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“Gigante,” a small, unpretentious slice of Uruguayan neo-realism, is a steadily observant portrait of the humdrum life of Jara (Horacio Camandule), a stocky 35-year-old night security guard in a supermarket on the outskirts of Montevideo.
Across the Universe
Theater-trained Julie Taymor's phantasmagoric story of young lovers caught up in the counterculture as seen through the prism of Beatles songs is a wildly ambitious undertaking, and her reach exceeds her grasp for a good half of its two-hour and 10-minute running time. But the other half is breathtaking, simultaneously visually inventive and vividly attuned to the broad streak of melancholy that runs through some of the sunniest pop hits of the 1960s.
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If sword'n'sandal movies from the toga-wearing classical world generally make you giggle or groan – or even if they don't – then this could be the film for you. Alejandro Amenábar has made an ambitious, cerebral and complex movie set in fourth-century Alexandria, the era in which the famous library was destroyed.
Wendy and Lucy
Wendy and Lucy is a love story, but not of the conventional sort. It's about how the vagaries of fate can sabotage a seemingly bright future and tear apart two dear companions. It's about the desperate search of one to find the other in a place where she knows no one, is homeless, and has lost her only means of transportation. These two face uncertain prospects and, even if they are reunited, might be forced apart by the reality of their situation. One of these companions is a twenty-something woman named Wendy (Michelle Williams). The other, Lucy, is a dog.
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Babel represents director Alejando Gonzalez Iñárritu's conclusion to a stylistic and thematic trilogy begun in Amores Perros and continued in 21 Grams. Of the three, Babel is arguably the most accessible. As with 21 Grams (and to a lesser degree Amores Perros), this movie is constructed as a puzzle, with different pieces transpiring during different times and in different places over a five-day span. However, this one is less complicated to put together. (Think of it as the difference between assembling a 250-piece jigsaw and a 50-piece one.) The temporaral discontinuities are not extreme, and there is clear background evidence of how each sequence relates to those around it and fits into the global time-line. This allows story to take precedence over structure.
Jamie Foxx has had a great year this year. Starring opposite Tom Cruise in Collateral, the first movie of his to gross over $100 million, and then to follow it up with arguably the best performance of the year in Ray. When Jamie Foxx is on screen, you do not see Jamie Foxx as Ray Charles, you see Ray Charles. The transformation is made complete by the way Jamie Foxx was able to emulate not only the look but also the mannerisms, diction, and style of Ray Charles.
Fortunately, Foxx's acting is not wasted on the rest of the movie. Ray Charles had a very interesting life and had to overcome many hardships that translate well to film. Ray's life touched many people and the resulting large cast of supporting actors all give good performances.
As with Ray's life, the movie is filled with music. The majority of the singing done in the movie is archival recordings of Ray Charles. Jamie Foxx does sing however, and it is impossible to tell where. The soundtrack is an impressive list of Ray Charles' hits that flow seamlessly through the narrative of his life.
It's heartening to know that while we sat through one of the emptiest synthetic hit movies of the 1980's, the seeds of parody were being sown. It's also nice to see that the three-headed Zucker-Abrahams-Zucker directorial entity, the one responsible for "Airplane!," has split into three fully formed talents without any apparent loss of verve.
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Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particularly important attribute of his movies. Cliffhanger was little more than a series of spectacular stunts linked together by a paper-thin story. If anything, the strands of logic in Cutthroat Island are even thinner. Fortunately, as a spectacle for the eye and ear, this high seas adventure is more than capable of capturing its audience's attention. Holding it for more than two hours is a different matter altogether...
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Alias - Season One
Sydney Bristow (Jennifer Garner) is a super (and super sexy) spy, fighting nefarious villains and working for the good guys--or so she thinks. Recruited as a college freshman for espionage work, Sydney found her true calling with SD-6, a secret division of the CIA. When her hunky doctor-boyfriend proposes to her, she decides to let him in on the truth she's not supposed to tell anyone: she's not a grad student with a demanding job for an international bank, but a secret agent who constantly puts her life on the line for the free world. But when SD-6 discovers her security breach, her fiancé is brutally assassinated, and Sydney suddenly finds herself face-to-face with the truth: she's been working for the bad guys. Deciding to become a double agent for the CIA and bring down the evildoers, Sydney gets one more surprise--her estranged father (Victor Garber) is also working for SD-6, and the CIA as well. Welcome to the family, Syd!
