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No Strings Attached
Can sext friends be best friends? That's the question posed in the ads for the new romantic comedy No Strings Attached -- directed by Ivan Reitman and starring Natalie Portman and Ashton Kutcher -- the answer to which is pretty easy to figure out for anyone who's ever seen a romantic comedy.
Adam (Kutcher) first met Emma (Portman, who also exec produced) when they were adolescents at summer camp. Reacquainted years later, they end up becoming close friends. Adam, an assistant on a Glee-style TV series and the son of a 1980s sitcom star (Kevin Kline), is a goodhearted chap smitten with Emma, who is now a workaholic doctor and by her own admission allergic to serious relationships.
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Based on the Pulitzer Prize-winning play by David Lindsay-Abaire (who also scripted), Rabbit Hole is a moving drama about a couple struggling to cope with the death of their child.
It's been less than a year since Becca (Nicole Kidman) and Howie Corbett's (Aaron Eckhart) four-year-old son was struck by a car and died. Becca is coiled with anger and bitterness over her son's death, and is effectively trying to remove memories of him from around their home even as Howie clings to visceral reminders such as videos and drawings.
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Harry Potter and the Order of the Phoenix
Whatever happened to the delight and, if you'll excuse the term, the magic in the "Harry Potter" series? As the characters grow up, the stories grow, too, leaving the innocence behind and confusing us with plots so labyrinthine that it takes a Ph.D from Hogwarts to figure them out. "Harry Potter and the Order of the Phoenix" still has much of the enchantment of the earlier films, but Harry no longer has as much joy. His face is lacking the gosh-wow-this-is-really-neat grin. He has internalized the secrets and delights of the world of wizards, and is now instinctively using them to save his life.
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Let Me In
Let Me In is the English-language remake of the 2008 Swedish film Let the Right One In. From the beginning, there has been controversy associated with the "Hollywood-ization" of an edgy, ambiguous vampire tale because many die-hard adherents believed that much of what made Let the Right One In would be compromised in order to appeal to a mainstream American audience. There is some validity to this concern, and it is borne out in the product that has reached the screen. Putting that aside, however, Let Me In represents one of the best and most brutal vampire movies to come along in a while and, despite presenting a romance of sorts between a human boy and a vampire girl, it will not remind many viewers of Twilight. In fact, Let Me In is about as far away from Twilight as one can get, and that's a good thing.
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Dawn of the Dead
It takes guts to remake a movie that is commonly considered a classic. Of course, that hasn't stopped filmmakers in the past - attempts have been made to modernize such "untouchables" as Casablanca and It's a Wonderful Life, with predictably unfortunate results. George Romero's 1978 followup to his classic Night of the Living Dead is not in the same class as either of those titles, but it is viewed by many horror fans as a seminal genre feature. In addition to Tom Savini's groundbreaking blood and gore, Dawn of the Dead is often cited for its allegorical aspects (zombies equating to mindless consumers). Pardon me if I stray from the mainstream in my opinion of the movie. I am not a fan of the original Dawn of the Dead. I find it to be badly acted, overlong, and silly instead of scary. (And it's not that all '70s horror leaves me cold - the original Halloween, released at just about the same time, has withstood the passage of years.) Putting aside the satire of consumer consumption, freshman director Zack Snyder's remake is superior in many ways.
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Sometimes movies don't have to be complicated. They don't have to "say" anything or espouse a particular philosophy. There doesn't have to be a deeper meaning beyond exploring slices in the lives of several unpretentious characters. Such is the case with director/co-writer Danièle Thompson's Avenue Montaigne, a French "comedy" that follows the interaction of a young girl in the lives of three people and how, at times inadvertently, she changes them. The film uses effective acting, deft dialogue, and a sly wit to entertain, if not educate.
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In the movie business, there's no such thing as "truth in titling." If there was, Bobby would be called A Bunch of Boring, No-Name, Cookie-Cutter Characters. Although that lacks the brevity and appeal of the real title, it's more illustrative of the film's content. There's another thing to consider as well when wondering about whether to see Bobby: the track record of the director. While it's not impossible for someone with a dubious filmography to craft an unanticipated masterpiece, a healthy bit of skepticism is warranted based on Emilio Estevez's resume as a director (Wisdom, Men at Work), which doesn't inspire confidence. Sadly, even with low expectations, Bobby disappoints.
