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“Only time can teach us what is truth and what is legend.” This bit of fake-folk wisdom commences the voice-over narration of “10,000 BC,” and the more you think about it, the more preposterous it seems. If anything, time confuses the issue. But it’s best not to think too hard about anything in this sublimely dunderheaded excursion into human prehistory, directed by Roland Emmerich from a script he wrote with Harald Kloser, who also helped compose, using his better ear, the musical score.
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I'm sure the story of bounty-hunter Domino Harvey would make for compelling cinema if only Tony Scott had decided to film it without the masturbatory excesses that are evident in Domino. Over-the-top doesn't begin to describe Scott's off-putting, intrusive style. Cutting with rapid-fire precision that would make a machine gun seem slow, Scott never allows his restless camera to stay with one shot or angle for more than about a second. Domino looks like it was hyped up on speed and acid. It's ADHD filmmaking. One can understand short action sequences being presented in this chaotic, staccato manner, but Domino goes on like this for 120 minutes. It's impossible to become involved in the movie. Fifteen minutes into the proceedings, I nearly screamed in frustration for things to stay still for a moment. I wanted to enjoy the story, but the style kept interfering.
The death of a family member has often provided grist for filmmakers' mills, and the resulting productions, both good and bad, have dotted the cinematic landscape for years. Many of the highest profile of these - Ordinary People, In the Bedroom, Moonlight Mile - have focused on the impact of the loss of a child - how the associated grief and guilt can rip at the fabric of a seemingly impregnable marriage and cause surviving siblings to become sullen and withdrawn. Broken Wings, from first time Israeli director Nir Bergman, addresses this deeply painful subject from a different angle. This film is an autopsy of a family that has been sundered by the death of the father and primary care-giver.
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Scientists and best friends Aaron and Abe (director Shane Carruth and David Sullivan) are trying to find a scientific breakthrough that will allow them to quit their day jobs, when a series of side effects allows them to accomplish some thing they never dreamed possible. As they try to find ways to take advantage of their new discovery, cracks start to form in their friendship as they begin to question the morality and implications of their actions.
That plot may sound a bit vague and maybe not so enticing, but that's only because Primer is the type of movie where the less you know going in, the more likely you'll be surprised by where things lead.
The crux of the story is that science can be a tricky thing. Besides dealing with unexpected side effects, it's about how scientists deal with discovering something seemingly impossible and try to find ways to use that information, while dealing with the repercussions when compromises need to be made in their moral compasses.
Rumor Has It...
Rumor has it that Rumor Has It… experienced a rocky production history. First-time director Ted Griffin was removed from his position just as production was beginning, necessitating an eleventh-hour change. The cinematographer was replaced, allegedly because he may not have been filming certain cast members in the most flattering manner. And some of the roles changed hands. With all of that instability, it's no wonder that the final production is an unfocused mess, with poor chemistry all around and an ending that's as firm and satisfying as an overcooked noodle. The film's few high points are outweighed and outnumbered by sequences that don't work and cast choices that should have been re-thought.
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Truth About Charlie
Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and even engaging – motion picture. It's not a great movie, or even a very good one, but, if you try not to compare it too much to the original, it works. Given the option, it's better to see Charade, which easily tops Demme's version for star power, if nothing else, but The Truth About Charlie has its own set of charms, not the least of which is Thandie Newton.
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Set It Off
Rob a bank? Sure, why not. Each of the four L.A. housing-project girlfriends who get into the heist business in Set It Off has been messed up by the system, and none have anything to lose. Frankie (Vivica Fox) was recently fired from her bank-teller job. Tisean (Kimberly Elise), a single mother, has lost her toddler son to child welfare until she can come up with the money she needs to pay for child care while she cleans offices. Cleo (Queen Latifah), a raucous, pot-smoking lesbian, is always up for messing around.
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Captain Corelli's Mandolin
The bucolic beauty of Greece's Ionian islands has been invaded by Italy, bringing a large Italian garrison and a few Germans to the tranquil island of Cephallonia, which immediately surrenders. Captain Antonio Corelli, a Greek-speaking officer of the infantry division 'Acqui' with an irrepressibly jovial personality and a passion for the mandolin, and who trains his battery of men - who have never fired a shot - in choral singing, initially alienates a number of the villagers, including Pelagia. The daughter of the village doctor, Pelagia is an educated and strong-willed woman, and while at first offended by the Italian soldier's behaviour, she slowly warms to his certain charm as they are forced to share her father's home when the doctor agrees to put him up in exchange for medical supplies.
