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The talented Nick Stahl (Terminator 3: Rise of the Machines) plays the central role of Dylan, a morose funeral home employee whose only friend is his gregarious, burly Irish co-worker (Brian Lynner). After overseeing the crowded funeral of a former high school classmate, Dylan decides to fake his death to see if anyone will bother to show up at his own.
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Balancing the Books aka Fatal Secrets
"BALANCING THE BOOKS" is a character-driven suspense drama about an attractive woman who enlists the help of her two best friends to confront a traumatic experience she can no longer deny. Julia, divorced and successfully self-employed, seems to have it all - except the right guy in her life. Her friends urge her to "get back out there." But they don't yet know about Scott - a charming man with a secret background whose true colors paint a streak of pain and fear through Julia's life. When Scott's effect on Julia reaches the breaking point, she and her friends take matters into their own hands... and underestimate the consequences. The outcome forces all of them into a desperate situation.
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Pursuit of Happyness
With a title like The Pursuit of Happyness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It expands into two hours a story that could have been told more effectively in one. This is not the feel-good movie of the season unless you believe that a few moments of good cheer can redeem 110 minutes of gloom. Sitting through The Pursuit of Happyness is a chore. Downbeat movies aren't inherently bad (in fact, many are powerful), but this one provides artificial characters in contrived circumstances. How is it that movies "inspired by a real story" often feel more fake than those fully embedded in the realm of fiction?
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Lions for Lambs
Lions for Lambs is one of those movies in which the principals talk a lot but don't say much. The film is built not upon characters and plot but upon ideas. That would be fine if the ideas were revolutionary or interesting, but they're fairly commonplace. At its heart, this is an anti-war movie but, unlike other films existing in this growing genre, it doesn't pretend that the current situation is a series of black-and-white discrete instances. It acknowledges the grays. The problem is, aside from some okay performances by high-profile talent, there's nothing worth watching going on here. It's surprising that a director of Robert Redford's undeniable skill has made such a bland and somnambulant motion picture.
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Love Me if You Dare
Those who have been waiting for the "next Amelie" may have found it with Love Me if You Dare - at least after a fashion. However, in place of the wry sweetness of the film that catapulted Audrey Tautou onto the international stage, this movie is a little darker and less wholesome. It's a romantic comedy, but, unlike most genre entries, this one explores love not as a redemptive force, but as a potentially destructive one. Yet, even as the characters are humiliated and put through extreme anguish, we find opportunities for laughter, and the whimsical tone never devolves into something uncomfortable. As with Amelie, suspension of disbelief is critical. Love Me if You Dare doesn't happen in a world anything like the one we live in, and its most memorable sequences are wreathed in fantasy.
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My Life so Far
My Life So Far is a pleasantly nostalgic look at a few transformative months in the life of a 10-year old Scottish boy. Brought to the screen by director Hugh Hudson and producer David Puttnam (who collaborated on Chariots of Fire), My Life So Far provides 90 minutes of solid entertainment that runs the gamut from outright hilarity to melodrama. The film doesn't offer many surprises or deep insights into human nature, but it possesses an easygoing charm and likability that overcomes such potential deficiencies.
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Adventures of a Teenage Dragonslayer
Branded as a 'nerd' and harassed by the school bully, 12-year-old Arthur is rescued by a magical troll who knows that the boy unwittingly holds the secret to defeat an evil dragon. Arthur's loving mom, struggling to keep her devious ex-husband from gaining custody of Arthur, dismisses her son's 'fantasies' until she realizes the all-too-real immediate danger and joins forces with Arthur, the troll, and a dashing but washed up video-game master. Together, they hope to conquer the dragon and the wicked vice-principal who threaten civilization.
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Lilo & Stitch
With the release of Lilo & Stitch, it's official: the "second Golden Age" of Disney animation, which began promisingly with 1989's The Little Mermaid, is over. Of course, some of Disney's recent efforts - Atlantis and The Emperor's New Groove come to mind - have been uneven, but they haven't been as lackluster as this movie. In terms of storytelling, voice characterization, and visual appeal, Lilo & Stitch seems more like a wannabe production than an actual Disney effort. Lilo & Stitch hails back to the Disney films of the late-'70s and early-'80s, when the craft and creativity had been leeched from the process, turning motion picture animation into an assembly-line approach.
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Vampires: Los Muertos
In Mexico, a freelance vampire slayer, Derek Bliss (Jon Bon Jovi), is hired by an unknown client provided he build a team of slayers. Father Adam Guiteau from the first film is shown to have been killed in this one. This team ends up including the vampiress Zoe, who is fighting her affliction with medication, Father Rodrigo, a helper who pretends to be a priest, and Sancho, a brave fourteen year old boy who aids Derek in killing some vampires at the beginning of the movie, in finding a large nest of "suckers" and their powerful leader, a vampire princess named Una (Arly Jover). She is seeking a legendary black crucifix: the Berziers Cross, the same crucifix used unsuccessfully in the first movie to perform a ritual which will enable vampires to walk in sunlight and be invulnerable.
