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The original REC was one of the most accomplished and downright scary horror films of the last decade; a nerve-shredding journey into the heart of demonic darkness.
The story was a simple one - a Spanish TV journalist and her cameraman accompany a group of firefighters on a routine call for their magazine news show. The outcome was anything but.
Almost as soon as they arrive at the apartment building on the outskirts of Madrid, the team is locked in - quarantined because of a ferocious virus that has somehow been let loose. The film then follows the firefighter's efforts to battle the ferocious, zombie-like creatures wreaking havoc within, while the news team chronicles events on camera.
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Bring It On: Fight to the Finish
"Bring It On" starred Kirsten Dunst and Eliza Dushku and in 2000, the film nearly $70 million domestically. Dunst was a rising star, but "Bring It On" only made her star shine brighter before starring in "Spider-Man" two years later. The film was not well received by critics, but clearly showed there was an interest in cheerleading movies as "Bring It On" has now seen four direct-to-video sequels released. The films speak largely to female teenagers who enjoy watching strong female characters cheer in All-Star squads. Each of the sequels have taken place in their own little universe where there is no connection to previous films and none of the sequels have been received warmly, but "Bring It On" continues with "Fight to the Finish" and I´m guessing this won´t be the finish of the series.
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Never Let Me Go
It is an accepted truth that adapting a sublime novel does not always result in a sublime movie. To an extent, this is the problem with Never Let Me Go, Alex Garland's adaptation of Kazuo Ishiguru's book. The film's tone, which attempts to capture the thoughtful style of the written version, is almost too solemn and reverent. The pace is slow-moving almost to a fault, treading along the line where meditative crosses over into somnambulant. When it comes to observing its central three characters, Never Let Me Go rarely stumbles but in filling in the blanks around them and developing the world and society of which they are victims, the movie (even more than the book) leaves us hanging. The story is in a way a victim of its own inventiveness in that it provides a fascinating backstory that is addressed only in throw-away lines and insignificant subplots. Ultimately, the characters are less interesting than their circumstances, but those circumstances are of secondary importance.
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There are different kinds of sports fans. The casual aficionado will check the papers for game results and occasionally watch the broadcast (or part of one) of an event and, while he (or she) will not be indifferent to the victory or loss of a favorite team, it will cause little more than a momentary pang of satisfaction or disappointment. Other fans are more involved, catching a majority of games on TV or in person, but still maintaining a healthy non-sports life. Then there are the die-hards, the obsessives: those to whom the world of sports becomes all encompassing. They live and die with their teams. Everything is focused on the next game. They are the Trekkies of the sports world; those who have lost perspective. If you don't think they exist, try listening to a sports talk radio show once in a while.
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Greatest Game Ever Played
When it comes to this sort of true-life sports story, Disney has cornered the market. In the past few years, the studio has released four fact-based tales of triumph, each centered on a different kind of game people play. First, there was Remember the Titans (football). That was followed by The Rookie (baseball) and Miracle (hockey). Now, we have The Greatest Game Ever Played (golf). Undoubtedly, Disney would have tried a basketball movie if Hoosiers hadn't set the bar so high. (Apparently, there is one in the pipeline.)
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With only one franchise superhero making a motion appearance in 2009 (Wolverine), Push might be among the best available options for fans of the burgeoning movie genre. An original concept that isn't directly based on any comic books or graphic novels, Push nevertheless feels like an adaptation and concept similarities between the movie and the TV series Heroes are hard to miss. Push is clearly designed to be the first chapter of a multi-part saga but, unlike last year's Jumper, it hedges its bets enough so that if there are no future installments, at least there's a degree of closure.
Any Given Sunday
It is well known that superlative film editing can save a mediocre motion picture. Sadly, the opposite can also be true. A case in point is Any Given Sunday, which, despite a potentially engaging story and a number of good performances, is at times unwatchable. The reason is simple: during post-production, director Oliver Stone frequently dipped into his bag of cinematic tricks to pull out quick cuts, slo-mo sequences, fades to black-and-white, and about a dozen other gimmicks. The film is restless to the point of distraction, and the audio is so pumped up that about a third of the dialogue is unintelligible.
