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A Serious Man
Joel and Ethan Coen (No Country for Old Men, Fargo) are no strangers to bouts of self examination through filmmaking; the duo are rarely this transparent about their insecurities and interests, however. Their latest film, 'A Serious Man', is a thought-provoking black comedy that examines Judaism and its many traditions and beliefs through the foibles of everyman Larry Gopnik.
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Snakes on a Plane
Either you've already understood why this movie exists or you don't. Snakes on a Plane has a purpose, and to the crowd that gets it, it completely delivers in that aspect. Snakes is a blueprint for every future B-movie on how it's supposed to be done, and it's unbelievably fun for the full running time.
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An outrageous cut-rate producer, Charlie LaRue (Christopher Meloni) is about to fulfill his lifelong dream to make a movie about the most offensive, dirtiest jokes ever told. As Charlie and his filmmaking team hilariously struggle to write a script and assemble their award-winning cast, the movie-within-a-movie emerges with one dirty joke after another. Only one can take the crown for writing the dirtiest joke ever told and Charlie will do whatever he can to be that king. Written by Elizabeth, Marketing Manager
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Cairo Time is about yearning and longing. It's about the bond of intimacy that can be generated by a look and expanded upon by a smile. It's about an impossible love that is never spoken of or openly acknowledged. Aside from a fleeting, stolen kiss, there is little physical interaction. This is about two people who respect each other too much to make the other take the risk. The Hollywood ideal is that love conquers all. Cairo Time shows something more real and, if the ending is bittersweet (as we know it must be from the beginning), it is something most viewers will understand.
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Legally Blonde 2: Red, White, and Blonde
Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments are few and far between, and Reese Witherspoon's incandescent charm, which was one of the original Legally Blonde's saving graces, is so bright that it creates a glare. There's such a thing as being too perky.
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Letter from Iwo Jima
Letters from Iwo Jima is a unique American-made war movie for at least two reasons: it depicts the battle from the perspective of the losers and it represents the United States as the "enemy." Coupled with Flags of Our Fathers, Letters from Iwo Jima provides director Clint Eastwood's complete statement about the 1945 Battle of Iwo Jima. Although Flags of Our Fathers deals as much with how a photograph from the battle was used as propaganda on the home front as it does with the actual combat, Letters from Iwo Jima remains entrenched upon the island from start to finish (except for a few character-building flashbacks). In terms of its structure, this is more what we expect from a war movie than what Flags of Our Fathers offers. The only character common to both films is the island's rough terrain.
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Woody Allen's 1998 feature entry, Celebrity, is arguably his weakest film in half a decade, failing to reach the level of entertaining mediocrity attained by such middle-of-the-road features as Mighty Aphrodite and Deconstructing Harry, and falling far short of the mark established by Everyone Says I Love You and Bullets Over Broadway. That's not to say that there's nothing worthwhile in Celebrity. In fact, some of the sequences in this black-and-white, episodic ensemble piece are riotously funny, but there aren't enough good moments to counterbalance the negatives. As a result, Celebrity turns out to be a minor footnote on this year's holiday film release roster. (It is also another disappointment for Miramax Films, which has been suffering through an awful year.)
Pi, the letter, is a character in the Greek alphabet roughly equivalent to the English "p." Pi, the mathematical notation, is commonly used to represent the ratio of the circumference of a circle to its diameter. Pi, the movie, is Darren Aronofsky's debut feature (and the winner of a directing award at the 1998 Sundance Film Festival), an independent science fiction thriller that combines questions about God and infinity with the personal struggle of one man to regain control of his life.
On the roster of films not screened for the critical community before their release, there are generally two kinds of entries: bad movies and movies that make bad movies look good. Knock Off, the latest pairing of legendary Hong Kong director Tsui Hark with less-than- legendary Western "actor" Jean-Claude Van Damme (they previously joined forces for Double Team), belongs solidly in the latter camp. This motion picture is almost worth attending for the experience of seeing how low film makers can sink in their never-ending quest to bilk the action picture audience out of a few hard-earned dollars.
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The true story of Richard Pimentel, a brilliant public speaker with a troubled past. As a young man, Pimentel (Ron Livingston) realized he had a remarkable gift for public speaking. Pimentel's idol is College Bowl founder Dr. Padrow (Hector Elizondo), but upon trying out for Dr. Padrow, the ambitious young speaker is informed that he won't have anything to talk about until he has lived a full life.
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Created as the middle section of a three-part trilogy, Malevolence is the tragic story of a group of bank robbers on the run from the law. They hide out in an abandoned house on the outskirts of town, unaware it is next door to the home of a family of serial killers. One of their hostages escapes and runs for help, but all hell breaks loose when she runs to the wrong house.
Eva Tudor met in his 16 th birthday and loved it all my life. But their relationship influenced permanent mysterious disappearance of a young man. During one of these disappearances Eva married Baron Von Oswald Seele. But when Tudor back again, the feelings between him and Eve break out with renewed vigor. They hold together nezabyvamoe summer. Eva became pregnant, her marriage is destroyed. Tudor disappears again, but in Europe the war begins ...
Four orphan boys running from the law in New York stumble upon a baby in a carriage. They decide to head west and take the baby which they name Mary Rose with them. Eventually they set up a ranch which they name Rose Hill. Mary Rose grows up to be a beautiful woman and gets involved with a man who kills one of her brothers. Her brothers then explain to her that they found her in New York and she returns to find her real family. During this time Rose Hill is falling apart since her oldest brother has fallen ill and her other two brothers have gone their separate ways.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam.
Over the years, Vito became ashamed of his family's criminal past. He went into a legitimate business and has tried to raise his son right, which in his mind means keeping young Adam (Matthew Broderick) away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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Mel Gibson is a New York taxi driver, who has a strange habit. He makes complicated scenarios of conspiracies and publishes them in a newsletter sent out to five recipients. He keeps doing that, until something unbelievable happens One of his conspiracy theories turns out to be real, and so he finds himself chased by the man hiding behind the whole thing.
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A black comedy about two old-time conmen who pretend to be able to communicate with the dead.