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Michael Haneke's The White Ribbon, which won the Golden Palm Award at the 2009 Cannes Film Festival, is the quintessential art film: slow, demanding, and rewarding for those willing to put forth the intellectual effort necessary to puzzle out its ambiguities. Set in a small German village on the eve of World War I, the movie explores themes that fit in with Haneke's dark view of human nature (as seen in his other films, particularly Funny Games). The film is about the corruption of innocence and how those who foster such corruption can reap the ugly fruits of their labor. The White Ribbon also argues that "righteousness" can be little more than a cloak of disguise - some of the most apparently upright individuals are those with the deepest moral desiccation.
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True Grit, one of the best films of 2010, is a reminder of why remakes are not always bad. The Coen Brothers' interpretation of the 1968 Charles Portis novel is superior in almost every way (except one) to the 1969 Henry Hathaway edition. And, while no actor could hope to eclipse the iconic performance of John Wayne as Marshall Rooster Cogburn (the role for which he won his only Oscar), Jeff Bridges makes the part his own, if only for about two hours. With stronger overall acting, a tighter script, and better production design, True Grit 2010 surpasses its predecessor as the definitive adaptation of the novel and stakes out a place in the hall of fame of American Westerns.
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It is my fondest dream that some day filmmakers will realize that great visual effects do not by themselves equate to a worthwhile motion picture experience. However, until that state of cinematic utopia arrives, audiences will be forced to endure movies like Hollow Man - masterpieces of visual ingenuity that are sadly lacking in many other creative categories. And, while the special effects in Hollow Man are eye-popping, the film is hamstrung by two major flaws - bad acting and an initially smart script that inexplicably devolves into derivative action and pointless violence.
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Memory - it is one of the key elements that separates human beings from animals. It is one of the basic building blocks of personality. Who we are is shaped as much by our experiences as by our environment. Memory can also be unreliable, not to mention easily influenced. Ask three people to describe the same event, and none of those accounts will be the same. But, although memories are skewed by perspective, they are critical to the human experience. Memento is very much concerned with all aspects of memory, especially the manipulation of it, and this endlessly fascinating, wonderfully open-ended motion picture will be remembered by many who see it as one of the best films of the year.
Back in the years when Star Trek was still a cult phenomenon (instead of a mainstream cash cow for Paramount Pictures), fan fiction was about the only way Trekkies could experience the latest exploits of their favorite characters. One of the more inventive examples of such writing was called "Visit to a Weird Planet Revisited" (by Ruth Berman). The premise underlying this story is that a transporter malfunction causes three Star Trek characters (from an alternate universe) to switch places with the actors playing them. Consequently, William Shatner finds himself in command of a very real starship out in space that is under attack by the nefarious Klingons. This same central conceit forms the basis of the movie Galaxy Quest, except that the TV show in question is only Star Trek in spirit, not in fact.
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Raise the Red Lantern
Raise the Red Lantern is one of the more sublimely beautiful and openly disturbing films of the 1990s. It is also the best work to date turned in by the actress/director combination of Gong Li and Zhang Yimou -- and this includes other impressive films like Ju Dou andTo Live. Raise the Red Lantern is one of those all-too-rare motion pictures capable of enthralling audience members while they're watching it, then haunting them for hours (or days) thereafter. With its simple story and complex themes and emotions, Raise the Red Lantern hints at the kind of film a great director like Ingmar Bergman might have made had he attempted a story set in mainland China.
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Meet Joe Black
Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black is glacial. Director Martin Brest, who helmed the enjoyable-but-also-too-long Scent of a Woman, is at his absolute worst here. Brest transforms a seemingly foolproof idea into an overblown bore.
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First Wives' Club
It's something of a mystery how three accomplished comic actresses like Diane Keaton, Goldie Hawn, and Better Midler found themselves in the midst of an atrocious mess like The First Wives Club. My best guess is that the story looked better -- much better -- on paper. After all, the premise -- a trio of women getting revenge on the husbands who dumped them for younger women -- sounds like a good idea for a truly biting satire. Unfortunately, although there are a few nasty thorns here and there, The First Wives Club is a largely uninspired (and unfunny) comedy that collapses completely in the final fifteen minutes. The saccharine ending will threaten to send even a mildly cynical viewer into sugar shock.
