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Prepare to feel really old—Uma Thurman is playing a “Mrs. Robinson” character. While not yet middle-aged, she is considerably more mature than her would-be suitor. She is not exactly trying to seduce him, either. She is too busy trying to get married in writer-director Max Winkler’s Ceremony, which opens this Friday in New York.
Just because Sam Davis writes wish-fulfillment children’s book to make his meager living does not necessarily mean he is a mild state of arrested development. That just happens to be true in his case as well. During a rough patch with her fiancé, the tall, 30-something Zoe moved back to the City and had a fling with Davis. After she returned to her soon-to-be husband’s Long Island estate, Davis started writing to her. She made the huge mistake of replying.
Mother is a most atypical murder mystery. This is not only because it features an aging female "detective" who represents a bizarre fusion of Miss Marple and Jane Tennison, but because the surreal style contradicts the normally gritty approach we have come to expect from the genre. The movie opens in an almost comedic fashion (albeit one in which the humor is decidedly macabre) and looks for a short while as if it's going to be a satirical social commentary. From there, however, it gets dark and serious. There are twists aplenty and if some of the deductions arrive too easily as a result of contrived clues and convenient witness testimony, those credulity hurdles are easily vaulted in the name of a good story. Mother delights in confounding viewer expectations. In fact, just when you think it's over, a couple of plot developments remain lurking around the next corner.
A Single Man, the directorial debut of fashion designer Tom Ford, almost succeeds on the strength of Colin Firth's performance. Unfortunately, the actor is too often upstaged by Ford's visual sensibilities. Rarely has hue - both in its absence and its intensity - been so important to a film (and not always in a good way). However, while it's impossible to deny the artistic intent of Ford's cinematic compositions, his style erects an emotional barrier between the central character and the audience, resulting in a pace that is at times sluggish. A Single Man works to a degree as a character study (it couldn't function as much else since there's little plot to speak of) but the sterility that pervades the story discourages the viewer from fully engaging with the narrator.
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The traditional movie musical may not be dead, but it's on life support, a victim of the changing taste of movie-goers. Once is an effort to provide a musical that works for a modern audience by grounding the situation in reality and cutting out the corniness and implausibility of characters suddenly and inexplicably bursting into song. What was magical in the '40s and '50s may be seen as silly by today's standards. However, if a film can find a way to make the songs part of the storyline, a huge impediment is avoided. That's what writer/director John Carney has achieved in Once.
"Riders" is that rare thing - a bad movie that has nothing at all to recommend it. Oh sure, there are some neat (but unoriginal) stunts, and the people are cute to look at. But that's all. Really.
The film's French tagline - "Bank robbery is an extreme sport" - says where the film is coming from: it's the equivalent of that endless sports channel footage of skaters and snowboarders, but done as a heist movie. Unfortunately, it has about the same attention to character and scenario development as the sports channel footage.
Ron Howard directed this thriller which stars Mel Gibson as Tom Mullen, a former fighter pilot who built a ramshackle one-plane airline into a major multinational service fleet. Mullen has a multi-million dollar fortune, a beautiful wife, Kate (Rene Russo) and a nine-year-old son, Sean (Brawley Nolte) that he dotes on. However, Mullen's life comes crashing down around him when Sean is kidnapped. The FBI are called in, but Mullen is wary -- he was the recent target of an FBI investigation in which he was found to have bribed union officials while negotiating a contract. FBI Agent Hawkins (Delroy Lindo) advises Mullen to make the $2 million dollar drop to pay the kidnappers, which will make it easier to track the criminals, but when the tradeoff goes wrong,
Summer Love aka Dead Man's Bounty
A peaceful village suddenly turns violent when a certain stranger walks into a bar with the poster of a wanted man. He enters into a scuffle with other cowboys. He manages to escape from the clutches of the localites and then is chased by them.
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Beyond Recognition is the story of cosmetic surgeon, Jeffrey Mills, and his efforts to avoid the attentions of an underworld organisation who want him to change the face of their leader.
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The movie begins in Southern England in the Middle Ages and then six knights are seen riding in horses towards a destroyed town. They see the remains of burned buildings and dead people until they come upon a mother and her dead baby. She quickly dies and then a rhino-sized dragon flies overhead, the knights follow right behind, vowing to kill the creature. The six knights arrive at the dragon's lair, where they see skeletons of horses and people (the dragon's past meals), suddenly the dragon surprises them by shooting fireballs at them. The knights divide up into loose groups, carrying with them barrels of gunpowder and hide, then two knights appear and fire flaming arrows at the dragon but they miss and the dragon torches one of the knights with its fire breath. The other knights then attack, but the dragon dodges their arrows and shoots a fireball at the gunpowder barrels, which causes them to explode. This causes a cave in that traps the dragon and the knights inside, with only one knight managing to escape, who then moves on.
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Bernard is a teacher in the suburbs and lives with Victoria. Didier is a wealthy Parisian pharmacist and is married to Murielle, Victoria's sister. While the former drives a rusty 205, the other, the latter drives a black Mercedes. Both "beau-freres" are complete opposites and hate each other. During dinner, Didier and Bernard make a bet: to stop smoking for fifteen days, until the next family get-together. The first days go off like a dream and both are on top of the world. But things quickly turn sour. Didier and Bernard find it harder and harder to resist the temptation. They become irritable, suspicious, they lie; until the fifteenth day: the family get-together. They have kept their word, but relations between them and their wives are at an all time low. Despite this, they are both determined to remain non-smokers.
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Flirting with Forty
Jackie Laurens (Heather Locklear) is a recently divorced, 40-year-old and mother of two pre-teen kids who takes a vacation alone to Hawaii where, against her better judgment, she meets and hooks up with a hunky, much younger resident surf instructor named Kyle Hamilton (Robert Buckley). But what began as a one-night stand turns into love as when her vacation is done, she flies to Hawaii every chance she gets to meet with her latest love interest, which soon gets disapproval from her ex-husband, her teenage kids, and even her close friends. As time and the pressure from everyone around her to break it off with Kyle pushes Jackie to her breaking point, it will only take her beau Kyle to teach her how to cope before life passes her by.
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Four strangers (Neil Menon, OP Ramsay, Tisha Khanna and Vikram Kapoor) are invited by the reclusive Kabir Malhotra, to his private island of Samos, Greece. They dont know each other and they dont know him ... and by the next morning they will wish they had never come.
Fueled by vengeance and nightmares, Carl Spencer seeks out his wifes killer. Across town, two sisters are dying of a rare blood disease. In a darkened warehouse, an ancient vampire has spawned a clan of servants that unite the destiny of all.
Cynthia comes forward to talk to detective John about the murder of her best friends husband. The story is told as a series of flashbacks... James was a bullying, verbally and physically abusive husband. His wife Joyce has, on a number of occasions, expressed her intention to kill him. One night when all three are at the fair, Joyce has a row with James, and Cynthia helps James back to the van. But later he was found dead...
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Mary and Max
It is a simple tale of pen-friendship between two very different people Mary Dinkle, living in the suburbs of Melbourne, Australia and New Yorker Max Horovitz. Spanning 20 years and 2 continents, Mary and Maxs friendship survives much more than the average diet of lifes ups and downs.
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Night Catches Us
In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.
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