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You need only look at a film like 'The Losers' to see the pervasive influence of filmmakers like Zack Snyder and Robert Rodriguez. Their approach to comic book and graphic novel adaptations have in many ways set the textbook standard for bringing these often complex narratives to screen in a creative and satisfying manner – and 'The Losers' adds yet another film to the growing list of solid, mostly satisfying adaptations.
Originally a DC Vertigo release comprising 32 issues from writer Andy Diggle and artist Jock, 'The Losers' is very much a homage to 80s-era action movies. The story plays with an 'A-Team'-style band of hardened and uniquely skilled mercenaries who are forcibly cut free from their duties after being betrayed by their own government. After faking their own deaths, the five rogues set about taking down the man responsible: a smarmy and ruthless government suit, 'Max'.
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The Diving Bell and the Butterfly
Julian Schnabel has made three feature films: “Basquiat,” “Before Night Falls” and now “The Diving Bell and the Butterfly.” All are biographical, examining the lives of real people, and in each case the protagonist struggles with a condition of literal or metaphorical imprisonment. Jean-Michel Basquiat, Mr. Schnabel’s younger colleague in the New York art scene of the 1980s, is trapped by addiction and by his outsider status. Reinaldo Arenas, the gay Cuban poet whose memoir was the basis of “Before Night Falls,” is censored, harassed and locked up by successive dictatorships.
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Calling Bug a "horror" film may be misleading. Although the movie includes some of the trappings genre fans would expect - including a moment of gore that will cause some viewers to turn away from the screen - it's more of a psychological drama. It's also very strange, although I suppose that's only to be expected considering that the film is adapted from a play about two characters who spend most of their time inside a motel room feeding off each other's paranoid delusions (not the most delectable entrée). Bug is creepy and hard to dismiss, but it's not a lot of fun and its weaknesses leave a bitter aftertaste.
The most noteworthy thing about The Last Broadcast has nothing to do with The Blair Witch Project (more about this later). Instead, although most movie-goers are probably unaware of this, The Last Broadcast became the first feature-length motion picture ever to attain theatrical distribution without having been transferred to celluloid. The movie, which was made on video for a paltry $900, was beamed via satellite to the five U.S. theaters participating in its trial run, then projected using digital equipment. And, although The Last Broadcast didn't make a lot of money, it was nevertheless deemed a modest success. Without the significant cost associated with striking a 35 mm print, co-producers Stefan Avalos and Lance Weiler avoided going deep into debt in order to distribute their feature.
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When a Man Loves a Woman
The previews for When a Man Loves a Woman do this film an injustice. Heavy on poorly-edited melodramatic sequences, they give little inkling of the level of emotional honesty attained. Luis Mandoki's film succeeds not because it tackles alcoholism, but because it faces up to the trauma that eats away at the lives of the non-alcoholics in the family.
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It's not often that a slasher/thriller is released by a recognized distributor of art-house fare (in this case, Sony Pictures Classics), but that's the case with Mute Witness. Of course, it's somewhat unfair to pigeon-hole this movie by using the word "slasher", since that term conjures images of Friday the Thirteenth, and this picture aims considerably higher. In approach and execution, if not in content, Mute Witness belongs in the same category as another low-budget edge-of-the-seater: The Stepfather.
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Will you kill for a good story? If you are James Cooper, a 28 year old copy editor with dreams of literary stardom, you will. After all, your girlfriend was just crowned the voice of a new America by the New York literati, and you waste your days editing third-rate textbooks in a dreary Chicago basement. Your first book got panned. Your agent just dumped you. You have no future. But when your girlfriends corpse ends up sprawled beneath your bedroom window, you finally know what to write about. Crime Fiction is the story of murder, betrayal and outrageous artistic fortune.