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For Tom Cruise, 1983 was the year of his Ascension, although the Coronation would have to wait until Top Gun in 1986. Before 1983, Cruise was regarded as an up-and-coming actor, someone to watch. But with the double-barreled success of the teen romantic comedy Risky Business and the teen sports movie/drama All the Right Moves, Cruise had arrived. After Risky Business, Cruise and his Ray-Bans were everywhere: posters, magazine covers, publicity shots... A movie star had been born.
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Vampires aka John Carpenter's Vampires
The motion picture image of the Bela Lugosi vampire is gradually fading as '90s film makers bring their own visions of the undead to the screen. In recent years, we've seen reinterpretations of the vampire mythos in movies as diverse as Vampire in Brooklyn, From Dusk Till Dawn, Interview with the Vampire, Cronos, and Blade. John Carpenter's Vampires is just the latest, and, although it doesn't offer anything new or surprising, it is a moderately successful entry into the horror/thriller category.
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When modestly successful screenwriter Hudson Milbank descends into a strange mood in which he feels detached from the world around him and unable to connect with his surroundings, either physically or emotionally, he attributes it to a night of excessive cannabis use. His writing partner Tom is disturbed by the sudden change in Hudson's demeanor and urges him to seek psychiatric help.
Veterinary assistant Corky Romano (Chris Kattan) having been banished from his family after the death of his mother, is unaware of their underworld connections until he receives a call from his father, "Pops" (Peter Falk) a Mafia crime lord. Pops has been indicted on racketeering charges, and, knowing that the prosecutors have a strong case against him, has concluded that the only solution is to somehow destroy the evidence held by the FBI.
At the family mansion, an ailing and bedridden Pops convinces Corky to infiltrate the local FBI office, since the Romano family cannot send anyone with known underworld connections, such as Corky's brothers Paulie (Peter Berg) and Peter (Chris Penn).
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The Fly II
Seth Brundle was a renowned scientist whose warped experiments with teleportation transformed him into a manfly hybrid called BrundleFly. A few months after the BrundleFly insect met its demise by his lovers, Veronica, shotgun, she dies while giving birth to their son, Martin. Seths corrupt employer, Bartok, adopts Martin, only so Martin can solve the new problems that the still-functioning TelePods present and to use him as a science project because of the dormant insect genes. Martin is now fully grown, even though he is five, and the fly genes begin to awaken and make him just like dear, dead dad. With the help of his girlfriend, Beth, they go to wherever they can find a possible cure before Bartok finds them and brings them back, but not before Martin finishes his transformation into MartinFly, the deadliest of the BrundleFly species.
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It is the mid-70s. A sinister cult called Unity Fields commits mass suicide in a horrific manner - by fire - at the behest of its psychopathic leader, Harris. Only one young woman named Cynthia survives to tell the tale. Now, 13 years later, Cynthia is having grim reminders of the mass-suicide, as people around her begin to die one at a time. Cynthia finds out quickly that the ghost of Harris is back... to claim his love child.
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Takes place in 1995, the year of the second referendum on the separation of Quebec. In the dead of winter, a serial killer is on the loose in the small Montreal neighborhood of Notre Dame de Grace. The tenants of an old apartment house must figure out who they can trust and who they cant.
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Dr. Dempsey, an American scientist who has become a skeptic after a disastrous wrong call, isnt exactly enthusiastic to be sent by his well-funded employer to Scotland to (dis)prove the existence of the Loch Ness monster, but has no choice. He finds the locals stubborn, primitive and all but hospitable, not in the least because the Nessie legend is the only tourist attraction, but still gets romantically attracted by his independent inn-keeper Laura, and both her kid and his enthusiastic local assistant end up making him face a small family of Nessie-dinosaurs, but is this to be made public?
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