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Where the Wild Things Are
In so many ways, Max is a modern child. His father is gone. His older sister has outgrown him. His mother, who works late to support the household, is dating a stranger. His teachers are slowly introducing him to the realities of an adult life, offering lessons on tsunamis and supernovas. He has no friends with whom to share his frustrations or figure out his feelings, some combination of betrayal or anger or loneliness. Yet his imagination is strong and provides him with a shelter from the storms of his everyday existence. But when, one evening, his emotions boil over and he runs from his home in a rage, he crosses some imaginary boarder into the realm of the Wild Things.
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Just in time for this holiday season Disney presents Santa Buddies, a mischievously merry Christmas movie that will not only bring laughter to your home but also touch your heart. Santa Buddies follows a list of fun predecessors including Air Bud, Air Buddies, and Space Buddies, to name a few.
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Fire & Ice
Released on Monday 7th September on DVD in the U.K., FIRE & ICE: THE DRAGON CHRONICLES was made by MediaPro Pictures and The Sci-fi Channel, and directed by CATWOMAN director Pitof. Anyone expecting a fantastical spectacle of fantasy and adventure, with amazing mythical dragons and state of the art special effects is going to be sorely disappointed.
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Gangs of New York
GANGS OF NEW YORK,'' Martin Scorsese's brutal, flawed and indelible epic of 19th-century urban criminality, begins in a mud-walled, torchlighted cavern, where a group of warriors prepare for battle, arming themselves with clubs and blades and armoring themselves in motley leather and cloth. Though this is Lower Manhattan in 1846, it might as well be the Middle Ages or the time of Gilgamesh: these warlike rituals have an archaic, archetypal feeling.
And the participants are aware of this. As the members of various colorfully named Irish gangs emerge into the winter daylight of Paradise Square (a place long since given over to high-rises and resurrected here on the grounds of the vast Cinecittà studio complex in Rome), their native-born Protestant enemies greet them with an invocation of ''the ancient laws of combat.'' The ensuing melee turns the new-fallen snow pink with blood and claims the life of Priest Vallon (Liam Neeson), an Irish gang chieftain whose young son witnesses the carnage.
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Christmas movies and dysfunctional families go together like hands and gloves. Whether a comedy or a drama, from the absurd to the sublime, Christmas trees are often coupled with family divisions. While films like National Lampoon's Christmas Vacation and the upcoming Four Christmases may play up the humorous elements inherent in divided families, director Arnaud Desplechin has elected for something more emotionally potent. A Christmas Tale is not devoid of humor - in fact, there are times when the irony is thick and unavoidable - but this is most definitely not played for laughter. And, while it's not the complete downer that the description might suggest, neither is it an uplifting cup of holiday cheer.
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Death Sentence is Death Wish for the 2000s. However, in place of the slow-burn intensity of Charles Bronson, we have the guilt-riddled stylings of Kevin Bacon. It's easy enough to guess at what director James Wan was trying for with Death Sentence. Unfortunately, the result is such a mish-mash of conflicting tones and ideas that it doesn't play well on any level. It's too pretentious and slow-moving to work as an action movie or a thriller, and it's too over-the-top and at times campy to be effective as a drama. Elements of the one approach conflict with those of the other and the movie ends up failing in a number of ways.
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There was a time, long before cable and VCRs, when live local news was one of the biggest commodities television stations had to sell. During this era, news anchors were judged far less by their journalistic skills than by their ability to convey trustworthiness. After all, we invited these men into our homes every evening, and believed every word they spoke. What we perhaps did not recognize was that these men were often petty and egotistical, and their sole redeeming qualities were that they could look good on camera and read flawlessly from a teleprompter. Such a man was Ron Burgundy (Will Ferrell), the immensely popular anchor of San Diego's Channel 4 evening news.
Ensemble features can be daunting, yet some filmmakers embrace the challenge, and their results reward an audience. A lot of characters are woven into the tapestry of Crash, the feature directing debut of TV veteran Paul Haggis. (Haggis was also Oscar nominated for writing the screenplay of Million Dollar Baby.) The story unfolds in Los Angeles, where hostility is often a barrier to intimacy, and hatred and fear cloud judgment. Don Cheadle plays Graham Waters, a police detective investigating what may be a racially-motivated killing. Graham is having an affair with his Latina partner (Jennifer Esposito), whom he variously refers to as "a white woman" and "Mexican," neither of which is accurate. Matt Dillon is LAPD officer Jack Ryan, a 17 year veteran of the force whose actions often cross the line. When he fondles a woman (Thandie Newton) during a routine traffic stop, his partner (Ryan Phillippe) wants to sever their professional relationship. Meanwhile, the D.A., Rick Cameron (Brendan Fraser), and his wife, Jean (Sandra Bullock), become crime victims when their car is stolen by a pair of thieves (Chris "Ludicris" Bridges and Larenz Tate).
