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Hmmm, where to begin? Part of how this film markets itself is that it is “From one of the executive producers of The Texas Chainsaw Massacre”. I’m not sure what I was supposed to expect with that type of branding, but no expectations going into this film is probably a good thing. As far as original idea is concerned, I thought the vampire world accessible only by drugs was pretty cool. The film did a good job in creating a fantasy world aesthetically different from the normal world. The problem I had was that vampire world revolved solely around fornication. It goes nowhere from there. Is that to say the only way for a person to be completely satisfied is to be high and sexually mauled by vampires? It just wasn’t a compelling enough storyline to keep my attention.
A young girl named Lucie (Mylène Jampanoï) is found running half-naked down a country road after having been missing for over a year. During this time she had been held captive and subjected to a steady regimen of torture, both mental and physical, before she was able to to make her escape. Officials are able to locate the abandoned slaughter house she had been imprisoned in, but aside from evidence to support her claims, the building had been evacuated and her abusers were never apprehended.
A well-known saying goes something like, "In for a penny, in for a pound," and that seems to be an appropriate way to begin a discussion of John Maybury's The Jacket. A moody psychological thriller tinged with science fiction elements, The Jacket demands not only a viewer's attention, but his or her belief. Unless you accept the premise, completely and unconditionally, this movie will come across as a load of silly, incoherent rubbish. While not as far out on the limb of paradoxes as films like Jacob's Ladder and The Butterfly Effect, The Jacket nevertheless has the capacity to provoke thought and consternation.
XXX: State of the Union
Where's the Kryptonite?
What many movie producers fail to realize is that one of the keys to making a superhero interesting is to give him an Achilles heel - Kryptonite, so to speak. And one of the big problems with XXX: State of the Union is that the protagonist is essentially invincible. He has no weaknesses. During those rare moments when he finds himself in a tight scrape, we have no doubt he will come out blasting. This isn't Indiana Jones, with his numerous too-human failings. This is The Terminator, only without the snappy one-liners and the weird accent. How can there possibly be suspense when the outcome is never in doubt?
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Dr. Dolittle 2
About the most positive comment I can offer about Dr. Dolittle 2 is that it's not as painful to endure as its 1998 predecessor, Dr. Dolittle. Unlike the earlier Eddie Murphy effort about the M.D. who can talk with animals, the second installment makes no pretense of being family-oriented entertainment - this is kids-only fare (hence, the PG-rating). Potentially audience members over the age of 12 won't find much to laugh at or be amused by in this by-the-numbers comedy that uses sledgehammer tactics to convey its politically correct message. Of course, to balance out the film's social conscience, there has to be one gross-out scene - in this case, it involves a bear with flatulence.
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Q & A is testimony to the validity of the old adage: a good story, when well told, can never be told too many times. With this movie, director Sidney Lumet doesn't bring anything radical to the screen. The premise - a decorated cop discovered to be dirty - has been utilized to the point of overuse, where it has become a cliché. But that doesn't stop the filmmakers of Q & A from providing a different angle on a tale that, although unevenly presented, is at times gripping. Performances are the heart of the film's strength. It's impossible to get far into a discussion of Q & A without mentioning the volcanic interpretations of Nick Nolte and Armand Assante. Playing opposite those two, poor Timothy Hutton doesn't stand a chance.
It's the nature of our society to put people on pedestals. Some wear the title of "hero" like a mantle; to others, it is an albatross. You need look no further than the O.J. Simpson story to see this. So what defines greatness? This question, in conjunction with the reality gap that so often exists between the media's portrayal of a public figure and their actual personality, lies at the core of Cobb, a new film from writer/director Ron Shelton, the man who brought us the baseball comedy Bull Durham.
Barney: I Can Do It
Are you ready for big-kid fun? Join BJ, Claire and Jade as Barney teaches them that even if you’re not big enough to do all the things your friends are doing, there are new friends to meet and new games to play right now. Discover that big-sized fun is waiting for you every morning, and every day you grow is loaded with Tee-riffic adventures!
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When Thomas Archers happy successful life is all but ruined following a horrific attack he is presented with a perfect opportunity to exact physical revenge upon the man who caused all his grief. However the immediate consequences of his actions and inactions are much more complicated than he imagined. Who will survive ?
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Although Michael has matured well since the first film, he still feels that by birthright he deserves to start at the top of his father's law firm, whereas his father tells him that he will start him as a job clerking in order to learn the profession from the bottom up. Michael takes a summer vacation with Tommy to Australia.
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A teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80s prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid brother. Looking forward to a life based on her passion for art, she nevertheless gets in with the partying crowd which causes her to miss deadlines and poor grades which jeapordizes her future. Ultimately she ends up losing her virginity to an older artist wanna-be who she has had a long standing crush on.
End of Days
On December 28th, 1999, the citizens of New York City are getting ready for the turn of the millennium. However, the Devil decides to crash the party by coming to the city, inhabiting a mans body, and searching for his chosen bride, a 20-year-old woman named Christine York. If he bears her child between 1100 PM and midnight on New Years Eve, the world will end, and the only hope lies within an atheist ex-cop named Jericho Cane, who no longer believes in God because of the murder of his wife and daughter.
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For Love or Money
Doug Ireland is the concierge of a ritzy hotel in New York. He does what he has to to satisfy the hotels guests, by getting them what they need like jewelry, candy mints, and theatre tickets. He also tries to keep the manager from terminating Milton, the bellhop, who was been working at the hotel for more than half a century, who likes to think that the spirit of the hotels founder is still around. Doug wants to open his own hotel on Roosevelt Island. Now he has saved every cent he could to get an option on an old hotel. Now he has a matter of weeks to develop the hotel or else he will lose it. But to do it he needs at least 3 million dollars and his best chance to get it is Christian Hanover. While Hanover considers Dougs proposal, he asks him to take care of his girlfriend, Andy, a girl whom Doug has the hots for but is constantly turned down when he asks her out, cause she doesnt want to be two timing her boyfriend, Hanover. Now Hanover is married but says that he will divorce his wife and marry her. Doug doesnt exactly believe him but thinks that his hotel is more important and Andy can make her own decisions. But the more Doug spends with Andy, Doug is starting to wonder what is important.
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Life or Something Like It
A reporter, Lanie Kerrigan (Jolie), interviews a psychic homeless man (Shalhoub) for a fluff piece about a football games score. Instead, he tells her that her life has no meaning, and is going to end in just a few days, which sparks her to action, trying to change the pattern of her life...
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Liquid Courage 2
It is scary going up against a boatful of brutes. How about a quick jolt of Liquid Courage to even the odds?This expansion to Lifeboat adds a new character (Madam Wong) and a few Liquid Courage cards that add to your size in a fight but make you thirsty at the end of the round.
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