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The Virginity Hit
The idea of a bunch of high school teens trying to get laid was a surprisingly refreshing convention when American Pie reused it back in 1999. The film updated the classic teen sex comedy formula and offered a delicate balance of raunchy and sweet, caring not only about our male leads, but their female lovers – whose needs were just as important (if not more so) as the men.
Now, more than 10 years later, things have most certainly changed. The teen sex comedy feels drained once more – worn out and often just filled with mindless sex, nudity, drug use and crass behavior. Some of it is funny, but most films fail to deliver anything of note. The only filmmaking team that really seems to find success in the genre is the Apatow gang, but even they've branched off from the genre, focusing less on films like Superbad and The 40-Year-Old Virgin, and sinking deeper into more mature films. Director Greg Mottola (who also directed Superbad) had some fascinating and poignant observations in Adventureland, but that film failed to garner much interest.
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Roman de gare
Claude Lelouch’s “Roman de Gare” is a thriller, a murder mystery and a somewhat self-conscious literary puzzle. All of that is entertaining enough, if a bit preposterous and overdone, but the twists and convolutions of the film’s beginning and end enable a middle that is dizzying domestic comedy.
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Day of Wrath
Blending austere black-and-white visuals with vigorous symbolism and dour psychological scrutiny, Carl Dreyer's searing, pessimistic masterpiece possesses real emotional wallop.
Set in 17th-century Denmark, the action begins with a pious parson (Thorkild Roose) sending a `witch' to her fiery death. The old hag curses her persecutor - and his life rapidly crumbles as his new young wife (Lisbeth Movin) falls for his handsome son (Preben Lerdorff). Their incestuous bond tips the clergyman into a premature grave, causing the pastor's mean-spirited mother to label her adulterous daughter-in-law a sorceress...
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Center Stage proves that all the sports movie cliches can be as successfully applied to ballet as to baseball, basketball, football, boxing, ice skating, skateboarding, karate, etc. With a plot that is constructed entirely out of formula situations and familiar plot elements, Center Stage feels like a rerun of Flashdance grafted onto The Cutting Edge. The only thing that differentiates this movie from anything to come before it is the meticulous attention to detail when it comes to the dance sequences, which are impeccably choreographed and presented in their entirety, with minimal cut-aways and other camera tricks. Of course, for those viewers who are hopelessly bored by ballet (a group which includes a majority of men and a percentage of women), this will be seen as a negative characteristic used only to pad out the running time (which, without these sequences, would have been a half-hour shorter).
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As appealing as Alicia Silverstone is (and she possesses that ethereal "star quality" which is sadly lacking in many of today's up-and-coming performers), her presence can't quite elevate this breezy comedy to the level of a modern classic. A contemporary reworking of Jane Austen's Emma that is part pop satire and part teen comedy, Clueless shows its unevenness early, overcomes some flaws through vivacity and likability, then runs out of steam during the second half. Better than, but still similar in tone to The Brady Bunch Movie, this film contains its share of delightful scenes, but it's debatable whether there are enough to justify a feature-length running time. Charm this thin starts to wear off before the running length has expired.
Far from of delivering three-alarm fire action, this smoke-filled disaster movie barely smolders. When fire captain Jack Thomas (John Bradley) isn't hunting for arsonists with police detective Al Denning (Ice T), he's shepherding his crew through assorted emergencies. Jack is on the outs with his brother, fire inspector Andrew
Very few westerns have dealt with the Florida-based Seminole Indians, and the bulk of them appear to have been made in the mid-1950s. Following Distant Drums (1951), the subject was explored to varying degrees in Seminole (1953), War Arrow (1953), Shark River (1953), Seminole Uprising (1955) and Naked in the Sun (1957).
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Ghost in the Shell
The year is 2029. The world has become intensively information oriented and humans are well-connected to the network. Crime has developed into a sophisticated stage by hacking into the interactive network. To prevent this, Section 9 is formed. These are cyborgs with incredible strengths and abilities that can access any network on Earth.
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The Chronicles of Riddick
So says a character named Aereon in the opening moments of "The Chronicles of Riddick," a futuristic battle between a fascist misfit and a fascist master race. The opening shot shows a gargantuan steel face that looks like Mussolini after a facelift, and when the evil Necromongers rally to hail their Lord Marshal, it looks like they've been studying "The Triumph of the Will."
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Max Manus: Man of War
An explosive, adrenaline pumping thrill-ride from start to finish, this is the incredible true story of Max Manus - leader of the irrepressible Oslo Gang, whose urban guerrilla war against occupying Nazi Germany helped free their country and establish Max as a living legend. Stunning visual effects combine with an engrossing, absorbing and uniquely moving storyline that will leave you in no doubt that this is one of the greatest war movies of all time.
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Chad (Elliot Olson) is snowboarding down a mountain, when suddenly someone dressed in all black on Ski's attacks him. Chad attempts to get away, but is decapitated by a piece of wire strung up between two trees.
If youre Popeye, then your trusty flask of Liquid Courage is your spinach, making women easier to talk to and standards a thing of the past. The only difference is that Popeye didnt risk waking up the next morning with the clap.
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The Lost City
Fico Fellove (Andy García) is the owner of El Tropico, a swank nightclub in late 1950s Havana. Fico lives for his family and his music, but the harsh realities of dictator Batista’s regime threaten to destroy both. Brother Ricardo (Enrique Murciano) becomes a Communist while brother Luis (Nestor Carbonell) joins the democratic opposition. His father Federico (Tomas Milian), a well-respected university professor, believes that Batista should be replaced by constitutional means.
When Ricardo is arrested for anti-regime activities and threatened with execution, Fico calls upon an old prep school friend, now a police captain (Captain Castel, played by Steven Bauer), for help. Due to the intercession of Captain Castel, Ricardo is released from jail. Although Fico suggests that Ricardo should go to Miami or
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Dr. Anna Fugazzi is a young, attractive psychologist with a loving and devoted (albeit freakish) boyfriend, plenty of stimulating friends, and a bright future ahead of her. But beneath her perfect life and calm exterior lies a deadly secret that she herself cannot imagine, much less confront!!! There is a delicate balance between reality and illusion, between conscious and the subconscious, and for Dr. Fugazzi, the truth lies somewhere in between the beauty of her present life and the horror of the not-too-distant past!!! Shocked by hallucinations and deadly images, tantalized by familiar, eerie voices, provoked by her deranged and knowing patients, and daily nightmares that awaken her in a strange, white room, Dr. Fugazzi takes an inhuman journey into her very psyche!!!!
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A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A friend gives him a dog named Jerry Lee, who has been trained to smell drugs. With his help, Dooley sets out to put his enemy behind the bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooleys car, house and sex-life...