It's a given that most comedies centered around kids and high schools will involve, to one degree or another, the subject of popularity. For the average teenager, few things are more important than being liked. The ultimate high is being recognized and respected by the entire student body. Of course, looking back from the perspective of years (or decades), it all seems so superficial, but that's not how it feels "in the moment." Despite a maddeningly inconsistent tone, Charlie Bartlett takes viewers back into the classrooms and hallways of high school as it follows the improbable climb of one student from outcast to icon, and observes the consequences of his popularity.
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Courage Under Fire
It's often said that if you're going to borrow, borrow from the best. And, in motion pictures, one of the best is certainly Akira Kurosawa. His The Seven Samurai was remade as John Sturges' immensely popular The Magnificent Seven. His The Hidden Fortress inspired George Lucas' epic Star Wars. And now, the premise of 1950's Rashomon has been re-worked by director Edward Zwick and screenwriter Patrick Sheane Duncan for Courage Under Fire, a powerful and intelligent examination of the consequences of guilt and responsibility, and the meaning of absolute truth.
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The film chronicles a day in the life of siblings, Trish (portrayed by Gina Philips) and her brother Darry Jenner (played by Justin Long) coming home from college. As they drive through the North Florida countryside in their 1960 Chevrolet Impala, a mysterious driver in a rusty old delivery truck tries to run them off the road. After letting the vehicle pass them, they later see the same truck, in the distance off the side of the road, with a hulking man sliding what looks to be bodies covered with blood stained sheets, into a large pipe sticking out of the ground next to an old abandoned church.
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Falang: Behind Bangkok's Smile
Bangkok Girl is a remarkably accomplished, beautifully photographed and intimate debut documentary that puts a human face on the devastating social issue that, sadly, is the fate of too many impoverished girls. The documentary provides a glimpse of Thailands sex tourism told through the experiences of a 19-year-old bar girl named Pla.
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The State Within
Ambassador to Washington is the pinnacle of success in the Foreign Office and the position is offered to only the brightest and the best. But Ambassador Mark Brydon finds his skills tested to the limits when, following a major diplomatic incident, he is thrust into a web of tangled relationships and conflicting interests. In a world of high stakes, where manipulation of information means ultimate power, the question is who can he trust?
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The school teacher Amy has been proposed by her boyfriend Nick early in the morning and she promises her answer later in the afternoon. After her class, while coming back home, Nick has a car accident in a crossroad with a truck driven by Lucas Dylan. He breaks his leg and an ambulance takes him to the hospital. Amy has phobia with hospitals, but she gets a taxi and goes to the nearest hospital. However, Nick is not there, and she meets Lucas, who is also looking for his sister that has disappeared in the same weird circumstance. They decide to team up and search together where the victims might have been interned, while Amy experiences the most bizarre and scary situations.
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Nothing But the Truth
Rachel Armstrong (Kate Beckinsale) is an ambitious reporter for the Capital Sun-Times. When she discovers fellow soccer mom Erica Van Doren (Vera Farmiga) is working as a covert operative for the CIA and recently returned from Venezuela, where she was investigating an assassination attempt on the President of the United States, she confronts her and requests confirmation. Erica refuses to cooperate, but Rachel has no doubts about the veracity of the report, and her story becomes front-page news with the support of editor Bonnie Benjamin (Angela Bassett) and Avril Aaronson (Noah Wyle), who serves as the newspaper's legal counselor.
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After winning a reality show contest, Tyler (Corey Large, Cabin Fever) invites his two best friends to move into the ultimate bachelor pad a Los Angeles penthouse apartment. Kieran (Rider Strong, Boy Meets World) is all too happy to put off moving in with his girlfriend (Kaley Cuoco, The Big Bang Theory), despite the fact that excessive partying is affecting his job as a writer. When Tylers sexy little sister flies in to visit, all of Kierans inhibitions are lost, putting his relationship with his girlfriend and Tyler in serious jeopardy. Will Kieran get kicked out of the one place where everyone wants to get in?
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Look @ Me
Tina Tremaine works for a banking investment company and runs a fantasy website featuring herself. As her modeling career is about to take off, shes kidnapped by one of her Web subscribers. He locks her away in his house in a windowless room wired with sound and video. While her friends and the police start a search, he visits his psychotherapist. Is there any way she can aid in her own escape or will she have to depend on others?
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