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The Hurt Locker
The Hurt Locker follows a U.S. Army bomb disposal squad in Iraq during the summer of 2004. Staff Sergeant William James (Jeremy Renner), Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are tasked with disarming and, if need be, detonating the countless homemade bombs, or Improvised Explosive Devices (IEDs), that have killed many of their brothers-in-arms and thousands of Iraqis.
Sanborn and Eldridge are almost immediately at odds with their new team leader. James is a cowboy with little regard for military protocol, ditches his safety armor and radio while disarming a bomb, and continually blurs the line between courage and foolhardiness. To Sanborn and Eldridge, who only have 38 days left in their tour of duty, James is a wild card they didn't need to be dealt. For a man with a unique skill set designed to help keep his fellow soldiers alive, he just might end up getting them killed.
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The Girlfriend Experience
Steven Soderbergh makes two kinds of movies -- the Hollywood kind and the indie kind. Though let's be straight here: Even Soderbergh's indie films are essentially Hollywood. There's no risk involved with them from a financial perspective, and from the creative side they continue to lend the filmmaker the artsy street cred that allows him to go off and make big fluff films like Ocean's Whatever with impunity.
The Girlfriend Experience comes from the indie side of Soderbergh, a low-budget, quickly-made digital picture starring a cast of non-movie stars (though, in this case, not necessarily non-stars, depending on your knowledge of porn). It's far more enigmatic and challenging than any wide release multiplex picture you'll see these days, but does that automatically mean that it's better than those Hollywood types of movies?
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Lang zai ji. / The Warrior and The Wolf
Angrily asserting that men are no better than ferocious beasts, doomed to fall prey eventually to their own victims, celebrated Chinese Fifth Generation director Tian Zhuangzhuang launches into a series of metaphors leading to other metaphors and flashbacks within flashbacks with the Warrior and the Wolf, set in ancient times as the Chinese Empire takes on the rebellions tribes at its borders.
Tian is asking even his most faithful followers to work hard here to unravel the unwieldy knots of his story, based on a short piece by Japanese writer Yasushi Inoue but expanded with numerous brutal battles sequences and several torrid sex scenes. The director’s reputation could secure this arthouse and certainly festival play, but critical support is less than assured.
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Like smog settling over Los Angeles, a creeping sense of anomie haunts the Hollywood power players and parasites sidling nervously through “Shrink,” a portrait of a disenchanted therapist to the stars and his clientele. Directed by Jonas Pate from a screenplay by Thomas Moffett, based on a story by Henry Rearden, this dissection of a soul-sick community of self-medicating actors, writers and agents would like to think of itself as a contemporary “Play It as It Lays,” only kinder and gentler.
The holiday season heralds the return of the "Madagascar" gang in "Merry Madagascar," a television special looking to produce a pinch of Christmas cheer to fans, admirers, and all of their patient parents.
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Miss Pettigrew Lives for a Day
Amy Adams must enjoy fairy tales - this is the second one in which she has appeared during the last six months. Although Miss Pettigrew Lives for a Day differs substantially in many key areas from Enchanted, both movies are anchored by Adams, whose beauty, charisma, and infectious energy make them compulsively watchable. Miss Pettigrew is a female buddy movie frosted with elements of whimsy and a little romance. Its setting of London during the latter years of the Great Depression allows its fanciful edge to meld with a bittersweet element of nostalgia. (Odd how one of the most widespread periods of human suffering during the 20th century has been romanticized over the years.) Miss Pettigrew is a feel-good production that strives and succeeds to put smiles on the faces of its viewers.
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Are a few good laughs worth wasting 100 minutes of time? For me, the answer is a resounding "No!" There are far more promising avenues to explore in the quest for laughter than the dead-end represented by Jim Carrey's latest endeavor, Bruce Almighty. Putting aside the juvenile humor (which is admittedly, albeit unevenly, funny), all that's left is a woefully underwritten motion picture that starts out as a dumb comedy before taking an ill-advised detour into mawkish sentimentality. The last 30 minutes of Bruce Almighty is so godawful that it almost sent me screaming from the theater.
