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Marley & Me
Making a movie out of one person's memoirs is hard enough. You've got to capture the person's writing voice, which usually is what makes the book worth reading to begin with, and you have to condense the manifold events of a life into a two-hour running time with some semblance of narrative drive. But when that memoir is something as slim as Marley and Me, John Grogan's account of 12 years or so spent in the company of a rambunctious lab, the challenges are pretty much impossible to overcome.
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Drizzle, rain, floods. England losing the Test series. Big Brother and pretty much everything on television. Really, it's been a dismal summer. Cinema's not been much help: even a great film such as The Bourne Ultimatum is hardly a barrel of laughs. Thank goodness, then, for Knocked Up.
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Nine represents director Rob Marshall's second big-screen musical spectacle. His previous effort, Chicago, won an Oscar; although Nine is likely to win its share of praise, it probably won't come close to achieving the same level of acclaim. Although the production numbers are equally impressive, this film is neither as inspired nor as rousing. Part of the problem may be that there are too many high profile actresses vying for the spotlight and each has to be given her moment to shine. Also, despite following its stage inspiration and bringing structure to Fellini's 8 1/2 (the ultimate source material), Nine still suffers at times from a lack of narrative drive and it doesn't have the surreal, dreamlike quality of 8 1/2 to fall back upon.
Final Destination 2
Having to rely on a middle-man sucks, even for Death. The problem is, while He gets His due, someone else – usually a guy in a hockey mask or wearing Lee press-on steel nails – steals all the credit. And at least one intended victim always gets away. Jamie Lee Curtis and Heather Langenkamp in particular have been slippery. So, after years of pulling the strings behind the scenes, Death has finally decided to take matters into His own hands. That's where the Final Destination movies come in, since they mark the feature debut of Death Himself as a serial killer. No more sitting around playing chess in Bergman films.
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Reno 911!: Miami
Reno 911!: Miami represents an argument against taking 22-minute TV comedy shows and expanding them to 80-minute feature films. Something that entertains over a short period when watched from the vantage point of a couch or a recliner does not necessarily offer a comparably enjoyable experience when expanded and lengthened. It can be done - see South Park and Monty Python for counter-examples - but those are not the norms. As a TV show, Reno 911! is diverting and amusing; as a motion picture, it's overlong and wears out its welcome. The film offers some solid laughs, but not enough to justify sitting through 80 minutes of the faux cops' antics.
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Howl's Moving Castle
Now that Disney has joined Fox and Dreamworks in abandoning traditional animation for that of the 3-D computer generated variety, hand-drawn animation has become an endangered species (although, given the cyclical nature of this sort of thing, it will probably eventually re-emerge). Perhaps the only high-profile hold-out of this venerable genre to reach U.S. movie screens is Hayao Miyazaki, Japan's premiere animated filmmaker. Known for nearly two decades by fans of Japanese anime, Miyazaki gained widespread American exposure when his previous feature, Spirited Away, won the Best Animated Feature Oscar in 2003. Since then, Miyazaki's latest, Howl's Moving Castle, has been awaited with great anticipation.
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The Incredibles may become the first Disney/Pixar film not to dominate at the box office. That statement has nothing to do with the film's quality - in fact, The Incredibles is among the best of Pixar's digitally animated movies. However, it's going up against The Polar Express, which has a number of advantages, not the least of which are its built-in audience and seasonal appeal. More than anything else, The Incredibles is likely to be a victim of bad timing. Don't shed any tears for its makers, however. The film will still keep the cash registers ringing until it attains "blockbuster" status, although it won't be the runaway hit that Pixar's last production, Finding Nemo, was.
Long before Keanu Reeves was stuck on board a speeding bus, Jon Voight, Eric Roberts, and Rebecca De Mornay were trapped on a runaway train. And, while there are significant differences between Jan De Bont's Speed and Andrei Konchalovsky's 1985 thriller, Runaway Train, the films share two fundamental similarities: ferocious pacing and white-knuckle excitement. Each picture features its own take on an unstoppable, high-velocity vehicle racing towards its doom.
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Rosewood, central Florida, 1923. The town's population numbered about 120, mostly black. It was a prosperous, happy community until a January day when one woman's lie set off a chain of events that would have devastating results. That woman was Fanny Taylor, and her false claim to have been assaulted by a black man resulted in the formation of a lynch mob that headed for Rosewood with arson and murder on their minds. Before the week was over, blood was shed and the town was in ashes.
Field of Dreams
"If you build it, he will come." That's the ethereal message that inspires Iowa farmer Ray Kinsella (Kevin Costner) to construct a baseball diamond in the middle of his cornfield. At first, "he" seems to be the ghost of disgraced ballplayer Shoeless Joe Jackson (Ray Liotta), who materializes on the ballfield and plays a few games with the awestruck Ray. But as the weeks go by, Ray receives several other messages from a disembodied voice, one of which is "Ease his pain."
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Set in the New York club scene of the late 1980s thru the 1990s, a tale which chronicles the rise and fall of club-kid promoter Michael Alig, a party organizer, whose extravagant life was sent spiralling downward when he boasted on television that he had killed his friend, roommate, and drug dealer, Angel Melendez. Originally from Indiana, Alig moved to New York, and came to be an underground legend, known for his excessive drug use and outrageous behavior in the club world. At his peak, he had his own record label, and magazine, and hosted Disco 2000, one of the biggest club nights in New York in the 90s. He was doing a lot of drugs, and as his addiction got worse, his party themes became darker and more twisted. Aligs saga reached its tragic crescendo when he viciously murdered his drug dealer, Angel, by injecting him with Drano and throwing him in the East River. The power he wielded on the club scene made him feel untouchable, so he didnt hestitate to boast of the murder. The press thought it was a publicity stunt--until Angels body washed ashore.
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My Little Eye
The story follows five contestants who agree to take part in a reality webcast. The rules are simple: “Spend 6 months in a house for $1 MILLION. If someone leaves, everyone loses!“ With the end of the 6 months nearing, the tension between contestants Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky) and Rex (Kris Lemche) is at a high level. Instead of their regular food deliveries, packages containing things like a gun, champagne or a letter, that tells one contestant a family member has died, arrive.
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The Haunting of M
This ghost story, set at the turn of the century, centers on the plight of elderly dowager Marianna, who is tormented by the alleged specter of a young man roaming the corridors of her mansion. After spotting a face in an old photograph that seems to match the old womans description of the visitor, Mariannas sister decides to check things out and see if any of this is for real.
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Put on your dancing shoes and get ready to Gleek Out! This full-length dvd features a set list of Season Ones most sensational musical numbers - back to back so the party never has to end!The biggest appeal of GLEE is....the musical numbers! Watching them without the storyline interruptions sounds like a good thing.
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Based on Stephen Kings short story about a Maine textile mill, where its workers come into contact with something far more gruesome than anyone might expect.
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Trust. A dead body in bracken. A cop cheats on his unhappy wife who, in secret, sees a psychiatrist whose own marriage is corroded by grief she thinks her husband is having an affair with a gay patient of hers. The cops lover, Jane, is recently separated, and her neighbors - a couple with children - include a muscular unemployed man. Late one night, the doctor skids off a back road, finds a call box, and tries in vain to reach her husband. She sees headlights and flags down the driver. Later that night, Jane sees her neighbor park his truck and throw something into the lantana in a vacant lot. Its a womans shoe. Unraveling the mystery lays bare five couples.