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Scott Pilgrim Vs. the World
As fans of Shaun of the Dead, Hot Fuzz and the television series Spaced are well aware, director Edgar Wright is known for playing with genre conventions and co-opting – or perhaps remixing would be a better word for it – familiar movie tropes to create something new. Scott Pilgrim – Wright's first cinematic outing without co-writer Simon Pegg or actor Nick Frost – blends elements from movies, TV, comic books and videogames, creating a pop-culture cocktail that is fun, funny and deliciously offbeat.
Michael Cera stars as the title character, yet another version of the awkwardly charming and unlikely romantic leads he usually plays. In this case, though, his inherent likeability is essential for role. Scott Pilgrim is a flawed guy, and his actions aren't always honorable, yet you can't help but root for him to get the girl in the end. He also displays an expanded range of emotion, from depression to anger to optimism, that we haven't really seen from him before. And he actually kicks some ass, too.
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The Warrior's Way
I’m guessing many of you have never even heard of The Warrior’s Way. It’s OK – I hadn’t either. Shot back in 2007 and shelved until this past Friday, the samuari/western mash-up earned only three million dollars in its opening weekend, one of the worst wide-release showings of the year. But does that mean the movie is terrible? Actually, it kind of is – but it’s also more entertaining than it has any right to be.
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There are no fears like the childhood fear of the boogeyman. It is the thing that lurks in the shadows of your closet, or lingers in the darkness under your bed; waiting, plotting, to begin a whispering approach to your pillowed head as soon as you’re bold enough to close your eyes and fall asleep. What a wonderful thing to make a scary movie about. What a perfectly creepy folklore myth to use to brew up some great atmospheric horror.
Relax, take a breath, and sleep easily and deeply. Boogeyman 2 isn’t about that monster.
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When one distills Rio to its essentials, it's all about a bird traveling several thousand miles for the express purpose of getting laid. However, since such a reduction of the plot would not go over well with the parents planning to send (or accompany) their offspring to this movie, the way in which the tale is presented is significantly less salacious. In fact, it's downright Puritanical (although we learn that birds can kiss). Rio is a stopgap - a second-rate animated film scheduled to provide a "family viewing" option between the early spring offerings and the big guns of May and June. The only thing surprising about this lackluster animated production is that it attracted an A-list voice cast. But that's how things are today when even mediocre animation can be a big draw.
Happily N'Ever After
The familiar fairy tales we were weaned on aren't good enough any more. First, Shrek playfully toyed with some of our old friends by having them interact in atypical ways with a big, green ogre. Then along came last year's Hoodwinked, which refused to leave poor Red Riding Hood alone. Now, Happily N'Ever After wants us to consider what might happen if a legion of bad guys were to band together in Fairytaleland to abolish happy endings. While I have no problem with a movie fracturing fairy tales, the results need to show more evidence of creativity and wit than what is on display in Happily N'Ever After. This movie is the worst kind of offender: it thinks its funny and clever, but it is neither. The filmmakers have mistaken banality for wit and silliness for humor, and that doesn't begin to address how visually clunky this motion picture is.
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On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough - we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing - not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.
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Sharpay's Fabulous Adventure
This fabulous adventure follows the blonde-haired diva Sharpay (Ashley Tisdale), musical-theater prima donna from the High School Musical franchise, on her own adventure, as she travels to New York City hoping to make it big. But Sharpay has a hard road ahead, when she realizes that in the real world, leading roles aren't handed over to talented teenagers on a silver platter.
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tall in the saddle
In this convoluted Western mystery, "tall in the saddle" is more of a genealogical clue than an accurate index of the hero's behavior. John Wayne has come to town, so he says, to work for a local rancher--who was murdered shortly after sending for him. Prime villain would appear to be Ward Bond, exuding oiliness as the local judge, who doesn't seem to be a real judge. Paul Fix (who cowrote the screenplay) and Harry Woods supply the thuggery. But mostly it's women that Wayne has trouble with: the dead man's genteel niece (Audrey Long) and her virago of a duenna (Elisabeth Risdon), and especially Ella Raines, who dresses like a man (well, a very pretty boy), runs the neighboring ranch, and falls into instant love-hate with Wayne. (This was Raines's glory period--within a few months in 1943-44 she was breathtakingly lovely in Corvette K-225, Hail the Conquering Hero, and Phantom Lady--but alas, here she's mostly just shrill.)
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The Oxford Murders
Wood plays Martin, an American student at the University of Oxford who wants Arthur Seldom (Hurt) as his thesis supervisor. He idolises Seldom and has learned all about him. He takes rooms in Oxford at the house of an old lady, Mrs. Eagleton (Anna Massey), who is an old friend of Seldom. Also in the house is the old lady's daughter, Beth (Julie Cox), who is her full time caregiver — which she resents bitterly — and a musician by occupation.
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The Curse of the Jade Scorpion
CW Briggs (Woody Allen) is an insurance investigator who is highly successful, owing to his many connections and ability to think like a criminal. His work does not impress Betty Ann Fitzgerald (Helen Hunt), an efficiency expert who butts heads with Briggs over his old-fashioned views. Her advice is usually followed however, because she secretly is in a relationship with her boss, Chris Magruder (Dan Aykroyd), who constantly reassures her that they will be free to pursue their relationship in public once he finalizes his divorce with his wife.
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Rudy: The Rudy Giuliani Story
Biographic movie of the witty, overachieving, hot-tempered Rudy Giuliani, spaning from his rising days as a New York district attorney in the early 1980s to his marriage to part-time actress Donna Hanover, to his candicies for mayor of New York City and his controversial methods to tackle the citys crime and urban problems, as well as his romance with his assistant Cristyne Lategano which lead to the failure of his marriage, to his battle with prostate cancer, all leading up to the terrible day of September 11, 2001 which Guiliani himself narrowly escaped death after suicide terrorists hijacked and crashed two passenger airliners into the twin World Trade Center towers leading to their collapse in which Guilianis toughness and spirited personality help calm the citys residents to face the chaos on that day which made him a national hero.
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Eddie Griffin: Freedom of Speech
This could have been funny, but!!! Too many one-sided racist jokes. Toomany jokes about his own genitalia. With a title like freedom ofspeech, he could have made a bold statement about the state of affairsin the U.S. but he falls way short. Ive seen Eddie stand up in thepast and he used too be funny, but this attempt at comedy was all aboutracism towards white people. Griffin exposed that he is a bitter racistwho would like to chain and beat on white people. Seems Eddies versionof Freedom of Speech is self-serving and without any type of insightwhatsoever into what the freedom of speech problem may be (except forthe fact that he likes to say ngger). Overall, the message is... Watchout for Eddie Griffins privates!
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I Will Follow
Chronicles a day in the life of a grieving woman, and the twelve visitors who help her move forward.
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Justin Bieber: Never Say Never
Follows Justin Bieber with some footage of performances from his 2010 concert tour.
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Everyone has a special mission...
Suddenly the US east coast is hit by a type of natural disaster formerly reserved, except after a major earthquake, for the Pacific and Indian ocean rims tidal waves of the destructive tsunami type. Scientist and fiction author John McAdams attends a national emergency conference which concludes the phenomenon must me man-made, quite possibly abusing the findings of Johns secret former Sea Lion project, but who wants to and has the means? Indeed John soon finds himself set-up for a murder and chased. Major destructions mean major contracts for construction and coastal defenses, so building tycoons like Victor Bannister certainly have a considerable interest...
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