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The Pink Panther 2
Steve Martin continues to be a revered comedy icon even 10 years after his last relevant comedy (that would be Bowfinger), but even he knew he needed some help to get anyone to accept a second remake of the classic Peter Sellers Pink Panther films. So for The Pink Panther 2, Martin stacks the deck with talented comedians and actors from across the globe. Emily Mortimer and Jean Reno are back, John Cleese has replaced Kevin Kline as Clouseau's nemesis Inspector Dreyfus, and Alfred Molina and Andy Garcia have joined as international investigators brought to France when, once again, the Pink Panther diamond is lifted. Add in Aishwarya Rai as a mysterious diamond expert, Lily Tomlin as an etiquette teacher and Jeremy Irons as a suspected culprit, and it's a cast that would make anything worth watching.
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Bionicle: The Legend Reborn
Once the ruler of an entire universe, the Great Spirit Mata Nui finds himself cast out of his own body, his spirit trapped inside the fabled Mask of Life, hurtling through space. After landing on the far-away planet of Bara Magna, the mask creates a new body for Mata Nui, who unwillingly gets caught up in the furious battles of the nearly barren and dangerous planet. The locals, called Agori ask for his help against the unrelenting army of the Rock Tribe, called the Skrall and their leader, Tuma.
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Good Bye, Lenin!
There's certainly no shortage of rich threads woven into the tapestry of Good Bye, Lenin! Wolfgang Becker's movie (produced by Stefan Arndt, who has been involved in everything by Tom Tykwer, from Run Lola Run to Heaven) offers the touching story of a devoted son's sacrifice for his mother, albeit with a couple of inventive twists. The story confronts the perversion of perception and the manipulation of reality. And, as if that isn't heady enough material, it tackles the confusing national identity crisis suffered by Germans when the Berlin Wall came down. Like twins reunited after a long separation, there was an awkward re-acclimation process that few films are interested in exploring. (Perhaps it takes a German filmmaker to do the issue justice, or perhaps to even recognize it at all.)
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Touching the Void
Truth, they say, is stranger than fiction… and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this - a man versus nature epic so amazing that, if it was presented in a strictly narrative format, viewers would doubt its veracity. To capture this story in a way that would do it justice, British filmmaker Kevin Macdonald (the documentarian responsible for One Day in September, about the terrorist attack on the 1972 Israeli Olympic team in Munich) has blended elements of docudrama and documentary into a satisfying whole that will keep even the most stoic movie-goer gripping the armrest throughout.
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In a welcome change from a growing number of dark, violent movies erupting in theaters this autumn, Outsourced is sweet and light. It's a celebration of cultural diversity and an affirmation that, despite differences in race, religion, and societal norms, people are essentially the same, with a lack of understanding being a key block to better relations. (Tell this to movies like Rendition, In the Valley of Elah, and Redacted, which posit something different.) This message is not hammered home in a heavy-handed manner. Instead, Outsourced is primarily a fish-out-of-water comedy with a little romance thrown in.
For the first time in more than a decade, teen films are all the rage. Stars from TV shows like "Dawson's Creek" and "Party of Five" are crossing over to the big screen in droves, resulting in such lackluster fare as Can't Hardly Wait and She's All That. With a built-in audience of millions who hang out at multiplexes every Friday and Saturday night, these movies, despite being lackluster and underwritten, are guaranteed money-makers. They all use similar formulas - variations on the themes that John Hughes toyed with in the '80s. Every once in a while, however, a teen film comes along with a dark streak and something of an edge. In 1989, it was Heathers. Now, in 1999, it's Jawbreaker.
Mitchell Y. McDeere (Tom Cruise) has just graduated in the top five of his class from Harvard Law School. With a record like his, there are understandably a lot of people interested in employing him. Offers abound from the large, the prestigious, and the desirable, but eventually it's a small firm from Memphis that snares Mitch's services. Bendini, Lambert, and Locke make the terms of his joining so enticing that the deal is impossible to turn down -- a starting salary near $100,000, a low-interest mortgage so he can buy a house, free use of a Mercedes, and repayment of his college loans. At first, Mitch and his wife Abby (Jeanne Tripplehorne) eagerly celebrate their new life and home, but it doesn't take long for the euphoria to wear thin. Two members of the Firm die under suspicious circumstances, and soon Mitch begins to wonder what secrets lie behind the locked doors of Bendini, Lambert, and Locke.
FIRST ''Rocky.'' Then ''Rocky II,'' and now ''Rocky III'' ''Why?'' you might query. ''Pourquois pas?'' Miss Piggy might rejoin. ''It's money dans la banque.''
