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Mask of the ninja
When this 2008 made for cable TV action movie starts out, an undercover cop named Jack Barrett (Casper Van Diem) is wailing away on his guitar, rocking the crowd at a Los Angeles night club while his fellow detectives wait outside. One of their own is impersonating a drug dealer while wearing a wire and they're waiting for the right time to strike. When he's found out, Barrett jumps off the stage and saves the day thought shortly after the guy with the wire on gets a phone call. For some reason, Barrett takes the call - it's the dude's girlfriend, a hot Japanese chick named Miko (Kristy Wu) and she's in trouble.
Jack ditches everybody and hightails it up to the house Mike shares with her father and her stepfather. When he gets there, a ninja attacks him and then takes off - Barrett has arrived too late, Mike's father and two security guards are dead. The cops go about investigating the murder scene and try to figure out what the motive for the murder could have been. They ask Miko for her help, but she claims to know nothing, deferring all questions to her father's assistant, Hirohito (Anthony Brandon Wong). It turns out that Miko's dad was the head of Takeo Technologies, a company that provides surveillance and spy equipment to a roster of international clients and people like that always have enemies. As Barrett and the cops get more involved in the investigation, more and more bodies begin to pile up as Jack finds himself in the middle of a feud between warring Japanese clans that has existed for centuries.
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The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess. The movie follows the lives of two women at Christmastime who trade houses. One story, while neither surprising nor groundbreaking, is moderately entertaining. The other feels like filler and ends up consuming about 45 minutes of the film's bloated 135-minute running time. The theory, I suppose, is that viewers get two romances for the price of one. In reality, one isn't always the loneliest number - sometimes it's the best fit.
Most world renowned people have achieved that status as a result of something accomplished during their lives. Unfortunately, Daniel Pearl was among the few who became famous as a result of his death. Pearl's kidnapping and subsequent death at the hands of terrorists became a major media story during January and February 2002, as the United States was beginning to flex its muscles overseas in response to the September 11, 2001 attacks. A video leaked to the Internet showing Pearl's decapitation magnified the tragedy. A Mighty Heart, Michael Winterbottom's interpretation of the memoir written by Pearl's widow, Mariane, examines events of that one month period from the perspective of those who sought Daniel's release: his pregnant wife, his friends and colleagues at The Wall Street Journal, and the Pakistani security forces. The film is fascinating and at times disturbing, but Winterbottom's arms-length style mutes any emotional impact.
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State and Main
State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glenn Ross, American Buffalo), surprised movie-goers last year with his stately and effective cinematic adaptation of The Winslow Boy. A clear departure for Mamet, The Winslow Boy allowed him to silence those critics who had pigeonholed him. Now, with State and Main, he travels into territory in which he has dabbled as a writer, but never as a director. And, while the film returns Mamet to the familiar terrain of the R-rated picture, this genial comedy does not feature any of the profanity-loaded diatribes that have characterized many of his previous efforts.
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In the Land of Women
In the Land of Women is enjoyable for a movie in which pretty much nothing happens. The things that occur during the course of Jonathan (son of Lawrence) Kasdan's debut feature are all subtle and character-based. This is the sort of motion picture one might assume was made in France if everyone wasn't speaking perfect English and setting was somewhere more exotic than Michigan. In the Land of Women is comprised of a number of nice little scenes that, while they don't combine to form something momentous, are each effective in their own low-key manner.
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Mansfield Park has always been viewed as Jane Austen's most confounding novel. Scholars are divided over its literary merit, and many Austen-philes prefer to ignore its existence altogether, seeing it as a kind of "black sheep" in the author's catalog of six completed, published books. Mansfield Park has also intimidated filmmakers. With the exception of a BBC miniseries, this novel has never been adapted for a visual medium… until now. Canadian director Patricia Rozema's radical approach to the material will leave some Austen fans staring blankly at the screen in stunned disbelief. Others, including those who have not read the book, will be delighted by the changes and will see Mansfield Park as a welcome addition to the recent wave of impeccably produced Austen movies.
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Ride with the Devil
Most Civil War films - and there have been quite a few over the years - have a tendency to skew their perspective towards the Northern viewpoint. It's not hard to understand why - the old South may have been North America's final refuge for a genteel people with courtly manners, but it was also the Western world's last major bastion of slavery. Films like Gone With the Wind can romanticize the old South by virtually ignoring this ugly, festering sore, but turning a blind eye doesn't negate the truth. In the '90s, only the balanced and historically accurate Gettysburg (arguably the best non-documentary Civil War movie ever made) has treated the South with some sympathy and dignity - until Ang Lee's Ride With the Devil.
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Scooby, Shaggy, and the rest of the Mystery Inc. go to Hawaii in Aloha Scooby-Doo! The crew must find out why a well-known surfer has vanished while they are also threatened by a volcano that seems to be on the verge or erupting. The kids and their faithful, fearful canine companion must put the pieces together before it is too late.
