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Oscar-winning director Danny Boyle follows up his Best Picture recipient Slumdog Millionaire with 127 Hours, another movie about finding hope in a seemingly hopeless situation.
Based on the book Between a Rock and a Hard Place by Aron Ralston, 127 Hours recounts mountain climber Ralston's (James Franco, in a sure to be Oscar-nominated tour-de-force) desperate attempts to free himself after becoming trapped in a desolate canyon in the Utah wasteland.
Ralston falls 65' down into an isolated, narrow canyon, his right arm pinned by a fallen boulder. He is trapped. Try as he might, this athletic, experienced outdoorsman cannot budge the rock and must utilize all his skills and experience and what little resources he has on his person to save himself. But after five days of being trapped there and edging closer towards death, Aron is faced with doing the unthinkable if he's going to escape his hellish ordeal.
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Prince of Persia: The Sands of Time
The history of game-to-film adaptations has been littered with failures. Some have been minor mistakes; the likes of Resident Evil and Lara Croft: Tomb Raider, watchable yet unremarkable misfires. Others have been blunders on a grand scale, with misguided moviemakers creating disasters out of Mortal Kombat, Street Fighter, Super Mario Bros. and countless other gaming properties.
Unwilling to give these titles the time, attention and budget they deserve, the Hollywood system instead puts them in the care of hack writers and directors who lose the plot, mess with the formula, butcher the characters and then send them out into the world to be roundly mocked by gamers and non-gamers alike.
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Made in Dagenham
Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to the U.K.'s landmark 1970 Equal Pay Act, director Nigel Cole is able to reflect on how different the work environment was as recently as a generation ago. In 2010, it's hard to imagine anyone taking a stance against equal pay for men and women. Despite that, however, the United States has not yet achieved parity. So, although Made in Dagenham may seem like a history lesson with little contemporary relevance, that's not precisely true. The playing field has not been as leveled as we might like to believe.
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Pacifiers are for infants. The same is true of The Pacifier. In fact, "infantile" may be the best single word to describe this Kindergarten Cop wannabe. Vin Diesel is better than the material, but, no matter how hard he tries, he can't rise above the puerile screenplay credited to Thomas Lennon & Robert Ben Garant. The Pacifier is offensive because it offers little more than unleavened stupidity in the place of the family-friendly action and comedy it promises.
I suppose there's some entertainment value to be had from the sheer badness of 10,000 B.C. The movie takes itself serious enough that, viewed from a warped perspective in a state of inebriation, it might actually be fun. Seen in more mundane circumstances, however - such as after paying $10 at a multiplex - it's anything but that. 10,000 B.C. is one of those movies where one is tempted to ask aloud, "What were they thinking?" Its across-the-board clumsiness is surprising. One doesn't expect intelligent scripting or deep characterization from Roland Emmerich, but the film's lack of energy, poor special effects, and monotonous pacing lead to an inescapable conclusion: 10,000 B.C. isn't only brain-dead, it's completely dead. It's inert and without a heartbeat.
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Guilt and paranoia - two powerful cornerstones of the human psyche. In his latest, award-winning drama (it has captured about a dozen significant international citations), writer/director Michael Haneke explores both, although the manner in which he weds them is more uneven than satisfying. With Caché, Haneke has a lot to say, but the weaknesses of the film threaten to overwhelm its strengths. This is one of those movies that will pit lovers of narrative filmmaking against those who view the medium as something potentially more esoteric. The way he toys with his audience indicates that Hanke falls into the latter category, and lapses of logic in his storyline don't overly concern him.
Code Name: The Cleaner
It is accepted practice that a comedy, even the most outrageous one, must have some sort of skeletal plot structure. Most of these are nonsense and sometimes impede the viewer's ability to enjoy the film's humorous antics. Such is the case with Code Name: The Cleaner, a vehicle for Cedric the Entertainer that takes its amnesia/secret agent plotline so seriously that there are times when the laughter disappears for long stretches (until the screenplay remembers the movie is supposed to be funny and lets Cedric loose). The problem is, while the thriller aspects of the movie are serviceable, they aren't good enough to form the basis of anything more serious than a sit-com, and by spending as much time on them as Code Name: The Cleaner does, it makes the film at times seem drawn-out and tedious.