Miss Piggy, of course, would be right. ''Miss Piggy does not come idly to mind in connection with Sylvester Stallone's ''Rocky III,'' which opens today at the Cinerama and other theaters. In an early montage in ''Rocky III,'' we are shown what fame means to Rocky Balboa (Mr. Stallone) who, at the end of ''Rocky II,'' had at long last won the world heavyweight boxing title from Apollo Creed (Carl Weathers), Rocky's nemesis from the original ''Rocky.''
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FOR a movie industry enamored of cartoon heroes, Jim Carrey ought to be a dream come true. With his sparkling, silly grin and his true talent for physical clowning, Mr. Carrey comes as close to being an animated creature as a live actor ever could.
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Animal 2 opens with James "Animal" Allen (Rhames) praying in his jail cell during a full out riot at Folsom Prison. A riot that was supposedly started by him and that he adamantly denies. By the time the credits have ended, he’s been transferred to Susanville Prison, where he had previously spent 15 years.
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Peter Garrett (Chris O'Donnell) is a wildlife photographer and retired climber who a few years earlier caused his father to fall off a cliff face and plummet to his death in order to save his sister's and his own life (following his Dad's orders). Peter has not been able to move on and has subsequently retired from climbing and continued with his photography instead. Peter's sister Annie (Robin Tunney) has become a renowned mountain climber. Peter happens to show up at base camp as Annie attempts to climb K2 in the Pakistan province of Gilgit-Baltistan, the world's second highest mountain, which is very dangerous to climb because of the tough conditions which await at the summit. The expedition is funded by wealthy industrialist Elliot Vaughn (Bill Paxton) who is also going to climb, with the help of his friend Tom McLaren (Nicholas Lea). There is a huge party the night before the climbers begin the trek. Vaughn is introduced to Peter, who he asks to accompany them on the trip, but Peter instantly refuses.
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Battle in Seattle
For five days in 1999, all eyes were on Seattle. Irish actor Stuart Townsend makes his directorial debut with a multi-character recreation of the World Trade Organizations ill-fated U.S. conference. If the structure recalls Crash and Babel, Townsend intensifies the you-are-there quality through well-integrated archival footage. The docudrama opens with the arrival of a group of anti-globalization activists, led by Jay (The Rings Martin Henderson), whose compatriots include Lou (Losts Michelle Rodriguez) and Django (Outkasts Andr 3000 Benjamin, who provides a welcome dose of humor). As fictional Mayor Jim Tobin (Ray Liotta, wearing a touch too much eyeliner) tries to maintain order, TV reporter Jean (Connie Nielsen) strives for objectivity, police officer Woody Harrelson attempts to carry out the mayors orders, and Dales pregnant wife, Ella (Charlize Theron, Townsends real-life girlfriend), just hopes to make it home in one piece (she gets stuck downtown at the height of the skirmish). Townsend admits he was inspired by Medium Cool, which filmmaker Haskell Wexler shot during 1968s Democratic National Convention. Paul Greengrasss Bloody Sunday also seems like a possible influence, and Greengrass regular Barry Ackroyd serves as cinematographer. If the characters rarely come alive the way they should, the action sequences easily convince, which is particularly impressive considering the bulk of filming took place in nearby Vancouver, B.C. A true labor of love, Battle in Seattle presents a more balanced view than most accounts to date--even if Townsend ultimately (and understandably) sides with the peaceful protesters and passionate Third World representatives.
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Jenny Hayden never did get over the death of her husband. So when an alien life form decides to model himself on the husband, Jenny is understandably confused if not terrified. The alien, or Starman, as he is called, has a deadline to meet, and kidnaps Jenny in order to meet it.
After being abducted by extra terrestrials, Jean and her friends are committed to a top secret government run mental institution to undergo tests and be brainwashed.
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Keeping Up with the Steins
In toney Brentwood, Benjamin Fiedler prepares for his bar mitzvah trouble is, he understands neither its meaning nor the Hebrew, and his parents (particularly his successful-agent father) are planning the most lavish party possible. Benjamin wants his dad to give him some space, so he gets an idea to invite his grandfather, who left the family years ago and for whom Benjamins dad has an intense dislike, to come two weeks early. Thanks in part to grandpa - and to the immediate familys love - Benjamin may have a shot at figuring out what it means to be a man.
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Nights and Weekends
Mattie and James are in love and living in separate cities. But too many mornings and too many miles apart have taken a toll on them. As they both struggle with the distance between New York and Chicago, their visits become reminders of the difficulties rather than the pleasures of their relationship. Joe Swanberg and Greta Gerwig follow their collaborations on HANNAH TAKES THE STAIRS and LOL with an intimate portrayal of coupling, longing and raw emotional vulnerability. This time Swanberg co-stars with Gerwig, and Gerwig co-directs with Swanberg, creating a startlingly honest adult drama that Salon.com hails as ...erotic and electrifying. This is a new-school independent film with old-school integrity. NIGHTS AND WEEKENDS is a knockout!
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