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Holiday in the Sun
Madison (Mary-Kate Olsen) and Alex (Ashley Olsen) Stewart are twin sisters from Illinois who are whisked away to Atlantis Resort on Paradise Island, Bahamas by their parents for winter break.
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FUBAR is the story of two lifelong friends, Terry (David Lawrence) and Dean (Paul Spence), who have grown up together: Shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "Hockey Hair". The lives of these Alberta everymen are brought to the big screen by documentarian Farrel Mitchner (Gordon Skilling), a young director who decides to take a look at Terry and Dean through a lens, exploring the depths of friendship, the fragility of life, growing up gracefully, and the art and science of drinking beer "like a man".
Their lives are complicated by a snubbing by their "party leader" Troy, better known as Tron (Andrew Sparacino). When Farrel discovers that Dean is hiding a serious case of testicular cancer, the wheels are set in motion for Dean to seek treatment from Dr. S.C. Lim (Dr. S.C. Lim). With Dean's last weekend before surgery approaching, Terry decides to take Dean, Farrel and the film crew camping. Things take an unexpected turn by the third day, and Terry and Dean must cope with further tragedy.
In 1954 Baltimore, Wade "Cry-Baby" Walker (Johnny Depp) is the leader of a gang of "Drapes", which includes his teenage mom sister Pepper (Ricki Lake), facially disfigured Mona "Hatchet Face" Malnorowski (Kim McGuire), wild and free-spirited Wanda Woodward (Traci Lords), and Milton Hackett (Darren E. Burrows), the nervous son of overzealous religious parents. His ability to shed a single tear drives all the girls wild. One day after school, he is approached by Allison Vernon-Williams (Amy Locane), a pretty girl tired of being a "Square", and the two fall in love. That same day, Cry-Baby approaches the "Square" part of town to a talent show ("Sh-Boom", "A Teenage Prayer") at the recreation center where Allison's grandmother (Polly Bergen) hosts events, and introduces himself to her, who is skeptical of his motives. Cry-Baby invites Allison to a party at Turkey Point, a local hangout spot for the Drapes.
Sea of Love
New York Police detective Frank Keller (Al Pacino) is an alcoholic. His wife ran away from him and remarried one of his colleague detectives. Frank is angry and aggressive. He investigates a murder of a man in Manhattan, shot dead while face down naked in his bed while listening to a 45rpm recording of "Sea of Love". Keller has three clues - a lipstick-smeared cigarette, a want ad the dead man placed in a newspaper and a perfect set of fingerprints.
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Goal II: Living the Dream
After gaining experience with the football club Newcastle United, Santiago Munez (Becker) gets a huge break when hes transferred to Real Madrid.
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Little Lord Fauntleroy
Ceddie, Earl of Dorincourts only grandson and heir lives in America with his mother. The Earl, getting old, asks them to come to England. Ceddie, now Lord Fauntleroy, is an adorable little fellow. The Earl, who at first was rather distant, becomes more en more fond of him. Then Minna shows up. She claims she was married to the Earls eldest son and that her son, being their child, is the Earls true heir...
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Mr. Nice Guy
Melbourne, Australia. TV Journalist Diana tapes evidence against drug lord Giancarlo, but on her way away from the scene, she is spotted and has to run. In the street, she runs into TV cook Jackie, whose knowledge of martial arts helps her survive the threat. Accidentally, her VHS-tape then gets mixed up with some kids films in Jackies car and so all the bad guys are after him as well as Diana, without him knowing where to find the right tape. But when Jackies visiting girlfriend Miki gets kidnapped for the tape as ransom, Jackie puts the image of being the nice and friendly TV cook aside and goes to see Mr. Giancarlo himself to get her back playtimes over.
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Mom and Dad Save the World
Emperor Spengo sees Marge Nelson and using a giant magnet, kidnaps her and her husband Dick, hoping to make Marge his before blowing up the Earth. The Emperor and other inhabitants of his planet are somewhat less than bright, and Dick begins reliving episodes of Flash Gordon and Buck Rogers in order to rescue Marge, save the Earth, and restore the rightful emperor to the throne.
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