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Journey of August King
The Journey of August King is as close to a flawless motion picture as is likely to be produced by the film industry (independent or mainstream). Featuring strong acting, realistic set and costume design, an intelligent script, solid directing, and evocative cinematography, every facet of this movie is impressive. It is a thoughtful, emotionally-rich production that explores its title in both a literal and a metaphysical sense. In the process, the audience experiences both of August King's journeys: the one he takes through the mountains of western North Carolina and the one his soul makes from loss to salvation.
While most films require one to three years to produce, for The Journey of August King, the process lasted twenty-five years. The novel was published in 1971, and Universal Pictures immediately optioned the screen rights. Now, over two decades and three screenplays later, the movie has finally made it to theaters. Following a short film festival run (which included the coveted closing position at Venice), the picture is scheduled for a late-1995 release in New York and Los Angeles, with wider distribution in early 1996.
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George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health.
Home Alone 2: Lost in New York
The McCallister family prepares to spend Christmas in Florida. Kevin McCallister, Peter and Kate's youngest son, sees Florida as contradictory to what he believes to be an appropriate Christmas environment, particularly noting the lack of Christmas trees. During the school Christmas concert, Kevin's older brother Buzz humiliates him during his solo, causing Kevin to retaliate. Kevin refuses to apologize for his actions, and, still angry with the family's decision to go to Florida, he storms up to the third floor bedroom of the house, where he wishes that he had his own money so he could go on his own vacation by himself. During the night, the family's alarm clock is reset and causes them to oversleep. The family hastily departs to the airport. In the confusion, Kevin loses sight of his family while loading his Talkboy with new batteries from Peter's bag, and ends up following a man wearing the same coat as his father onto a flight bound for New York City.
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After six months at sea on an unassisted solo circumnavigation, Georgia Perrys 44-foot sloop is becalmed for several days. Cabin fever sets in, and the border between fact and fantasy begins to distort. But if these are just tricks of the mind, how do these encounters leave Georgia with physical manifestations?
While the rest of his high school graduating class is heading to the same old kind of college, skateboarder Eric Rivers and his best friends, Dustin, a goal-oriented workaholic, and misfit slacker Matt have one last summer roadtrip together to follow their dream of getting noticed by the professional skateboarding world—and getting paid to skate.
Foxfire is narrated by Maddie Wirtz, a high school senior living a rather normal life in the suburbs of Portland, Oregon. Maddie is in control of her life, with a boyfriend, and plans to go to art school. One day in science class, the students are watching the teacher Mr. Buttinger try to make Rita Faldes dissect a frog. A mysterious and beautiful leather jacket-clad "new student" stands up to Mr. Buttinger and releases Rita's frog. When Mr. Buttinger sentences them both to detention, the drifter reveals that she's not a new student after all, and escapes through the same window as the frog.
The Dream Team
Dr. Weitzman works with patients in a sanitarium. Convinced that all that his group needs is a some fresh air and some time away from the sanitarium, he pursuades the administration to allow him to take them to a ballgame. Unfortunately, he accidentally stumbles across a crime in progress and ends up in hospital. The group are stranded in New York City, forced to cope with a place which is often more bizarre than their sanitarium.
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In L.A., Maurice and Dave sell steaks - high-end cuts of beef. Theyve hit a patch of no sales, and theyre facing being fired. Maurice needs money to enroll in his final semester of acupuncture school, and the recently-separated Dave needs money for his daughters birthday gift. Their final client card a beautiful woman opens the door, and shes attracted to Maurice, but a desperate call from a suicidal friend interrupts her signing the contract. Still hoping to close the sale, Maurice and Dave offer to drive her to the friends house, and there, troubles multiply. Facing guns, hitmen, and womens secrets, a sale is the farthest thing from their minds. Are they about to be grilled?
N-Secure is a no holds-barred thrilling drama mixed with murder, mayhem and manipulation among affluent professionals. This film sheds light on a mans downfall from the pinnacles of success into the depths of his damaged character. His insecurities lead him into a series of troubled romantic relationships and eventually a web of events that include betrayal and murder.