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The story centers on a young boy, Nino (Ryan Cooley), and his family dog, Rex, who takes on a significant role in Nino’s life after the boy loses his father to cancer. For instance, Nino teaches Rex about sex by forcing Rex to watch him have sex with his girlfriend, a Golden Retriever. During a stroll in the park with Nino and his mother, Rex manages to save the life of the eccentric inventor and dotcom wiz, Alex (played by Judd Nelson.) Rex is badly injured during his act of heroism and Alex, as a gesture of gratitude, takes the dog back to his bionics lab to rebuild him. Through cutting edge gadgetry, Rex is imbued with super powers and becomes the target of villains determined to possess the new technology at any cost. After the procedure, Rex is capable of feats of great strength, can see in infrared vision and run at 70 mph.
The Haunted Mansion
Jim Evers (Eddie Murphy) is a workaholic real estate agent who has little time for his family, wife Sara (Marsha Thomason), thirteen-year-old daughter Megan (Aree Davis), and ten-year old son Michael (Marc John Jefferies). After missing his own wedding anniversary to seal a business deal, Jim promises his family to go on a weekend away to a nearby lake. Sara is contacted by the occupants of the Gracey Manor, located in the bayou swamps of New Orleans, and an eager Jim drags his family along to do business at the house. They meet Master Edward Gracey (Nathaniel Parker), his stern butler Ramsley (Terence Stamp), and other staff Emma (Dina Waters) and Ezra (Wallace Shawn). Master Gracey invites the family to stay the night when a rainstorm floods the nearby river. Jim is taken to the library by Ramsley, Jim becomes trapped in a secret passageway. Michael and Megan encounter a "ghost ball" which leads them to the mansion's attic where they find a portrait of a woman resembling Sara. Sara meets Master Gracey who explains that his ancestor's lover Elizabeth Henshaw (Marsha Thomason) seemingly committed suicide via poison, and his ancestor followed suit via hanging.
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All the Boys Love Mandy Lane
At a Texas High school, Mandy Lane (Amber Heard) is a popular outsider. Dylan (Adam Powell) invites her to a party at his house and she accepts with the provision that her best friend, Emmet (Michael Welch), can attend also. At the party, Dylan and Emmet clash, and Emmet sits on the roof overlooking the pool watching Mandy. Dylan joins him and Emmet convinces him to jump from the roof to the pool to get Mandy's attention. Dylan jumps but misses, hitting his head on the edge of the pool and dies. Nine months later, Red (Aaron Himelstein) is having a party at his father's ranch and has invited Mandy along. She obtains permission from her Aunt (Peyton Hayslip) and agrees to go. Since Dylan's death she has refused to talk to Emmet. On the way to the ranch, the kids take a break at a railroad track, then steal a keg from a driver (Robert Earl Keen) at a truck stop. When they arrive at the ranch Chloe (Whitney Able) won't drive her car over the cattle grid and so with a shortage of seats Mandy and Bird (Edwin Hodge) elect to walk to the ranch.
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The Perfect Game
When Cesar Faz (Clifton Collins, Jr.) is laid off from his janitorial job with the St. Louis Cardinals he moves back to Monterrey. There he meets local children being led by Padre Esteban (Cheech Marin) enjoying baseball; he takes pitcher Angel Macias (Jake T. Austin) under his wing and brags about his own pitching skills and how he used to coach the Cardinals. Angel convinces Cesar to help recruit and coach Monterrey's first-ever Little League team. With Cesar's skills and Padre Esteban's support, the boys hone themselves into a competitive team worthy of international competition.
When the team arrives in the United States, they are met with racism, a language barrier, and visa troubles. Though the underdogs, the team scores a series of victories that endear them to the media, and new fans. They befriend a sports reporter, Frankie (Emilie de Ravin) and the groundskeeper, Cool Papa Bell (Louis Gossett, Jr.), who then assist the boys in reaching the final game.
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When hard-drinking and embittered stand-up comedian Pipes (Mike Houlihan) vents his frustration at street-dweller Nuts (Ben Vereen), Nuts curses him to walk a mile or more in his vagrant and mentally unbalanced shoes. Soon, Pipes finds himself among the outcasts of society. Struggling to keep himself fed and his sanity intact, he ends up learning a thing or two in the process. Tim Kazurinski and Greg Hollimon co-star in this quirky comedy.
Waking the Dead
The film flashes back and forth between the 1970s and 1980s and centers on the relationship between Fielding Pierce, a young Coast Guard officer with political ambitions, and idealistic Roman Catholic Sarah Williams, who is drawn to programs designed to better the lives of the underprivileged and has mixed feelings about his career goals.
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The great sorcerer Merlin has returned to Camelot, a kingdom now vulnerable to ill fates and war since the theft of the Holy Grail, its greatest gift and protection. With the help of Jack, an irascible young beggar-thief imbued with his own unruly magic, the fight against unknown dangers begins-to find the Grail, restore it to its rightful place, and bring Camelot back to its glory days.
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