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The Open Road
The Open Road writer-director Mike Meredith must have pictures of Jeff Bridges, Justin Timberlake, Ted Danson, Mary Steenburgen, Harry Dean Stanton, and Lyle Lovett committing horrible crimes against small children or adorable woodland creatures. How else to explain their participation in a sleepy little nothing of a comedy-drama about an estranged father and son learning that it’s all about the journey, not the destination, man, during a perversely uneventful road trip? A more likely explanation is that the rest of the cast was eager to work with the great Jeff Bridges, a dependable veteran who brings his trademark laid-back charisma to the role of a legendary retired ballplayer and half-assed father who tries mightily to bond with a petulant son immune to his cornball charm.
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V for Vendetta
Politicians lie to hide the truth, artists tell lies to reveal it; so proclaims the newest work from the creators of The Matrix. V for Vendetta is a lie, a work of fiction written to reveal truth. It's not easy or comfortable truth, but there is truth somewhere in it. I'm tempted to lie here and tell you that there's also a ton of kung fu, since that's probably the best way to lure as many people as possible into seeing it. But I'll avoid fabrication and stick with facts. This isn't an action film or a superhero movie or even really science fiction. V for Vendetta is an idea. A subversive, uncompromising (somewhat naïve) idea.
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The Baseline is the centre of the East London grime club scene and the queue regularly stretches around the block. Danny works on the door - breaking up fights and managing drunk kids. However, when he rescues Terry, the club owner and local gang leader, from a hitman, Danny is suddenly plunged deep into an underworld he had tried so hard to avoid.
Day of Wrath
Blending austere black-and-white visuals with vigorous symbolism and dour psychological scrutiny, Carl Dreyer's searing, pessimistic masterpiece possesses real emotional wallop.
Set in 17th-century Denmark, the action begins with a pious parson (Thorkild Roose) sending a `witch' to her fiery death. The old hag curses her persecutor - and his life rapidly crumbles as his new young wife (Lisbeth Movin) falls for his handsome son (Preben Lerdorff). Their incestuous bond tips the clergyman into a premature grave, causing the pastor's mean-spirited mother to label her adulterous daughter-in-law a sorceress...
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Dawn of the Dead
It takes guts to remake a movie that is commonly considered a classic. Of course, that hasn't stopped filmmakers in the past - attempts have been made to modernize such "untouchables" as Casablanca and It's a Wonderful Life, with predictably unfortunate results. George Romero's 1978 followup to his classic Night of the Living Dead is not in the same class as either of those titles, but it is viewed by many horror fans as a seminal genre feature. In addition to Tom Savini's groundbreaking blood and gore, Dawn of the Dead is often cited for its allegorical aspects (zombies equating to mindless consumers). Pardon me if I stray from the mainstream in my opinion of the movie. I am not a fan of the original Dawn of the Dead. I find it to be badly acted, overlong, and silly instead of scary. (And it's not that all '70s horror leaves me cold - the original Halloween, released at just about the same time, has withstood the passage of years.) Putting aside the satire of consumer consumption, freshman director Zack Snyder's remake is superior in many ways.
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Spoilers – sort of: Although this is not a spoiler-heavy review, there are implied spoilers. While specifics are not revealed, anyone good at reading between lines may learn more about the movie than they want to. Those in search of a "virgin" movie experience are hereby warned.
The chief pleasure to be derived from watching Cold Souls is that it's a journey into the unexpected. To one degree or another, even the best screenplays tend to follow projectable trajectories, even when the specifics are obfuscated. Cold Souls travels so far off the beaten trail that it's difficult to discern where it might be going. Granted, the final destination is more conventional than one might expect from such an offbeat motion picture, but this is one of those movies where the journey counts more than the arrival. There aren't many analogs available; it bears a passing resemblance to the twisted conceptions of Charlie Kauffman, but even that is an imperfect comparison.
