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Much like a biker or skateboarder launching off some physically near-impossible ramp, attempting some unparalleled feat of mid-air contortion in defiance of gravity, X-Games 3D could only ever succeed or fail spectacularly. Unfortunately, much like Jake Brown's epic, 50-foot fall that went so widely viral last year, the quasi-documentary plummets to the ground with a dull, hollow thud. Like any good trick in extreme sports, the concept worked in theory: Take the most dangerous, visually captivating collection of games imaginable and film their greatest moments in eye-popping 3-D. The problem, however, is threefold…
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The combination of horror and comedy has been one of the premiere "go to" mash-ups over the past few decades. Some — like Eight Legged Freaks -- fail to deliver on any large scale, while others win over legions of fans and go on to be cult favorites. For good examples of the genre, look no further than Evil Dead II, Dead Alive, and the recent Shawn of the Dead. Now comes Infestation, a film which seeks to tread similar ground. It does turn out to be an entertaining movie, but I doubt that it will gain the same status of the combo-genres high water marks. I do suspect that it will gather a select group of fans while others will fail to see the point. I ultimately fall towards to the former, although I doubt it will ever be my go to movie for horror comedy.
Years ago, while watching Delicatessen (in 1992) and The City of Lost Children (in 1995), I wondered which of the co-directors, Jean-Pierre Jeunet or Marc Caro, was more responsible for the films' quirky tone and striking visual style. Although Caro hasn't made a film since The City of Lost Children, Jeunet has continued in the business, accepting the Hollywood offer to helm Alien: Resurrection, then returning to his native France to direct Amelie. With the release of this movie, which has won critical accolades across the world, become one of the most popular home-grown films of all time in France, and captured the audience award at the 2001 Toronto International Film Festival, I have learned the answer to my question. Amelie makes it clear that the primary creative force behind the earlier films' stylistic uniqueness was Jeunet.
Leo Tolstoy (Christopher Plummer), or - more properly - Lev Tolstoy, is one of the two best-known 19th century Russian authors. His masterpieces, War and Peace and Anna Karenina, are required reading in many high school and college literature classes, and both have received multiple screen adaptations. For the casual reader, however, less is known about the author than his projects. The Last Station seeks to rectify that, at least insofar as the writer's final year is concerned. Based on Jay Parini's semi-fictional novel of the same name, The Last Station transformers Tolstoy's waning days into material worthy of one of his tragedies while simultaneously making a biting statement about how the politics of a "movement" often warp the underlying philosophy which caused it to develop.
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Moscow, Belgium is a romantic comedy with a different flavor. Although it follows many of the familiar patterns that characterize movies of this genre, it does enough things differently to allow it to step outside of the norm. While some elements of the story are cut from the cloth of fantasy from which all romantic comedies are woven, the characters are down-to-earth and real. They are not pretty people searching for soul mates but the kind of individuals one might meet on the street or in a supermarket parking lot, which is where they first connect.
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The superheroes of DC Comics have been very good to Warner Brothers. In 1978, Superman became a major motion picture event, packing theaters and resulting in a franchise that generated three sequels before collapsing under the weight of bad writing, bad acting, and bad special effects. Then, only two years after the release of the movie that killed the Superman series (Superman IV: The Quest for Peace), Warner Brothers turned to DC's other venerable hero, Batman. From the moment the announcement was first made, fans were ecstatic, especially when it was revealed that the tone of the film would more closely resemble the dark nature of the comics, as opposed to the jokey, campy feel of the '60s TV series starring Adam West. This Batman was intended to be a different breed from any previous live-action incarnation. Like Superman, Batman spawned three sequels, and, like the saga of The Man of Steel, the Caped Crusader's adventures were eventually ended not by the successful plots of his enemies, but by the inept plots of those who helmed the series. Batman and Robin ended the profitability of a franchise that had been teetering since installment #3, Batman Forever.
Jane Austen, considered by many literary critics to be among the first of the "modern" writers, is perhaps best known for creating believable, strong-willed, independent female characters in an era when women in books were often little more than window dressing or plot devices. Although remembered primarily for her alliterative titles, Pride and Prejudice and Sense and Sensibility, Austen authored six major novels, including that upon which this film is based, Persuasion.
