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This review contains some SPOILERS. Predators is the latest variation on the classic short story The Most Dangerous Game where hunters become the hunted. Opening like a Saw film, a group of strangers wake up in a remote location to find themselves pawns in a deadly game devised by their mysterious captor. They must forge an uneasy alliance with each other if they're going to survive. This seemingly disparate group has one thing in common: they're all killers.
American mercenary Royce (Adrien Brody) is a lone wolf who nevertheless finds himself taking on a leadership role in the group. The other members include: Isabelle (Alice Braga), an Israeli military sniper; Stans (Walton Goggins), a convicted serial killer; Cuchillo (Danny Trejo), a Mexican drug cartel enforcer; Nikolai (Oleg Taktarov), a Russian special forces commando; Mombasa (Mahershalalhashbaz Ali), an African death squad member; and Hanzo (Louis Ozawa Changchien), a Yakuza enforcer. The only one who appears out of place is Edwin (Topher Grace), a disgraced doctor.
Walt Disney once held a monopoly on animated family flicks, but the death of Disney led to a long drought until “The Little Mermaid” appeared to resurrect the Disney franchise. However, after “The Lion King”, a series of failures left Disney waning until its partnership with Pixar studios.
“Haunters” offers a twist on the usual superhero tale, with Korean stars Kang Dong Won (“Secret Reunion”) and Ko Su (“White Night”) as two troubled men blessed with special powers facing off against each other in a deadly battle. The film marks the debut of Kim Min Suk, who previously scripted and worked as an assistant on director Kim Jee Woon’s wonderful kimchi Western “The Good, The Bad, The Weird”. Combining action, drama and a thoughtful exploration of what can turn a man into a monster, the film was a major commercial hit in Korea, holding onto the top box office spot for an impressive two weeks.
The film begins following Cho (Kang Dong Won, in his last film role before carrying out his army service), a young one legged man, twisted by a childhood of abuse, his parents having tried to kill him due to his having odd and terrifying mind control powers. Barely considering himself human, Cho keeps away from any kind of social contact, living by manipulating others with his psychic abilities. His quiet life comes crashing down when his path crosses with Kyu Nam (Ko Su), a simple though kind hearted man working in a pawn shop he tries to rob, who for some reason seems unaffected by his powers. After the failed heist results in the gruesome death of Kyu Nam’s father figure pawn shop owner (Byun Hee Bong, also in thriller “The Game”), he sets about bringing Cho down and making him pay for his crimes.
After a fatal crime is committed upon his wife and daughter, tough undercover cop John Hebron (Cuba Gooding Jr.) struggles to forgive himself for being unable to save them. Plagued by the past, he turns to the counsel of Father Porter (Christian Slater) who has recently experienced his own problems when the church’s holy Mary statue falls into the hands of hoodlum vandals. When on-the-run criminal Mike (Devon Bostick) tries to rehabilitate his life for the sake of his little sister, he entrusts each man with something that will change their lives forever.
The Kid is a true story of one who rises from abject poverty to stability and success, although it is not the typical Hollywood rags to riches tale.
The opening sees Kevin (Rupert Friend in a cagey nuanced performance) thrown out of the back of a van, hobbling towards a filthy bedroom as the credits are projected on each surface as graffiti. He attempts suicide with a smattering of pills, washing them down with spirits, he reflects on his life; his earliest memory of abuse. As a child right through adulthood Kevin is dealt a terrible hand and as he tries to survive and make something out of himself, things always get in the way, including the after-effects of his traumatic past.
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Chen Kaige's The Promise is a beautiful film, filled with stylized, CGI-enhanced foregrounds and backgrounds that look like they were lifted directly from fairy tale-inspired paintings. There's not much about the look of The Promise that's realistic, but that's part of its limited charm. Unfortunately, the other production elements cannot live up to the visual aspects. The over-the-top acting is forgivable, but the plot's incoherence is not. The movie appears to have been edited with pruning shears. Huge chunks of storyline have been lost. One key that something is wrong can be found by looking at the running length. The U.S. version is 102 minutes long. The original Chinese cut is 128 minutes. With nearly 25% of material eliminated, is it any wonder that The Promise often makes no sense?
There are also problems with character identification, although these could also be attributable to the editing. Whatever the cause, however, the movie fails to present protagonists who are sufficiently fleshed out for us to care about them. Everyone in The Promise is a cardboard type. The characters are supposed to be caught in the grasp of an epic tragedy, yet the film proves unable to generate an emotional response in the viewer. We are enraptured by how everything looks, and care very little about the men and women moving through this panorama.
