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Ben Affleck returns home to Boston for his sophomore directing effort The Town, a new heist flick that returns him to a similarly gritty Beantown milieu as that of his acclaimed feature directing debut, 2007's Gone Baby Gone. Affleck also co-wrote the script, which is based on the novel Prince of Thieves by Chuck Hogan. Affleck stars as Doug MacRay, a veteran thief and resident of the one-square-mile neighborhood of Charlestown, a blue collar enclave that the film tells us produces more bank and car robbers than anywhere else in America. (Boston alone sees over 300 bank heists a year, the film claims.)
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At the most recent Weekend of Horrors I caught a advanced screening of Joe Anderson and Sean McEwen's upcoming Albino Farm. I also got a chance to meet the two the night before and they seemed like really nice guys and friendly. They convinced me to check out the screening and I have to admit it was well worth it. I also met one of the stars Chris Jericho who is also a WWE star or WE star I dunno which one.
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Despicable Me falls somewhere in the middle range of animated films targeted at kids, featuring none of the delirious wit of How to Train Your Dragon and Cloudy With a Chance of Meatballs and certainly not the outright Pixar genius, but also absent the mindless pandering and obvious plotting we all fear in children's films. With a smart concept, some clever gags and well-choreographed action it moves along nicely, but it also squanders considerable voice talent and doesn't really take advantage of the twisted world it successfully creates. You get the feeling that a darker and more clever Despicable Me may have existed at some point before the studio, still trying to break into the animated market, defaulted to the safe side.
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Greatest Movie Ever Sold
It's probably a safe assumption that everyone reading this review is aware of the incestuous relationship that exists between advertising and movies. It's more than a company paying a fee to have a product appear on-screen; there's cross-marketing, mutual co-branding, and other ancillary benefits intended to create a "win-win" situation. Many in the industry feel that, without all its numerous corporate sponsors and the publicity that resulted from their involvement, Iron Man might not have become the mega-hit that it was. Morgan Spurlock's The Greatest Movie Ever Sold pulls back the curtain and reveals Oz. There's nothing surprising in what Spurlock uncovers, but it illustrates that everything we knew - or at least suspected - about the marriage between advertising and cinema is accurate.
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Get Smart becomes the latest in a long line of TV series to get a big-screen treatment. While we have come to expect recycled refuse from most of these (Bewitched perhaps occupying the nadir), Get Smart manages to rise above the continuum of regurgitation by walking a tightrope that allows it to appeal to those who have fond memories of the late-1960s spy spoof and those who don't know Don Adams from John Adams. Get Smart is delightfully silly and at times very funny. The characters are likeable and feel connected to their TV counterparts. And, although Mel Brooks and Buck Henry (creators of the original) are not directly involved, the filmmakers have crafted something that both men would likely agree is in the spirit of what they shepherded to the small screen.
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Red Eye belongs to the genre in which a director attempts to sustain a heightened level of suspense for long enough that the audience will not notice how incredibly stupid the screenplay is. Alfred Hitchcock was a master at this - although some of the scripts he worked with were masterpieces, one could argue that his true skill as a filmmaker was evident with those that weren't. More recently, Phone Booth and Cellular achieved success by doing as much as possible with a thin and implausible premise. Wes Craven's Red Eye is more of a mixed bag. There are stretches during the course of this 85-minute long motion picture when the director elevates the tension to an acceptable plateau, but there are also occasions when too much of the narrative seeps through and we see the seams in the storytelling.
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Xiu Xiu: The Sent Down Girl
Certain historical periods provide rich and varied soil for the cultivation of motion picture storylines. The twilight of the Roman Empire is one. The American Civil War is another. World War II marks a third. And a fourth is the Chinese "Cultural Revolution," which spanned roughly a decade from the mid-1960s to the mid-1970s. This time of great upheaval, which was started by young ideologues forcing their harsh political views on the entire populace, led to frightened men and women denouncing others to save themselves. The events of those ten years have given rise to a number of stirring, powerful motion pictures, including Farewell My Concubine and To Live. Now, Xiu Xiu can be added to that list. This is a devastating and unforgettable portrait of hopeless love and the corruption of innocence set against the backdrop of the Cultural Revolution.
