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Whilst it may be a lucky co-incidence that married couple Michael Douglas and Catherine Zeta-Jones share the same birthday, it is a less happy co-incidence that they should both have films released to DVD by Roadshow in the same month; in the case of the latter with only a blink-or-you-miss-it theatrical run. Solitary Man, featuring Douglas, saw him receive some of his best notices of recent times yet it dribbled into Region 4. It was an opposite fate to Zeta-Jones' latest rom-com, The Rebound, which comes to DVD here prior to a December cinema date in the US. Although Solitary Man is the better film, both could be seen as victims of the GFC where it is cheaper to just get the film out rather than lavish millions on promotion.
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don't know where to start. Some sick part of me enjoys the self-torture of the Sci-Fi/SyFy Originals, but after this one, I don't know how long I can hold on. I have limited knowledge of WW2 (I sucked in history), but even I knew this stuff was made-up! The Japanese guys had an American truck, and somehow the American women knew how to fly Japanese planes? Come on. And somehow they were going to fix their big broken planes with junk from a mostly abandoned Japanese camp ripped apart by blue pterodactyls? To add insult to injury, I don't care how big the dino is... it can't fly as fast as a plane. While watching the movie, I didn't know the planes topped out at 300mph, but I knew it had to be faster than any flying animal! The worst insult to my intelligence was the "fact" that the pterodactyls were fearless in ripping through planes (literally), which had loud engines, whirling sharp propellers, and of course someone in them shooting giant bullets at the monsters... and yet the dinos were terrified at the sight of a torch. A TORCH. Come on.
Take the Lead
I miss the decades when dancing and singing were an integral part of Hollywood’s style. Those classy, elegant days of Fred Astaire and Ginger Rogers produced some wonderfully stylish and energetic films. The best we can hope for in the present age of cinema is the occasional adapted Broadway musical but even those films somehow fail to capture the magic of the music. Take the Lead is by no means a revival of that bygone era of the song and dance film but it has the same sort of sparkle and captures some of that long lost energy.
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The Hard Corps
Generally speaking, Jean-Claude Van Damme has proven to be far more adept at choosing projects than his '80s action counterpart Steven Seagal. The two have made their fair share of straight-to-video junk over the years, but it's clear that Van Damme is at least trying to do good work (Seagal, on the other hand, has evidently given up completely and now insists upon a stunt double for most of his fight scenes).
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Day After Tomorrow
Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It's cheesy and over-the-top, but the disaster sequences are well crafted and some of the formulaic action sequences generate tension. The Day After Tomorrow stands a rung above Independence Day (which self-destructed in its final third) and significantly more than that above the turgid Godzilla remake.
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Touching the Void
Truth, they say, is stranger than fiction… and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this - a man versus nature epic so amazing that, if it was presented in a strictly narrative format, viewers would doubt its veracity. To capture this story in a way that would do it justice, British filmmaker Kevin Macdonald (the documentarian responsible for One Day in September, about the terrorist attack on the 1972 Israeli Olympic team in Munich) has blended elements of docudrama and documentary into a satisfying whole that will keep even the most stoic movie-goer gripping the armrest throughout.
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Great White Hype
Not since Robert Altman's The Player has a film been this relentless in its satirical attack. The Great White Hype takes the boxing industry and rips it open, displaying the rotting, putrid innards for all to see. There are times when this movie is so vicious that it ceases to be funny. While The Great White Hype has its share of comical, occasionally-hilarious moments, don't expect a non-stop laughfest on par with This Is Spinal Tap.
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Considering his recent surge in American popularity, it was all-but-inevitable that Jackie Chan would eventually show up in a big-budget Hollywood action picture. (He hasn't been in one since he did the Cannonball Run films back in the early '80s.) That production is Rush Hour, a somewhat lackluster cop buddy movie that goes wrong in two big ways: (1) it fails to utilize Chan's full range of skills, relegating him to the role of a kickboxing action hero and virtually ignoring his comedic aptitude, and (2) it saddles him with a partner, played by the irritating Chris Tucker.
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In a futuristic, high-tech world run by huge corporations, Parker Barnes (Denzel Washington) is an L.A. policeman serving time for killing the psychotic who murdered his wife and child. Lindenmeyer (Stephen Spinella), a Dr. Frankenstein of the computer era, has created a monster, Sid 6.7 (Russell Crowe), a virtual reality entity which is programmed with the character traits of scores of mass murderers.
When Soldiers Cry
1965 South Vietnam. Two American soldiers find themselves trapped in the jungle during the Vietnam war. The only thing keeping them alive is the promise they made to their families to return home at any cost.
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My Daughter's Secret
When the bad-news boyfriend (Steve Byers) of 17-year-old Justine (Nina Dobrev) robs the store where her mother, Denise (Jennifer Grant), works, Justine is torn between telling the truth and sending her boyfriend to prison, or keeping the secret from her mother, which soon starts to tear her apart. (christine-conradt) Single mother Denise (Jennifer Grant) struggles with her 17-year-old daughter Justines (Nina Dobrev) behavior. After a robbery of the jewelry store where Denise works, she notices that Justines behavior has taken a turn for the worse. But what Denise doesnt know is that her daughter is harboring a dark secret -- one that will put both mother and daughter in grave danger. (SalvsNena)
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Dorri Lawrence (Cook) is an actress and singer who resides in Hollywood, California. She is an undiagnosed schizophrenic, which causes problems in her career. After another concert goes wrong due to her untreated disease, she is finally sent to get help for her schizophrenia.
Meanwhile, Mark Deloach (Tucker) is a rich high school kid miles away, attending a Catholic school. Though generally shy around girls and a good kid, he takes part in underage drinking. His brother, Gregory, who has secret sexual rendezvous with the prestigious Sue Dubois (Bruckner), has one of their dirty notes blamed on him. He and a buddy of his decide to pay him back by taking Sue back to her mother and reveal what's been going on with her and Gregory which they knew she will not approve of. In the process a DWI car crash occurs, resulting in the injury of both Sue and Father Concoff (Begley), the principal of their high school.
The Prophecy 3: The Ascent
Danyael Rosales, a street preacher and the child of Valerie Rosales and the angel Danyael from the previous film, is forced to face his destiny. As a Nephilim, he has some of the angels' abilities, such as regeneration, and can only be killed if his heart is removed. One night, a blind assassin shoots Danyael as he preaches before a crowd, but the assassin is driven off before he can take out Danyael's heart, and Danyael is able to regenerate while lying in the city morgue. As punishment for his failure, Zophael kills the assassin and starts going after Danyael himself with an extendable bladed weapon (the blade can be turned into a three-pronged hook) with which he plans to use to remove Danyael's heart, killing him for good. However, Danyael is protected by Gabriel, a now-human fallen angel who killed Danyael's father and performed many misdeeds. After being defeated by Danyael's mother, Gabriel was turned into a human as punishment. He has spent eighteen years as a human, and realized how wrong he was in the past so has now switched sides.
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Shattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure career - on one extraordinary day. Each womans life frays under the weight of her circumstances and spirals out of control. As police officers race to save them, pieces of a shattered puzzle fall into place - maybe this wasnt just a tragic car accident after all. Both women fight for their lives, but ultimately, only one will survive
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Man Bites Dog: The Cult Serial-Killer
A camera crew follows a serial killerthief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what theyre doing is such a good idea, particularly when the killer kills a rival and the rivals brother sends a threatening letter.
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