In the Company of Men
In the Company of Men is one of those rarest of rare breeds -- a movie that doesn't just ignore Hollywood conventions, but openly flouts them. The film, which premiered to great critical acclaim at 1997's Sundance Film Festival, initially had trouble obtaining a U.S. distributor (for the record, Sony picked it up). The reason is simple: because of its brutally-direct depiction of certain aspects of the current North American social climate, In the Company of Men is anything but entertaining. It's virtually impossible to sit through this film without suffering bouts of intense discomfort, and therein lies its power.
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There's Something About Mary
Awkward and shy 16-year-old high-schooler Ted Stroehmann (Ben Stiller) lands a prom date with his dream girl Mary Jensen (Cameron Diaz), just to have it cut short by a painful and embarrassing zipper accident involving his penis and ends up going to the hospital. After that, they lose touch with each other.
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In a near-empty Northfork orphanage, Father Harlan gently tends to Irwin, an eight-year-old who lies between a dream state and death. As orphanage caretaker Harlan reads aloud about Northforks years-ago forced evacuation to make way for a hydro-electric dam, Irwins imagination takes flight. While a team of six men evacuate the last remaining citizens of the town, Irwin, too, invents a cast of characters to prepare himself for his own evacuation. (the above states the caretaker - who is actually the priest - is reading about a years-ago evacuation. In the movie, the evacuation is taking place as the boy lays dying!)
The Mudge Boy
Duncan Mudge (Emile Hirsch) is a shy, isolated, sexually confused farm boy whose mother has recently died, leaving him under the supervision of a stern, depressed father. Duncan seems somehow to have transferred his love for the deceased mother to his favorite chicken, which he takes everywhere, even to bed. He has developed the odd habit of putting the chicken's head in his mouth -- to calm the animal, he says. Duncan also likes to dress in his late mother's clothing, much to the distress of his confused father. The small, insular band of redneck teens that comprise adolescent social life in Duncan's world initially ostracize him, then allow him in to their circle only reluctantly, and largely for their own amusement. Duncan is beset with a profound sense of grief while trying to reconcile himself to a world in which he is a sexual alien. His crush on one of the local kids, Perry (Tom Guiry), leads to a resolution of sorts.
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Back Soon is a story of love, loss, identity and hope. It follows the relationship between aspiring actor Logan Foster (Windham Beacham) and reformed drug dealer Gil Ramirez (Matthew Montgomery), two men who find themselves inexplicably drawn together despite their disparate backgrounds, and the fact that they both regarded themselves as straight. However, their bond is soon threatened by Gils mysterious past and a startling revelation about the true nature of their connection. Neither man is prepared for this, nor the impact it will have on their lives.
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A hard-boiled tale of bloody revenge... Cash, a gun-slinging ex-convict, is on a death quest to find Hector Gonzales, the man who murdered his wife over a decade ago. Hector Gonzales is a ruthless kingpin who has risen through the ranks over the last ten years and now stands on the verge of ruling the city - a city on the verge of an all out syndicate war. Cash and Gonzales are on an ultra-violent collision course that will determine, once and for all, who owns the streets.
Icarus aka The Killing Machine
There were those who called him Icarus. Everyone else knew him as a divorced father working for an investment company. But they didnt know his other side-his dark side. Because Icarus was at his best when he was killing people. For years, hed worked as a sleeper agent in America-but when the Soviet Empire collapsed, he found himself in a foreign country with no one to trust. Determined to break from his dark past, he started over with a new identity. But you can only escape your past for so long. When a sudden mishap in Hong Kong blows Icarus identity, past and present collide - and the assassin realizes he is now the target. The people that want him dead will stop at nothing to get to him. And that means going after what he cares about most-his wife and daughter. Fighting for his life, Icarus is forced to face the demons of his past to protect the loved ones in his present. He must fight to save the only thing hes ever done right in his life. He needs to uncover who is after him and protect his family - before its too late.
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Mommy Is at the Hairdresser's
Summer 1966. Its time to enjoy the summer holiday, total freedom. Teenage lise discovers that the sudden departure of her mother completely disrupts the family. Her brother Coco seeks solace in the garage, building a super racing car. Her youngest brother Benot throws himself into his own inner world. The father seems absolutely knocked out by the situation. lise decides to take control of her family, in an eloquent attempt to save them. With the assistance of flourishing nature around her, she stands on the threshold of an incomparable summer.
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