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The Stepfather is a remake of the 1987 cult classic that starred future Lost cast member Terry O'Quinn as a serial killer who ingratiates himself into one doomed family after another. Dylan Walsh plays the title role this time, opposite Sela Ward as his unsuspecting mark-turned-fiancee.
We know from the first scene (a less dramatic homage to the original's infamous opening) that "David Harris" (Walsh) is not who or what he claims to be and that the police are looking for this cross-country killer. A year after fleeing the scene of his last family massacre, David meets Susan Harding (Ward) and her two young kids at a supermarket in Oregon. He seems nice and reliable, two things that Susan's ex-husband Jay (Jon Tenney) wasn't. Within six months, David is living with Susan with an eye toward marriage. Even better, her kids like him ... the ones he's met anyway.
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“Robodoc” the name itself reveals the plot behind the movie. The movie is all about a robot which is a doctor with a human finish on the outside. This movie is a satire on the doctors and the medicine field else what could be said of a movie that is so insane, has its share of vulgar acts and not to mention few semi-nude scenes. The movie begins with a sleazy lawyer Attorney Jake Gorman (Kenny Babel) whose only job and motive is to sue the medical fraternity and the doctors in particular. The main hospital affected by Jake’s actions is the North Mercy hospital where the doctors keep leaving after cases of negligence gets filed on them.
“Bedevilled” emerged as one of the most hard hitting and accomplished films from Korea in 2010, a shocking and unforgettable revenge thriller starring actress Seo Young Hee (“The Chaser”) as a woman pushed too far. The film marked the debut feature of Jang Cheol Su, who previously worked as an assistant to angry auteur Kim Ki Duk, and so it’s perhaps unsurprising that it deals in no-holds barred fashion with themes of abuse, gender politics, and of course, murder. Unusually for an uncompromising and violent outing, the film was hailed by critics around the world, premiering at the International Critic’s Week at Cannes 2010 and going on to win a number of prizes and nominations for Jang Cheol Su and Seo Young Hee.
The film kicks off with cold Seoul career woman Hae Won (Ji Seong Won, also in “Harmony”) having a dreadful day, witnessing the brutal beating of a young woman and being pushed over the edge by the pleadings of an old woman at the bank where she works. Told by her boss in no uncertain terms to take a break, she heads to remote Moo Do Island where she grew up and where her friend Bok Nam (Seo Young Hee) still lives, whose letters she has been simply throwing unopened in the trash. She soon discovers that Bok Nam has been suffering horrific abuse at the hands of her husband and his brutish brother, not to mention being exploited by the handful of cruel old women who make up the rest of the island’s tiny population. After it becomes clear that Hae won is unlikely to help, Bok Nam grabs her young daughter and tries to flee, though is soon recaptured, the poor child dying in the process. Finally snapping, the unhinged woman grabs a sickle and takes bloody revenge.
One of the positive qualities often attributed to movies in which Judd Apatow claims involvement (here, he's listed as a producer) is that, beneath all the raunchiness and profanity, lies a core of sweetness. It's the Tootsie Pop philosophy of R-rated comedies. Bridesmaids contains many of the common characteristics of Apatow movies, as filtered through the pens of screenwriters Kristen Wiig and Annie Mumolo and the directorial stewardship of Paul Feig. However, at the center lies not a pleasurable confection but the bitterest bile. Bridesmaids is bipolar filmmaking at its most disconcerting, with changes in tone so abrupt that they can cause whiplash. In part because of this and in part because the writing is often lazy and self-indulgent, the movie rarely works. The setup is ripe for a black comedy but the movie never fully embraces the darkness and the level of humor is on par with the limp skits for which Wiig is responsible on Saturday Night Live.
It's a safe bet that Ridley Scott's Hannibal is one of the most anticipated motion pictures of 2001. MGM, which owns the North American distribution rights, expects the film to have the biggest opening of any movie in the company's history (beating out The World Is Not Enough). It has taken ten years for the sequel to The Silence of the Lambs to reach the screen (much of the delay due to the length of time it took novelist Thomas Harris to pen the book), and, sadly, it's not worth the wait. Hannibal isn't a terrible movie, but it is a disappointment, and more than a small step down from the level of its predecessor.
Planet of the Apes
This remake of the 1968 film, Planet of the Apes, has been on the drawing board for a long time. When it was first mentioned as a serious project (rather than just the figment of Apes fans' imaginations), the two prominent names attached to it were director James Cameron (pre-Titanic) and Arnold Schwarzenegger. For a while, Cameron appeared serious about making the film (if not as the director, then as a producer), but, along came Titanic and a flood of Oscars, and Planet of the Apes was placed so far on the back burner that it was, for all intents and purposes, near death and burial. Enter Tim Burton, who came to Planet of the Apes with a new vision and his own ideas of how the franchise could be revived for a '00s audience. Under Burton's stewardship, Planet of the Apes was re-born, and, 33 years after the first version of Pierre Boulle's novel reached screens, the apes are back.
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Richard Linklater, the creator of Slackers and Dazed and Confused, has succeeded where many before him have failed -- in fashioning a modern-day romance that is both original and enthralling. Before Sunrise is nothing short of movie magic, and the kind of film that deserves to be remembered one long year from now when 1996's Oscar nominations are handed out.
