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Just in time for this holiday season Disney presents Santa Buddies, a mischievously merry Christmas movie that will not only bring laughter to your home but also touch your heart. Santa Buddies follows a list of fun predecessors including Air Bud, Air Buddies, and Space Buddies, to name a few.
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Tristan & Isolde
After the recent film debacle that was King Arthur I must admit that the idea of another ancient Britain legend movie had me wary. Hollywood’s ability to take a perfectly good story and completely foul it up has never ceased to amaze me and I expected nothing less from Tristan and Isolde. Consider me somewhat pleasantly surprised.
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Given its title and the presence of top Korean goofball Lim Chang Jung, it should come as no surprise to learn that “Romantic Debtors” is a romantic comedy. Directed by Shin Keun Ho, the film also features popular actress Uhm Ji Won (with who he co-starred in “Scout”) as his love interest, in a rather unlikely tale about a bad tempered detective falling for a hard nosed debt collector – surely a sign that genre scriptwriters are having to look pretty far afield to come up with new ideas for wacky mismatched couples.
Lim Chang Jung (“Sex is Zero”) plays Bang, a homicide cop who has unfortunately landed himself up to his neck in debt after being let down by a friend. Chasing him up with irate calls every half hour demanding that he catches up on his payments is the hot-headed and frequently foul-mouthed Mu Ryeong (Uhm Ji Won, who also recently appeared in the bawdy comedy “Foxy Festival”), who spends her days yelling down the phone at customers. Love seems to be in the air after the two meet at the police station, though sparks of the wrong kind are soon flying once he realises that she is in fact the harridan who has been making his life a misery.
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Hangover Part II
When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phillips' sequel to the unexpected 2009 blockbuster, they might have been. Using the original as a template, The Hangover Part II colors within the lines, but does so with bright fluorescents rather than drab primaries. Despite being mandated by the insane box office success of its predecessor, this movie feels anything but obligatory. It delivers what it's expected to deliver, and that's likely to make it a success
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Book of Eli
Arguably, the international fascination with the apocalypse has never been bigger than it is today, and it has resulted in films like Knowing, The Road, 2012, and The Book of Eli arriving in theaters within a 12-month window. The movies have different vantage points, ideas, and themes, but their common thread - the end of the world - makes one wonder if there is such a streak of pessimism in today's society that a dire event of this nature provides compelling escapism. In staking out its place in an increasingly crowded field, The Book of Eli provides audiences with a parable advocating faith as the path through darkness. The words of the Bible will
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Assault on Precinct 13
What is the world coming to when the film community is remaking John Carpenter movies? Admittedly, Assault on Precinct 13 isn't the best example of Carpenter's expert craftsmanship, but it was the picture that got him noticed, and that notice enabled him to subsequently film Halloween, Escape from New York, and a chilling re-make of The Thing. Nevertheless, in part because of the non-existent budget Carpenter was working with and in part because the original was kind of cheesy, there was room for improvement. The 2005 edition of the film takes advantage of that gap, and the result is an engaging action thriller. The new Assault on Precinct 13 takes Carpenter's idea (which was, in turn, adapted from the 1959 Western, Rio Bravo) and re-imagines it for the 2000s. The result boasts better acting, slicker direction, and less laughable dialogue, all without a noticeable reduction in tension and suspense. Although fans of the original will probably view this statement as heresy, I will admit to liking the 2005 movie better than its 1976 ancestor.
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For those who can't wait until June (and the arrival of Kenneth Branagh's Love's Labour's Lost) for their semi-regular cinematic Shakespeare fix, there's Michael Almereyda's Hamlet. Imagine the line "To be or not to be" delivered in the aisles of a Blockbuster Video store (What product placement genius!). Or "The play's the thing" referring to a movie, not a live production. Or the lead character telling Ophelia to "Get thee to a nunnery" via a phone answering machine. All of these things, and more, happen in Almereyda's re-interpretation of the classic production. However, while the director has succeeded in creating a visually interesting film, he has also lost the play's soul, and the number of cuts employed render the final product virtually incoherent.
