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Here's the horror-comedy Jennifer's Body in a nutshell: two lifelong friends -- ridiculously hot high school cheerleader Jennifer Check (Megan Fox) and frumpy but devoted Needy Lesnicky (Amanda Seyfried) -- have the ultimate falling out when Jennifer becomes possessed and turns into a man-eating succubus. Jennifer's Body isn't the train wreck that some were probably expecting. It's just another mediocre horror movie about teenagers, and it's neither the best nor the worst of its kind. But it's also not scary enough to work as a horror film, satirical enough to always work as a comedy, or insightful enough to serve as a commentary on teen angst or men's fear of female sexuality. Perhaps the scariest thing about this movie is that it was written by an Oscar winner, Diablo Cody.
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A serial killer thriller about a woman, the daughter of a slain magician's assistant, setting about to learn the truth behind her mother's death and encountering a Las Vegas illusionist who may be a cunning serial killer. Sounds simple enough, so why is it such a mess? Scenes that serve no purpose, subplots that go nowhere, an unfocused script boasting some of the flattest dialogue this side of Dragon Wars. Good actors relegated to nothing roles while very bad no-name actors get the meatier parts. The most elaborate scene of action being a foot chase between two middle-aged men huffing and puffing along the second floor of a motel balcony. Either Magic Man was one of those productions where things went horribly awry somewhere along the way or there was just so much behind-the-scenes ineptitude that the movie was doomed from the outset.
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The Painted Veil
If you want to set out to make a period drama set in China in the 1920s, it's only natural that the source material should be a work by William Somerset Maugham, whose simple direct prose and uncanny talent for telling tales of less-than-perfect characters without resorting to preachiness or melodrama made him the most famous and highly paid writer of the 1930s. The Painted Veil, helmed by John Curran and starring Naomi Watts as unhappy, solipsistic socialite Kitty Fane and Edward Norton as her stern and unforgiving husband, Walter, takes us from London to Hong Kong to the remote outreaches of a Chinese village beset by a cholera epidemic, in this bittersweet tale of love and duty. We first meet the Fanes as they are dropped off at a crossroads in the remote Chinese countryside. They wait in the sweltering heat for an interminably long time, completely ignoring each other as they sit on their pile of trunks and suitcases. Eventually, they are picked up by a group of chair-bearing Chinese who are to transport them by foot to their destination. It soon becomes apparent that Walter is not only completely without concern for his wife's comfort in their travels, he is going out of his way to increase her discomfort at every turn. Why is this man, so genteel in appearance, determined to make his wife miserable? We flashback from there to learn why.
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The serial killer in “Anamorph” shows promise, even if some of his best moves are derivative. The same is true of the film’s director, H. S. Miller, who, in making his feature debut, conjures up a nightmarish atmosphere of dread that owes obvious debts both to David Lynch (particularly the later work) and to John McNaughton (namely his notorious horror show, “Henry: Portrait of a Serial Killer”). Mr. Miller and his co-writer, Tom Phelan, manage to get under your skin largely with borrowed implements, though they receive solid support from Willem Dafoe and the resourceful veteran cinematographer Fred Murphy.
Paranoid Park is a rare breed: a movie about teenagers in which the characters talk like real teenagers, act like real teenagers, and are played by real teenagers. The difference between what's presented in this production compared to what we're used to is striking. Suddenly, the viewer is back in high school, navigating halls clogged with human bodies and trying to stay awake in classes where teachers drone on in monotones. You don't get that feeling from American Pie or Fast Times at Ridgemont High. Of course, director Gus Van Sant's objective with Paranoid Park isn't merely to remind audiences of their lost youth - it's to provide a window into the mind of a protagonist who, as the result of a bad decision and a worse accident, is forced to cope with issues that the average kid never even considers.
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28 Days Later
The end of the world has always simultaneously fascinated and repulsed human beings. No less an authority than the Bible devotes entire books to the last days. And, since almost the beginning of science fiction, the apocalypse has been a popular subject. In fact, one of the most common science fiction subgenres (which gained popularity during the early Cold War era of the 1950s) is that of the post-apocalyptic survivor - an individual who lives through some kind of catastrophe (often a nuclear war) and must make his way through the hostile environment that exists in its wake.
