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A group of friends are on their way to a lake house vacation spot when their car crashes. Stranded, they spot a lone house sitting in the middle of Nowheres Cornfield USA. It’s moody and dangerous looking and creepy as all get-out. So of course two of the friends, Brian (Wes Chatham) and Scott (Devon Graye) head off to find help, leaving behind Chris (C.J. Thomason) and Natalie (Tammin Sursok), Brian’s slightly loopy girlfriend. There is a fifth member of the group, Johnny (Ben Easter), who has gone missing in the aftermath of the accident. Soon, something evil inside the cornfields strikes, cutting the number of vacationers in half. Yeah, kinda saw that coming, dincha? Have faith, though, it actually gets better.
“Husk” is another 2011 entry in the After Dark Originals line of films, including the previously reviewed “Prowl”. It’s another surprisingly strong effort, particularly given the lack of resources writer/director Brett Simmons had to work with. The film is the full-length version of a short film that Simmons did back in 2005, and it’s quite the streamline affair. The set-up is brisk, the action is fast and furious, and there is enough of a backstory to the supernatural shenanigans as to provide an explanation to those needing one. This is, after all, a movie about killer scarecrows, so I honestly don’t know who would demand a backstory to that, but in case you wanted one, Simmons supplies it in the form of flashbacks, each one helpfully triggered by the appearance of some well-trained crows.
Mad Hot Ballroom
Mad Hot Ballroom is about ballroom dancing in the same way that Spellbound is about spelling bees and Hoop Dreams is about basketball. That is to say, tangentially. Although ballroom dancing forms the backdrop against which this uplifting documentary is set, Maryilyn Agrelo and Amy Sewell's co-production is about much more. In particular, it's about the children we meet and the process of maturation they undergo. Children and ballroom dancing? You read that right. This is what happens in and around a school program that teaches New York City elementary schoolers how to swing, tango, and do the rumba.
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Running Scared feels like Tony Scott on barbiturates. From tone to approach, it's like a Scott-helmed movie, but the tendency to show off is limited, the camera movements are less frantic, and the editing occasionally allows shots to last for more than a second. The result is a picture that retains coherence to go along with its pile-driver intensity. With a complex plot that unspools with surprising clarity, Running Scared displays a reckless intensity. In retrospect, a lot of what the film offers falls apart, but the filmmakers do their best to use adrenaline to keep us from thinking too much during the experience.
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Whole Ten Yards
I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place. The problem with a movie like Jonathan Lynn's 2000 noir comedy is that it rarely inspires more than cursory interest (its final box office tally was under $60 million - solid numbers, but far from blockbuster level). The word "unnecessary" seems understated in describing The Whole Ten Yards, a movie whose existence probably excited only those who received a paycheck for participating.
What can I say about a movie in which the chickens are more lively than the human cast? Where a sense of thinly-veiled desperation permeates every scene? ("Please laugh! Pleeeeeaaaaseee!") Are we supposed to be amused by the image of Bruce Willis in fuzzy slippers and an apron? Are Matthew Perry's lame slapstick antics intended to send us into convulsions of laughter? And is the idea for us to figure out the gist of the plot even though huge chunks of footage have been edited out? It's bad enough that The Whole Ten Yards isn't funny, but it's not coherent, either. Not that the storyline would pass muster for anything more high-browed than a TV sitcom. Ditto for the acting, directing, and pretty much everything else that appears on screen.
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Snow Angels tries to build an ensemble drama around a central tragedy. However, while individual aspects of the film work well on their own terms, the production as a whole lacks focus. Director David Gordon Green (All the Real Girls) gives us glimpses into the lives of the characters populating his canvas but there's a feeling that he's only scratching the surfaces of stories that have deeper undercurrents. And, frankly, Snow Angels is a downer. This isn't inherently a negative - after all, some of the cinema's most powerful motion pictures are downbeat. However, in this case, there's no emotional force behind all the gloom - just a sense that something's missing.
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Grumpier Old Men
As 1993 drew to a close, movie-goers in search of light entertainment were treated to the delightful (if formulaic) Grumpy Old Men, a reunion of the often-paired odd couple of Jack Lemmon and Walter Matthau. Now, two years later, John Gustafson (Lemmon) and best enemy Max Goldman (Matthau) are back at it again. Only this time, their barbs lack the zing of the previous outing. And that's not all that's missing in this ill- advised sequel. Grumpier Old Men isn't as fun, spontaneous, or amusing as the original. In short, it's a poor retread that can't be redeemed by the pleasure of seeing Lemmon and Matthau together.
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"It's my considered opinion that in the fullness of time, history will record the greatness of [Michael] Collins and it will be recorded at my expense."
-- Eamon De Valera, President of the Republic of Ireland, 1966
Of the more than five dozen films to be released this Fall, none is likely to generate more controversy than Neil Jordan's Michael Collins, a biopic of the man who co-founded the IRA and signed the 1921 treaty that partitioned Ireland and provoked the 1922 civil war. Even before its release, the film has fanned passions in the United Kingdom, where it has been tagged with such diverse labels as "ammunition for IRA recruiting sergeants and fund-raisers" (Ruth Dudley Edwards) and "as important a film as ever to be made in Ireland about Ireland" (Art Cosgrove). Opponents are as vocal in their condemnation of the movie as supporters are in their defense of it. Not unexpectedly, writer/director Neil Jordan has been obligated to affirm the picture's integrity, stating at the Toronto Film Festival that "Most of the people who accuse me of inflaming the peace process have no interest in the peace process whatsoever."