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Can't Hardly Wait
With Can't Hardly Wait, I suppose first time directors Deborah Kaplan and Harry Elfont (whose previous credits include writing the script for A Very Brady Sequel) were trying to recapture the mood of a John Hughes '80s teen comedy. Unfortunately, while perhaps aiming for the level of The Breakfast Club and Fast Times at Ridgemont High, they have come a lot closer to the likes of Revenge of the Nerds. Can't Hardly Wait is a painfully predictable account of that ultimate teenage bacchanalia -- the post-graduation party. Yet, instead of bringing intriguing characters with real problems and interesting dialogue to the bash, Kaplan and Elfont take the lazy approach of pulling generic stereotypes off the shelf and throwing them into a formulaic plot that doesn't offer one genuine surprise or meaningful moment.
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Beverly Hills Chihuahua
Vivian Ashe (Jamie Lee Curtis) leaves her pet chihuahua Chloe (Drew Barrymore) with her irresponsible niece Rachel (Piper Perabo). However, when Rachel decides to go to Mexico with her friends, Chloe gets dognapped. She is sent to the dog fights, and meets a German Shepherd named Delgado (Andy Garcia). Delgado helps her escape the dog fights and attempts to get her back to Beverly Hills. Meanwhile, Rachel is searching for Chloe with Sam (Manolo Cardona) and Papi (George Lopez), landscaper and dog before Aunt Viv gets home.
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Matty Demaret (Barry Pepper) is the son of a mob boss, but he is used as little more than an errand boy. His relative and friend Chris (Andy Davoli) shares this urge to be part of something bigger, and Matty finally convinces his father to give him a job, with the help of his father's right-hand man Teddy (John Malkovich). Matty and Chris get their friend Johnny Marbles (Seth Green) to fly up to retrieve a bag full of money for Matty's father Benny "Chains" Demaret (Dennis Hopper), as there have been mysterious shortages in their money lately.
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Long Time Dead
The film begins showing people using a ouija board in Morocco. Throughout the scene, something is seen from first person perspective coming at high speed towards the people.
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Set on the quiet campus of Yellowstream University, this comedy follows the rivalries that build between two of the colleges fraternities. When theyre not mooning everyone they pass and throwing garbage on the lawns of rival frats, the members of the Pi Kappa Delta fraternity are mainly interested in drinking and... well, drinking. When a campus- wide farting contest is announced, Grossout, the leader of the Deltas, is all too eager to stand up, bend over and defend the honor of his fraternity.
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Cut off by her wealthy father, a young woman talks her boyfriend into robbing a check cashing spot. Things dont quite work out for the couple, however, who are now being pursued by the cops.
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After leaving the prison, the dwarf criminal Calvin Sims joins to his moron brother Percy to steal an expensive huge diamond in a jewelry for the mobster Walken. They are chased by the police, and Calvin hides the stone in the purse of the executive Vanessa Edwards, whose husband Darryl Edwards wants to have a baby. Percy convinces Calvin to dress like a baby and be left in front of the Edwardss house to get inside the house and retrieve the diamond. Darryl and Vanessa keep Calvin for the weekend and decide to adopt him, while Walken threatens Darryl to get the stone back.
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Marley & Me: The Puppy Years
Marley Me The Puppy Years fetches big laughs, as the worlds worst (but most lovable) dog returns with more mischief and mayhem than ever. But this time, he has a voice literally. In this film, Marley speaks with an adorable, spirited voice as he and summer pal, Bodie Grogan, take on Dobermans, Shepherds and Collies in a neighborhood dog contest.
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Nothing to Lose
Nick Beams life couldnt get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last straw for Nick. With everything to gain and nothing to lose, he kidnaps T. Paul and attempts to put his life back together.
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