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Blair Witch Project
"In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later their footage was found." With this ominous pronouncement on a title card, The Blair Witch Project begins. It's an effective and startling hook to open a film, and the product that follows delivers on the promise of this unusual premise. The Blair Witch Project caused a major stir with Sundance, and for good reason - it was perhaps the most offbeat, energetic, and eye-opening motion picture to screen there. Word-of-mouth was so strong that a special screening had to be scheduled in the 1300-seat Eccles theater, and it was packed.
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Romeo + Juliet
In Looking for Richard, actor/director Al Pacino expresses his great hope for his film -- to extend his enthusiasm for the Bard's plays to a broader audience. In a very different way, that's what Baz Luhrmann (Strictly Ballroom) is attempting to do with this radical approach to "Romeo and Juliet". Luhrmann hasn't fashioned this motion picture with the stodgy, elitist Shakespeare "purist" in mind. Instead, by incorporating lively, modern imagery with a throbbing rock soundtrack and hip actors, he has taken aim at an audience that would normally regard Shakespeare as a chore to be endured in school, not a passionate drama to ignite the screen.
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Alias - Season Three
The third season of Alias found super spy Sydney Bristow (Jennifer Garner) waking up in Hong Kong with a monster hangover and two years in the future with nary a memory. What's worse, her world has been turned upside-down with the evil Sloane (Ron Rifkin) now a world-famous humanitarian and philanthropist, and, even worse, her true love Vaughn (Michael Vartan) married to a seemingly great gal. Nice way to go back to work, eh? After coming up with one heck of a cliffhanger in season 2, Alias proceeded a bit aimlessly through these 22 episodes, and as a result, the parts were truly greater than the whole.
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Sam is young, smart and beautiful, but shes no ordinary woman, shes a demolition expert, usually considered as a mans job. This job should have been very easy conduct a structural analysis on a building located in the remote Scottish swamps, a necessary step before demolition. The building was supposed to be empty upon her arriving. But strangely there are still a few lingering tenants, amongst them the caretaker and her 15 year old boy. The eight-story building has a grim past and Sam, forced to live in the cursed complex while conducting her study to demolish the building, has trouble sleeping. deep in the night, metal banging noises sifting through the walls, the same walls where fifteen years earlier, the buildings architect had sadistically murdered some of the tenants by burying them alive within the walls of the building ... including the caretakers husband. The police had never been able to arrest the killer. Now, deep within the maze-like corridors of the building, guided by the 15 year boy, Sam feels the lingering shadow of these past murders. Sams paranoia builds up and comes to a conclusion when she comes face to face with her terrors and we find out who or what continues to haunt this mysterious place.
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Erik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story revolves around Erik who just wishes to be left alone and graduate. He doesnt listen to what the seniors have to say and they dont like it.
Hi-5: Five Alive
Get moving, get grooving and feel great with HI-5 FIVE ALIVE.Take a deep breath and get ready to move cause the gang from Hi-5 bring you their most energetic video ever. Its an action-packed romp through the world of movement, dance and activities. So join Kellie, Kathleen, Charli, Tim and Nathan - and gear up for a high impact imagination workout where..........
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Love N' Dancing
2002 Jake Mitchell is the defending World West Coast Swing Champion. Hes got everything going for him looks, personality, and style. Hes at the top of his game when he and his partner Corinne are crowned the unexpected winners at the World Swing Dance Championships. As the crowd cheers and the celebration begins, Jake appears uneasy. Did he really deserve to win? The music blasts and the bass is thumping, and Jake hears none of it. He feels it. Jake is completely deaf, due to an ear infection when he was a teenager. He learned how to dance by feeling the vibrations of the music.
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Masters of Menace
The Masters of Menace are actually a motorcycle gang. When one of their own dies while performing a dangerous bike stunt, they decide to cross the country to go bury him. With the coffin in the back of the pick-up truck and the tight-butt lawyer in the front, their craving for beer combined with lack of manners will disturb quite a few people wherever they go, including the police.
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Novelist Paul Sheldon crashes his car on a snowy Colorado road. He is found by Annie Wilkes, the number one fan of Pauls heroine Misery Chastaine. Annie is also somewhat unstable, and Paul finds himself crippled, drugged and at her mercy.