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Resident Evil: Afterlife
Alice is back slayin' hordes of zombies in Resident Evil: Afterlife, the fourth entry in the Capcom videogame-to-film series and the first to be shot in Avatar-style 3D. The first film's director, Paul W.S. Anderson, is back at the helm for this sequel, which takes Alice – once again played by Milla Jovovich – from Tokyo to Alaska and finally to a zombie-ravaged L.A.
The film also brings back Resident Evil: Extinction's Ali Larter as Claire Redfield, and finally introduces her ass-kicking brother, former soldier Chris Redfield (Prison Break's Wentworth Miller). Also reprising her role from the third film is Spencer Locke as K-Mart, while Shawn Roberts succeeds Jason O'Mara as the Umbrella Corp.'s evil overlord, Albert Wesker.
Resident Evil: Afterlife starts off with a very big bang as Alice takes the fight right to the door of the Umbrella Corp., slicing, dicing and blasting her way through countless goons – and later scores of the undead – in eye-popping 3D gory... er, glory. After learning that there may be a promised land of sorts in Alaska for zombie apocalypse survivors, Alice journeys there but only finds a single soul: Claire, who is suffering from amnesia after a run-in with Umbrella Corp. agents.
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10 Things I Hate about You
Never has the teen movie genre been more active than it is today. Seemingly every weekend, there's a new entry, and the solid box office performance assures that there will be many more to come. A trend with recent teen films has been to recycle classic ideas. Clueless is a remake of Jane Austen's "Emma", She's All That is George Bernard Shaw's "Pygmalion", and Cruel Intentions is "Les Liaisons Dangereuses." 10 Things I Hate About You, the latest high school film, is a modern-day, souped-up version of William Shakespeare's "The Taming of the Shrew." What sets this apart from its many competitors for teen dollars is that not only does the movie feature a surprisingly edgy and intelligent script, but it offers a group of characters capable of holding an audience's interest for more than 90 minutes.
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Mission: Impossible II
For those who didn't get enough of James Bond late last year when The World Is Not Enough blazed its way into theaters, Mission: Impossible II offers a chance to once again get shaken and stirred. Oh, the film isn't an official entry into the durable British spy's cannon, but anyone who can't recognize the 007 formula when they see it hasn't been paying attention. With few changes (an actor here, a name there), Mission: Impossible II could easy double as Bond 20. And, for those who have trouble envisioning Tom Cruise as a top-of-the-line action hero (the original Mission: Impossible left many doubting Thomases, including me), this movie should erase lingering uncertainties.
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"You know what the problem with Hollywood is - they make shit."
It is with that statement - not profound, but undeniably true - that Swordfish opens. And, while this movie isn't going to convince anyone that the major studios have suddenly turned over a new leaf and are producing better fare, it's certainly a lot more entertaining that most of the painfully long and joyless cinematic "events" that have thus far marked the dismal Summer of 2001. In its zeal to cram every potential blockbuster with as many special effects as possible, Hollywood has forgotten that summer movies should be made for the appreciation of the consumer, not to give filmmakers an arena in which to show off. Swordfish at least remembers that this sort of film is supposed to be fun.
Anne Fontaine's Nathalie... has taken 2 1/2 years to attain U.S. distribution, and even that will be just a limited peek in select art house venues before a quick turnaround onto DVD. (A medium in which it has been available in France since 2004.) That Nathalie... has received any interest is due in large part to the star power of three of France's biggest names: Gerard Depardieu, Fanny Ardant, and Emmanuelle Beart. The film is exactly what audiences have come to expect from French cinema (and what the generic sterotype predicts): a talky affair where dialogue and character development replace plot and action, with a little tasty nudity thrown in for good measure.
Recently, Barry Levinson's career has been on the skids. After two critical and popular disasters (the overblown, overbudgeted Toys and the lackluster Jimmy Hollywood), the director is in need of a success. With this adaptation of Michael Crichton's novel, he apparently has found the tonic for his woes. Regardless of what the critics say, Disclosure has the earmarks of a major winter hit.
