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Universal Solider: A New Beginning
Action fans, the wait is over. Dolph Lundgren and Jean-Claude Van Damme have finally re-teamed for Universal Soldier: A New Beginning, the sequel to their 1992 hit Universal Soldier. But although the stars are older and wiser this time around, the results aren't necessarily better.
The original concerned a squad of super-soldiers who are stronger, fitter and faster than the average man, and who operate without conscience or hesitation. Directed by Roland Emmerich, the film was essentially an excuse to pit two of the biggest action stars of the day against each other, and for that very reason was a blast from start-to-finish.
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Bring It On: Fight to the Finish
"Bring It On" starred Kirsten Dunst and Eliza Dushku and in 2000, the film nearly $70 million domestically. Dunst was a rising star, but "Bring It On" only made her star shine brighter before starring in "Spider-Man" two years later. The film was not well received by critics, but clearly showed there was an interest in cheerleading movies as "Bring It On" has now seen four direct-to-video sequels released. The films speak largely to female teenagers who enjoy watching strong female characters cheer in All-Star squads. Each of the sequels have taken place in their own little universe where there is no connection to previous films and none of the sequels have been received warmly, but "Bring It On" continues with "Fight to the Finish" and I´m guessing this won´t be the finish of the series.
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Last Chance Harvey
Last Chance Harvey is a standard-order romantic comedy with a couple of unusual ingredients that make it worthy of notice. It is common, of course, for movies of this genre to focus on young, photogenic individuals. While not unheard of, romantic comedies featuring post-menopause women and AARP-eligible men are a rarity. In addition, when the principals of such a movie are both multiple Oscar winners, one can hardly ignore such a production, no matter how formulaic the premise and execution might be. Dustin Hoffman and Emma Thompson bring credibility to Last Chance Harvey merely by their presence. The result is a holiday parfait.
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What potentially could have been the greatest asset possessed by Che - its unapologetic length - turns into its greatest detriment. One frequent complaint about cinematic biopics is that too much condensation is required and, as a result, key aspects of an individual's life are elided. For Che, director Steven Soderbergh elected to let the story determine the length rather than the other way around. A good idea in theory, perhaps, but not in practice. Despite clocking in at over four hours, Che nevertheless provides us with little more than a frustratingly incomplete and inconsistent portrayal of its title character who often seems more like a supporting individual in his own story than the protagonist. Worse, the film's slow, unhurried pace leads to bouts of tedium. 4 1/4 hours can be a long time to sit in a theater, and it can seem longer when the director is drawn into extended periods of self-indulgence. For those with genuine interest in learning about the life and death of iconic guerilla leader Ernesto Guevara, I can recommend several excellent books. Soderbergh's bloated epic is a chore to sit through, and I left it with no new insights about the man or his myth.
Meet the Fockers
I am not a fan of Meet the Parents, the 2000 film that introduced Ben Stiller to the joys of having an ex-CIA agent as a potential father-in-law. The movie is too much like a sit-com, although, as a counterbalance, it offers several big laughs. Meet the Fockers, the 2004 follow-up, plays much like the original, but with less effective humor. In the nearly two-hour running length, there are maybe five or six solid chuckles, resulting in a movie experience that is more tedious than entertaining. The problem lies in the screenplay (credited to John Hamburg and Jim Herzfeld, who also wrote installment #1), which latches on to the few clever and/or funny elements in the film and runs them into the ground via repetition.
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The question of whether actor George Reeves committed suicide or was murdered will go down in history as one of Hollywood's great unsolved mysteries. Allen Coulter's Hollywoodland, a fictionalized account (it uses both apocryphal stories and confirmed events) of an investigation of the death, presents the three most common scenarios but, taking a page from Rashomon, it never settles on one. The film is balanced in its presentation of the evidence for and against suicide. Ultimately, however, Hollywoodland is only peripherally about the life and death of George Reeves. The film's real main character is a seedy P.I. who attacks the mystery and, by chasing Reeves' ghost, finds his own path to redemption.
Kenan Thompson and Kel Mitchell, stars of the popular Nickelodeon series All That, confront the ogre of faceless corporate tyranny and have fun doing it in this comedy for young people. Ed (Mitchell) is a teenager who lives for his job at Good Burger, a small but friendly neighborhood hamburger stand, while his buddy Dexter (Thompson) also works there, but lack Ed's single-minded devotion to his job -- he's there because he accidentally destroyed the car of his teacher Mr. Wheat (Sinbad) and has to raise money to pay the damages.
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The Age of Stupid
The film begins in the year 2055 in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archive footage from back "when we could have saved ourselves", trying to discern where it all went wrong. Amid news reports of the gathering effects of climate change and global civilisation teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people in the present, and switch the film's narrative form from fiction to fact. The people who feature are:
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I'm Reed Fish
The movie opens with Reed Fish (Jay Baruchel) being called to come into work by radio by Maureen (Katey Sagal), the town's mayor. Reed arrives at his job and proceeds to do his daily radio segment, which ranges from reporting the news to helping the townspeople overcome the crisis of too-high hedges. Reed goes to a local store and meets Jill (Schuyler Fisk), his high-school crush. They exchange greetings and Reed invites her to be on his show, saying that people of Mud Meadows will want to hear all about her life since she went to college. She accompanies him to film a TV segment about the local "zorse" along with his friend and one-man-film crew, Frank (Victor Rasuk). We then see Reed watching his TV segment in the presence of Kate (Alexis Bledel), his fiancee, Irv (Blake Clark), his soon-to-be-father-in-law, and Maureen. Kate asks him details about the wedding and Reed halfheartedly responds.
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Lisa Reisert (Rachel McAdams) fears flying. After attending her grandmother's funeral in Dallas, Texas, she takes a red-eye flight to Miami, Florida. While in the check-in line she meets an elderly woman (Angela Paton) who is interested in Lisa's Dr. Phil book. She tells her she's a fan, Lisa gives the old lady her book saying she has already read it. She then meets Jackson Rippner (Cillian Murphy) whom she initially finds charming and they share a drink while they wait to board their delayed flight (The name "Jackson Rippner" is likely a word play of "Jack the Ripper", Lisa realizes this allusion and points it out)
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One, Two, Many
A modern-day romance that follows one mans quest to find the girl of his dreams. A girl who can agree that three is company.
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Invasion of the Pod People
After a meteor shower in California, Melissa feels that her co-workers and her boss Samantha that work in the agency owned by Vickland are acting differently after receiving a weird plant. She shares her fears with her colleague Billie and with Detective Alexander that are the only persons that she can trust.
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An opera based on the life of celebrity and actress Anna Nicole Smith.
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About Last Night..
Danny and Bernie are two single men living their lives on the wild side. But when Danny meets Debbie at a bar and the two start a relationship with a one night stand, Dannys life takes a different turn. How does this passionate night become a full affair and what effect will this relationship have on both people and their friendship with their best mates ?
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Man of the House
Ben Archer is not happy. His mother, Sandy, has just met a man, and it looks like things are pretty serious. Driven by a fear of abandonment, Ben tries anything and everything to ruin the love bubble which surrounds his mom. However, after Ben and Jacks experiences in the Indian Guides, the two become much closer.
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A pair of rivaling stage magicians are forced to confront their falling out over a guillotine mishap when they compete in a magic competition.