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As the DVD artwork proudly proclaims, “Never Surrender” stars “the world’s top MMA fighters in their first feature film!” In addition to kickboxing champion Hector Echavarria, who not only wrote and directed, but also stars as the lead, the film boasts the presence of professional fighters with names like “Rampage”, “The Spider”, “The Prodigy”, and “The Texas Crazy Horse”. If these names mean anything to you, then “Never Surrender” might be worth a rental. Sadly, my only exposure to the world of mixed martial arts is when I flip past UFC matches on Spike TV, so I’m definitely at a disadvantage going into this.
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Anaconda 4. Trail of Blood
I am missing a snake. How did Anaconda 3 slither by me, unnoticed? To my mild surprise, I got a DVD in the post the other day for Anaconda 4. I watched it, and it was bad.
At the beginning of the movie we encounter an adolescent anaconda, which I reckon was captured at the end of Anaconda 3: Offspring, and who is now being used for experiments by a mild-mannered mad scientist. The baby reptile takes exception, and wreaks havoc in the Borneo-based lab before escaping, super-sizing, replicating and heading for civilization. Or are they in Romania? Oh, well… who cares? It's basically two giant, bloodthirsty snakes for the price of one, so I didn't ask any questions.
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Defiance, a film about Jewish partisans battling the Nazis in Belarus, is exhilarating on several levels. Its roots in true events (detailed in a book by Holocaust scholar Nechama Tec) lend the film instant credibility and boost the poignancy and drama. As in his Glory, director Edward Zwick succeeds in combining epic scope with intimate detail. And most bracingly, perhaps, Defiance foregrounds tough Jews who fight back against overwhelming odds, providing a long-needed corrective to countless World War II movies portraying Jews as helpless victims.
50 First Dates
50 First Dates offers viewers a kinder, gentler Adam Sandler. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. In his place is a likeable goofball whose rough edges are worn off by a force more effective than sandpaper: falling in love. Although there are moments that will tickle the bellies of longtime Sandler fans (one of which involves gallons of walrus vomit dripping from an individual of indeterminate sex), 50 First Dates is sweet enough to capture the attention, and perhaps affection, of those who would not ordinarily see a movie headlined by this particular star. The fact is, 50 First Dates is more of a romantic comedy than an Adam Sandler comedy.
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Shall We Dance?
Shall We Dance? is a remake of the 1997 Japanese feature by the same name. Penned and directed by Masayuki Suo, that film was an unexpected pleasure - a feel-good feature that wasn't weighed down by the unnecessarily cloying melodrama and manipulation that often accompanies such endeavors. The movie was so beloved amongst art-house goers that Miramax, who snapped up the North American rights, commissioned a re-make. And, to further enhance anticipation of the new version, they declined to make the Japanese original available on home video. Now, some seven years later, we finally get to see how screenwriter Audrey Welles (The Truth About Cats and Dogs) and director Peter Chelsom (Serendipity) see this story unspooling. To say that it's not worth the wait is an understatement.
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It's not Casablanca, or even Die Hard, for that matter. But then no one expected it to be. What Tomb Raider can claim is that it's the best computer game-turned-motion picture to date. A backhanded compliment? To be sure, but at least the experience of sitting in a theater watching this movie doesn't create a longing for the interactivity of actually playing the game. Unlike nearly every other Hollywood product based on a computer/video game, Tomb Raider seems more like the summer blockbuster that it strives to be than a 90-minute big-screen commercial. (Then again, when it comes to product placement, you can't get any more obvious.)
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In recent years, "science fiction" has become synonymous with titles like Star Wars, Star Trek, and Battlestar Galactica. And, while there's nothing wrong with these movies and TV shows (in fact, they're predominately entertaining), they should be accurately be referred to as "space operas" or "futuristic fantasies." Die-hard science fiction buffs have long bemoaned the absence of real "science" in "science fiction." Then, every once in a long while, along comes something like Sunshine that tries to take a step back toward reality. Among Sunshine's credits is a science consultant, and the filmmakers made every effort to follow his suggestions. The result is that, while Sunshine may not feature space battles and ships zipping around at warp speed, it provides a window into what it might really be like traveling around in the solar system in another half-century.
