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Bridge to Terabithia
Whatever you may have heard or seen, Bridge to Terabithia is not a fantasy movie. The trailers make it look like a third-rate Narnia knockoff or an Eragon bosom buddy, but there are no talking lions, magic kingdoms, or mystical prophecies in the movie. It has nothing to do with anything even remotely like that. Instead, the film has more in common with the 1991 Macauley Culkin movie My Girl and 1986’s Stand By Me. Bridge is an incredibly realistic portrayal of kids struggling with the issues that plague pre-teens and winning.
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Indie movies rarely have the scope and span of a film like Night Train, and after watching this film you’ll know why. While the story of the film is fresh, and something like a Hitchcock flick or an Agatha Christie novel, the execution couldn’t be further from those two vaunted sources of mystery and suspense. It’s not for a lack of trying, but a lack of funds.
In the film, a mysterious stranger boards a train in the middle of nowhere… even though most train dudes that I know would break your jaw before they’d let you on their train without a ticket. Despite this troublesome item, the train dude lets the man on the train… where he proceeds to overdose on pills and booze. The train dude, along with an alcoholic salesman and a sexy nerd slut, discover a package that the man was carrying and hatch a plot to keep it to themselves. This plot involves hacking up the dude’s corpse, throwing it off the train, and getting rich as balls. Of course, things don’t go their way, and a slough of interested parties show up; from a couple of Chinese thugs to cops to an old lady with an annoying dog, everyone wants to get their hands on this priceless treasure. It sounds pretty straightforward, but there are some nice twists within the meat of the story to keep the viewer interested and out of “been there, done that” land.
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District B13 is action porn. It's a series of amazingly choreographed, kinetic action sequences tied together by a laughably bad script and worse acting. Substitute sex for violence and you'd have a typical hardcore XXX feature. The director is Pierre Morel, a cinematographer making his directing debut, but it should come as no surprise to see Luc Besson's name as both a screenwriter and producer. Besson (La Femme Nikita, The Professional) has spent most of his career proving to the world that not all movies coming out of France have to be slow and talky. He's the anti-Rohmer. Nowhere is that more evident than in something like District B13.
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I'm sure the story of bounty-hunter Domino Harvey would make for compelling cinema if only Tony Scott had decided to film it without the masturbatory excesses that are evident in Domino. Over-the-top doesn't begin to describe Scott's off-putting, intrusive style. Cutting with rapid-fire precision that would make a machine gun seem slow, Scott never allows his restless camera to stay with one shot or angle for more than about a second. Domino looks like it was hyped up on speed and acid. It's ADHD filmmaking. One can understand short action sequences being presented in this chaotic, staccato manner, but Domino goes on like this for 120 minutes. It's impossible to become involved in the movie. Fifteen minutes into the proceedings, I nearly screamed in frustration for things to stay still for a moment. I wanted to enjoy the story, but the style kept interfering.
Games People Play: New York
At first glance, James Ronald Whitney's Games People Play: New York appears to be what one might call an extreme reality game - a combination of "Fear Factor" and "Candid Camera" with stunts so over-the-top that even an R rating would be unattainable. But first glances can be deceiving, especially when the viewer takes the time to look a little deeper. Sure, Games People Play is the ultimate guilty pleasure with plenty of eye candy (in the form of full-frontal male and female nudity), but there's more to the film than fit, naked bodies. Not only does Whitney (who admits in the production notes to being "a reality whore") do a credible ape of reality game shows, but he offers some emotional resonance. Part documentary, part parody, and part something indefinable, the film manages to succeed on its own terms and entertain on just about anyone's.
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Few screen romances are as touching, as tragic, and as life affirming as the one shared by Nick (Robert Carlyle) and Karen (Juliet Aubrey) in director Michael Winterbottom's Go Now. While the film is ultimately about the effects of multiple sclerosis upon both a body and a relationship, Go Now is not the exercise in depression the material might make it seem to be. Winterbottom, who took an equally unsentimental approach to his adaptation of Thomas Hardy's Jude the Obscure, avoids numerous melodramatic pitfalls on the way to making Nick and Karen's experiences with the disease real, believable, and manipulation-free. By including a copious amount of lowbrow humor and occasionally using black-and-white freeze-frames with amusing captions, Winterbottom never allows Go Now to become too much of a downer.