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"Hate put me in prison. Love's gonna bust me out." Those words, spoken by Rubin "Hurricane" Carter (Denzel Washington), form the thematic foundation of Norman Jewsion's latest film, The Hurricane. Alternatively tragic and triumphant, it is an exhilarating trip through the life and times of the title character, a championship boxer from Paterson, New Jersey, who spent 19 years behind bars for murders he did not commit. The Hurricane not only details the crime and the miscarriage of justice that followed, but shows how Carter survived the long, lonely years in prison, and how the devotion of a small group of Canadians led to his redemption.
Mars Needs Moms
A mischievous and rebellious nine-year-old named Milo (Seth Green, voice-over by Seth Dusky) is just beginning summer vacation, and his father (Tom Everett Scott) is leaving for a business trip. While Milo wants his summer to be a fun one, his mother (Joan Cusack) assigns him chores and tasks like taking out the trash. At dinnertime, Milo is given broccoli. His mother has a "no broccoli, no TV" rule which Milo cleverly evades by feeding the broccoli to his pet cat. When Milo's mother finds the cat throwing up from the broccoli, she grounds him and sends him to bed early. After a heated disagreement with his mother, Milo wishes that he never had a mom. Later that night, his wish comes true when his mother is kidnapped by Martians who plan to steal her "momness" to rear their own young. Milo's quest to save his mom involves stowing away on a spaceship, navigating an elaborate, multi-level planet and taking on the alien nation and their leader, the Supervisor (Mindy Sterling). With the help of tech-savvy subterranean-dwelling earthling Gribble (Dan Fogler), his bionic underground pet Two-Cat (Dee Bradley Baker), and rebellious Martian Ki (Elisabeth Harnois), Milo finds his way back to his mom.
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Misty plays Cynthia, a slutty schoolgirl, who accidentally kills her rival, Beth, after she finds Cyn pleasuring herself in the school shower (yea, i know how it sounds, but you just have to go with it). While driving to get rid of the body Cyn and her sis run into Juli, a girl who likes to play mind games. Those who know Seduction Cinema by their softcore movie parodies, (ie. Lord of the G strings, Spiderbabe, etc...) will be pleasantly surprised that this is a fairly competent original thriller. Twists and turns abound.
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Part I Wrath
A mysterious mute Norse warrior only known as One-Eye (Mads Mikkelsen), is held captive up above in misty highlands by the chieftain Barde (Alexander Morton), where he is forced to fight to the death against other tattooed men. While imprisoned, a young boy named Are tends to him regularly, bringing him food and water. One-Eye is shown to have the ability to foresee events in his dreams; a dream of him bathing in a pond leads him to discover an arrowhead on the bottom of a water bed. Using the arrowhead, he breaks free, slaughters everyone except for Are and a warrior that he lets escape, and places the head of the chieftain on a stake.
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When most of the population of Earth is infected by a virus and transformed in flesh eaters and blood drinking creatures, a group of hunters leaded by Tao and his word chases the vampire zombies to eliminate them. Six non-infected survivors try to find the exit of an abandoned hospital crowded of the infected creatures, and Tao and his group help them. Meanwhile the military command is ready to bomb and wipe out the area from the map.
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Mike, a young teenage boy who has just lost his parents, is afraid to lose his brother. This fear causes him to follow his brother to a funeral, where Mike witnesses the Tall Man lift a coffin on his own. Mike decides to investigate and discovers a horrible world where the Tall Man, along with his flying spheres, shrink the to half their normal size and reanimate them as slaves. It is then up to Mike, his brother, and Reggie the ice cream man to stop the Tall man.
In Her Defense aka Total Defense
Lawyer Andrew Garfield has a love affair with Jane, a deaf woman. A day when Janes husband comes home early and catches them, Andrew shoots him. The police think Jane killed her husband and wants Andrew to defend her in court. Now he has to defend her, without drawing suspicion upon himself, and at the same time, this may be the big case he needs to improve his career.
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Milenge Milenge took its time to come to the theatres. Yes, it is old fashioned in theme. But not dated. The material which must have been quite bulky by the time Kaushik was done with shooting has been cut and pasted with restrained enthusiasm. What we have is a paper-thin, sometimes cute at times annoying rom-com where Destiny plays a pivotal part. Kiss-mat, anyone? Yup, intimacy is fugitive between Shahid and Kareena. But they nonetheless look like a real pair.
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The story centers on a religiously conservative, married southern woman who receives a message from God instructing her to act as a surrogate mother and carry a child for two married gay men who live in Boston - a Jewish doctor and and African-American dance choreographer. All Hell breaks loose when the African American man comes to her home down south to micro-manage her pregnancy, and he wont leave.