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Ben Affleck returns home to Boston for his sophomore directing effort The Town, a new heist flick that returns him to a similarly gritty Beantown milieu as that of his acclaimed feature directing debut, 2007's Gone Baby Gone. Affleck also co-wrote the script, which is based on the novel Prince of Thieves by Chuck Hogan. Affleck stars as Doug MacRay, a veteran thief and resident of the one-square-mile neighborhood of Charlestown, a blue collar enclave that the film tells us produces more bank and car robbers than anywhere else in America. (Boston alone sees over 300 bank heists a year, the film claims.)
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Anne Francis is about to hung for the murder of her husband, the son of the local Ponderosa owner John Litel. But her uncle sends Chuck Connors to rescue her and he does, taking her across the Texas state line to New Mexico territory where he, Robert Burton is the local Ponderosa owner. And due to Burton's influence, New Mexico will not honor extradition. What to do, but hire out for The Hired Gun.
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It’s somewhat of a mystery why Singaporean writer director Kelvin Tong isn’t better known than he is, having helmed one of the better modern Asian ghost films in “The Maid”, found success with romance in “Love Story”, and conquered Hong Kong with his awesomely unpredictable “Rule No.1”. For his latest outing “Kidnapper”, Tong returned to Singapore, trying something different with one of the country’s very rare hard boiled crime thrillers, co-scripting along with Ken Kwek (“The Blue Mansion”). A fast paced tale of child snatching and desperate deceptions, the film stars popular local television actor Christopher Lee (“The Shaolin Warriors”) in the lead, with Jack Lim (“Ah Long Pte Ltd”) as the ruthless villain of the title.
With Welcome to the Dollhouse and Happiness, Todd Solondz proved himself to be a daring filmmaker who will not shy away from provocative issues, even if they offend a large portion of his audience. Storytelling, Solondz's new film, is an inelegant combination of two unrelated shorts that falls far short of the director's previous work in terms of both thematic content and narrative strength.
The superheroes of DC Comics have been very good to Warner Brothers. In 1978, Superman became a major motion picture event, packing theaters and resulting in a franchise that generated three sequels before collapsing under the weight of bad writing, bad acting, and bad special effects. Then, only two years after the release of the movie that killed the Superman series (Superman IV: The Quest for Peace), Warner Brothers turned to DC's other venerable hero, Batman. From the moment the announcement was first made, fans were ecstatic, especially when it was revealed that the tone of the film would more closely resemble the dark nature of the comics, as opposed to the jokey, campy feel of the '60s TV series starring Adam West. This Batman was intended to be a different breed from any previous live-action incarnation. Like Superman, Batman spawned three sequels, and, like the saga of The Man of Steel, the Caped Crusader's adventures were eventually ended not by the successful plots of his enemies, but by the inept plots of those who helmed the series. Batman and Robin ended the profitability of a franchise that had been teetering since installment #3, Batman Forever.
The Mummy is pretty silly stuff. But that's okay when you consider that, beneath all the action/adventure and horror trappings, it's actually a comedy. Think of a big-budget, high profile effort in the vein of Sam Raimi's Army of Darkness with less camp and better special effects. The Mummy never takes itself seriously, and neither should we. It's a good thing it is funny because, as a thriller, it's an underwhelming effort. I suppose there are times when The Mummy makes an attempt to get the adrenaline pumping, but it never tries too hard. In the end, it's the self-mocking aura that save this film from being a waste of two hours.
The Celestine Prophecy
Disillusioned and temporarily rudderless, John Woodson is about to experience a dramatic and profound metamorphosis. Through a mysterious set of coincidences, he finds himself on an adventure to Peru in search of ancient scrolls, known as the Celestine Prophecy. The prophecy and its nine key insights, predict a new awakening that redefines human life and provides a glimpse into a completely spiritual culture on earth. Resistant at first, skeptical and unsure, John finds that each step he takes, each person he encounters leads him to a new awakening. It is only in this letting go that he finds his destiny and comes to understand the meaning that had escaped him when his adventure began.
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When the star (played by Winona Ryder) of out-of-favor director Viktor Taransky's (Al Pacino) new film refuses to finish it, Taransky is forced to find a replacement. Contractual requirements totally prevent using her image in the film, so he must re-shoot. Instead, Viktor experiments with a new computer program he inherits from late acquaintance Hank Aleno (Elias Koteas) which allows creation of a computer-generated woman which he can easily animate to play the film's central character. Viktor names his virtual actor "Simone", a name derived from the computer program's title, Simulation One. Seamlessly incorporated into the film, Simone (Rachel Roberts) gives a fantastic performance, exactly controlled by Viktor. The film is immediately a huge success. The studio, and soon the world, ask "who is Simone?"