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“Black Bread” starts of with a scene of such stunning violence—without giving too much away, it involves a sledgehammer and a horse, among a slew of other very nasty things—that it casts a shadow over the rest of the movie. Set in post-Spanish Civil War Catalonia, the film creates an atmosphere where the potential for death and hostility to erupt exists around every corner, in every situation. From the outset you learn that no place is safe; not the family hearth, government offices, and certainly not the multitude of caves, woods, and fields where the 11-year-old Andreu (Francesc Colomer) grows up.
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When it comes to The Simpsons, longevity is an asset few can ignore. 18 years old and counting, the TV series has carved its niche into pop culture. Most of today's high school students hadn't been born when The Simpsons debuted as filler on Tracey Ullman's variety show. It's no longer as fresh, as acerbic, and as popular as it once was, but could one expect anything else from a show that has turned out about 400 twenty-two minute episodes? It is a little odd that it has taken so long for The Simpsons to make the transition from the small screen to the big one; there has been talk about a movie since the mid-'90s. While nothing in this motion picture quite matches the television series at its early best, this is more of a throwback than a throw-away. It's wittier and more energetic than anything that has appeared on FOX in quite a few years.
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One Man's Treasure
I learned about this film while perusing the schedule for byutv.org for Sunday, April 3, 2011.
I’ve never seen this movie, I don’t know that I ever will. But, while not commenting on the review itself, I completely agree with the title of a user review that was posted about this film on www.imdb.com: “Poorly disguised movie about religion”.
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Bachelor Party Vegas
Another typical Road Trip/American Pie retread, with plenty of horny guys, hot babes, and unbridled hedonism, Bachelor Party Vegas is a film so generic, even the title reveals the lack of originality. The usual sex gags are trotted out for the short duration, featuring a cavalcade of titillating situations and embarrassing moments for the protagonists to have to endure just to get laid.
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Original Sin is set in the late 19th century Cuba, and flashes back and forth a few times from the scene of a woman awaiting her execution on garrote while telling her story to a priest, to the actual events of that story.
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The Haunted Mansion
Jim Evers (Eddie Murphy) is a workaholic real estate agent who has little time for his family, wife Sara (Marsha Thomason), thirteen-year-old daughter Megan (Aree Davis), and ten-year old son Michael (Marc John Jefferies). After missing his own wedding anniversary to seal a business deal, Jim promises his family to go on a weekend away to a nearby lake. Sara is contacted by the occupants of the Gracey Manor, located in the bayou swamps of New Orleans, and an eager Jim drags his family along to do business at the house. They meet Master Edward Gracey (Nathaniel Parker), his stern butler Ramsley (Terence Stamp), and other staff Emma (Dina Waters) and Ezra (Wallace Shawn). Master Gracey invites the family to stay the night when a rainstorm floods the nearby river. Jim is taken to the library by Ramsley, Jim becomes trapped in a secret passageway. Michael and Megan encounter a "ghost ball" which leads them to the mansion's attic where they find a portrait of a woman resembling Sara. Sara meets Master Gracey who explains that his ancestor's lover Elizabeth Henshaw (Marsha Thomason) seemingly committed suicide via poison, and his ancestor followed suit via hanging.
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The Conclave is a courtroom style drama that takes place in Rome in 1458, five years after the fall of Constantinople to Islam. It follows the story of twenty-seven-year-old Cardinal Rodrigo Borgia as he fights to save both his career and his life in his first papal conclave.
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Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy Fat Dog Baker wanders into Fritzs office one day, flashing a wad of cash, Fritz is hired to follow Fat Dogs kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that Solly K is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force. But what is Cathcart doing in business with a mobster? And why is Jane shacked up with a man old enough to be her grandfather? Fritz starts asking some questions, and the answers are all bad news. Fritz finds himself back on Haywood Cathcarts short list, and as the bodies start to pile up around him, Fritz stands to lose more than his job this time around as some old debts get repaid.
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Ten years after the war, West Germanys market economy is booming. Into an unnamed city thats rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. Hes smitten by Marie-Louise, a single mother whos his landladys daughter. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohms projects. When von Bohm discovers Marie-Louises real vocation and looks closely at Schuckerts work, will this social satire play out as a remake of Blue Angel, a visit of Chekhov to West Germany, or an update of Jean Renoirs Rules of the Game?
In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control - mind and body.