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Heart of the Rio Grande
Spoiled little rich girl Edith Fellows does what she can to avoid spending time on Gene Autry's dude ranch in this tuneful Western restored by U.C.L.A. in 2001 for Gene Autry Entertainment. Despite the best efforts of her teacher Alice Bennett (Fay McKenzie), Connie Lane (Fellows) quickly manages to turn everyone against her, except Gene.
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The Foot Fist Way
Fred Simmons (Danny R. McBride) is a fourth-degree black belt in Taekwondo and runs his own dojo in a small North Carolina town. Fred styles himself a big shot, driving a Ferrari and extolling the virtues of Taekwondo to potential new students, but loses his confidence after he discovers that his wife, Suzie (Mary Jane Bostic) gave her boss a handjob after a drunken office party. In order to restore his confidence, he attends a martial arts expo to meet his idol, B movie action star Chuck "the Truck" Wallace (Ben Best) who in reality, turns out to be a dirty and drunken mess. After nearly brawling with Chuck's seedy friends, Fred persuades Chuck to make an appearance at his upcoming Taekwondo belt test and then parties with his friends and students in Chuck's hotel room. Fred returns home and sells his Ferrari to pay Chuck's $10,000 appearance fee. Shortly thereafter, Suzie returns to Fred after losing her job. On the night before the belt test, Fred catches Suzie having sex with Chuck on his own couch. Fred challenges Chuck to a fight, but is soundly beaten and driven off. The next morning, Suzie once again asks to be taken back, but Fred rejects her and urinates on his wedding ring. This occurs just after Fred warns Suzie that her attractive looks will eventually fade with age but not her abrasive personality. Fred arrives at the test late, battered and bruised, but with his confidence restored. When Chuck arrives for his appearance, Fred challenges him to a martial arts demonstration of board breaking, which he wins. At the following belt ceremony, Fred reads a new student pledge that he has written, which outlines the goals and responsibilities of Taekwondo. (The pledge is actually the oath of the International Taekwon-Do Federation.)
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Megiddo: The Omega Code 2
Gavin Fink plays this younger Stone. Noah Huntley plays Stone in his late teens and early twenties. Upon graduating from military academy, Stone meets his younger brother David. At first, David (Chad Michael Murray) admires his older brother; however, his father admonishes him to be true to himself. After graduating from the academy, Stone marries his Italian girlfriend, Gabriella.
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The Sum of All Fears
The film begins with a sequence inspired by the novel's prologue set during the 1973 Yom Kippur War, in which a single Israeli A-4 jet carrying a nuclear weapon is shot down over the Syrian desert. The bomb, over time, is consumed by the sand and disappears.
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The Grudge 2
As with the first film, the second focuses on the cursed house of the Saeki family. The curse was caused when Takeo Saeki murdered his wife Kayako Saeki, son Toshio Saeki and the family cat Mar before being hung by Kayako's vengeful Onryō. Karen Davies, an American careworker became involved in the curse and attempted to burn the house down to end it, only to be hospitalised. Her ill mother sends Karen's sister Aubrey to bring her home. Aubrey struggles to speak with the Japanese hospital staff so a journalist, Eason, translates for her, having dragged Karen from the house fire. Aubrey briefly speaks with Karen who gets into a panic and has to be strapped to her bed. Karen escapes to the roof, pursued by Kayako's ghost who throws her off the building to her death in front of Aubrey and Eason.
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The Shouting Men
Lowly Gillingham Football Club are drawn against Premiership giants Newcastle United in the quarter finals of the FA Cup. A small group of Gills fans decide to make the most of their game of a lifetime by turning the journey north into a weekend away. On the eve of departure one of the group receives a visit from Terry, a man with no legs in a wheelchair, claiming he can get them a free minibus and free diesel. In return, all they have to do is take him with them!
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Jack Campbell is a single, wealthy Wall Street Executive living the high life in New York City. He is in the midst of putting together a billion dollar merger and has ordered an emergency meeting on Christmas day to ensure its success. Family clearly has no meaning for him. In his office on Christmas Eve, he is surprised to hear that his former girlfriend, Kate, tried to call him after many years. After reminiscing a bit, he walks into a convenience store where a lottery contestant, Cash, barges in saying that he has a winning ticket. The store clerk believes that Cash is lying and refuses to give him his winnings. Cash pulls out a gun and is about to shoot the clerk before Jack offers to buy the ticket from him, thus averting disaster. He and Cash settle their business deal outside and he arrogantly offers to help Cash before going to sleep in his penthouse.
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Juncture is the exciting first motion picture in the Anna Carter trilogy - the gripping story of an ordinary woman turned vigilante. A controversial fast-paced action thriller that casts a harsh light on the darkness, perversion and greed that lurks just beneath the surface of today society Anna Carter is on a mission. And only death will stop her.