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Based on Posy Simmond's graphic novel, originally serialised in the Guardian's Review supplement, Tamara Drewe is a light and frothy satire on life and lust in a quiet English country village.
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From Mexico with Love
There's nothing like a solid boxing movie to get your spirits up and land you in the fighting mood -- whether that's a fight in the ring, a fight against the odds, or a fight for what's right. It's this spirit of filmmaking that brings From Mexico With Love to the forefront, a straight-to-DVD boxing tale that combines the tough realities of migrant farm workers with the bare-knuckled world of minor league boxing.
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M. Night Shyamalan didn’t script or direct DEVIL—he was just one of the producers, and it’s based on his story—but since this is the film that may forever be remembered for turning “From the mind of M. Night…” into a viral punchline, it’s worth noting that DEVIL (billed as “The Night Chronicles 1” on screen, if no longer in the marketing materials) does mark something of a change in direction for the beleaguered auteur. Rather than build up to a heretofore concealed, big-surprise plot twist, this movie takes the different if ill-advised tack of explaining in advance what it’s all about.
The Smell of Success
When a tragic accident ends the life of Mr. Rose, the genius behind Rose's Manure Company, the livelihood of its loyal fleet of salesmen threatens to go, as they say, into the toilet. Enter estranged daughter Rosemary, a high-class- cosmetics salesgirl, who steps in to take control. She is not sure she has a nose for the family business, but she is determined to make foul into profit. Little does she know that a ruthless, slick-talking fertilizer rep is plotting a takeover. Whether she likes it or not, she must trust her top salesman, Patrick Fitzpatrick, to devise a plan to regain Rose's rightful position on top of the heap.
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The Perfect Score
Teens will enjoy The Perfect Score, but there's not a lot here for older audiences.
After having received poor scores on the SAT, five students panic before taking the retest. Kyle is desperate to get into his favorite college and attend architecture school, but his scores are well below the admission requirements. Anna is an overachiever who took the test and completely choked. Matty is trying to get a score high enough to join his girlfriend in college on the East Coast. Roy is the school stoner and though he's smart, he hasn't applied himself to his studies. Desmond is the star basketball player for the school and needs a minimum SAT score to get into St. Johns.
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As a tale of human courage and personal triumph, Murderball works. As a sports documentary, it falls short of the mark. Fortunately, Henry Alex Rubin and Dana Adam Shapiro's crowd-pleasing movie (it won the Audience Award for Best Documentary at Sundance) is more about the former than the latter. The failure of the in-game sequences (which amount to only a small percentage of the overall running time) does little to detract from Murderball's most important observations.
In 1997 movies, the White House is under siege, although not as literally as in last year's Independence Day. No less than three major motion pictures released between New Year's Day and the twilight of the summer season have stories that postulate high level government cover-ups. The first, Shadow Conspiracy, was a terrible film that vanished from theaters almost as soon as it opened. The third, Murder at 1600, is slated for a warm weather bow, and will feature Wesley Snipes as a police officer investigating a homicide on the grounds of the White House. In between these two pictures comes Clint Eastwood's Absolute Power, a fairly routine thriller that gets high marks as a result of tight pacing and top-notch acting.
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City of Lost Children
In 1991, the creative team of Jean-Pierre Jeunet and Marc Caro introduced movie-goers to their nightmarish view of a post-apocalyptic world where troglodytes inhabited the underground and a butcher relied on apartment tenants to keep his meat cabinet full. Delicatessen, a bizarre black comedy, became something of a cult hit -- certainly not everyone's fare, but those who got it, loved it. Now, four years later, Jeunet and Caro are back, and, with their latest film, The City of Lost Children, it's apparent that they have neither moderated their approach nor mainstreamed their vision. The City of Lost Children is as visually striking and daringly offbeat as its predecessor.
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Glengarry Glen Ross
Is Glengarry Glen Ross really about salesmen, or is it about a bankrupt culture that produces and nurtures them? Certainly, it stands alongside Wall Street as one of the most unflinching views of a mindset that informed a generation of salesmen and stockbrokers during the 1980s and 1990s. Gordon Gecko might have said that "greed is good," but the men in Glengarry Glen Ross lived the mantra. The film focuses on a group of unpleasant characters, each more disreputable than the next, and uses them to provide compelling drama. As in Reservoir Dogs (which reached theaters the same year), it’s the complexity of the characters not their lack of virtue that commands our attention.
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Zookeeper is no Mall Cop. The 2009 comedy, Paul Blart: Mall Cop, may have been one of the most unexpectedly pleasant movie-going surprises of the past few years. It was better than it had a right to be and convinced audiences that, in addition to front-lining a television show, Kevin James could also carry a film on his own using little more than his natural penchant for physical comedy and his easygoing nature. Although James may have faltered in The Dilemma, it has taken a train wreck like Zookeeper to bring his motion picture momentum to a halt. A horrifyingly inept comedy, this plays to James' weaknesses, seemingly crafted as a rejected vehicle for Adam Sandler, who has his fingerprints all over every frame. In addition to providing voice work for a rude monkey, Sandler is a co-producer and one of his handpicked directors, Frank Coraci, is at the helm. There are few things worse than bad, unfunny Sandler projects, except perhaps bad, unfunny, neutered Sandler projects. The family friendly PG-rating (which comes with the territory for James after Paul Blart) reduces the cartoonish humor to a level where even the youngest members of the audience may be unimpressed. (Neither kids nor adults were laughing much at the packed screening I attended.)
The Shipping News
The film makes a multitude of changes from the book, notably: Quoyle had two daughters in the novel, but only one in the film; in the film he does not begin working as a reporter until after arriving in Newfoundland; and a number of characters, such as the younger Buggit family, were deleted or merged.
It climaxes with a storm which destroys the Quoyle's ancestral family home and almost drowns the Gammy Bird's editor Jack Buggit, caught in the rope of a lobster pot while fishing. Buggit is thought to have drowned but is actually in a state of shock resulting from hypothermia. He regains consciousness during his wake in front of a large crowd of mourners, central to the theme of rebirth in the optimistic ending of the story.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam.
Over the years, Vito became ashamed of his family's criminal past. He went into a legitimate business and has tried to raise his son right, which in his mind means keeping young Adam (Matthew Broderick) away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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Voodoo Black Exorcist
The mummy of long dormant, but powerful Caribbean voodoo priest Gatanebo gets revived on a luxury South Seas ocean liner as a big buff bald guy and proceeds to terrorize the passengers. Gatanebo beheads several folks, occasionally reverts back to his prune-faced mummified state, and falls for the ravishing Sylvia, who reminds him of his old flame Kenya.
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Jamie's Dream School - Season One
Jamies Dream School is a seven-part documentary UK TV series made by Fresh On Productions, first aired on Channel 4. In it, Jamie Oliver tries to get a group of children with fewer than five GCSEs into his Dream School - a school in which lessons are taught by celebrities who are specialists in particular subjects.
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Storyline Americans are captured on surveillance cameras at least 170 times a day mostly without their knowledge. This produces millions of hours of footage revealing the nature of those hidden secrets.
Memoirs of an Invisible Man
Nick Halloway is accidentally made invisible during an accident. When Jenkins finds out about Nick, he set out to recruit him into the world of espionage, seeing the potential for an invisible CIA agent. When Alice Monroe falls in love with Nick, they are forced to flee the attentions of Jenkins. Nick also has the problem of living invisibly whilst trying to find a cure.
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