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Oscar-winning director Ron Howard returns to helming more lighthearted fare for the first time since 2000's How the Grinch Stole Christmas with The Dilemma.
The story follows bachelor Ronny (Vince Vaughn), who is riddled with anxiety and doubt over whether to tell his longtime best friend and business partner Nick (Kevin James) that his wife (Winona Ryder) is cheating on him with a young thug (Channing Tatum).
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Let's not talk about The Dark Knight – for it has no bearing on Inception beyond its directorial association; instead, let's hop in the way-back machine to one of director Christopher Nolan's earliest films, Memento. With it, Nolan showed audiences the power of a compellingly structured narrative: in Memento's case, the disorientation of amnesia and how to translate this befuddlement to the audience.
Memento is, of all of Nolan's work, the film most structurally similar to Inception; it's a cyclical narrative that aims very directly to evoke that feeling of being lost – lost amongst the lingo of fantastical terms and impossible physics, lost in a story that is layered and folded upon itself four times over. Indeed, Hollywood's obsession with 3D has extended to the storytelling process, and with Inception, it also reminds us that story and characterization still rule in the land of a thousand digital vistas.
Cemetery Junction is Ricky Gervais and Stephen Merchant's attempt to do for British youth what the likes of Diner, The Big Wednesday, Stand By Me and Dazed and Confused have done so successfully for our American counterparts. That is to create a feel-good coming-of-age drama that deals with the trials and tribulations of growing up in a sensitive, honest and entertaining manner.
However, while they manage to mix comedy and drama as effortlessly as they did on TV's The Office, the pair are rather less successful in terms of creating character and dialogue on this occasion, with their first celluloid effort filled with two-dimensional characters spouting cliche after cliche.
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There’s good news and there’s bad news regarding the events of DEVIL. The good news is that this is a movie with M. Night Shymalan’s name attached and didn’t end up being a complete waste of time and resources, in fact it’s actually a pretty entertaining piece of film. The bad news is that it’s still not going to be the best movie you’ve ever seen and despite the horror elements and claustrophobic setting, it’s not very scary either.
La princesse de Montpensier
(La Princesse de Montpensier, 2010) In his long career, Bertrand Tavernier has worked as a film publicist, an assistant director to Jean-Pierre Melville and has dabbled in the past and in the future as film settings with an equally deft touch, informed by his tendencies as a cineaste who still quaffs the work of others, but also shows his accomplished craft as a filmmaker in his own right. Among his earlier films is the Jim Thompson adaptation with the lightest touch, 1981′s “Coup de Torchon.”
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Kung Fu Panda 2
The average animated sequel is content to apprehend the successful elements from its predecessor and regurgitate them. The result, no matter how enjoyable, often drips with an overly familiar precipitation. Dreamworks' biggest animated franchise, Shrek, suffered mightily from this problem. Thankfully, the creative team behind the Kung Fu Panda movies has elected to move the series in a different direction. Kung Fu Panda 2 brings back nearly the entire cast of characters from the first movie but, instead of recycling the original storyline, screenwriters Jonathan Aibel & Glenn Burger and first-time director Jennifer Yuh use this opportunity to expand the main character's back story and explore some dark corners and crevices of the world in which these talking animals exist. The production is still family-friendly and includes the kind of easily accessible humor many kids (and more than a few adults) love about animated fare, but there's no getting away from some of the adult themes that crop up. This is the most mature animated feature since Rango.
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Ballad of Jack and Rose
The Ballad of Jack and Rose is a low-key character study about a father and daughter whose idyllic lifestyle is interrupted by the arrival of three newcomers. Not much happens in this film beyond the evolution of the characters and their relationships. Certainly, no one is the same at the end as they are at the beginning. This is where writer/director Rebecca Miller (Personal Velocity) succeeds - she breathes life into these individuals and allows them to emerge from the screen.
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Rory O'Shea Was Here
Rory O'Shea Was Here treads a fine line between offering an unvarnished look at the tribulations of being disabled and stumbling into the realm of Hollywood-inspired claptrap. At its best, Damien O'Donnell's film peers into aspects of the lives of its protagonists that might be overlooked by other films. At its worst, it veers into a morass of cloying and artificial sentimentality. It's a difficult task to make a movie about disabled individuals and not have it seem, at least at times, preachy, politically correct, or pandering. Despite giving us sympathetic and well-developed characters, Rory O'Shea Was Here trips that trap more than once.
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If Meet the Feebles wasn't your cup of tea, Night of the Living Dead grossed you out, and you didn't see the humor in The Evil Dead, then Cemetery Man is definitely not for you. On the other hand, if you don't mind horrific, grotesque comedy that mixes the gore of George Romero and Dario Argento with the quixotic irreverence of Monty Python and Delicatessen, Cemetery Man provides the opportunity for a funny, strange time at the movies. This Italian picture, directed by Michele Soavi, is an all-English effort with plenty of violence (wall-to-wall blood-and-gore), sex (occasionally with dead bodies), and general weirdness. By the end of the one-hundred minute feature, you'll either be totally revolted or smirking at the inventiveness and audacity of the whole thing. Cemetery Man recalls Bob Balaban's 1993 feature, My Boyfriend's Back, but with a much nastier edge.
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Most of the movie is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
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The Sum of All Fears
The film begins with a sequence inspired by the novel's prologue set during the 1973 Yom Kippur War, in which a single Israeli A-4 jet carrying a nuclear weapon is shot down over the Syrian desert. The bomb, over time, is consumed by the sand and disappears.
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Vampires vs. Zombies
This mixture of different horror styles depicts Jenna, a girl infected by a vampires bite, on her way to find and destroy the source of infection. She and her father encounter different types of carnivore and bloodthirsty creatures along their journey through the zombie-ravaged world to the lair of Carmilla, who is suspected to be the source of Jennas illness. The movie is respectively based on the Le Fanus novel Carmilla.
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A wild weekend is in store for three high school seniors who visit a local college campus as prospective freshmen.
Caleb Holt (Kirk Cameron) is a firefighter in Albany, Georgia who holds the motto "Never leave your partner behind". However, his relationship with his wife Catherine (Erin Bethea) is suffering to a point that she wants a divorce.
Caleb and Catherine each fault the other for the disintegration of their relationship. Among Catherine's complaints are Caleb's addiction to internet pornography and a large sum of money ($24,000) he has saved up for a boat that he intends to buy, ignoring the fact that Catherine's disabled mother is in need of hospital equipment that she cannot afford, and which their insurance doesn't cover. When Caleb tells his father, John, about the impending divorce, John challenges Caleb to commit to a 40-day test that he calls the "Love Dare", and Caleb agrees. Initially Catherine doubts Caleb's sincerity in his attempts to win her back, due to his half-hearted attempts at completing the Love Dare, but Caleb continues with encouragement from his father and his close friend Michael (Ken Bevel), who also encourages him to become a born-again Christian.
The life of Blues and folk singer Huddie Leadbetter, nicknamed Leadbelly is recounted. Covering the good times and bad from his 20s to 40s. Much of that time was spent on chain gangs in the south. Even in prison he became well known for the songs he had composed and sung during and before the time he spent there.
A Walk in My Shoes
Jake (Philip Winchester) has not been able to focus on a single job orstay in one place ever since the death of his wife. But shortly beforeChristmas, the brakes go out on this pickup and a mysterious womannamed Molly (Yara Martinez) shows up and knows exactly what is wrongand even his what he needs to fix the truck. She disappears as suddenlyas she appeared, but she has given Jake an address and a job.
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