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Everyone has at least one friend with a racist grandparent. They’ll scream and shout about how the Mexicans are moving into the neighborhood or bitch about the white devils down the street. They’re not out there actively wearing clan hoods or marching in hate demonstrations, but they’re not above dropping the occasional racial slur. Many people tend to excuse racism among the elderly as a product of the way they were raised. “My granny’s from a different time,” your friend will tell you after spending twenty minutes trapped in her kitchen while she blames the Jews for 9/11. “She’s not a hate-monger, she just doesn’t know any better,” your friend will say. Until now, that’s an excuse I’ve never really bought into. But Eastwood makes a rather compelling case for it in his new grandpa gets revenge flick Gran Torino.
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I'm as willing as any movie-lover to accept a certain amount of ridiculousness in a movie if it serves the greater purpose of entertainment. And, when it comes to action movies, I like to think that my level of tolerance is pretty high. Hey, I enjoyed the first Tomb Raider movie. But National Treasure takes too many liberties and goes too far. This infantile excuse for an adventure yarn plays more like a triple-cross between The DaVinci Code, "CSI," and "The Amazing Race" than Raiders of the Lost Ark. In fact, as tempting as it might be to call this Raiders of the Pilfered Plot, that would be unfair, because National Treasure's storyline isn't compelling or coherent enough to warrant the term "plot."
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Bounce delivers exactly what viewers expect from a romance: two people who meet under unusual circumstances fall in love, then are pushed apart by complications before finding each other again. There are no surprises, twists, or unexpected turns of plot. This is the kind of film where the characters travel along a pre-determined path from Point A to Point B, with the finish line visible from the moment the two stars are named in the opening credits. The only tangents are those allowed by the laws of screen romances. Nevertheless, while all of that may make for a predictable movie-going experience, it doesn't necessarily make for unpleasant one. Bounce is actually a decent romance with three things going for it. In the first place, Don Roos' dialogue is a cut above the norm. Secondly, stars Ben Affleck and Gwyneth Paltrow connect in a credible manner. Finally, the film touches on a few intriguing philosophical issues, such as the guilt an individual feels when someone close to him or her unexpectedly dies.
81-year old Ousmane Sembene has been called "the most important cinematic voice ever to come out of Africa," yet because of the quirks of the distribution system and the American movie-goer's acknowledged distaste for anything unfamiliar, none of the director's previous eleven films have been shown outside of festivals and specialty venues in North America. Moolaadé marks a breakthrough of sorts. Although tiny New Yorker Films lacks the muscle to get the movie into every major U.S. art-house, they are giving Moolaadé some exposure, hoping that it gains legs of its own.
Kekexili: Mountain Patrol
There are times when a movie looks a lot better on screen than it sounds from a description, and Kekexili: Mountain Patrol is an example. The one-sentence synopsis of the movie makes it sound like a dull, quasi-documentary conservationist picture when, in reality, it's a gritty, tightly paced film that pits man against man and man against nature. Director Lu Chuan took his lumps by filming the movie on location in an inhospitable locale, but his decision to do so is validated by the final result.
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You could drive a truck through the plotholes in Directorty Harry, which wouldn't be so serious were the film not a specious, phony glorification of police and criminal brutality [from a story by Harry Julian Fink and R.M. Fink].
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The Odyssey, a high budget made-for-TV adaptation of Homer's epic adventure, is, by television standards, a monumental achievement. By theatrical standards, the special effects are ambitious but not overwhelming. Yet it's hard to deny that it captures the sweeping spirit of Homer's original poem with color and verve.
Armand Assante plays Odysseus, flawed hero of the Trojan War. When victory is won, he defies the gods with the sin of pride. Poseidon is angered and punishes him with the curse that he will never return home to his family and heritage. So he and his men are doomed to wander the Mediterranean Sea, bumping into powerful and deadly creatures that hamper his journey. Most of the episodes of Homer's poem are incorporated in some fashion. But one of the great ironies of the poem is that these adventures are told in flashback, Odysseus relating them to Telemachus, his son, after the fact. With what we know about Odysseus' character -- smart but devious -- it's entirely possible that his "real" adventures in the Mediterranean were fabricated in whole or in part. This television production adopts a more conventional storytelling style and has the adventures occur on scene such that there is no such doubt. Not necessarily a flaw in the show, but an interesting point to note.