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Playing by Heart
Playing by Heart is an ensemble dramatic comedy about the many faces of love: romance, longing, loss, sex, and lust. Set in modern-day L.A., the film tells six seemingly-unrelated tales about men and women finding each other, losing each other, unearthing long-buried secrets, and discovering things about themselves and others. Nothing in Playing by Heart is groundbreaking. In fact, one could argue that every one of the stories is unremarkable to the point of being trite. But the movie is consistently well-acted and features a gallery of characters so affable that it's difficult to actively dislike any of them, or, for that matter, the film as a whole.
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Here’s a confession: if not for my affinity for Michael Pare, who dominated the direct-to-video action genre in the ’90s and was an A-list movie star in the ’80s (“Streets of Fire” being one of his more famous roles), the low-budget Creature Feature “Gargoyles” wouldn’t rate anywhere near a 2-star grade. But Pare is the star of this little ditty, and as such I’m prone to like it more than I would normally.
Featuring nine animated shorts set in and around The Matrix, written and directed by the cream of Japanese anime creators, with the Wachowski brothers' blessing, The Animatrix arrives with a weight of expectation similar to Reloaded.
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All or Nothing
The film begins with a day nearing end. Rachel, the daughter in the first family, is shown working in a nursing home. Phil, her father, is shown driving people around in his taxi. Penny, Rachel's mother, is shown working as a cashier at Safeway store alongside Maureen, the mother in the second family. When Penny leaves work, she bikes home to find her eighteen-year-old son Rory in a fight with a local boy for taking his football. Rory is a lazy, obese, ill-mannered teenager who stays home all day and doesn't work. Complications with Rory's obesity arise when after an altercation with a gang of youths playing "Piggy in the Middle", he ultimately runs out of breath, begins to hyperventilate and is hospitalised after suffering a heart attack.
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The Curse of the Jade Scorpion
CW Briggs (Woody Allen) is an insurance investigator who is highly successful, owing to his many connections and ability to think like a criminal. His work does not impress Betty Ann Fitzgerald (Helen Hunt), an efficiency expert who butts heads with Briggs over his old-fashioned views. Her advice is usually followed however, because she secretly is in a relationship with her boss, Chris Magruder (Dan Aykroyd), who constantly reassures her that they will be free to pursue their relationship in public once he finalizes his divorce with his wife.
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The film centres around three female supermodels who live and work together. They belong to the international world of fashion and modelling and are top of their game artistes. Off the ramp, however, they are sexy, yet alone, in a male dominated society. When a regular fashion show goes horribly wrong, they are sucked into the nasty but irresistible underworld of Bombay. The girls have unwittingly botched up a diamond delivery to the Middle East. Their task is now cut out for them Plan A - get into the fashion extortion business Plan B - stage Indias biggest bank robbery to get the diamonds back Plan C - decamp with the loot. The girls plan to take on the Dons instead of buckling under their threats. They do this by planning Indias biggest bank heist and then de-camping with the loot. The Dons have their own hierarchal manipulations - Chotte Mia (Jackie Shroff), Medium Mia (Gulshan Grover) and Bade Miya (Amitabh Bachchan)...
For the past 13 years, Dr. Herbert West (Jeffrey Combs) has been serving his prison sentence for his role in the death of a teenage girl at the hands of one of his zombies. With what scant supplies he has on hand in the prison medical center, Dr. West has been capable of performing only extremely basic experiments on rats. However, his lack of supplies does not prevent him from uncovering a key element in his re-animation process. When a young doctor named Howard Phillips (Jason Barry) comes to work at the prison, he teams up with West to help him attain the supplies and tools needed to bring his experiments to the next level. Phillips is the younger brother of the teenage girl who was killed (he's shown watching West being taken away by the cops) and came to the prison for the explicit purpose of working with West. In the meantime, Phillips gets a girlfriend, the journalist Laura Olney.
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Nothing But the Truth
Rachel Armstrong (Kate Beckinsale) is an ambitious reporter for the Capital Sun-Times. When she discovers fellow soccer mom Erica Van Doren (Vera Farmiga) is working as a covert operative for the CIA and recently returned from Venezuela, where she was investigating an assassination attempt on the President of the United States, she confronts her and requests confirmation. Erica refuses to cooperate, but Rachel has no doubts about the veracity of the report, and her story becomes front-page news with the support of editor Bonnie Benjamin (Angela Bassett) and Avril Aaronson (Noah Wyle), who serves as the newspaper's legal counselor.
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Running on Empty Dreams
Young and athletic Sydney Harris finds out that she has six months to live unless she and her husband can come up with the money for her medical treatment. Sounds simple enough get the money, save her life. But her underpaid, working class husband cant afford the treatment. And time is ticking away. As Sydney begins to seek out a means to save her life, she begins to question her existence and does some soul searching, only to find herself falling in love with a single mom in the neighborhood that Sydney and her family have just moved into. Sydney is then forced to choose between her religious upbringing, her husband and son, and a love that she hides, all while fighting a losing battle to save her own life.
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