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At one point in “The Messenger” a soldier, just back from an overseas tour of duty, is telling a story during a welcome-home party with some friends. It starts out as a funny reminiscence of a local character he knew in Iraq, but when the anecdote takes a gruesome turn, the laughter is replaced by uncomfortable silence. Nobody gets the point of what he’s saying, or maybe nobody wants to hear it, and the happy mood of the reunion fractures.
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Bring It On: Fight to the Finish
"Bring It On" starred Kirsten Dunst and Eliza Dushku and in 2000, the film nearly $70 million domestically. Dunst was a rising star, but "Bring It On" only made her star shine brighter before starring in "Spider-Man" two years later. The film was not well received by critics, but clearly showed there was an interest in cheerleading movies as "Bring It On" has now seen four direct-to-video sequels released. The films speak largely to female teenagers who enjoy watching strong female characters cheer in All-Star squads. Each of the sequels have taken place in their own little universe where there is no connection to previous films and none of the sequels have been received warmly, but "Bring It On" continues with "Fight to the Finish" and I´m guessing this won´t be the finish of the series.
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The Last Templar
Midway through “The Last Templar,” a camel and rider pass right by F.B.I. agent Sean Daley (Scott Foley), who’s been stranded in the middle of a Turkish desert. Man and beast continue ambling toward the horizon without even registering our hero’s presence. While viewing the made-for-TV action/adventure film, I found that I could identify with Sean in that moment: I felt lost, exhausted and like a significant part of the plot had just passed me by and was heading who knows where.
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In all honesty, “Nora Roberts’ Midnight Bayou” is not all that easy to describe, but I’ll give it a shot…
Jerry O’Connell is Declan Fitzpatrick, a Boston attorney who broke up with his fiance and moved to New Orleans to buy Manet Hall, a haunted antebellum mansion that Declan felt a connection to when he visited eight years before.
But soon, Declan is feeling another connection to Lena Simone (Lauren Stamile). But Lena has a stormy past that she can’t seem to shake and even with her grandmother’s (Faye Dunaway) urging, she’s hesitant to start something with Declan.
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Mickey Blue Eyes
An art-house auctioneer finds himself getting in deeper and deeper with the mob after learning that his teacher girlfriend is the daughter of a major mobster. Things get worse when a godfather decides to launder his no-talent son's gory paintings through the art house and gets the FBI into the picture. Everything then falls apart when the son is accidentally shot.
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Although perhaps a little unkind, the best description I can think of for Racing Stripes is that it's a "Babe wannabe." The new film has many of the same qualities, but it isn't as fresh, as witty, or as affecting as the 1995 movie or its 1998 sequel. The concept of making animals talk is always tricky, and, for the most part, director Frederik Du Chau (in his live-action debut after helming the animated Quest for Camelot) pulls it off. The animals' mouths move in a believable fashion, and the vocal cast is first-rate. The fault lies in the script (credited to newcomer David Schmidt), which doesn't believe that the animals have much worth saying to adult audience members.
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Girl Next Door
The Girl Next Door builds up enough good will during its successful first half that we're willing to forgive some of the strange and disappointing convolutions the plot takes us through during the final 45 minutes. There are two primary reasons why it's not hard to recommend this likeable (albeit raunchy) romantic comedy: director Luke Greenfield and his screenwriters have a genuine feel of what it's like to be a high school outsider, and it's been a long time since there has been as appealing a young couple as Emile Hirsch and Elisha Cuthbert. (He's 18 and she's 21, and they play characters who match their real-life ages.)
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It's the romantic buried inside each of us that responds to movies like Emma. Sure, the film, like the Jane Austen novel upon which it is based, is laced with wit and sophistication. And, although it contains enough social commentary and character development to lift it well above the plane of genre romances, Emma is still primarily about lovers finding each other during a simpler age (Austen published her novels in the early 19th century).
With Emma, we're certainly not investigating virgin territory. In the wake of Persuasion, Sense and Sensibility, and A&E's stupendous Pride and Prejudice, there's not a great deal of mystery about the audience to which Emma will appeal. Although the plot differs slightly from the other Austen books-to-movies, many of the themes and riffs are the same. More than one marriage is arranged (five, to be precise), the heroine is a strong-willed woman with a disdain for social conventions, the "principal" couple doesn't find love until the closing moments, and there's at least one scene of ballroom dancing.
Out of Sight
In the middle of the summer movie season, when most films are designed with the intelligence of a seven year-old for viewers with the attention span of someone even younger, it's refreshing to find a picture like Out of Sight, which is not only smart, but a great deal of fun, as well. I enjoyed watching this movie more than Deep Impact, Godzilla, and Armageddon put together. Directed by one-time wunderkind film maker Steven Soderbergh (whose sex, lies, and videotape put him on the map big-time), Out of Sight will inevitably turn out to be one of the best thrillers of the year.
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Hard As Nails
A new boss of the American Yakuza, ruthless young Takura (Matt Westmore) achieves power in a fraudulent and murderous way. Knowing that he can rely only on his cunning and mercilessness in the world of big money and steel nerves, he annihilates his rival gangsters and former friends without hesitation. Having made a great deal with the Russian mafia, Takura is determined to kill the weapon purchasers so as to be an indisputable crime lord. However, he is unaware that an intrepid cop working under the shelter of the Russian mafia is intent to ruin his plans
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Set in the New York club scene of the late 1980s thru the 1990s, a tale which chronicles the rise and fall of club-kid promoter Michael Alig, a party organizer, whose extravagant life was sent spiralling downward when he boasted on television that he had killed his friend, roommate, and drug dealer, Angel Melendez. Originally from Indiana, Alig moved to New York, and came to be an underground legend, known for his excessive drug use and outrageous behavior in the club world. At his peak, he had his own record label, and magazine, and hosted Disco 2000, one of the biggest club nights in New York in the 90s. He was doing a lot of drugs, and as his addiction got worse, his party themes became darker and more twisted. Aligs saga reached its tragic crescendo when he viciously murdered his drug dealer, Angel, by injecting him with Drano and throwing him in the East River. The power he wielded on the club scene made him feel untouchable, so he didnt hestitate to boast of the murder. The press thought it was a publicity stunt--until Angels body washed ashore.
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After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillingers bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.
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Just Before Dawn
Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area. Ignoring the warnings, they set up camp, and start disappearing one by one. If that sounds too run-of-the-mill, theres a genuinely shocking plot twist half-way through..
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Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. Theyre all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one anothers family lives. This bizarre dichotomy underscores their alienation the result of suburban ennui, a teenagers inherent sense of melodrama, and the disturbing nature of their home environments.
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Must Love Dogs
The preschool teacher Sarah divorced from her beloved husband eight moths ago, but she is still very vulnerable and alone. Her family presses her to find a new Mr. Right, and her sister Carol puts her profile on the site PerfectMatch.com. She has blind dates with odd guys, but she particularly likes Jake, who divorced three months ago and still misses his former wife. Jake likes her too, but Sarah has one night stand with Bob, the father of one of her students, and Jake gives-up on her. Later Sarah finds that Jake is her perfect match.
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