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Stylish but shallow, action-packed but without ever being exciting, Terminator Salvation is a movie that looked amazing as a trailer, but doesn't stand up as a 115 minute film.
Technically a prequel, the movie takes place in 2018, 15 years after 'Judgement Day' - the long-hinted at nuclear apocalypse that occurred at the end of Terminator 3: Rise of the Machines - when Skynet pre-emptively struck against humanity. Christian Bale is John Connor, a key figure in the fight against the machines - but not yet leader of the human resistance.
Everything in Connor's life is proceeding exactly as he was forewarned by his mother Sarah - that is until he encounters Marcus Wright (Sam Worthington) - a stranger whose last memory was being on death row. The origins of Wright lead the pair to embark on a dangerous mission into the heart of Skynet.
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Merlin and the War of the Dragons
Debatable if worth the time to watch it, but has its good sides. Starting with the bad ones. Low budget in everything. While not a crime by itself, one is left to wonder if scenes of murdering someone by sticking a sword under his armpit are best left out. Constant impression that the whole acting crew is maybe 20 people...
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I Am Legend
“Not if you were the last man on earth!” Plenty of guys have heard that line at some point in their lives, but it’s unlikely that Will Smith is one. His irresistible charm has been proved, above all, by his ability to attract audiences to bad movies like “Hitch” and “Wild Wild West,” as well as to better ones like “Ali” and “The Pursuit of Happyness.” In spite of its third-act collapse into obviousness and sentimentality, “I Am Legend” — in which Mr. Smith plays somebody with every reason to believe that he really is the last man on earth — is among the better ones.
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The Dolphin: Story of a Dreamer
The Dolphin: Story of a Dreamer is a relatively cute little animated adventure that tries so hard to be Finding Nemo, that it’s just plain sad. Based on Sergio Bambarén’s children’s book of the same name, this film is charming in some parts yet corny in others. It's a dangerous combination that will most likely win over the young ones but at the same time, repel adults.
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What a treasure trove for filmmakers is contemporary London. There is a Mayor eager to welcome outsiders who might shine a pre-Olympics spotlight on the city he has sought to modernise and re-brand, tax breaks to be had, and even companies that will help scout out and obtain access to its more obscure nooks.
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Wonderful World feels like a modern-day half-baked riff on Charles Dickens' A Christmas Carol. Despite a film festival pedigree (it was shown at a number of local festivals on the 2009 circuit), the movie is so lightweight and inconsequential that a review seems almost superfluous. You know how it goes: the poor excuse for a human being experiences a spiritual re-awakening and sees the world in a different light. Although the story is derivative and not entirely credible, the main problem germinates from unconvincing performances. A woefully miscast Matthew Broderick headlines a group of actors who have accomplished good things in the past but are left rudderless in veteran screenwriter Joshua Goldin's directorial debut. Cheesy accents and lame dialogue abound. Wonderful World's themes are clearly conveyed, and the movie avoids what could have been an unbearably cloying ending, but too much of what's on screen feels forced and unnatural.
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How, one might ask, does one begin to defend Xanadu? To start with, by looking at it without any pretensions and seeing it for what it is. Conventional wisdom decrees that Xanadu is a horrible film. In a sense, conventional wisdom may be correct, but it ignores one key ingredient: viewed in the right frame of mind, this movie can be a lot of fun. Age has done for Xanadu what it has done for many critically reviled motion pictures that time has not forgotten: allowed us to look at it a little more kindly and appreciate it for its glorious badness. The film is too energetic, too jaw-droppingly campy, and too silly not to be enjoyed and celebrated on some level. "Cheesy" doesn't even begin to describe it, yet that's at the heart of its perverse charm. Now, that's entertainment!
The Man of Steel returns to the big screen with this continuation of the icon's film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn't need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his.
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Mike Dixon (Cuba Gooding Jr.) is an agent working linewatch for the United States Border Patrol on the US/Mexico Border in New Mexico. He's well respected by his peers at US Border Patrol, and loved by his wife Angela (Sharon Leal) and 5-year-old daughter Emily (Deja Warrior).
Mike and his partner Luis DeSanto (Omar Paz Trujillo) discover a van full of dead illegal immigrants, and they go in search of the "coyote" who was leading them across before he left them for dead.