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"Something changed with this [quiz show scandal]. It really marked the end of a period of innocence in our social history. No longer did people believe that what you saw on television was the truth... It may sound peculiar to us today that a quiz show scandal could have provoked such public outrage, but it was really the first in a series of disillusionments that violated our sense of trust."
- Robert Redford, producer/director Quiz Show
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Team America: World Police
The North American anti-terrorist force Team America attacks a group of terrorist in Paris. Later, the leader of the organization, Spottswoode, invites the famous Broadway actor Gary Johnston to join his world police and work undercover in Cairo in a terrorist organization and disclose their plan of destroying the world. The Team America destroy the cell of terrorists, but then the Panama Canal is attacked by the criminals as a payback. Gary feels responsible for the death of many innocents and leaves the counter-terrorism organization. When the leader of North Korea, Kim Jong II, joins a group of pacifist actors and actresses with the intention of using weapons of massive destruction, the Team America tries to avoid the destruction of the world. Written by Claudio Carvalho, Rio de Janeiro, Brazil
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Ten Dead Men
One of the most famous lines in the history of cinema is from the ‘Godfather’ series; ‘Just when I thought I was out they pull me back in’. While this is critical to the understanding and appreciation of these films it is also representative of an entire sub genre of movies. a popular theme has always been a criminal who tries to break away from his life of crime and go straight. Typically the underworld figures he worked for has other ideas for his future and there is no mob retirement package that is conducive to a happy ending. One of the primary reasons for the popularity of this plot device is it speaks directly to the fundamental nature of man. Within us all is a constant battle between good and evil. The vast majority of us manage to repress the inclinations towards breaking the law but somewhere hidden inside of us is that rebellious side of our personality.
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Robin and the 7 Hoods
The Rat Pack packed it in after this sprightly musical comedy that owes more than it should to Damon Runyon's stories and Frank Loesser and Abe Burrows's classic musical Guys and Dolls. Sammy Cahn and Jimmy Van Heusen's bright and snappy score features such songs as "Style", "Bang-Bang" and the Sinatra standard "My Kind of Town". Set in 1920s Chicago, the tale begins during a birthday party for head mobster Big Jim (Edward G. Robinson) who is shot to death during the celebration. Rival gangster Guy Gisbourne (Peter Falk) immediately declares himself the chief gangster.
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Martin Raikes (Michael Keaton) is a bank investigator who is sent to Monaco to check up on the shady dealings of a movie production. After the business trip, he'll then fly over to London to visit his daughter.
When Martin arrives in Monaco, he is met by the film company's CFO, Lela Forin (Judith Godreche) and washed-up action star Jake Mellows (Michael Caine).
Elmo's Potty Time
Join Elmo as he reminisces about his potty training journey and guides viewers as they embark on theirs. Elmo and his Sesame friends give helpful, confidence-building tips and encourage kids to listen to their bodies. Dance, sing and laugh along as kids learn healthy habits that will last a lifetime.
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Birdemic: Shock and Terror
Rod (Alan Bagh) is a young software salesman living a successful life in Silicon Valley when he meets up with an old classmate and aspiring fashion model, Nathalie (Whitney Moore), and begins dating her. Things go well for the couple while hints of something going wrong occur around them, such as the corpses of diseased birds winding up on beaches.
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Balls Out: The Gary Houseman Story
From the director of Harold and Kumar Go to White Castle and Dude Wheres My Car comes this raunchy comedy starring Seann William Scott and Randy Quaid. Gary Houseman (Scott) is an overenthusiastic high school janitor who steps-up to lead the schools loser tennis team to the state finals when the acting coach drops dead. The brash and often insulting new coach is intent on inspiring these underdogs not only to win, but also to stand-up for themselves. Although his coaching tactics may be unorthodox, including motivating his star player with a pre-game stripper, his heart is in the right place. Besides, sometimes it takes big balls to play hard-ball.
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The Escape Artist
The young and self-confident Danny blufs at the local police-station that he will escape out of prison within one hour. What follows is a flashback about his childhood with his uncle and aunt, which are vaudeville-artists themselves. We also follow the problems of Danny with the corrupt son of the mayor.
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Lauren, an impassioned American reporter for the Chicago Sentinel heads to Juarez, a Mexican bordertown, in order to investigate a series of mysterious slayings involving young factory women from all over Mexico. As she discovers hundreds of victims, she gains the trust of local factory workers but falls into danger.