As appealing as Alicia Silverstone is (and she possesses that ethereal "star quality" which is sadly lacking in many of today's up-and-coming performers), her presence can't quite elevate this breezy comedy to the level of a modern classic. A contemporary reworking of Jane Austen's Emma that is part pop satire and part teen comedy, Clueless shows its unevenness early, overcomes some flaws through vivacity and likability, then runs out of steam during the second half. Better than, but still similar in tone to The Brady Bunch Movie, this film contains its share of delightful scenes, but it's debatable whether there are enough to justify a feature-length running time. Charm this thin starts to wear off before the running length has expired.
Happiness Is a Warm Blanket, Charlie Brown
I must admit I was a bit dubious about this new special for it was the 1st one without the great and late Bill Melendez. It seems Lee Mendelson was not involved either, but Schulz' son was. This one stood out from all the other post-Schulz era specials for its '60s style. As a comic-strip fan I appreciate attention to detail. The "classic" effect obtained through the retro animation worked out pretty well, bringing some nostalgia. The story development was somewhat modern, deeper, beyond previous attempts, and yet kept all the action faithful to the Peanuts world and spirit. The gags were delightfully funny, they cracked me up quite a few times. I simply loved the use of one of the most famous Beethoven symphonies, but I won't spoil it for you. Not only the music, but the way they managed to create a matching animated treat, was indeed a creative highlight.
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United States Marine Corps Major Benson Winifred Payne (Damon Wayans), a hardened Marine, returns from a violent but successful drug raid in South America, only to find out that he has again been denied his long-hoped-for promotion to the grade of Lieutenant Colonel. Instead, Payne receives an honorable discharge on the grounds that "the wars of the world are no longer fought on the battlefield", and that his killing skills are no longer needed.
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This year is the 108th anniversary of the Korean high School WaSanGo (Volcano High). Principal hides himself with Secret Manuscript which every WaSanGo student wants to take from principal...
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Equilibrium is set in the futuristic and dystopian city-state of Libria. After a Third World War devastated the Earth, a totalitarian state emerged whose ideology determined human emotion to be the root cause of conflict. All emotionally stimulating material is banned and "sense offenders" are ruthlessly persecuted. Illegal materials are rated "EC-10" for "emotional content" (a reference to the MPAA film rating system), and destroyed by immediate incineration. All citizens of Libria are required to take regular injections of the emotion-suppressing drug Prozium.
In this action-comedy, four twenty-something friends are looking for love and having no luck. While on a ski trip, one of them finds passion with a beautiful girl after a random accident on the icy slopes. The others quickly conclude that the extreme circumstances of the accident were what caused love to bloom. They decide that the path to true love is to purposely set each other up on extreme dates with the objects of their affections. After a couple of near-successes, they go for broke by planning an elaborate kidnapping scheme that cant miss. But the hired kidnappers turn out to be ex-cons with a plan of their own, and the extreme date escalates out of control. The remaining friends must now rescue the captives, while desperately trying to avoid the long arm of the law. Obstacles pop up left and right, as the adventure gets wilder and wilder. The pursuit eventually takes us back to L.A., where secrets begin to get exposed.... In the end, will extreme dating lead to true love?
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A Japanese Yakuza gangster is exiled to the United States. Takeshi settles in Los Angeles where his younger, half brother lives and finds that although the turf is new, the rules are still the same as they try to take over the local drug trade.
Johns life has become a nightmare. He is hunted by the police for a series of murders he knows nothing about, a woman who claims to be his wife is after him, and so is a mysterious doctor. But his worst trouble is the strangers, a series of vastly powerful beings who seem to manipulate just about everything in the city, and want him because of the extraordinary powers he manifested. John decides to find out what is happening in his city why is it always night? And why can nobody tell him a way to leave the city?
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A book-smart teenager joins his schools wrestling team as a way to reunite his surviving family members, who split apart after the death of his father, a college wrestling legend, 10 years ago.