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Brother Bear will not go down in the annals of traditional animation as a classic, but it is proof that Disney remains capable of producing enjoyable, family-oriented animated movies. This film looks and feels a little bit like a throwback to the kinds of pictures Disney was making five or six years ago when it was still at the top of the animation heap. There's drama and comedy, a message about tolerance and brotherhood, and a few songs to sell the soundtrack. The end result is a pleasant experience that is more appropriate for families than for adults unaccompanied by young offspring.
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BloodRayne II: Deliverance
Newton Piles (Chris Coppola), a reporter on assignment for the Chicago Chronicle, has come to the town of Deliverance, Montana, to record tales of the Wild West. The peaceful and quiet town is expecting the arrival of the first Transcontinental Railroad in one week. Along with the railroad however, arrives an unwelcome and deadly guest, a vampiric Billy the Kid. Using the railway, the 357-year old Transylvanian vampire is building an army of cowboy vampires to take over the country and create a vampire kingdom in the New World. Billy and his horde go on a rampage, slaughtering townspeople and rounding up children. Billy spares Newton’s life and promises Newton the greatest story ever told.
Billy's plans hit a snag when Rayne arrives in the town. Rayne is a Dhampir, the product of an unnatural union between a vampire and a human: she wields all the powers of a vampire, yet none of the weaknesses. Born over a century earlier in Romania, Rayne has hunted vampires for a long time and now she sets her sights on Billy.
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A jock is seen carrying a bundle of flowers. He creeps into the house of his supposed girlfriend. It is cold inside and he finally approaches his girlfriend's room where he sees a dead man with his mouth wide open. He looks to the side and there are two more corpses.
In a post-apocalyptic society, Henry Spencer works in a factory and has a girlfriend, Mary. When she gets pregnant, she moves to his apartment and delivers a mutant baby, who cries all the time. She can not bear the screams of the child, leaving Henry, who is on vacation, taking care of the newborn child and driving him insane.
Dexter - Season Five
Showtime renewed Dexter for a fifth season, which premiered on September 26, 2010. Julia Stiles will guest star in 10 episodes as Lumen, a new woman in Dexters life. Shawn Hatosy will appear in a multiple episode arc as a bad guy. Maria Doyle Kennedy will also join the cast of Dexter in Season 5 as an Irish nanny. April Lee Hernandez has been called for a recurring role as a police officer. Jonny Lee Miller has been added to the cast as a mysterious man who is intricately involved in a storyline with Julia Stiles. Peter Weller will also join the cast, playing a troubled Miami Metro police officer who gets caught up in an internal affairs investigation. The actor will appear in eight of the twelve episodes. Chris Vance will play a character named Cole, a meticulous, well-spoken personal aide to a famous businessman, in at least three episodes. The first episode of Season 5, which premiered on 26 September focuses primarily on how Dexter deals with his recent loss, coming to terms with the death of his spouse and allowing some human emotions to be expressed.On July 24, 2010, a trailer was screened at Comic-Con, an annual fan convention in San Diego, California. Dexter appears to be a principal suspect in Ritas murder, struggles to satisfy the Dark Passenger while being a single father, and must also contend with a very bitter Astor.
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Into the Wild
Based on a true story. After graduating from Emory University, top student and athlete Christopher McCandless abandoned his possessions, gave his entire 24,000 savings account to charity and hitchhiked to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters who shape his life.
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Check out the brand spanking new JACKASS 3.5 movie poster, and its only here at FOX411.com.This time, the JACKASS movie franchise is moving online, with the first episode of what will be weekly installments going live on the Joost.com on April 1st.Thats right - April Fools Day.The never-before-seen film, directed by Jeff Tremaine, was made specifically for the web, and it features over 85 minutes of all-new content, including never-before-seen stunts, pranks and general gross-ness from merry pranksters Johnny Knoxville, Bam Margera, Steve-O and the gang.
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Kickboxer 4: The Aggressor
This fourth installment in the Kickboxer franchise takes you back into the brutal world of Muay Thai kickboxing champ Tong Po. Sasha Mitchell (TVs Step By Step, Kickboxer 2 3) returns as David Sloan to encounter his old nemesis once again. This time, David is framed for murder and sent to prison. While wasting in the slammer, David learns that his wife is kidnapped and held captive by Tong Po. When David agrees to help the Feds bring down Po, they release him under a new identity. He goes to Mexico to enter a championship martial art tournament held at Tong Pos fortress. The only way David can save his wife is to battle his way through the tournament, Pos henchmen and personal bodyguard (Thom Matthews - Friday the 13th Part VI Jason Lives, Return of the Living Dead 1 2) in a fight to the finish and finally put an end to Tong Po once and for all.
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Night of the Living Dead (1990)
In this remake of the original classic film, a group of people are trapped inside a farmhouse as legions of the walking dead try to get inside and use them for food.
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