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Art of Revenge
After Matt Kane leaves his wife Lara after seven years of marriage for the single, fast life that he wanted all his life after getting a promotion at work, she plots revenge against him by hiring an female ex-con and grifter, named Tuesday, to romance and bring him down in a series of encounters and plots while loyalties begin to be tested as to who is ploting against who.
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The Kids Are All Right
Nic (Annette Bening) and Jules (Julianne Moore) are a married lesbian couple living in California. They have each given birth to a child using the same sperm donor. Nic, an obstetrician, is the primary breadwinner and the stricter parent, while Jules, a housewife who is starting up a landscape design business, is more laid back.
The younger child Laser (Josh Hutcherson) wants to find his sperm donor but has to be 18 to do so. He begs his 18-year-old sister Joni (Mia Wasikowska) to contact the sperm bank and determines that Paul (Mark Ruffalo) is the donor. The three meet. Joni is impressed by his bohemian lifestyle, and Paul is enthusiastic about being in their lives. Joni swears Laser to secrecy as she does not want to upset their mothers. However, Jules and Nic find out and invite Paul over to dinner. When Jules reveals she has a landscape business, Paul asks her to landscape his back garden. Jules agrees, although Nic does not like the idea.
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Crazy, Stupid, Love.
Cal Weaver (Steve Carell) gets the surprise of his life when he learns that his wife Emily (Julianne Moore) cheated on him with a coworker, David Lindhagen (Kevin Bacon), and wants a divorce. After moving into his own apartment, Cal begins frequenting a bar night after night, talking loudly about his divorce, until he attracts the attention of a young man named Jacob Palmer (Ryan Gosling). Jacob is a womanizer who successfully beds women each night, although a young woman named Hannah (Emma Stone) recently rejected his advances. Taking pity on Cal, Jacob agrees to teach him how to pick up women. Jacob takes Cal shopping, outfitting him with an entirely new wardrobe and begins teaching him the art of seduction. As they spend their evenings at the bar together, a friendship begins to blossom.
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A Horrible Way to Die
An escaped murderer is in pursuit of his ex-girlfriend, who has fled to start a new life in a small town.
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A Time to Kill
In Canton, Mississippi, 10-year-old Tonya Hailey is viciously brutalized by two white racist rednecks -- James Louis Pete Willard and Billy Ray Cobb. Almost immediately after Tonya is found and rushed to a hospital, Pete and Billy Ray are found at a roadside bar, where they had been bragging about what they did to Tonya. Tonyas understandably distraught and enraged father, Carl Lee Hailey, remembers a case from a year ago, when four white men raped an African-American girl in a nearby town, and got acquitted. Carl is determined to not let that happen in this case. While deputy Dwayne Powell Looney is escorting Pete and Billy Ray up a flight of stairs to a court room, Carl emerges from the buildings basement with an assault rifle, and he kills Pete and Billy Ray for what they did to Tonya. Carl is later arrested at his house by African-American sheriff Ozzie Walls, and Carl is scheduled to be placed on trial. Despite the efforts of the NAACP and local African-American leaders to persuade Carl to choose some of their high-powered attorneys, Carl wants to be represented by his friend Jake Tyler Brigance, who has a wife named Carla and a daughter named Hannah. Presiding over the trial is white judge Omar Noose, and the prosecution attorney is Rufus Buckley, who would like nothing more than to win the case and swim in the publicity that a win would generate, because Rufus realizes that a murder conviction could help him gain higher office. Helping Jake on the case are his former law professor Lucien Wilbanks, fellow attorney Harry Rex Vonner, and law student Ellen Roark. Ellen has had experience with death penalty cases, and thats exactly what Rufus may be seeking. To start things off, Noose denies bail and denies Jakes petition for a change of venue. Carl has also been fired from his job. Billy Ray Cobbs brother Freddie Lee Cobb wants revenge on Carl, so Freddy gets the help of the Mississippi branch of the KKK, led by Mississippi grand dragon Stump Sisson. Carls wife Gwen tells Carl that a doctor has said that because of Pete and Billy Ray, Tonyas reproductive organs are damaged enough to where she wont be able to have kids when she grows up. That night, a KKK member is found trying to plant a bomb under Jakes porch. Jakes secretary Ethel Twitty and her husband Bud are also attacked by the KKK. Still, Jake, Harry, Lucien, and Ellen continue to help Carl. On the day the trial begins, there is a riot outside the court building between the KKK and the areas African-American residents, and Stump Sisson is killed by a molotov cocktail that was dropped from a roof by one of Carls sons, who was not seen dropping it. Freddy and the KKK start burning crosses throughout Canton, and one of the crosses burns Jakes house down while Jake and his family are not home. As a result, the National Guard is called to Canton to keep the peace during the trial. But Freddy is not about to let that stop him. While Freddy continues his efforts to get revenge on Carl for Billy Rays death, Carls attorneys put everything theyve got into Carls defense.
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A sketch comedy movie about the joys and embarrassments of teen sex. But mostly the embarrassments.
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A black and white, surreal and silent comedy. Pedro has a dream of giving his wife an unforgettable birthday feast.
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