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You need only look at a film like 'The Losers' to see the pervasive influence of filmmakers like Zack Snyder and Robert Rodriguez. Their approach to comic book and graphic novel adaptations have in many ways set the textbook standard for bringing these often complex narratives to screen in a creative and satisfying manner and 'The Losers' adds yet another film to the growing list of solid, mostly satisfying adaptations.
Originally a DC Vertigo release comprising 32 issues from writer Andy Diggle and artist Jock, 'The Losers' is very much a homage to 80s-era action movies. The story plays with an 'A-Team'-style band of hardened and uniquely skilled mercenaries who are forcibly cut free from their duties after being betrayed by their own government. After faking their own deaths, the five rogues set about taking down the man responsible: a smarmy and ruthless government suit, 'Max'.
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Youth in Revolt
Based on the popular book by C. D. Payne, Youth in Revolt is awkwardly charming and subtly subversive, much like its young star, Michael Cera. In the dual role of Nick Twisp and his mischievous, imaginary alter ego Francois, Cera manages to expand on his usual on-screen persona the sensitive, lovesick teen who finds himself out of his depth. Cera and his co-star, newcomer Portia Doubleday, are the best things about the film, which pushes the boundaries of the kinds of transgressions a protagonist can commit without losing the audience's sympathy.
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A short review, no spoiler: it's an lovely movie not only for women. Perfectly casted actors you just believe their lovely created characters playing a story you just can enjoy.
Pride is one of those generic inspirational sports movies that has been cobbled together from spare parts left to rust on Hollywood's shelf of clichés and stereotypes. Take a little '70s racism, add the guidance of a strong coach, throw in minor subplots about the players, and stir. Yet , despite the stale odor of the broth, lack of originality isn't Pride's stumbling point - it's that the familiar story is not well presented. The manipulation is clumsy and obvious and none of the characters attains a semblance of three-dimensionality. Even a solid performance by Terrence Howard can't keep Coach Jim Ellis from seeming like a shadow of the many more interesting men in whose footsteps he treads.
New Line honcho Bob Shaye has been in the news a lot recently, primarily because of an increasingly acrimonious feud with Peter Jackson over profits from The Lord of the Rings. With The Last Mimzy, Shaye steps back into the director's chair for the first time in over a decade-and-a-half, adapting Lewis Pagett's 1943 short story into a family film. The movie's poor focus and scattershot approach, while not without its charms, represents the kind of product that may divert children but will likely puzzle adults with its inconsistency.
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The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a community devastated by an unspeakable tragedy. During the course of this 110-minute, emotionally-turbulent experience, Egoyan doesn't ask any easy questions or propose any pat answers. This is film making at its most powerful: drama capable of shaking the soul, yet free of even the slightest hint of manipulation, sentimentality, or mawkishness. The movie has an impact that extends far beyond the walls of a movie theater - a quality shared by a distressingly few of today's releases.
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The advance word on The Devil's Own was, to put it mildly, not good. About a month ago, Brad Pitt went public with some extremely damaging statements about how, if he hadn't possessed an iron-clad contract, he would have bailed out on the production long before its finish. Then there's the fact that Columbia Pictures delayed the opening from late last year (during pre- Oscar nomination prime time) to the dreary wasteland of March, supposedly as a result of awful preview screenings. With these bits of knowledge spinning in my head, I was ready for a disaster. But, while The Devil's Own isn't going to win any "best of " contests, it's not nearly as bad as I had been led to believe.
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From time immemorial, the experience of eating a good meal has been regarded as one of life's most hedonistic pleasures. In a recent survey, more than 50% of Americans indicated they would rather eat a memorable dinner than experience a night of uninhibited sex. Motion pictures, ever reflective of the cultures that spawn them, have always recognized the potential for food-related stories. Films like Babette's Feast and Eat Drink Man Woman have sent audiences home sated. Now, there's a new entry on the menu: Big Night, the directorial debut of actors Stanley Tucci and Campbell Scott. And, while perhaps not as sumptuous as the previously-mentioned entrees, it's nevertheless a tasty main course.
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Heaven and Earth
With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career.
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For Tom Cruise, 1983 was the year of his Ascension, although the Coronation would have to wait until Top Gun in 1986. Before 1983, Cruise was regarded as an up-and-coming actor, someone to watch. But with the double-barreled success of the teen romantic comedy Risky Business and the teen sports movie/drama All the Right Moves, Cruise had arrived. After Risky Business, Cruise and his Ray-Bans were everywhere: posters, magazine covers, publicity shots... A movie star had been born.
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Artificial Intelligence: AI
Global warming has led to melting polar ice caps, flooded coastlines and a drastic reduction of the human population. There is a new class of robots called mechas, advanced humanoids capable of emulating thoughts and emotions. David (Haley Joel Osment), a prototype model created by Cybertronics, is designed to resemble a human child and to display love for its human owners. They test their creation with one of their employees, Henry Swinton (Sam Robards), and his wife Monica (Frances O'Connor). The Swintons' son, Martin (Jake Thomas), was placed in suspended animation until a cure can be found for his rare disease. Although Monica is initially frightened of David, she eventually warms to him after activating his imprinting protocol, which irreversibly causes David to project love for her, the same as any child would love a parent. He is also befriended by Teddy (Jack Angel), a robotic teddy bear, who takes upon himself to care for David's well being.
A cure is found for Martin and he is brought home; a sibling rivalry ensues between Martin and David. Martin convinces David to go to Monica in the middle of the night and cut off a lock of her hair, but the parents wake up and are very upset. At a pool party, one of Martin's friends activates David's self-protection programming by poking him with a knife. David clings to Martin and they both fall into the pool, where heavy David sinks to the bottom while still clinging to Martin. Martin is saved from drowning, but Henry in particular is shocked by David's actions. Henry persuades Monica to return David to Cybertronics, where David will be destroyed. However, on the way Monica decides to abandon David in the forest (alongside Teddy) to hide as an unregistered mecha instead of being destroyed. David is captured for an anti-mecha Flesh Fair, an event where obsolete mechas are destroyed in front of cheering crowds. David is nearly killed, but the crowd is swayed by his realistic nature (David, unlike other mechas, pleads for his life) and he escapes, along with Gigolo Joe (Jude Law), a male prostitute mecha on the run after being framed for murder.
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Mastering the Art of Pickpocketing
If you are just a card magician this video will show you how to add to new tricks to your show. You will learn to remove belts, ties, wallets, watches and much more.
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Beyond Borders is an epic tale of the turbulent romance between two star-crossed lovers set against the backdrop of the worlds most dangerous hot spots. Academy Award winner Angelina Jolie stars as Sarah Jordan, an American living in London in 1984. She is married to Henry Bauford son of a wealthy British industrialist, when she encounters Nick Callahan a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.
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I'll Always Know What You Did Last Summer
Amber Williams (Brooke Nevin), her friends Zoe (Torrey DeVitto) and Roger (Seth Packard), and her boyfriend Colby Patterson (David Paetkau) stage a prank at the town carnival, with Roger faking the return of the "Fisherman" killer. However, their friend P.J Davis (Clay Taylor) is accidentally killed during the stunt, and to cover up what happened they burn the evidence and make a pact that the secret will die with them.
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The story of six people caught in the unusual (except in horror films) predicament of being stranded in a deserted fishing lodge with a host of alien-infected, mutant amoeba-controlled zombies at their doorstep.
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A killer uses an 18th century machine with supernatural powers to terrorize students at Saint Marys College.