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Hangover Part II
When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phillips' sequel to the unexpected 2009 blockbuster, they might have been. Using the original as a template, The Hangover Part II colors within the lines, but does so with bright fluorescents rather than drab primaries. Despite being mandated by the insane box office success of its predecessor, this movie feels anything but obligatory. It delivers what it's expected to deliver, and that's likely to make it a success
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Bounce delivers exactly what viewers expect from a romance: two people who meet under unusual circumstances fall in love, then are pushed apart by complications before finding each other again. There are no surprises, twists, or unexpected turns of plot. This is the kind of film where the characters travel along a pre-determined path from Point A to Point B, with the finish line visible from the moment the two stars are named in the opening credits. The only tangents are those allowed by the laws of screen romances. Nevertheless, while all of that may make for a predictable movie-going experience, it doesn't necessarily make for unpleasant one. Bounce is actually a decent romance with three things going for it. In the first place, Don Roos' dialogue is a cut above the norm. Secondly, stars Ben Affleck and Gwyneth Paltrow connect in a credible manner. Finally, the film touches on a few intriguing philosophical issues, such as the guilt an individual feels when someone close to him or her unexpectedly dies.
The dumb, raunchy comedy is not a new genre - in one form or another, it's far older than cinema. (What else would one call Chaucer's The Canterbury Tales?) However, as far as the modern incarnation is concerned, its genesis can be traced back to the early '80s, when films like Porky's inexplicably packed theaters. A half-generation later, this kind of motion picture is bigger than ever, with seemingly every other weekend offering another opportunity for movie-goers to laugh at the antics of stupid characters doing gross and moronic things.
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Kiki's Delivery Service
Veteran animator Hayao Miyazaki directs this buoyant children's adventure yarn about a young witch striking out on her own. At her mother's behest, 13-year-old Kiki sets out on a year-long apprenticeship with her black cat in tow. With a shaky command of her broom, she ends up in a charming little coastal town that looks like a cross between the French provincial and San Francisco.
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The Four Feathers
Harry Faversham (Heath Ledger), a young British officer, celebrates his engagement to the beautiful young Ethne (Kate Hudson), in a lavish ball with his fellow officers and his father in attendance. When the regimental Colonel (James Cosmo) announces that the regiment is being dispatched to Egyptian-ruled Sudan to rescue the British General Charles "Chinese" Gordon (who is being besieged in Khartoum by Islamic rebels of The Mahdi), young Faversham becomes nervous and resigns his commission. Shocked by his son's actions, Harry's father (Tim Pigott-Smith) disowns him. Perceiving his resignation as cowardice, his friends and fiancée give him four white feathers, the symbol of cowardice.
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House of Fury
Anthony Wong stars as Siu Bo, a single father who single-handedly raises his two children, Natalie and Nicky, to young adulthood after his wife's death.
Nicky works as a dolphin trainer at Ocean Park and Natalie goes to school with Ella. Her boyfriend, Jason, is a musician who does not speak Cantonese very well, and in his first scene, gives Natalie a pet pig. Siu Bo works as a Chinese traditional bonesetter and has kung fu skills, which he has passed on to his children, who display prowess while fighting each other in sibling disputes.
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There are approximately 8 or 9 fights on here. Theyre real fights, including boxing matches, bare knuckle matches, and some allow the competitors to continue pummeling the opponent when theyre down. I think there were one or two girls in here that were actually attractive. Well, one at least. About three of the fights are fairly descent, three full rounds with a good amount of action. A couple of the fights end after one girl gets punched a few times and decides to quit. A few others are totally inexperienced girls flailing away at each other, completely unable to hurt each other, so they eventually become exhausted. One fight has a fat girl vs. two normal sized girls, and its like a fight from the Jerry Springer show. There are at least 5,000 punches thrown but theyre wearing padded headgear and nobody can hurt anybody. In one of the good fights, one of the girls gets her sports bra bulled up and you get to see, well, you know.
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Clay (as in the title) is a young man in a small town who witnesses his friend kill himself because of the ongoing affair that Clay was having with the mans wife. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Into this comes a serial killer who befriends Clay, even to murdering the nagging widow for him... but certainly not at Clays request. But that doesnt matter for the police, as well as for a savvy female FBI agent who sees Clay as their prime suspect. Yet Clay doesnt tell them of his friend who admits to him of his serial killings, primarily because Clay sees himself as somewhat of an accomplice, in that he seems to have introduced to the killer each young woman that is killed... in fact, the sheriff comments that he wishes Clay would quit finding the murdered victims, which he always seems to do. But at last Clay is able to turn from being the pigeon... to giving the film its very unpredictable conclusion.
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Night of the Twisters
A Nebraska farm community is plagued by a storm with a series of tornados acting against normal patterns. Dan is left at home to look after his baby brother Ryan along with his friend Arthur while Dans mother is at work. His stepfather goes to check on his grandmother. When a tornado destroys the house, Dan and Arthur attempt to re-unite the family
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