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Kick-Ass invites controversy, courts it in fact, as director/co-writer Matthew Vaughn refused to compromise in bringing the comic book series to the big screen. Vaughn went outside the studio system, obtaining his own financing and going through the entire production without knowing whether his hard R-rated film would ever find a home. He kicked up interested in Kick-Ass at the 2009 San Diego Comic Con, unspooling clips he hoped would get fanboys and fangirls worked up into a frenzy, and would get the attention of a major studio.
Lionsgate eventually snagged the rights to distribute Kick-Ass and Vaughn was able to release his version of the film without having to delete a major character, something that most likely would have been required had there been studio involvement early on. The fact that major character, Hit Girl (played by the astounding young actress Chloe Moretz), is in the film intact makes Kick-Ass the most kick-ass comic book adaptation in film history. Not the best - I still swear by The Dark Knight - but it's right up there in the ranks of the most memorable, entertaining, and conversation-inspiring comic book adaptations ever made.
A serial killer thriller about a woman, the daughter of a slain magician's assistant, setting about to learn the truth behind her mother's death and encountering a Las Vegas illusionist who may be a cunning serial killer. Sounds simple enough, so why is it such a mess? Scenes that serve no purpose, subplots that go nowhere, an unfocused script boasting some of the flattest dialogue this side of Dragon Wars. Good actors relegated to nothing roles while very bad no-name actors get the meatier parts. The most elaborate scene of action being a foot chase between two middle-aged men huffing and puffing along the second floor of a motel balcony. Either Magic Man was one of those productions where things went horribly awry somewhere along the way or there was just so much behind-the-scenes ineptitude that the movie was doomed from the outset.
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Audie & the Wolf
A very long time ago, I told you guys about AUDIE AND THE WOLF, an interesting werewolf horror/comedy with a very original werewolf spin. Instead of a normal man turning into a bloodthirsty wolf… a normal wolf turns into a bloodthirsty man! I believe the colorful new one-sheet up top nicely illustrates this concept. When it comes to humor-infused flicks, I really like posters that take advantage of the wild cast of characters.
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I’d like to call Obsessed a miserable failure, but that would imply this lazy waste of time had some sort of goal it failed to reach. It has nothing. No purpose, no drive, no direction. It just shiftlessly ambles forward buoyed by the assumption everyone will stop to watch a catfight, especially one involving Beyonce Knowles and Ali Larter. I did stop to soak it all in, a few million others will likely do the same, but like me, they’ll leave marveling a movie can feel so empty, useless and pathetic.
The reason "body swap" movies (in which someone's mind is transposed into a different body) are so popular is because they are ripe with potential. Unfortunately, that potential is rarely reached. Productions like Big and Prelude to a Kiss are the exceptions, not the rule. 17 Again falls into the less creative, more generic majority category. Imagine a generic script and mediocre acting and you have unearthed the essence of 17 Again, which appears to have been made for the sole purpose of spotlighting Zac Efron. The target audience is roughly the same as for Hannah Montana: The Movie, and the quality is in the same neighborhood as well.
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Grace Is Gone
If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade. This low-key drama, the directorial debut of James C. Strouse, is the kind of opportunity that real actors relish. With a minimalist plot, Grace Is Gone turns its primary focus on John Cusack, giving the actor an opportunity to display both his talent and his range. One can argue that the premise is not a can't miss proposition, but with Cusack in the camera's crosshairs, the situation's poignancy seems genuine rather than exploitative.
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Still Walking, the seventh feature from Japanese director Hirokazu Kore-eda, is a sublime experience. By "sublime," I don't mean "boring." Although the events depicted in the film cover the 24-hour span of an ordinary family gathering, there's a subtlety to the evoked emotions that involves the viewer rather than distancing him. The familiarity of the rhythms offer not a sense of banality or tedium, but one of comfort. Kore-eda establishes circumstances that embody a universality of experience. Everything is understated and naturalistic, and he avoids melodrama and false catharsis. As a result, there's comedy of the sort that evolves from the details of everyday life, and a sense of poignancy at the end, when Kore-eda emphasizes one of his recurring themes: the ephemeral nature of existence. The tone is perfect; this is one of those rare films that, despite being rooted firmly in the world around us, is utterly absorbing and capable of reducing the immediacies of life into abstract thoughts in the back of one's mind.
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Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller.
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It should be a relaxing weekend in a remote cabin in the woods, as far away from big city bustle and the usual routine. But for the group of young people who wanted to meet here for camping, there is different. When they find a mysterious game and play it every warning in spite of immediate, not yet knowing that they evoke three hideous ghosts witches who only have one thing in mind: the death of the group. Only whom it is possible to solve various mysteries in time to escape their clutches, for the parties to a merciless race starts at life and death.
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When William Conroy (Rob Lowe) a former college professor is sentenced to life in prison for vehicular manslaughter it seems his life is over. But, when a fellow inmate tells him that in the past two years fourteen inmates have died at the prison, and then turns up dead the next day, Conroy is in more danger than he ever imagined. His suspicions are confirmed when, while on the way to his parole hearing, the van carrying the inmates crashes. Seizing the opportunity, Conroy flees the scene and elicits the help of his lawyer (Mark Boone Junior). What the two discover is a grisly murder ring set up within the prison walls that incriminates those at the highest levels of the correctional system.
Blissfully happy in her new marriage, Emma gives up her successful Wall Street career and moves with her family to a secluded country estate. But her dream of a perfect life quickly turns into a nightmare when she begins seeing strange and terrifying visions of horrific events from the mansions past.
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15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fianc, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fianc. Mike becomes increasingly desperate to have Susan for himself, with tragic results.
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In the 22nd century, Dr. Paul Merchant has created the ultimate space station for a special purpose to destroy the Lament Configuration, which has brought silent shame to his family for centuries. In the 18th century, French toy maker Phillip LMerchant built the first puzzle box, which was used by magician de LIsle to create a beautiful demon named Angelique, the daughter of Leviathan, the lord of Hells Labyrinth. As the generations passed, LMerchants descendants began the work to create the Elysium Configuration - a box that would destroy the Lament Configuration, until 1996, when one of them, John nearly fell to the power of the box through Angelique. Of course, Pinhead and his Cenobites arent happy about the fact that the gateway to Hell will by destroyed...
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What happens when the hardest team in the Sunday Soccer league comes up against a gay team (pun intended) and finds theyve finally met their match? Watch and wince as fledging referee Elton Glixton struggles to control this testosterone tsunami as rude-boy meets bum-boy in this outrageous new comedy set in the crazy gung-ho world of 5-a-side footie.
My Normal is the story of Natalie, a young lesbian from the Lower East Side, whos struggling to find a balance between her dreams of becoming a film maker and her lifestyle as a dominatrix. Her exotic looks and unconventional techniques make her one of the most desirable mistresses in the NYC underground. After befriending her weed dealer and igniting a steamy love affair with her new girl, Natalie gets an internship on a real movie set. But if everything she ever wanted is becoming a reality, why is her life falling apart? When it seems that all is lost, Natalie realizes that the only way to turn her dreams into reality is to use her unique talents as a dominatrix to get exactly what she wants.
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Murder Loves Killers Too
Big Stevie has a sexual problem. Murder is how he has sex. And Big Stevie knows that there is no better way for a repressed killer to blow off steam than killing a bunch of care-free free-spirited teens. After her friends are all chopped, carved, and slashed, sweet young Aggie is left alone to face off against this unreasonable psycho. Now shes got a pervert on her hands. A big one. And Big Stevies problem could become Aggies problem real fast.
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