Ginger Snaps Back: The Beginning
The film begins with a brief summary of the Northern Legion Trading Company, stating that each spring a party from the fort traveled to Hudson Bay to trade pelts for winter provisions but in 1815 the party never returned. This is when the story begins, almost two hundred years before Ginger Snaps. Brigitte and Ginger are lost with their horse in the Canadian wilderness when they come across a seemingly abandoned camp that bears signs of a violent attack. They then notice an elderly Indian woman, who tells them that she too had a sister once, and gives Ginger and Brigitte each a necklace with a bird's skull that belonged to her and her sister. The woman speaks of them as the red and black, and warns that unless they "kill the boy" one sister will kill the other. Suddenly the girls' horse is startled and flees; they try to chase it, but Brigitte's foot gets caught in a trap set by an Indian hunter. Ginger goes back to the camp to find the Indian woman, but the hunter arrives before Ginger returns. The girls view him as a threat until he releases Brigitte and leads them to Fort Bailey where they take refuge. Ginger claims they are the daughters of a trader who drowned, seeking passage East. The men there are suspicious of them, but the sisters are permitted to stay.
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Fear of the Dark
Twelve year old Ryan Billings has been diagnosed with an acute fear of the dark. He spends each night lying awake in torment, waiting and watching as the evil in the darkness grows stronger, feeding off his fear. His older brother Dale, suspects that there is nothing wrong with Ryan and that this is just a ploy for more attention. Regardless, he promises to watch over his little brother as their parents head off to a party for the night. Outside a storm rages and when the power goes out, darkness envelops the house. Ryan knows that tonight the evil has finally come to claim him. Dale desperately tries everything to try and calm him down, until the horrors in the dark make him realize Ryan had good reason to be so afraid!
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A mad scientist named Dr. Viktor Vasilienko (Andrew Divoff) is disillusioned with capitalist society and creates a virus that is designed to make people rage with anger. In his hidden laboratory in the woods, he begins testing the virus on innocents. His experiments don't go as planned and his infected victims escape into the wilderness. There, the infection spreads as vultures eat the remains of the test subjects and become out of control with the compulsion to eat human flesh.
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Battle in Seattle
For five days in 1999, all eyes were on Seattle. Irish actor Stuart Townsend makes his directorial debut with a multi-character recreation of the World Trade Organizations ill-fated U.S. conference. If the structure recalls Crash and Babel, Townsend intensifies the you-are-there quality through well-integrated archival footage. The docudrama opens with the arrival of a group of anti-globalization activists, led by Jay (The Rings Martin Henderson), whose compatriots include Lou (Losts Michelle Rodriguez) and Django (Outkasts Andr 3000 Benjamin, who provides a welcome dose of humor). As fictional Mayor Jim Tobin (Ray Liotta, wearing a touch too much eyeliner) tries to maintain order, TV reporter Jean (Connie Nielsen) strives for objectivity, police officer Woody Harrelson attempts to carry out the mayors orders, and Dales pregnant wife, Ella (Charlize Theron, Townsends real-life girlfriend), just hopes to make it home in one piece (she gets stuck downtown at the height of the skirmish). Townsend admits he was inspired by Medium Cool, which filmmaker Haskell Wexler shot during 1968s Democratic National Convention. Paul Greengrasss Bloody Sunday also seems like a possible influence, and Greengrass regular Barry Ackroyd serves as cinematographer. If the characters rarely come alive the way they should, the action sequences easily convince, which is particularly impressive considering the bulk of filming took place in nearby Vancouver, B.C. A true labor of love, Battle in Seattle presents a more balanced view than most accounts to date--even if Townsend ultimately (and understandably) sides with the peaceful protesters and passionate Third World representatives.
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At the New York City High School for the Performing Arts, students get specialized training that often leads to success as actors, singers, etc. This movie follows four students from the time when they audition to get into the school, through graduation. They are the brazen Coco Hernandez, shy Doris Finsecker, sensitive gay Montgomery MacNeil, and brash, abrasive Raul Garcia.
Three days, five women, and a host of potentially life-altering decisions are the ingredients in this film about a group of friends who are all at different places in their lives, but equally dissatisfied. Their careers, their relationships, and their mental health all seem to be on the correct path, but life has a funny way of never letting things get too easy as director Tony Hickman explores in this drama about waking up in the middle of life and craving change.
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Kids in America
A diverse group of high school students band together to peacefully stick it to their overbearing principal.
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