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There's a fine line between whimsical and weird, between stupid and strange, and the uber-quirky Gentlemen Broncos unfortunately lives on the wrong side of it. Writer-director Jared Hess, best known for creating that over-hyped, though semi-charming cult favorite Napoleon Dynamite, returns with his third film -- a bizarre take on B-grade sci-fi literature that drowns in a sizeable pool of its own ridiculousness. Hess creates a relatively believable, lower-class, Mid-Western world and fills it with lifeless, unbelievable characters who, unlike Napoleon before them, can't be redeemed by their own personal oddities.
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For a while, Chloe looks like the long-awaited return to form by Canadian filmmaker Atom Egoyan, whose early films (Exotica, The Adjuster, Speaking Parts) were often absorbing character studies cloaked in the guise of a thriller and spiked with sexual tension. Unfortunately, the wait continues. This remake of the French-language hit Nathalie... eventually becomes the sort of risibly naughty picture you'd normally find on late-night Cinemax - complete with a gratuitous girl-on-girl sex scene - only infinitely better acted.
Nanny McPhee returns
Isabel Green is doing the best she can. Her husband is off fighting in the British Army, and it's up to her to corral their three unruly children, manage the struggling family farm, and earn grocery money by working a day job at the town's general store. Once two more youngsters are added to the mix—the Greens' snooty niece and nephew from London—it's clear Isabel has more on her hands than she can handle. When she reaches her wit's end after a particular trying day, every cupboard and tea-pot in the general store comes to life with a clear and emphatic message: "The person you need is Nanny McPhee."
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Walt Disney once said that he hoped nobody lost sight of the fact that the Disney empire was all started by a mouse. This summer the Disney legacy is continued by a similar creature: a rat. This isn’t any rat, however. Remy is a rat of highly developed tastes, creating another Disney situation in which a character doesn’t quite fit in with his surroundings and goes off in search of a place where he belongs. Remy’s quest is another potential blockbuster hit for Disney and yet again shows Pixar that as a movie making powerhouse that can do no wrong. The empire may have been started by a mouse, but Mickey can take the summer off with the company’s future in Remy’s capable hands.
Can a movie where Anthony Hopkins plays a clever murderer go wrong? The answer is no, no it can’t - thank goodness! Though he trades “Clarice” for “Willy Boy,” and cannibalism for a more calculated sort of murder, Hopkins evokes his Silence of the Lambs heyday in what is definitely one of the best thrillers of 2007.
DON'T LOOK BACK
Jeanne's reality is bending. The successful journalistic author is loosing her hold on reality - her family becoming literally unrecognizable, her belongings changing and moving without being touched and without any recognition of the changes from anyone else, even her own face is shifting in the mirror. Is Jeanne going mad or is something else at play here, something connected to the strange girl only she seems to see and the book she is trying to write about the lost years of her childhood - the years before she turned eight, of which she can remember nothing? This is the world of Marina De Van's Ne Te Retourne Pas.
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District 9 is that modern rarity: an adventure thriller that’s even better than its advertising campaign. For years now, ever since the Alive in Joburg short on which it’s based was released, there has been lots of industry chatter about director Neill Blomkamp’s fantastic premise for an ultra-modern science fiction film; so much so that Peter Jackson of Lord of the Rings fame signed on to produce it in lieu of his adaptation of the Halo videogame.
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It's been a quiet eleven years for Sidney Prescott, who has managed to go a full decade without having a masked killer terrorize her and systematically kill her friends. But that's all about to change, as Scream 4 introduces the latest incarnation of the killer nicknamed Ghostface back into Sidney's life and into theaters.
The original Scream was one of those perfect little films, combining a killer (excuse the pun) script from then-newcomer Kevin Williamson, with the proven scary movie talents of Wes Craven. It was funny, it was scary and it contained a well-done murder mystery. The first sequel, Scream 2, while not as strong as the original, was still very enjoyable, though unfortunately, Scream 3 left a lot to be desired. But with so much time since the last installment, has bringing Craven, Williamson and the original cast back managed to revitalize the franchise? Happily, the answer is yes.
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The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it.
In 1968, Mel Brooks made his big-screen directorial and writing debut with The Producers, a slapstick farce about how two Broadway producers concoct a scheme to get rich by making the worst play in the history of the Great White Way. Predictably, what should be a colossal failure turns out to be a smash hit. Despite a delightfully wicked premise and a couple of delicious lines, The Producers is not on par with Brooks' other early films. It's not consistently clever or funny, and there are long, tedious stretches when one obvious joke after another falls flat. Brooks would hit his stride six years later with Blazing Saddles and Young Frankenstein. The Producers shows little of the humor evident in those (and other) movies.
Night Falls on Manhattan
Into the calm before the box-office storm of The Lost World rises Night Falls on Manhattan, Sidney Lumet's triumphant return to worthwhile movie-making. The director of such memorable films as Serpico, Dog Day Afternoon, and Network has been in a slump since the 1990 release of Q&A. His last two movies, A Stranger Among Us and Guilty As Sin, have been unworthy of Lumet's talent and reputation. Fortunately, with Night Falls on Manhattan, which is based on a fact-inspired novel by New York writer Robert Daley, the film maker is again in top form.
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For Tom Cruise, 1983 was the year of his Ascension, although the Coronation would have to wait until Top Gun in 1986. Before 1983, Cruise was regarded as an up-and-coming actor, someone to watch. But with the double-barreled success of the teen romantic comedy Risky Business and the teen sports movie/drama All the Right Moves, Cruise had arrived. After Risky Business, Cruise and his Ray-Bans were everywhere: posters, magazine covers, publicity shots... A movie star had been born.
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The AbsentMinded Professor
One of Disney's most entertaining forays into live-action, this hit family comedy stars Fred MacMurray as a college professor so forgetful that he missed his own wedding twice. He creates an extremely resilient flying rubber, dubbed "Flubber," and manages to make his old Model-T bounce all the way to Washington, DC, where it is mistaken for a UFO, as well as helping the college basketball team win the big game with Flubber-powered sneakers. MacMurray is a lot of fun in the title role, ably supported by a cast including Tommy Kirk,
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Home Alone 2: Lost in New York
The McCallister family prepares to spend Christmas in Florida. Kevin McCallister, Peter and Kate's youngest son, sees Florida as contradictory to what he believes to be an appropriate Christmas environment, particularly noting the lack of Christmas trees. During the school Christmas concert, Kevin's older brother Buzz humiliates him during his solo, causing Kevin to retaliate. Kevin refuses to apologize for his actions, and, still angry with the family's decision to go to Florida, he storms up to the third floor bedroom of the house, where he wishes that he had his own money so he could go on his own vacation by himself. During the night, the family's alarm clock is reset and causes them to oversleep. The family hastily departs to the airport. In the confusion, Kevin loses sight of his family while loading his Talkboy with new batteries from Peter's bag, and ends up following a man wearing the same coat as his father onto a flight bound for New York City.
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The film follows five railway workers – John, Paul, Mick, Gerry and Len – in a Yorkshire depot affected by the privatisation of British Rail in 1995. The men are informed by their supervisor that they are now working for a company called East Midlands Infrastructure, and are competing with rival track companies.
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Grand Champion weaves the tale of a spunky young boy named Buddy and his prize-winning calf, Hokey, as they climb from the underdog position and up through the ranks of several Texas stock shows to ultimately win the coveted title of Grand Champion. People from all walks of life help Buddy and Hokey make their way across Texas by cheering them on to a toe-tapping surprise ending.
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