Towelhead is a victim of the economics of movie-making. Despite being a critical success at the 2007 Toronto Film Festival (where is played under the name of Nothing Is Private), Towelhead has languished on shelves for a full year. With Warner Brothers' decision to scale back on releasing "specialty" titles and concentrate on high-profile movies, Towelhead's potential release date was continually pushed back. Once, a long delay between initial public screenings and final release indicated a dysfunctional movie. That's no longer the case. Now, it's all about economics. (Witness Warner Brothers' decision to place Harry Potter and the Half-Blood Prince into an eight-month limbo.) Towelhead's tardy release and the lack of publicity surrounding its opening are more of a comment upon the studio's uncertainty about the film's bankability than they are an indication of its quality.
In addition to having real emotional resonance and dramatic sweep, Beyond Silence (Jenseits der Stille) is one of the best-acted motion pictures of the '90s. Inexplicably, despite being nominated, Beyond Silence did not win the Best Foreign Language Film Oscar, and it remains unclear how widespread its eventual North American distribution will be. Regardless, this is a motion picture that, given the opportunity, no movie-lover should miss.
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See No Evil
A ragtag group of juvenile delinquents assigned the task of cleaning up an abandoned hotel find out just how deadly community service can be when they are stalked by a monstrous, four-hundred-pound maniac with a grudge in director Gregory Dark's wrestling-infused survival horror flick. It was a mere four years ago that seven-foot menace Jacob Goodnight (WWE superstar Kane) was shot in the head and left for dead by a local police officer.
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Out of Time
Matthias "Matt" Lee Whitlock (Denzel Washington) is the respected chief of police in the small town of Banyan Key, Florida. And Matt has recently executed a successful and high profile drug bust that turned up $450,000 in drug money.
Although he enjoys his job, his drinking while on duty is an obvious flaw in his character, brought about in ways by his pending divorce from his wife, homicide detective Alex Diaz Whitlock (Eva Mendes). Matt is currently seeing local resident Anne Merai Harrison (Sanaa Lathan) -- whose husband Chris (Dean Cain), a former pro quarterback turned security guard, abuses her.
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It's All About Love
The time is out of joint its July, 2021, but snow falls in New York City, people freeze in Uganda, gravity has lost its power in parts of Africa, and hearts give out suddenly. John, an academic on his way to Calgary, stops in New York to meet his wife Elena, a world-renowned skater, at the airport for a quick signing of divorce papers. Instead, she sends bodyguards who take John to her hotel where he catches whiffs of a plot that may place her in mortal danger. Can he trust her brother, Michael? Meanwhile, his own brother, Marciello, circles the globe in a plane observing the onset of global winter. Is there a corner of the world where love is safe?
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In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female soldiers show the hostility to the enemies that have killed their husbands, families and friends only Dr. Natalia and the cook treat the prisoners with dignity. Natalia has an agreement with Commander Pavlov to keep her former lover, who was wounded on the head during the war and is slow, in the camp instead of sending him to an institution in Siberia. Pavlov assigns Natalia to disclose members of the SS infiltrated in the group of prisoners. Natalia and the prisoner Max feel a great attraction for each other while the prisoner Klaus tries to convince Max to denounce a couple of prisoners to satisfy the Russian. Natalia convinces the businessman Yakov to organize an orchestra with the prisoners they are invited to play in a ball...HD 1080p PC, Mac, PS3 and XBOX 360 COMPATIBLE
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O Brother, Where Art Thou?
In 1937, Ulysses Everett McGill (George Clooney), Pete (John Turturro), and Delmar O'Donnell (Tim Blake Nelson) escape from a chain gang at Parchman Farm and set out to retrieve the $1.2 million in treasure that Everett claims to have stolen from an armored car and buried before his incarceration. They have only four days to find it before the valley in which it is hidden will be flooded to create Arkabutla Lake as part of a new hydroelectric project. Early on in their escape, they try to jump onto a moving train with some hobos, but fall off due to Pete's inability to get on. They then encounter a blind man (Lee Weaver) traveling on a manual railroad car. They hitch a ride, and he foretells their futures.
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Life in Flight
While collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.
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Mother and Child
A drama centered around three women A 50-year-old woman, the daughter she gave up for adoption 35 years ago, and an African American woman looking to adopt a child of her own.
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National Lampoon's Dirty
An outrageous cut-rate producer, Charlie LaRue (Christopher Meloni) is about to fulfill his lifelong dream to make a movie about the most offensive, dirtiest jokes ever told. As Charlie and his filmmaking team hilariously struggle to write a script and assemble their award-winning cast, the movie-within-a-movie emerges with one dirty joke after another. Only one can take the crown for writing the dirtiest joke ever told and Charlie will do whatever he can to be that king.
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