankroll his search, convince Tess to work with him, keep the rapper and his thugs at bay, and find a Spanish treasure hidden for centuries and rich beyond imagination?
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Since this is a thriller, there must be a twist. One goes into a movie like The Number 23 with this expectation. However, not only is the twist telegraphed early but it is presented in a clumsy and unconvincing manner. Other films have employed a similar plot device to good effect. (I will refrain from naming titles since that would constitute unnecessary spoilerage.) The Number 23 shows how not to do it. The film has a few things going for it. Matthew Libatique's cinematography is evocative and there are isolated individual scenes that work when dissociated from the movie as a whole. But as a cohesive piece of entertainment, The Number 23 is largely a failure.
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Hitchhiker's Guide to the Galaxy
For those who are fans of Douglas Adams' Hitchhiker's five-book "trilogy," I have two words of advice: Don't Panic! The 2005 film version of the book isn't nearly as bad as many Hitchhiker's lovers have feared. Of course, it's also not as good as it could have been. For the most part, this big-screen re-telling of Adams' inaugural book plays it safe, offers some solid performances and nice special effects, and provides some chuckles along the way. "Definitive," this isn't. But it will do in a pinch.
The fundamental problem with crafting a cinematic adaptation of The Hitchhiker's Guide to the Galaxy is that the book is primarily about tone. Plot and character come in a distant second. Reading the book, you get a sense that Adams is talking directly to you. The chief pleasure of immersing oneself in his peculiar universe isn't to see how the story ends, but to experience all of the detours along the way. For the most part, such nuances get lost in the movie, and the result is that, while we spend some time with familiar characters in recognizable circumstances, there's a hollowness to the proceedings that no amount of CGI effects and plot padding can cover up.
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Welcome to Massachusetts, 1666, where Puritans, Indians, and adultery come together in Roland Joffe's overlong, overwrought re-interpretation of Nathaniel Hawthorne's classic, The Scarlet Letter. Literary purists will be aghast at some of the liberties taken with the original text, but my complaints have more to do with cinematic misjudgments than with those in the book-to-screen translation. And, believe me, there are plenty of problems with this production without having to resort to a cry of "it's not faithful to the book!"
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The film opens up by introducing Alfie (Jude Law), a charismatic, charming, bed-hopping, Vespa-riding Cockney who resides in Manhattan. An impeccably stylish lad in his late twenties, Alfie funds his hedonistic lifestyle by working as a driver for the local limousine service. Meeting, romancing, and seducing women comes as second nature to Alfie. In addition to maintaining a casual relationship with a single mother named Julie (Marisa Tomei) that he refers to as his "semi-regular-quasi-sort-of-girlfriend thing", he also sleeps with various girls on the side, such as the married-yet-neglected-by-her-husband blonde named Dorie (Jane Krakowski) whom he regularly meets for sex after work in the back of his limo. At the first inkling Dorie may desire their liaison to grow into something more, he decides to stop all contact. Alfie ultimately views women as expendable, cutting them loose as soon as he feels they're starting to cramp his style.
There are approximately 8 or 9 fights on here. Theyre real fights, including boxing matches, bare knuckle matches, and some allow the competitors to continue pummeling the opponent when theyre down. I think there were one or two girls in here that were actually attractive. Well, one at least. About three of the fights are fairly descent, three full rounds with a good amount of action. A couple of the fights end after one girl gets punched a few times and decides to quit. A few others are totally inexperienced girls flailing away at each other, completely unable to hurt each other, so they eventually become exhausted. One fight has a fat girl vs. two normal sized girls, and its like a fight from the Jerry Springer show. There are at least 5,000 punches thrown but theyre wearing padded headgear and nobody can hurt anybody. In one of the good fights, one of the girls gets her sports bra bulled up and you get to see, well, you know.
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House on Hooter Hill
A house haunted by the sensual spirit of its drop-dead gorgeous, recently deceased owner becomes the setting for paranormal activity and ultra-erotic sensations that are out of this world. Young, philandering married couple Sue and Ryan, three busty babes, and a voluptuous psychic who senses danger arrive at the secluded house for a reading of the horny homeowners videotaped will.
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A Thousand Acres
A THOUSAND ACRES is a drama about an American family who meets with tragedy on their land. It is the story of a father, his daughters, and their husbands, and their passion to subdue the history of their land and its stories.
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In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the countrys most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. In 1939, the aristocratic Lady Sarah Ashley travels from Great Britain to Australia to meet her husband Maitland Ashley in northern Australia. The husbands drover comes to the city of Darwin to bring Sarah to their farm however, when they reach Faraway Downs Farm, they find that Maitland was murdered. Sarah befriends Nullah, who tells her that the administrator Neil Fletcher is stealing her cattle has killed her husband and is working for the cattle baron King Carney. Sarah fires Fletcher and his men and together with Drover, Nullah and a group of loyal employees, they ride together to take the cattle to supply the army and win a tender in times of war. But the ambitious Fletcher has other intentions and uses Nullah to press Sarah.
After a shocking photo of a young woman is found inside the twisted metal of a fatal car crash, veteran detective Emory Lloyd must risk everything to identify and find the woman before its too late.
Soon after her return from a business trip to Hong Kong, Beth Emhoff dies from what is a flu or some other type of infection. Her young son dies a few days later. Her husband Mitch however seems immune. Thus begins the spread of a deadly infection. For doctors and administrators at the U.S. Center for Disease Control, several days pass before anyone realizes the extent or gravity of this new infection. They must first identify the type of virus in question and then find a means of combating it, a process that will likely take several months. As the contagion spreads to millions of people worldwide, societal order begins to break down as people panic.
Maid of Honor
While driving in the road, Richard Wynn crashes his car and his beloved wife Carrie Wynn dies. Along two years, his sister-in-law Laci Collins moves to his house and helps Richard to raise his son Danny Wynn and his teenage daughter Molly Wynn. When Richard decides to get married with Nicole Harris, the deranged and psychotic Laci that is in love for Richard, tries to force Richard to call off the wedding with malevolence against Nicole and manipulating Danny.
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Not Another Not Another Movie
In this non- stop hilarious ride we follow a struggling Movie Studio that is willing to do anything to make a buck even if it means ruining its reputation, and running the Movie Industry into the ground. This film has everything that an audience wants from a LAUGH OUT LOUD COMEDY by taking a no-holds barred attack on the Spoof Genre from Blockbuster Action movies to Dramas and Documentaries to Popular Television shows.
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