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The Chronicles of Narnia: Prince Caspian
Here in the unenchanted world of ordinary moviegoing, it has been about two and a half years since “The Lion, the Witch and the Wardrobe,” the first installment in Walt Disney and Walden Media’s mighty “Chronicles of Narnia” franchise. In wartime England, where the Pevensie children live when they’re not consorting with talking lions and battling witches, a year or so has gone by. But in Narnia itself, to which the four plucky Pevensies return in “Prince Caspian,” the second movie in the series, centuries have passed, and everything has changed. The grand hall where Peter, Susan, Edmund and Lucy were made monarchs of the realm has fallen into ruin, and the friendly woodland creatures with their homey British accents and computer-animated fur seem to have vanished from the scene.
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For a movie based on a video game, there's a curious dearth of action in Max Payne. I know we've often complained that these movies were ALL action and NO substance, but this one has gone in the opposite direction. Well, except there's not really any substance, either. So it went in the opposite direction, but only part of the way. It stopped in the middle and is now a one-dimensional detective noir rather than an exciting shoot-em-up.
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Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sylvester Stallone's Oscar winner. Perhaps that's because the formula associated with boxing movies demands a sameness. Whatever the reason, the specter of Rocky hovers over Cinderella Man like a restless thing. During the concluding
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When Charlie's Angels first hit the TV airwaves in the 1976-77 season, it was a national phenomenon. Every Wednesday night, millions of household sets would be tuned into ABC for the further adventures of the three "legs" of millionaire private investigator Charles Townsend. Although the TV program was popular across-the-board, it drew its greatest interest from two demographics: prepubescent females, who saw the Angels as strong role models, and post-pubescent males, whose interest lay in the Angels' other... ahem... assets. For five seasons, Charlie's Angels flourished before being consigned forever to rerun limbo.
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The dumb, raunchy comedy is not a new genre - in one form or another, it's far older than cinema. (What else would one call Chaucer's The Canterbury Tales?) However, as far as the modern incarnation is concerned, its genesis can be traced back to the early '80s, when films like Porky's inexplicably packed theaters. A half-generation later, this kind of motion picture is bigger than ever, with seemingly every other weekend offering another opportunity for movie-goers to laugh at the antics of stupid characters doing gross and moronic things.
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Malena, the latest film from Italian director Giuseppe Tornatore, is a curious mix of whimsy and tragedy. Tornatore's blending of the divergent tones is not entirely successful - there are several jarring moments - but, on the whole, Malena works as an affecting coming-of-age story set against the backdrop of Fascist Italy and filtered through the memories of the narrator. Along the way, Tornatore sticks to the same basic style that served him well in his 1989 international hit, Cinema Paradiso, by employing equal parts nostalgia, comedy, and drama.
Palindromes, the fourth feature from Todd Solondz, makes me wonder whether this director only had two good films in him. A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick. In an attempt to do something "artistic," Solondz uses eight different actresses to play his 12-year old protagonist, Aviva. The idea, I suppose, is to challenge the audience into looking beyond the body type and skin color, and to recognize that the core of an individual never changes. It's a juvenile, simplistic, and embarrassingly literal device, and it dooms any hope of character identification.
Perhaps the most intriguing question associated with this movie is what to call it. Originally, the film bore the moniker of Jane Austen's Mafia, but, when test audiences were confused by the title (an inexcusable 90% of Americans claim not to know who Jane Austen is), Touchstone Pictures rushed out new posters that cite the movie as Mafia! However, they neglected to change the title in the opening credits, which still reads Jane Austen's Mafia. I actually prefer the original name, because it shows some evidence of wit, a quality that this film is lacking in.
The crown jewel of 1995's summer blockbusters appears to have arrived early. It's hard to imagine any motion picture released between now and August matching Mel Gibson's Braveheart for spectacle. With its clashing armies, heartstopping action, and grand sense of romance, this is the sort of film it's a pleasure to see and review.
DOA: Dead or Alive
Princess Kasumi (Devon Aoki) must never leave her clan, but since her brother has disappeared while on a mission she has been eager to track him down and today is the day she plans to make her exit. However, there is an army waiting to stop her, not to mention her half-sister Ayane (Natassia Malthe) who has sworn to kill her if she goes through with it - but that won't deter her. Meanwhile, wrestler Tina (Jaime Pressly) is lounging around on her yacht when she's attacked by pirates; or rather, she attacks them when they board, making swift work of them. And then there's thief Christie (Holly Valance), who has just escaped the police with her loot. They have all been chosen to fight in the DOA tournament; there can be only one winner...
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To the students of the Spenser Academy, the Sons of Ipswich are the baddest boys on campus. But thats not all they share. The four friends also share a 300-year-old secret theyre warlocks, the teenage descendants of a 17th-century coven of witches. So when the long-banished fifth son suddenly appears and threatens to kill their loved ones, they realize they must face their enemy in order to prevent him from stealing their powers and shattering the covenant forever.
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When young history professor Russ is called upon by his sister to execute their late mother's estate, he is reunited with boyhood friend Mike, and with his father, the charismatic leader of a New Age cult. While exploring his memories, Russ wanders into a warehouse where hundreds of names are listed on the walls. As he sleeps that night, he dreams of a stone cudgel and awakens to find a cudgel in his motel room; the town drunk warns him that it is an instrument of sacrifice. A young liquor store clerk enlists him to help find her brother, whom she believes has been taken by the cult. Russ's aunt, who has been living in an asylum, tells him that his mother left a message hidden in her house.
Three people from different walks of life find themselves trapped inside a stalled elevator. What at first seems like an inconvenience rapidly escalates into a nightmare.
A teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80s prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid brother. Looking forward to a life based on her passion for art, she nevertheless gets in with the partying crowd which causes her to miss deadlines and poor grades which jeapordizes her future. Ultimately she ends up losing her virginity to an older artist wanna-be who she has had a long standing crush on.
A space shuttle mission investigating Halleys Comet brings back a malevolent race of space vampires who transform most of Londons population into zombies. The only survivor of the expedition and British authorities attempt to capture a mysterious but beautiful alien woman who appears responsible.
April, Courtney and Monica are three beautiful, intelligent and tough college freshmen. They are finishing their first semester at Los Lomas Malas community college, the armpit of community colleges. They must do well on finals to gain entrance to an Ivy League University, cheer at the big game and rescue their Sensei, who has been kidnapped by the mob, all by midnight so they can compete in the all-city strip off with the hopes of winning college money. All the while, dodging nosy cops, keeping their parents at bay, dealing with a perverted coach and smiling, talking or fighting their way through a slew of odd characters.
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