I Love You, Man
It has long been my contention that the male bonding movie, or so-called "buddy movie," is actually a romantic comedy without the sex. I Love You, Man makes this explicit - it's a buddy movie with all of the rom-com elements exaggerated out of proportion. However, despite the clever premise and several laugh-aloud moments, the film as a whole underwhelms. That's partially the result of a storyline that sags a bit from overfamiliarity, but the bigger problem is one that kills its share of standard romantic comedies: sputtering chemistry between the leads. The two main characters, played by Paul Rudd and Jason Segel, don't connect in a way that has us rooting for them to be together in a meaningful capacity at the end, and that makes I Love You, Man seem flat.
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Meet Joe Black
Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black is glacial. Director Martin Brest, who helmed the enjoyable-but-also-too-long Scent of a Woman, is at his absolute worst here. Brest transforms a seemingly foolproof idea into an overblown bore.
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The passage of time often impacts how films are viewed. Some, like Citizen Kane, evolve from being modest successes into masterpieces. Others, like Robert Redford's Ordinary People, do not fare as well. Lauded by critics and the Academy alike, Ordinary People and its director were Oscar darlings at the 1981 awards ceremony. Nearly 30 years later, the film is hazily but fondly remembered; however, its position as the most acclaimed film of 1980 has long since been usurped by a film it beat for the Oscar, Raging Bull.
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Georgia Byrd (Queen Latifah), an employee in the cookware department at Kragen's Department Store in New Orleans, is a shy, unassuming woman who longs to cook professionally, and who records her dreams of a better life in a journal labeled "Possibilities." It is the Christmas holiday season. While flirting with a co-worker Sean Williams (LL Cool J), she bumps her head on a cabinet door and is taken to the store's health center for a CAT scan. There she is told by company physician Dr. Gupta (Ranjit Chowdhry) she has several brain tumors resulting from a rare neurological disorder called Lampington's Disease. Since her HMO plan will not cover the exorbitant cost of an operation, Georgia resigns herself to the fact she has only a few weeks to live, quits her job, liquidates her assets, and sets off on a dream vacation at the deluxe Grandhotel Pupp in the spa city of Karlovy Vary in the Czech Republic.
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The Shipping News
The film makes a multitude of changes from the book, notably: Quoyle had two daughters in the novel, but only one in the film; in the film he does not begin working as a reporter until after arriving in Newfoundland; and a number of characters, such as the younger Buggit family, were deleted or merged.
It climaxes with a storm which destroys the Quoyle's ancestral family home and almost drowns the Gammy Bird's editor Jack Buggit, caught in the rope of a lobster pot while fishing. Buggit is thought to have drowned but is actually in a state of shock resulting from hypothermia. He regains consciousness during his wake in front of a large crowd of mourners, central to the theme of rebirth in the optimistic ending of the story.
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The film opens with Eagle Boy, a young man who is on a vision quest. It then cuts to the present, where a 17-year-old Lakota named Shane Chasing Horse is living on the Pine Ridge reservation. He is in trouble because he owes some money to a local gang -- money he used to buy a beautiful ring for Mae Little Wounded, a girl he likes. Meanwhile, his mother asks him to drive his grandfather, Pete Chasing Horse, a storyteller, down to the powwow.
Saving Sarah Cain
The film begins with Sarah Cain (Lisa Pepper), a successful columnist at the fictional Portland Times in Portland, Oregon. Her daily column has been rejected by her boss Bill (Elliott Gould) who claims that she once wrote about her life and is now writing cheesy columns. She is furious and heads to a restaurant where she meets with her boyfriend Bryan (Tom Tate). Sarah's phone rings: It is Lyddie, Sarah's niece. Sarah's older sister, Ivy, has just died of heart failure. Sarah hurries to Lancaster County, Pennsylvania for the funeral.
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Glee - Season Three
A high-school Spanish teacher becomes the director of the schools Glee club, hoping to restore it to its former glory.
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A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camps owner, Unca Lou, is going to close the camp down.
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