See Spot Run
Agent 11 is a crime-fighting bullmastiff used by the FBI; he partners with his master Murdoch in Seattle. As they go after the Mafia boss, Sonny Talia, the dog attacks him and rips off one of his testicles. Talia is taken to the hospital to have it surgically replaced. As payback, he sends his two bodyguards, Gino and Arliss, out to kill Agent 11. For protection, the dog is sent to a training facility in Alaska.
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Why Did I Get Married Too?
The film opens with Terry's (Tyler Perry) and Dianne's (Sharon Leal) son playing with a ball and Terry takes him to the living room. Dianne and Terry leave to go to their marriage retreat. They arrive at the airport and a loud argument signals Angela (Tasha Smith) and Marcus' (Michael Jai White) arrival. Terry and Marcus go to get information about their delayed flight. The woman at the desk recognizes Marcus and Angela embarrasses him by making a scene, screaming at Marcus about flirting with the clerk. Sheila (Jill Scott) and Troy (Lamman Rucker) first arrive at the resort, revealing through conversation that Troy cannot find a job since they moved and they are broke, and that they have a newborn son.
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Pirates of the Caribbean: The Curse of the Black Pearl
As Governor Weatherby Swann (Jonathan Pryce) and his 12-year-old daughter, Elizabeth, sail to Port Royal, Jamaica, their vessel encounters a shipwreck with a sole survivor, the young Will Turner (Orlando Bloom). Elizabeth hides a gold medallion that the unconscious Will is wearing, fearing it will identify him as a pirate. She glimpses a ghostly pirate ship, later identified as the Black Pearl.
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A story about stolen love and stolen identities, shot on stolen film.
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Flashbacks of a Fool
oe (Daniel Craig) is a has-been actor who seemed to have had great success at one time, but who now just spends his time drinking, doing drugs and sleeping with random women. The only person he has in his life is his personal assistant Ophelia, and even she is getting tired of him. He receives a call from his mother to say his childhood best friend, Boots, whom he has not seen in years, has died. He attends a disastrous meeting with his agent, who has lost interest in Joe and his career. Joe then meets with an up-and-coming director, during which his excessive drinking causes him to lose the part he had hoped would restore his flagging career. His agent tells him that he is washed up, no one wants to work with him, and quits. This causes Joe to go for a drunken swim and have a flashback of his teenage years and his best friend.
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Heart Like a Wheel
Shirley Muldowney is determined to be a top-fuel drag racer, although no woman has ever raced them before. Despite the high risks of this kind of racing and the burden it places on her family life, she perseveres in her dream.
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Gilmore Girls - Season Four
The series explores issues of family, friendship and romance, as well as generational divides and social class. Ambition, education and work also form part of the series central concerns, telling Lorelais story from pregnant teen runaway and high school dropout to co-owner and manager of the Dragonfly Inn. Rorys transition from public school to the prestigious preparatory school, Chilton, is similarly followed by the series, exploring her ambition to study at an Ivy League college and to become a foreign correspondent. The shows social commentary manifests most clearly in Lorelais difficult relationship with her wealthy upper-class parents, Emily and Richard Gilmore, and in the interactions between the students at Chilton, and later, Yale University.
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Keeping up an image can be a full time job.
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Jack and the Beanstalk
This live-action take on the legendary fairytale finds Jack going up the beanstalk to outwit the giant and rescue a little girl that has been transformed into a harp.
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Will (Josh Hopkins), a charming 35-year-old Philadelphia ad man, heads to Lebanon, Pa. to bury his recently deceased father. He forms an unexpected friendship with CJ (Rachel Kitson), his bright, newly pregnant 17-year-old cousin. As Will becomes interested in CJs married teacher (Samantha Mathis) and CJ confronts her conflicted father, both struggle with formidable decisions about the path their lives will take. Can we vault our differences and meet in the middle? This bittersweet comic drama tenderly explores the cultural divide in America through the lives of one extended family.
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