Creatures from the Pink Lagoon
In a small town in 1967, plucky young sissy Phillip is about to celebrate his birthday at the beach cottage owned by his best friend Stan. All of Phillips friends are gathered for the festivities, including Stans hunky-but-impulsive boyfriend Billy, Billys shy, nerdy cousin Joseph, and Randall, the chain-smoking, bitter queen of the bunch. Meanwhile, a horde of libidinous gay men - turned into ravenous flesh-eating zombies by toxic mosquitoes at a cruisy highway rest stop - are making their way towards our oblivious celebrants, eating every man in their path. With body parts washing up on shore and party guests disappearing, our heroes must find a way to stop the zombie onslaught. Will Stan keep the rotting corpses out of his spotless home? Will Joseph work up the courage to declare his love for Phillip? Will Billy keep it in his pants long enough to stay alive? Will Phillips cheating boyfriend make it to the party - and if so, will he be there to save them, or to eat them? No one is safe in this campy mix of classic B horror flicks and pre-Stonewall gay melodramas.
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Battle in Seattle
For five days in 1999, all eyes were on Seattle. Irish actor Stuart Townsend makes his directorial debut with a multi-character recreation of the World Trade Organizations ill-fated U.S. conference. If the structure recalls Crash and Babel, Townsend intensifies the you-are-there quality through well-integrated archival footage. The docudrama opens with the arrival of a group of anti-globalization activists, led by Jay (The Rings Martin Henderson), whose compatriots include Lou (Losts Michelle Rodriguez) and Django (Outkasts Andr 3000 Benjamin, who provides a welcome dose of humor). As fictional Mayor Jim Tobin (Ray Liotta, wearing a touch too much eyeliner) tries to maintain order, TV reporter Jean (Connie Nielsen) strives for objectivity, police officer Woody Harrelson attempts to carry out the mayors orders, and Dales pregnant wife, Ella (Charlize Theron, Townsends real-life girlfriend), just hopes to make it home in one piece (she gets stuck downtown at the height of the skirmish). Townsend admits he was inspired by Medium Cool, which filmmaker Haskell Wexler shot during 1968s Democratic National Convention. Paul Greengrasss Bloody Sunday also seems like a possible influence, and Greengrass regular Barry Ackroyd serves as cinematographer. If the characters rarely come alive the way they should, the action sequences easily convince, which is particularly impressive considering the bulk of filming took place in nearby Vancouver, B.C. A true labor of love, Battle in Seattle presents a more balanced view than most accounts to date--even if Townsend ultimately (and understandably) sides with the peaceful protesters and passionate Third World representatives.
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Get Smart's Bruce and Lloyd Out of Control
This film takes place during the events of Get Smart. Bruce and Lloyd have been testing out an invisibility cloak, but during a party, Maraguayan agent Isabelle steals it for El Presidente. Now, Bruce and Lloyd must find the cloak on their own because the only non-compromised agents, Agent 99 and Agent 86 (Max Smart) are in Russia. With no field experience, Bruce and Lloyd must learn how to get a girl and infiltrate the Maraguayan Embassy to prevent Maraguay from selling the cloak to KAOS.
The film includes a cameo by Anne Hathaway as Agent 99 (a scene that makes reference to events in the main film), Terry Crews as Agent 91, and a brief appearance by Patrick Warburton as the android Hymie. Larry Miller plays a dual role as the "Underchief" in charge of the R&D department, and his twin brother, a CIA official (Miller appears as the CIA official in the theatrical film). The closing credits incorporate bloopers and deleted scenes.
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I Can See You
Three young ad-men enter the woods for a photo shoot, but a girlfriends mysterious disappearance sparks a harrowing descent into unreality.
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The Book of Life
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New Years Eve takes on new meaning when the Devil, Jesus Christ, and Christs assistant Magdelina discuss and debate the end of the world, the opening of the seven seals, and the essence of being human.
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Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine Jimmy the Toucan Sabatini, an importer bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he cant refuse, he finds himself caught up in a caper involving endangered species and fine dining.
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A South American gunrunner uses an island in Hawaii as his base of operations. A squad of beautiful government agents is sent to put him out of business.
A teenage orphan spends ten years traveling cross-country experiencing life, love and heartbreak. Based on E.L. Doctorows story, Jolene A Life.