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It feels as if years have passed since I first heard about Fanboys. Once it fell under the purview of the Weinsteins there were reported orders of cuts, edits, and re-shoots, along with an ever-delayed release date. I had long since given up on the possibility of seeing it on the big screen, completely expecting to see it pop up on the DVD release schedule some random week. Well, color me surprised when I saw it actually arriving on the big screen, albeit in severely limited release. Consider me officially excited to find that one of those few theaters is not too far from me. The only question left was whether or not it would live up to expectations, considering the delayed schedule and the decidedly geeky nature of its subject matter.
Scusa ma ti chiamo amore
This number-one smash-hit romantic comedy from writer and first time director Federico Moccia stars heart-throb Raoul Bova (Facing Windows). Moccia, a writer who has won the hearts of Italy’s young readers, moves behind the camera for the first time to transform into film his bestselling novel (over 850,000 copies sold in Italy), Sorry if I Love You.
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In 1998, Bobby and Peter Farrelly pushed the raunchy comedy envelope with their breakout hit, There's Something about Mary. Since then, two things have changed: the Farrelly Brothers have become softer (Exhibit A: their PG-13 2005 romantic comedy, Fever Pitch) and the hard-R comedy genre has made There's Something about Mary look like a Disney movie. Hall Pass represents the Farrelly Brothers' stab at regaining the crown they lost more than a decade ago and, to do so, they have pulled few tricks from Judd Apatow's playbook. That means making sure there's an element of sweetness to be found underneath the fecal matter, bodily fluids, pot brownies, and naked dicks. Some of the material in Hall Pass is just plain gross, but some of it is damn funny. The shock value is much higher than in There's Something about Mary but, perhaps surprisingly, there's an element of relationship insight in the screenplay. No one is going to mistake Hall Pass for an existential, introspective French drama, but there's a little more to this movie about love, marriage, and monogamy than one might glean from the trailers.
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One of the positive qualities often attributed to movies in which Judd Apatow claims involvement (here, he's listed as a producer) is that, beneath all the raunchiness and profanity, lies a core of sweetness. It's the Tootsie Pop philosophy of R-rated comedies. Bridesmaids contains many of the common characteristics of Apatow movies, as filtered through the pens of screenwriters Kristen Wiig and Annie Mumolo and the directorial stewardship of Paul Feig. However, at the center lies not a pleasurable confection but the bitterest bile. Bridesmaids is bipolar filmmaking at its most disconcerting, with changes in tone so abrupt that they can cause whiplash. In part because of this and in part because the writing is often lazy and self-indulgent, the movie rarely works. The setup is ripe for a black comedy but the movie never fully embraces the darkness and the level of humor is on par with the limp skits for which Wiig is responsible on Saturday Night Live.
Rarely has the question "What the hell?" been more appropriate. An uneven amalgamation of the brilliant and the preposterous, Constantine left me by turns intrigued, confused, and wary. The recipe calls for some ingredients that are compelling, others that are audacious, and others that are downright maddening. With a bold, dynamic visual style that fuses film noir elements with traditional horror motifs, Constantine can be considered many things, but dull is not amongst them. This is not a timid film, yet it's not an entirely successful one, either.
Michael Haneke's The White Ribbon, which won the Golden Palm Award at the 2009 Cannes Film Festival, is the quintessential art film: slow, demanding, and rewarding for those willing to put forth the intellectual effort necessary to puzzle out its ambiguities. Set in a small German village on the eve of World War I, the movie explores themes that fit in with Haneke's dark view of human nature (as seen in his other films, particularly Funny Games). The film is about the corruption of innocence and how those who foster such corruption can reap the ugly fruits of their labor. The White Ribbon also argues that "righteousness" can be little more than a cloak of disguise - some of the most apparently upright individuals are those with the deepest moral desiccation.
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Yeti: Curse of the Snow Demon
A college football team's plane crashes in the Himalayas. The survivors have only three energy bars for food. Finding a trail of blood, Garcia and Andrew find a cave that turns out to be a Yeti's lair. Garcia escapes, but the Yeti devours Andrew. Soon afterward, Sarah sees one of the corpses being dragged away, but Peyton ignores her.
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Henry Perkins, a mild-mannered accountant, accidentally trades briefcases with another man, to find out that theres five million dollars inside. Henry tells his unsuspecting wife of their new-found fortune, but she doesnt embrace it as well as he does. Soon theyre joined by their best friends, a cop on the take, a cop on the hunt, and the dreaded Mr. Big, who has come to claim his million dollars.
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Battleground aka Skeleton Lake
Skeleton Lakes plot synopsis Six ruthless bank robbers encounter someone far worse. Six bank robbers become stranded in a off the grid forest when their vehicle goes missing during the planning of their escape from the police...
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Born in East L.A.
Rudy is an American of Mexican descent who is caught up in an immigration raid on a factory. Deported to Mexico as an illegal immigrant, he has no way of proving that he is in fact an American citizen, and is forced to rely on his cunning to sneak his way back home.
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I Can't Think Straight
In the upper echelons of traditional Middle Eastern society, Reema and Omar prepare for the marriage of their daughter Tala. But back at work in London, Tala encounters Leyla, a young British Indian woman who is dating Talas best friend Ali. Tala sees something unique in the artless, clumsy, sensitive Leyla who secretly works to become a writer. And Talas forthright challenges to Leylas beliefs begins a journey of self-awareness for Leyla. As the women fall in love, Talas own sense of duty and cultural restraint cause her to pull away from Leyla and fly back to Jordan where the preparations for an ostentatious wedding are well under way. As family members descend and the wedding day approaches, the pressure mounts until Tala finally cracks and extricates herself. Back in London, Leyla is heartbroken but learns to break free of her own self-doubt and her mothers expectations, ditching Ali and being honest with her parents about her sexuality. When Ali and Leylas feisty sister Zara help throw Tala and Leyla together again, Tala finds that her own preconceptions of what love can be is the final hurdle she must jump to win Leyla back.
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Kicking & Screaming
Family man Phil Weston, a lifelong victim of his fathers competitive nature, takes on the coaching duties of a kids soccer team, and soon finds that hes also taking on his fathers dysfunctional way of relating...
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Life Is Hot in Cracktown
Based on the 1993 best-selling novel by Buddy Giovinazzo, LIFE IS HOT IN CRACKTOWN shows the gritty, hard realities of a neighborhood, as well as the struggling, proud people who attempt to survive. The intertwining stories come together in a powerful climax of love and salvation, showing that despite the obstacles of life in the inner-city, humanity and hope can still prevail.
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Amid a strict Muslim rearing and a social life hes never had, Tariq (Evan Ross) enters college confused. New peers, family and mentors help him find his place, but the 9-11 attacks force him to face his past and make the biggest decisions of his life.
Man to Man
1870. Dr. Jamie Dodd is elated he has finally succeeded in capturing not one, but two pygmies. He brings them to Scotland with the help of Elena Van den Ende, an adventurous woman who sells wild animals to the zoos of Europe. His two anthropologist friends, Alexander and Fraser, and himself are certain they have discovered the missing link, which will make them famous. They start examining the pygmy couple from every angle and Jamie gradually discovers that Toko and Likola are just as sensitive and intelligent as any other homo sapiens. His two colleagues strongly reject this idea as it is glory they are after not the truth. Will Jamie be able to prove the two short people are genuine human beings and not freaks to be shown in a zoo?
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No Time to Fear
The most frightening thing about turning a new leaf is discovering death is just around the corner.
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