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Small Town Folk
There is a place... a place called Grockleton, wherein, high on a hill-top stands the lonely Beesleys Manor, governed by the villainous Landlord and his lowly male counterparts (Pooch, Pike and the diesel-swilling Dobbin). Always on the look-out for new female company to help carry on the Beesley name, the Landlord keeps a watchful eye over Grockleton and anyone who dares to enter his land. When three improbable heroes stumble unsuspectingly into the Beesleys realm they are cruelly snared into a menacing hunt and an unstoppable frenzy of heart racing mayhem! Will the Landlord triumph and collect his trophies (and maybe even a future bride?), or can the unlikely trio be victorious against him in his own game?
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The film takes place in a 1950s-esque alternate universe where radiation from space has turned the dead into zombies. This resulted in the "Zombie Wars", where humanity battled zombies to prevent a zombie apocalypse, with humanity the ultimate victor. The radiation still plagues humanity, as all those who die after the original contamination turn into the undead, unless the dead body is disposed of by decapitation or cremation. In order to continue living normal lives, communities are fenced with the help of a governing corporation named Zomcon. Zomcon provides collars with accompanying remote controls to control the zombies' hunger for flesh so as to use them as slaves or servants.
Beethoven's Big Break aka Beethoven's 6th
Eddie, a struggling animal trainer and single dad suddenly finds himself the personal wrangler for a large and lovable St. Bernard whose fabulous movie audition catapults the dog to stardom. However, a trio of unscrupulous neer-do-wells have plans to kidnap the famous dog and hold him for ransom
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Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his companys business dinner with a new important Japanese client. His brother sets him up with his wifes cousin Nadia, who is new in town and wants to socialize, but he was warned that if she gets drunk, she loses control and becomes wild. How will the date turn out - especially when they encounter Nadias ex-boyfriend David?
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For Love or Money
Doug Ireland is the concierge of a ritzy hotel in New York. He does what he has to to satisfy the hotels guests, by getting them what they need like jewelry, candy mints, and theatre tickets. He also tries to keep the manager from terminating Milton, the bellhop, who was been working at the hotel for more than half a century, who likes to think that the spirit of the hotels founder is still around. Doug wants to open his own hotel on Roosevelt Island. Now he has saved every cent he could to get an option on an old hotel. Now he has a matter of weeks to develop the hotel or else he will lose it. But to do it he needs at least 3 million dollars and his best chance to get it is Christian Hanover. While Hanover considers Dougs proposal, he asks him to take care of his girlfriend, Andy, a girl whom Doug has the hots for but is constantly turned down when he asks her out, cause she doesnt want to be two timing her boyfriend, Hanover. Now Hanover is married but says that he will divorce his wife and marry her. Doug doesnt exactly believe him but thinks that his hotel is more important and Andy can make her own decisions. But the more Doug spends with Andy, Doug is starting to wonder what is important.
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The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jakes Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and Northern Exposure (1990). Set in the real town of Jakes Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, its a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jakes Corner Bar. Through the years, this cast of misfits has become closer than most families - they are kin. The dynamic of the town is changed forever when Johnnys young nephew comes to live with him.
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Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Man to Man
1870. Dr. Jamie Dodd is elated he has finally succeeded in capturing not one, but two pygmies. He brings them to Scotland with the help of Elena Van den Ende, an adventurous woman who sells wild animals to the zoos of Europe. His two anthropologist friends, Alexander and Fraser, and himself are certain they have discovered the missing link, which will make them famous. They start examining the pygmy couple from every angle and Jamie gradually discovers that Toko and Likola are just as sensitive and intelligent as any other homo sapiens. His two colleagues strongly reject this idea as it is glory they are after not the truth. Will Jamie be able to prove the two short people are genuine human beings and not freaks to be shown in a zoo?
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Masked and Anonymous
Against the backdrop of a nation on the brink of revolution, Uncle Sweetheart (John Goodman) and Nina Veronica (Jessica Lange) are slimy promoters planning a benefit concert. They desire the services of legendary singer Jack Fate (Bob Dylan), and soon Fate is sprung from jail. A rock journalist (played by Jeff Bridges) investigates the concert, attempting to determine just who will benefit. Revolution may be raging outside the arena, but Jack Fate and the benefit concert play on as planned.
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