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Year One, directed by Harold Ramis and produced by Judd Apatow, follows Zed (Jack Black) and Oh (Michael Cera), a hapless pair of Paleolithic hunter-gatherers who embark on the world's first road trip. Zed deems himself "Chosen" by God after he eats the forbidden fruit from the Tree of Knowledge. Banished from their primitive tribe, the two embark on a journey to find out what life is all about, encountering several Old Testament figures along the way.
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Last year, I wrote a rather scathing review of Saw V because, well, because it was an awful movie that sticks out like a sore thumb in the series. Tonight at midnight I watched the follow-up to that ignoble effort, and I walked out of the theater with a smile on my face. The gore is great, the weight of the drama is good, and the franchise has been redeemed.
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On three occasions during the last two centuries, days have been referred to as "Bloody Sunday". The first, on November 13, 1887, happened in London when police violently disrupted a meeting of socialists in Trafalgar Square. The second, on January 22, 1905 in St. Petersburg, Russia, occurred when a group of peaceful demonstrators was massacred (precipitating the 1905 Russian Revolution). The third, on January 30, 1972 in North Ireland's city of Derry, resulted in 13 deaths and 14 injuries when the British military opened fire on a Civil Rights march. The events of that third Bloody Sunday mark the territory explored by Paul Greengrass' motion picture.
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Palindromes, the fourth feature from Todd Solondz, makes me wonder whether this director only had two good films in him. A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick. In an attempt to do something "artistic," Solondz uses eight different actresses to play his 12-year old protagonist, Aviva. The idea, I suppose, is to challenge the audience into looking beyond the body type and skin color, and to recognize that the core of an individual never changes. It's a juvenile, simplistic, and embarrassingly literal device, and it dooms any hope of character identification.
There are two kinds of viewers for The X-Files movie: those have seen at least a few episodes of the TV series and those who have never watched it. I am a member of the latter group, so that's the perspective from which this review is written. As a result, I cannot assess how the film will appeal to a die-hard follower of the program. But, for the "uneducated" movie-goer, The X-Files offers two hours of solid entertainment. (Of course, one unanswered question is how many non-X Files aficionados will exhibit sufficient interest to venture into a theater showing this picture.)
Anyone who saw Todd Solondz's breakthrough feature film, Welcome to the Dollhouse, has the kernel of an idea about what to expect from the director's latest effort, the ironically-titled Happiness. Welcome to the Dollhouse is a dark comedy that takes an uncompromising look at the life of a socially unpopular adolescent girl. The film's hallmark is that it does not romanticize the lead character - she is as unpleasant as her tormentors. And, although the movie is a grim experience, it offers plenty of laughs, many of which are mean spirited. Watching Happiness is much the same kind of undergoing, only more intense. Consider Dollhouse the appetizer to Happiness' entree.
The Age of Stupid
The film begins in the year 2055 in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archive footage from back "when we could have saved ourselves", trying to discern where it all went wrong. Amid news reports of the gathering effects of climate change and global civilisation teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people in the present, and switch the film's narrative form from fiction to fact. The people who feature are:
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There are five story lines which are presented in in a non-linear and non-chronological fashion. Some of the events are shown multiple times from different perspectives. Impressions are created of characters, positive and negative, which, subsequently, turn out to be incorrect. A young Israeli Arab boy, Nasri, who lives in the Ajami neighborhood of Jaffa, narrates the film.
The White Buffalo
In this strange western version of JAWS, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy, makeshift taverns freezing, slaughterhouse-like frontier towns and beautifully desolate high country - before improbably teaming up with a young Crazy Horse to pursue the creature.
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15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fianc, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fianc. Mike becomes increasingly desperate to have Susan for himself, with tragic results.
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In this made for TV film, an enormous and angry bigfoot creature begins to terrorize a Colorado Ski Resort during a winter carnival, by eating several skiers. At first everyone insists it is just a bear, until ski patrolman Tony Rill sees a white shadowy beastly shape disappearing into the woods. Although Tonys grandmother Mrs. Carrie Rill, who owns the Ski Resort and the town sheriff, Sheriff Paraday disagree, it soon becomes clear when the creature finally attacks the town.
An opera based on the life of celebrity and actress Anna Nicole Smith.
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Gilmore Girls - Season Four
The series explores issues of family, friendship and romance, as well as generational divides and social class. Ambition, education and work also form part of the series central concerns, telling Lorelais story from pregnant teen runaway and high school dropout to co-owner and manager of the Dragonfly Inn. Rorys transition from public school to the prestigious preparatory school, Chilton, is similarly followed by the series, exploring her ambition to study at an Ivy League college and to become a foreign correspondent. The shows social commentary manifests most clearly in Lorelais difficult relationship with her wealthy upper-class parents, Emily and Richard Gilmore, and in the interactions between the students at Chilton, and later, Yale University.
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In Their Footsteps - Season One
For nearly 70 years, his family never really knew what happened to Tommy - a remarkable story of endurance and mateship, of courage and cruelty. Now, his great niece, Julie Bryce, will discover the truth.
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Journey to the End of the Night
In a dark and decadent area of So Paulo, the exiled Americans Sinatra and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a little son. When a client is killed by his wife in their establishment, they find a suitcase with drugs. In the night that they have scheduled a negotiation with African buyers, their African liaison dies while having sex with the travesty Nazda. Sinatra proposes to the Nigerian dishwasher of the brothel, Wemba, to travel to the harbor of Santos, close the business with the drug dealers and in return he would receive a large amount. Wemba accepts but while returning to his car in the harbor, he is attacked by two smalltime thieves and passes out. His lack of contact with Sinatra and Paul leads to a sequence of misunderstandings with a tragic end.
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A.M. the following morning, only one of them can remain alive. Whoever remains will be allowed to walk away with his or her life. However, if morning comes and more than one are still breathing, everyone dies. Friends and couples must test their trust, as the clock ticks away. Some will fight for love, some to survive but all will change, because deep down...were all killers.
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