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Le Premier cercle
Anton (Gaspard Ulliel) ist der Sohn des berühmt-berüchtigten Mafiabosses des armenischen Malakian-Clans. Die Langfinger-Familie hat sich an der Côte d'Azur breit gemacht und klaut alles, was nicht niet- und nagelfest ist. Doch Anton verliebt sich in die hübsche Krankenschwester Elodie (Vahina Giocante) und möchte mit ihr ein ganz neues Leben beginnen. Ganz zum Leidwesen seines Vaters Milo (Jean Reno): Dieser hat nämlich bereits ganz andere Dinge mit seinem Sohnemann geplant. Der Malakian-Clan muss weiterleben, und Anton soll die Geschäfte nach dem Ableben seines Vaters übernehmen.
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Not to sound like a broken record, but is there any original thought in filmmaking anymore? It feels like half the movies I see in theaters are derivative anymore, which wouldnít be a bad thing if theyíd at least add something to the ideas they are borrowing from other pictures. Itís getting so bad that we canít even solely blame Hollywood anymore. After all Doomsday is a U.K. production, not a Hollywood film, and, as most people have realized from the advertising, itís a little bit The Road Warrior and 28 Days Later. Itís also a little bit Escape from New York, Army of Darkness, I Am Legend, and even a tiny bit Lord of the Rings. Itís just a shame none of it is much good in this form.
Perhaps the most puzzling dramaturgic phenomenon of recent date is Irwin Shaw, the Brooklyn youth who wrote a startling one-act play called "Bury the Dead" last season, on the strength of which he was hoisted on numerous shoulders and borne in triumph to Hollywood, only to turn out a picture called "The Big Game," now playing at the Rialto. Burdened with a strictly supplementary cast of eight all-American players, Mr. Shaw could hardly have been expected to figure, in his maiden screen effort, as a second George Bernard, and R.-K.-O. deserves at least half the blame for so flagrant a misuse of talent.
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Brotherhood of the Wolf
In 1765 something was stalking the mountains of central France. A 'beast' that pounced on humans and animals with terrible ferocity. Indeed they beast became so notorious that the King of France dispatched envoys to find out what was happening and to kill the creature. By the end, the Beast of Gevaudan had killed over 100 people, to this day, no one is entirely sure what it was, wolf? hyena? or something supernatural? Whatever it was, shepherds had the same life-expectancy as the red-suited guys in 'Star Trek'.
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Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many instances in which the message overshadows the characters. The storylines are less compelling and there are times (such as one instance in which the action pauses for a lengthy homily) when the movie seems more concerned about advancing a political perspective than telling a story; The Visitor made many of the same points in a more organic fashion. Enough things in Crossing Over work to keep the film from becoming a bore, but this is a definite step down from Kramer's past efforts, The Cooler and Running Scared.
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To think of uber-producer Jerry Bruckheimer and action director Michael Bay is to be reminded of popcorn-and-eye candy trifles like The Rock and Armageddon - movies where flashy special effects and lobotomized scripts are arguably assets. The pairing of Bruckheimer and Bay does not provoke thoughts of a serious epic set against a grand, historical backdrop - and Pearl Harbor illustrates why this is the case. It's a mystery why, with $135 million being spent on this motion picture, a few dollars couldn't have been lavished on the screenplay. The writing (credited to Braveheart scribe Randall Wallace) isn't just mediocre - it's embarrassingly bad. This movie has more howlers than the average comedy - and all of those lines are, of course, unintentionally funny.
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Ultimately, it's of minor import how much of Rob Roy is based upon historical fact and how much has been embellished by the pen of screenwriter Alan Sharp. As a hero of 18th century Scotland, Robert Roy MacGregor is known to have walked through the mists of the Highlands, living by the code that made his name a legend. This film takes the skeletal myth and builds a real person around those bones. As embodied by Liam Neeson, Rob Roy is a tremendous protagonist -- a naive man whose belief in honor and whose love for a woman, family, and clan make him a figure to cheer for.
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Out of Sight
In the middle of the summer movie season, when most films are designed with the intelligence of a seven year-old for viewers with the attention span of someone even younger, it's refreshing to find a picture like Out of Sight, which is not only smart, but a great deal of fun, as well. I enjoyed watching this movie more than Deep Impact, Godzilla, and Armageddon put together. Directed by one-time wunderkind film maker Steven Soderbergh (whose sex, lies, and videotape put him on the map big-time), Out of Sight will inevitably turn out to be one of the best thrillers of the year.
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Resident Evil: Extinction
Alice (Milla Jovovich) awakens in the shower of what looks like a hotel suite, wondering where she is. She gets up and puts on some clothes, then ventures out of the door and into the corridor, but no sooner has she begun investigating her surroundings than she is under attack from a selection of deadly traps such as a grid of cutting lasers and a huge blade that nearly slices her in half. Just as she thinks she will escape from an apparent laboratory, a small robot leaps up and shoots her dead - then three figures appear, the leader telling the others to take a blood sample, then dump her body with the rest...
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The Man of Steel returns to the big screen with this continuation of the icon's film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn't need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his.
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The Fourth Angel
An ordinary man remakes himself into a warrior after the death of his family in this thriller. Jack Elgin (Jeremy Irons) is a magazine editor living in London with his wife and three children. Elgin joins his spouse and his children as they set off for a trip to India, and when the plane lands due to mechanical failures, the flight is hijacked by terrorists from the "August 15th Movement," who insist on 50 million dollars in ransom from the United States government.
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A teenage boy befriends an escapee from a mental institution who sees visions of horrible murders being committed.
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A Teacher's Crime
Carrie is an attractive high school history teacher who one day decides to help a troubled student, taking an special interest for him, unaware of the ruthless and perverse scheme masterminded for her.
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Green Eyed Monster
David convinces his friends that there is money-for-the-taking buried at his uncles Ranch and that he can lead them to it. His cousin Ashley warns them that the place has a grim history, but the promise of riches is all too enticing. In trying to find the money, they uncover something buried within us all and one by one they mysteriously disappear.
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Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister?
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Derrick, Cathy, and Travis, three students and fellow roommates, decide to do a class project on gossip. Derrick witnesses couple Naomi and Beau making out at a night club, but then she passes out and Beau leaves. Cathy spreads the rumor that well-known ice princess Naomi had sex with Beau at the club that night, which quickly evolves until the gossip mill is saying that Beau went ahead and had sex with Naomi after she passed out. Cathy has regrets when Naomi cries rape and Beau is being arrested.