Leo Tolstoy (Christopher Plummer), or - more properly - Lev Tolstoy, is one of the two best-known 19th century Russian authors. His masterpieces, War and Peace and Anna Karenina, are required reading in many high school and college literature classes, and both have received multiple screen adaptations. For the casual reader, however, less is known about the author than his projects. The Last Station seeks to rectify that, at least insofar as the writer's final year is concerned. Based on Jay Parini's semi-fictional novel of the same name, The Last Station transformers Tolstoy's waning days into material worthy of one of his tragedies while simultaneously making a biting statement about how the politics of a "movement" often warp the underlying philosophy which caused it to develop.
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American Werewolf in Paris
An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV sit-coms. Where the first installment had chills, this one has sequences that are inappropriately, unintentionally funny. In short, while An American Werewolf in London has become something of a minor classic in its genre, the woeful An American Werewolf in Paris seems destined for late nights on Cinemax (it even has the necessary gratuitous nudity).
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Supernatural villain Pinhead finds himself on the wrong side of the law in this, the fifth film in the Hellraiser franchise. Joseph (Craig Sheffer) is a detective with the LAPD who one morning discovers he's no longer living in California -- he's been exiled to Hades, and the only way to escape is by solving the mystery of the all-powerful puzzle box.
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The Foot Fist Way
Fred Simmons (Danny R. McBride) is a fourth-degree black belt in Taekwondo and runs his own dojo in a small North Carolina town. Fred styles himself a big shot, driving a Ferrari and extolling the virtues of Taekwondo to potential new students, but loses his confidence after he discovers that his wife, Suzie (Mary Jane Bostic) gave her boss a handjob after a drunken office party. In order to restore his confidence, he attends a martial arts expo to meet his idol, B movie action star Chuck "the Truck" Wallace (Ben Best) who in reality, turns out to be a dirty and drunken mess. After nearly brawling with Chuck's seedy friends, Fred persuades Chuck to make an appearance at his upcoming Taekwondo belt test and then parties with his friends and students in Chuck's hotel room. Fred returns home and sells his Ferrari to pay Chuck's $10,000 appearance fee. Shortly thereafter, Suzie returns to Fred after losing her job. On the night before the belt test, Fred catches Suzie having sex with Chuck on his own couch. Fred challenges Chuck to a fight, but is soundly beaten and driven off. The next morning, Suzie once again asks to be taken back, but Fred rejects her and urinates on his wedding ring. This occurs just after Fred warns Suzie that her attractive looks will eventually fade with age but not her abrasive personality. Fred arrives at the test late, battered and bruised, but with his confidence restored. When Chuck arrives for his appearance, Fred challenges him to a martial arts demonstration of board breaking, which he wins. At the following belt ceremony, Fred reads a new student pledge that he has written, which outlines the goals and responsibilities of Taekwondo. (The pledge is actually the oath of the International Taekwon-Do Federation.)
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On Easter Island, a young rabbit named E.B. (Russell Brand) is intended to succeed his father Mr Bunny (Hugh Laurie) as the Easter Bunny. Intimidated by the calling's demands, E.B. runs away to Hollywood to pursue his dream of becoming a drummer. Mr Bunny sends his three ninja royal guards, the Pink Berets (Janet Healy), to find his son. Meanwhile, Easter Chick Carlos (Hank Azaria) and his music-obsessed assistant, Phil (also Hank Azaria), plot a coup d'état against Mr Bunny to take over the Easter organization.
Jack Moony, a white cop, has it in for a black lawyer to the drug crowd, Napoleon Stone. That Stone is now dating his ex-girlfriend doesnt help matters at all. Stone is shot after Moony suffers a heart attack and wakes to find that he not only has a new heart, but that it is Stones and that Stones ghost is now his constant companion. Stone is insistent that Moony not only take care of his heart now but that Moony solve his murder.
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The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.
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No Greater Love
Jeff and Heather were the lucky ones. Best friends from childhood, high school sweethearts, and married by 22, they were inseparable soul mates. Jeffs world is dramatically rocked when Heather disappears after the birth of their son. Heather shockingly reappears ten years later in the most unusual place.
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