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Head of State
Mays Gilliam (Chris Rock) is an alderman of the 9th Ward in Washington D.C.. After being fired from his post and dumped by his girlfriend, Kim (Robin Givens), Mays is surprisingly chosen as the party candidate for the presidency (after his party's original presidential and vice-presidential nominees die when their two separate planes crash into each other) to run against sitting vice-president Brian Lewis.
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Bill Maher: I'm Swiss
I dont hate America, comedian Bill Maher declares during Im Swiss, recorded in March 2005 in Portland, OR. I love America. (But) Im embarrassed. And there we have not only the source of the title (his discomfiture, he jokes, has led him to pretend hes from another country) but also the crux of Mahers overall presentation on this, his third DVD taken from a program that was first shown on HBO. Mahers tendency toward smugness and superiority regularly provoke the wrath of his opponents on the far right. But despite his disingenuous claims to the contrary (Im not making this up, Im just reporting, or Im not being partisan), he certainly cant be accused of not having a point of view. His targets are many in Im Swiss, ranging from reality TV to Cialis (the boner pill) and even Civil War reenactments, but he reserves most of his scorn for the morals and values crowd and George W. Bush. He excoriates the former for turning the 04 presidential election into a referendum on boys kissing, part of their campaign to legislate taste while using their nonsensical and spiritually unnecessary religious devotion to claim the high moral ground. As for Bush, Mahers comment that sometimes this guy is so retarded, he could be on death row in Texas is one of his milder jabs and when it comes to the Iraq war, describing Baghdad as the galleria at Halliburton Square pretty much sums up Mahers feelings about that. Much of what Maher says during this 99-minute monologue (plus a QA session with the audience thats included in the bonus material) is genuinely funny, especially a segment called Master Ps Theater, in which he translates rap lyrics from Ebonics into white. But make no mistake about it Bill Maher is one infuriated fellow, and whether you love him or loathe him, Im Swiss provides ample food for thought.
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Cole and Erica run an upscale escort service which sets their clients up on anonymous and impromptu dates at hotels. They discover one of their female clients murdered, and that the man who signed up for their service on the same day happens to be her husband. They set out to untangle these mysterious circumstances before the cops follow the leads back to them, while also dealing with various romantic relationships.
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The House on the Edge of the Park
Alex, a psychopathic mechanic, rapes a woman in the park. Later, a decadent couple pull into his shop needing car repair. They invite Alex and his mentally challenged buddy to join them at a decadent suburban party. Once there, Alex amuses himself by tormenting and raping the guests, not realizing the guests have an agenda of their own.
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Inspired by the real-life serial Killer, B.T.K is the gruesome story of Dennis L. Rader, a murderer who systematically tortured and killed his victims for over two decades while evading the police for over 30 years. Living a seemingly normal life as a husband, father, security officer and church president, Raders unquenchable thirst for blood ultimately led him to commit the most horrific crimes imaginable. Shocking and full of suspense, B.T.K is a grisly journey into the nightmarish world of a deranged killer.
L.E.T.H.A.L. Ladies: Return to Savage Beach
A stolen computer disk contains the location of a hidden tresaure trove. Its up to the sexy ladies of LETHAL (Legion to Ensure Total Harmony and Law) to find the treasure before the bad guys do. Will the forces of evil be able to overcome LETHALs powerful combination of bullets, brains, and boobs?
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My Daughter, My Angel
In the evening, when there is no his wife, Zherman visiting pornographic sites, he accidentally falls into the pictures of his daughter Natalie, which advertises the upcoming movie with her participation. Dropped everything, Zherman going to Montreal in order to convince Natalie not to take part in the filming.
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Nate (Alec Newman) is a successful financial manager by day and a closet musician by night. One evening he hears a beautiful voice outside his apartment window accompanying his piano playing. The mysterious voice turns out to be the coat check girl, Chloe (Amy Adams), from the local jazz club. Chloe strikes a deal with Nate to perform with her at the club. Their chemistry is undeniable and with every song they play, the closer they become.
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Sgt. James Dunn, who is wrongly accused of assassination of the officer he had a row with, is saved from death row and recruited for top-secret special operations squad led by Lt. Col Grant Casey. Their mission is to neutralize criminals who had avoided conventional law enforcement methods. On his first Mission, James is made the fall guy for the assassination of the first lady and everyone is looking for him and Dr. Victoria Constantini who was lucky to videotape what happened. One of the forces looking for him is military, led by Gen. Adam Woodward, which is in fact an alias for Grant Casey.
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