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Walt Disney Animation once again embraces traditional "princess" fare with Tangled, a cheeky retelling of the Brothers Grimm fairy tale, Rapunzel. In this more action-oriented musical comedy, Rapunzel (voiced by Mandy Moore) is a princess who was abducted as a baby and raised as a virtual prisoner in a remote castle by the evil witch, Mother Gothel (Donna Murphy). Rapunzel boasts 70 feet of magic, golden hair -- hair that keeps Mother from aging.
The Lincoln Lawyer
Having seen new legal drama The Lincoln Lawyer at the weekend, I was pleasantly surprised.
Based on the best-selling Michael Connelly novel, Matthew McConaughey puts in a career-best performance as charismatic lawyer Micky Haller. He chooses to deal with the ‘scum’ of Los Angeles by working out of the backseat of his chauffeured Lincoln Continental with a licensed plate that reads NTGUILTY; which is a situation he never finds any of his clients in. Subsequently this leads us to ask the question - has he forgotten his morals as he defends everyone from bikers to drug-dealers across the notorious city of L.A.?
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Note: I suppose the official title of the movie is Tim Burton's Corpse Bride, presumably to distinguish it from William Shakepeare's Corpse Bride or Jane Austen's Corpse Bride. The wordiness seems silly so, for the purposes of this review, the film will be referred to simply as Corpse Bride.
When it comes to animation these days, it's all digital. So leave it to Tim Burton to buck the trend. Since the release of his popular collaboration with Henry Selick, The Nightmare Before Christmas, fans have been clamoring for a sequel. Although Corpse Bride doesn't precisely fill that need, it scratches the itch. Selick was not involved in the production (Mike Johnson, who previously worked on the animation teams of both The Nightmare Before Christmas and James and the Giant Peach, fills the gap), which supposedly took ten years to complete, but you would never know it. And the animation, which is stop-motion rather than computer generated, looks wonderful. The story is off the beaten path, but it's not as bizarre as Burton sometimes gets (despite indications to the contrary, there's no actual necrophilia). It is suitable for all but the youngest viewers.
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49 Up continues Michael Apted's extraordinary Up Series, which began 42 years ago in 1964 with Seven Up and has continued every seven years since. The latest (and hopefully not the last) installment progresses as expected, with updates on the lives of those interview subjects who are still participating. Seeing each new segment of the Up Series is like spending time with old friends. We're interested to see what has happened to them in the past seven years. There's an element of voyeurism to this, but it's more than that. Whether we actually "know" these individuals or not is beside the point; we feel we do, and this enriches the experience of watching the most ambitious documentary project ever committed to celluloid.
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Planet of the Apes
This remake of the 1968 film, Planet of the Apes, has been on the drawing board for a long time. When it was first mentioned as a serious project (rather than just the figment of Apes fans' imaginations), the two prominent names attached to it were director James Cameron (pre-Titanic) and Arnold Schwarzenegger. For a while, Cameron appeared serious about making the film (if not as the director, then as a producer), but, along came Titanic and a flood of Oscars, and Planet of the Apes was placed so far on the back burner that it was, for all intents and purposes, near death and burial. Enter Tim Burton, who came to Planet of the Apes with a new vision and his own ideas of how the franchise could be revived for a '00s audience. Under Burton's stewardship, Planet of the Apes was re-born, and, 33 years after the first version of Pierre Boulle's novel reached screens, the apes are back.
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State and Main
State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glenn Ross, American Buffalo), surprised movie-goers last year with his stately and effective cinematic adaptation of The Winslow Boy. A clear departure for Mamet, The Winslow Boy allowed him to silence those critics who had pigeonholed him. Now, with State and Main, he travels into territory in which he has dabbled as a writer, but never as a director. And, while the film returns Mamet to the familiar terrain of the R-rated picture, this genial comedy does not feature any of the profanity-loaded diatribes that have characterized many of his previous efforts.
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The Astronaut's Wife is the latest demonstration of how a good "high concept" does not necessarily translate into a decent motion picture. With its Invasion of the Bodysnatchers-inspired storyline, this movie could have been an effectively creepy science fiction/horror movie, but a lazy script and howlingly bad dialogue sinks the project. In the process, several potentially rich opportunities and a pair of credible lead performances are wasted. To its credit, The Astronaut's Wife isn't interested in telling a "standard," big budget alien invasion story (such as the one presented in Independence Day). Instead, it wants to keep things low-key, like in The Arrival, with a dash of Contact thrown in for good measure. It also avoids the Species approach of throwing copious gore, sex, and violence at the audience (although the film could have used a little more of each to liven things up). The problem is that the mix of ingredients are in the wrong proportions. So, instead of getting thought-provoking science fiction, we're stuck with something that's bizarrely paced and occasionally cheesy.
