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Get Him to The Greek
Apatow: a powerful surname in the world of comedy, and its mere association with a film release warrants a look-in. The latest of these, Get Him to The Greek is something of a side-story to 2008's Forgetting Sarah Marshall – produced by Judd Apatow and based on characters developed by Apatow-brethren performer Jason Segel. It doesn't quite stack up against the high notes, and the gags are uneven - but an overdose of pop-culture and some memorable set-ups make this a very amusing commentary on the foibles of rock stardom.
Reprising his role as Aldous Snow is comedian and performer Russell Brand. Snow represents all the lavish and egotistic contrivances the music industry breeds, embodied in a heroin-chic frame and cheeky mug. This is, of course, made all the more interesting given that Brand himself struggled with drug use and has, like his character, been clean for years now. Snow, on the other hand, ultimately tumbles off the wagon in spectacular fashion, leaving his gorgeous pop-performer partner (Aussie stunner and solid actress Rose Byrne) behind. He hits the skids after releasing an indulgent and racially offensive album – and it falls on the enthusiastic but beleaguered young music label executive, Aaron Green (Jonah Hill) to relaunch his career and get him to the Greek Theatre in Los Angeles at all costs.
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Riffing on isolation, claustrophobia and science fiction isn't a fresh concept to cinema audiences. We've seen the good – Stan Kubrick's '2001: A Space Odyssey' – and the bad – Michael Bay's 'The Island'. Director Duncan Jones' 2009 space odyssey, 'Moon' borrows heavily from both films – appropriating ideas and settings to create a piece of very compelling science fiction.
By the time this review is over, I will have spent more time thinking about Fool's Gold than the writers of its script. This...thing...is one of the sloppiest pictures released by a major studio in recent memory. What can you say about a "romance" with no romance, a "comedy" with no laughs, an "adventure" with no excitement? Though I certainly wasn't rubbing my hands together in anticipation walking in to the theater, I thought this would at least succeed at being an enjoyable time waster. "Attractive people wearing few clothes in exotic locales -- I can handle watching that for a few hours," I thought to myself. But I was wrong. So very wrong. The whole affair is about as compelling as a two-hour fart.
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“Black Bread” starts of with a scene of such stunning violence—without giving too much away, it involves a sledgehammer and a horse, among a slew of other very nasty things—that it casts a shadow over the rest of the movie. Set in post-Spanish Civil War Catalonia, the film creates an atmosphere where the potential for death and hostility to erupt exists around every corner, in every situation. From the outset you learn that no place is safe; not the family hearth, government offices, and certainly not the multitude of caves, woods, and fields where the 11-year-old Andreu (Francesc Colomer) grows up.
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Because of Winn Dixie
This film is based on the children's book by Kate DiCamillo.
After moving to a small rural Florida town with her preacher father, Opal has a hard time making new friends. There's nobody there her age to play with and her father has pretty much left her to fend for herself while he starts his new job. Everything changes, though, when she goes to the local grocery store. She encounters a big, hairy, smelly dog running amok and being chased by employees. Feeling sorry for the mutt, she claims him as her own. She names the dog "Winn Dixie" after the store she found him in.
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Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to triumph. However, while Legally Blonde boasts its share of cute moments, the production has at least one significant problem - the plot. Director Robert Luketic's feature debut is handicapped by a lame, predictable storyline that calls attention to itself too often. Admittedly, in all but the best comedies, plot is usually not a strong suit, but the filmmakers of Legally Blonde make the mistake of believing the audience will care about the way things progress, which is not likely to happen.
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Meet Joe Black
Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black is glacial. Director Martin Brest, who helmed the enjoyable-but-also-too-long Scent of a Woman, is at his absolute worst here. Brest transforms a seemingly foolproof idea into an overblown bore.
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The Astronaut's Wife is the latest demonstration of how a good "high concept" does not necessarily translate into a decent motion picture. With its Invasion of the Bodysnatchers-inspired storyline, this movie could have been an effectively creepy science fiction/horror movie, but a lazy script and howlingly bad dialogue sinks the project. In the process, several potentially rich opportunities and a pair of credible lead performances are wasted. To its credit, The Astronaut's Wife isn't interested in telling a "standard," big budget alien invasion story (such as the one presented in Independence Day). Instead, it wants to keep things low-key, like in The Arrival, with a dash of Contact thrown in for good measure. It also avoids the Species approach of throwing copious gore, sex, and violence at the audience (although the film could have used a little more of each to liven things up). The problem is that the mix of ingredients are in the wrong proportions. So, instead of getting thought-provoking science fiction, we're stuck with something that's bizarrely paced and occasionally cheesy.
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Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit.
Long ago there was a great samurai warrior who served his Shogun honorably. The Shogun however grew paranoid as he became more and more senile. The Shogun sought to destroy all those who might stand to oppose his rule, and so he sent his ninja spies to the samurais home. The ninjas failed to kill the samurai, but did kill his beloved wife. From then on, the samurai swore on his honor to seek out the Shogun and avenge the death of his love. The samurai roams the countryside with his toddler son taking on mercenary work for money until the final battle with the Shoguns three Masters of Death.
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They forged a new land in the untamed wilderness - with their heart, their hands, and their faith in god.
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Bill & Ted's Excellent Adventure
The film opens in San Dimas, California in the year 2688 AD. Rufus (George Carlin) prepares to use a time-traveling phone booth to travel back to 1988 to ensure the Two Great Ones–Bill S. Preston, Esq. (Alex Winter) and Ted "Theodore" Logan (Keanu Reeves)–remain together to form the band "Wyld Stallyns", whose music will become the core of the future's Utopian society. Rufus finds that Bill and Ted are on the verge of failing their high school history class, and, should Ted fail, his father, Police Captain Logan (Hal Langdon) will ship him off to an Alaskan military academy, effectively ending the pair's dreams of forming a band.
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Across the Line: The Exodus of Charlie Wright
The story centers on Charlie, a Los Angeles billionaire financial whiz who goes into self-imposed exile in Tijuana after his empire is revealed to have been a Ponzi scheme. While looking for the woman he abandoned there 25 years before, Charlie is pursued by a Mexican gangster, a federal agent and thugs sent by a former client looking to retrieve his money.
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Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. Shes fighting a fatal illness and she will stop at nothing to defeat death, her one true enemy. She steals other peoples souls and on her quest to immortality she tricks Jonathan into supporting her work, breaking him apart from his fianc Rowena and pulling him into her dark, mysterious world. They settle down in an old manor by the Black Sea where Ligeias everlasting presence slowly drives Jonathan to madness...
Marley & Me: The Puppy Years
Marley Me The Puppy Years fetches big laughs, as the worlds worst (but most lovable) dog returns with more mischief and mayhem than ever. But this time, he has a voice literally. In this film, Marley speaks with an adorable, spirited voice as he and summer pal, Bodie Grogan, take on Dobermans, Shepherds and Collies in a neighborhood dog contest.
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Although a one-time MVP for the New York Yankees, Jack Elliott is now on the down side of his baseball career. His batting average is low and one of his few claims to fame is that during the previous year, he led the team in 9th inning doubles in the month of August. With an up and coming slugger ready to replace him, he learns that hes been traded to the Chunichi Dragons of the Japanese Central baseball league. Elliott is set in his ways and quite inflexible, not only in accepting Japanese culture in general, but also with the way the baseball team is managed. When he meets his very pretty PR agent, Aya Takahashi, he begins to gain a greater appreciation that he should accept his current situation. When he realizes her other connection to the team, his attitudes begin to change at an even greater pace
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