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Featuring nine animated shorts set in and around The Matrix, written and directed by the cream of Japanese anime creators, with the Wachowski brothers' blessing, The Animatrix arrives with a weight of expectation similar to Reloaded.
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See No Evil
A ragtag group of juvenile delinquents assigned the task of cleaning up an abandoned hotel find out just how deadly community service can be when they are stalked by a monstrous, four-hundred-pound maniac with a grudge in director Gregory Dark's wrestling-infused survival horror flick. It was a mere four years ago that seven-foot menace Jacob Goodnight (WWE superstar Kane) was shot in the head and left for dead by a local police officer.
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40 Days and 40 Nights
Matt Sullivan (Josh Hartnett) and his roommate, Ryan (Paulo Costanzo), are co-workers at a the San Francisco dot-com company. Matt is obsessed with his ex-girlfriend, Nicole (Vinessa Shaw), who has just gotten engaged. He confides to his brother, John (Adam Trese), who is training to become a Catholic priest, that he has sexual problems because of his obsession. Matt vows to go without sex for 40 days and 40 nights for Lent. John warns Matt that celibacy is not easy, and Ryan starts a popular office pool to bet on how long Matt can last.
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Candles on Bay Street
DeeDee returns to her hometown with her 11 year old son, Trooper, 13 years after she ran off with her boyfriend. Her childhood best friend, Sam, is now married and he and his wife, Lydia, are the towns veterinarians. Lydia is a little wary about DeeDee after Sam tells her that they were best friends growing up and DeeDee was his first crush. But DeeDee and Trooper find their way into many hearts of the townspeople with their sweet helpfulness and friendships. DeeDee sets up a candle making business in town square and invites many of the ladies of the town to weekly candle making parties, and through these parties she and Lydia become good friends. One evening after dinner with Lydia and Sam, DeeDee tells Sam shes very sick and she doesnt have much longer to live and she needs his help to find a good family in town to adopt Trooper. Sam later tells Lydia everything and they decide to adopt Trooper themselves ifwhen something happens to DeeDee.
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You Kill Me
Frank Falenczyk (Ben Kingsley) is a hit man for his Polish mob family in Buffalo, New York. He has a drinking problem, and when he messes up a critical assignment that puts the family business in peril, his uncle Roman Krzeminski (Philip Baker Hall), head of the family, sends him to San Francisco to clean up his act. He is forced to accept a job at a mortuary, and go to Alcoholics Anonymous meetings, where he confesses his job, explaining that he wants to be free of his drinking problem because it's affecting his ability to kill effectively. He falls in love with Laurel Pearson (Téa Leoni), a quirky client he meets at the funeral home. Meanwhile, an upstart Irish mob threatens the family snow-plowing business. When violence erupts, Frank returns home to face the old rivals on new terms. With assistance from Laurel, he manages to suppress his family's adversaries, killing the mob's leader and disbanding the Irish posse.
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Alexis "Lexie" Winston (Lynn-Holly Johnson) is a young girl from a small town who dreams of becoming a champion figure skater. Her high-school sweetheart, Nick (Robby Benson), dreams of being a hockey player.
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When Love Is Not Enough: The Lois Wilson Story
Lois Wilson was a woman of great inner strength and determination. Together, Lois and Bill Wilson started movements that have helped millions of people around the world. And together, theyve given the world an inspiring love story. The two met and fell in love, then married following Bills returm from WWI. Despite concerns over Bills drinking, Lois believed he was destined for greatness. She believed her love and support would eventually persuade Bill to quit drinking. When he finally attained sobriety, he poured his time and energy into helping other drunks, which led to the founding of Alcoholics Anonymous. Lois felt resentment that her patience and devotion were not acknowledged. When she discovered the wives of other alcoholics experienced the same anger and frustration, Lois learned her own experience could be invaluable in helping families of other problem drinkers. This was the beginning of Al-Anon. Learn more about Bill and Lois Wilson in the DVD, MY NAME IS BILL W.
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Kicking & Screaming
Family man Phil Weston, a lifelong victim of his fathers competitive nature, takes on the coaching duties of a kids soccer team, and soon finds that hes also taking on his fathers dysfunctional way of relating...
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At an institute in Manila, researchers and eco-tourists trade stories about the Mara tribe, who live on a remote island and have an annual festival of rebirth in which some of the tribe forget who they are and begin again. Laure is the daughter of the institutes director shes a free spirit who has captured the fancy of Nicola, a European photographer. After a courtship in which the voyeuristic Nick indulges Laures exhibitionism and sexual freedom, they set off for Mara land with Gualtier, an anthropologist, and his philosophical lover, Myrte. As they approach the Mara on the night of rebirth, who of the group will actually join the tribe to begin life anew?