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American Virgin, from the title alone gives the impression that it could be a movie that you can take or leave! It’s in the sort of American Pie style and is a movie you can put on an instaly forget about but does that mean that it’s worth watching? It stars Rob Schneider (“˜’Deuce Bigalow: Male Gigolo’) & Jenna Dewan (“˜Step Up’).
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Emilie de Ravin does a little "moonlighting" with Cybill Shepherd in this 2009 made-for-TV movie. The Lifetime production of Nora Roberts' High Noon was shot while the actress was also playing Claire on ABC-TV's "Lost."
Aside from the hair color (Roberts' heroine was a redhead), de Ravin makes a believable Lt. Phoebe McNamara, and this TV movie stays pretty close to the 2007 novel, from what I can tell. But there are a few unintended puzzlers. I'm no cop, but I easily believed that the soft-edged McNamara could sweet-talk jumpers off ledges and convince hostage-takers to come out and have a little chat with her. Heck, I would. It made less sense to me that a specialty officer and fringe player like this would also be in charge of disciplining uniformed officers. Isn't that what cranky, no-nonsense, "I'll have your ass for breakfast" types are for?
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The 1939 MGM classic The Women was the original Sex and the City. It had everything: gossip and fashion shows and spa workouts, plus a peek into the dishy manners of New York high society. Directed by George Cukor, from a script by Anita Loos and Jane Murfin (which was adapted from Claire Boothe Luce's Broadway smash), the movie was a zinger-strewn orgy of feminine camaraderie and backbiting, yet it also confronted the timeless issue of whether a happy marriage can — and should — survive an adulterous affair. The Women wasn't by any means a great movie, but it had a polished acid vibrance and, for all its over-the-top chatter, an elegantly simple story.
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An understanding of how society uses - and, more importantly, misuses - the term "monster" offers crucial insight into the intentions of first time filmmaker Patty Jenkins. Without offering justifications or excuses, Jenkins seeks to provide some understanding of the underlying motivation of serial killer Aileen Wuornos, a prostitute who murdered seven men during 1989. She was subsequently tried, found guilty, and executed in 2002. By exploring details primarily from Wuornos' viewpoint (Jenkins spent considerable time with the convicted killer while she was on death row, and uses excerpts from Wuornos' letters for the film's voiceover narratives), Monster eschews the easy path of transforming her into a one-dimensional psycho. Instead, without diminishing the horror of her actions, the picture humanizes Wuornos, developing a three-dimensional character where one might not normally expect to find one.
In the Name of the King: A Dungeon Seige Tale
In the Name of the King is a second-rate regurgitation of The Lord of the Rings. Everything about it, down to the set and costume design, apes Peter Jackson's epic trilogy. However, while The Lord of the Rings was a grand story of scope and power, In the Name of the King feels small in more ways than one. It's a lot like Eragon, except that this movie at least has the virtue of concluding rather than leaving us hanging. In the Name of the King has a cheap look and feel; whether the problems are budgetary or the result of a limited vision, the story and characters never achieve enough of an independent life for this to be worthy of the "homage" label rather than the "rip off" one.
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NYPD Detective John Shaft is called in to investigate the racially motivated murder of Trey Howard, committed by Walter Wade Jr., the son of a wealthy real estate tycoon. Shaft briefly meets a potential eyewitness to the murder, Diane Palmieri, but she disappears soon after and cannot be found for the trial. Wade Jr. is let off on bail and flees to Switzerland.
Two years later, Wade Jr. returns and Shaft rearrests him for leaving the country. During his temporary incarceration at police headquarters, Wade Jr. meets Peoples Hernandez, a Dominican drug lord. Wade Jr., his passport relinquished, is let off on bail again, and in frustration Shaft resigns from the police force, promising to bring Wade Jr. to justice on his own terms. Worried that Shaft might find the missing eyewitness, Wade Jr. hires Peoples to find and kill her first.
Brother Bear will not go down in the annals of traditional animation as a classic, but it is proof that Disney remains capable of producing enjoyable, family-oriented animated movies. This film looks and feels a little bit like a throwback to the kinds of pictures Disney was making five or six years ago when it was still at the top of the animation heap. There's drama and comedy, a message about tolerance and brotherhood, and a few songs to sell the soundtrack. The end result is a pleasant experience that is more appropriate for families than for adults unaccompanied by young offspring.
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Dorian Shanley, is a heart surgeon who abuses alcohol and drugs. Dorian trades stolen pharmaceuticals for cocaine , provided by his best friend and enabler, Teddy. While Dorians life and career take a nosedive, Shanley numbs the pain of losing his father, William Shanley, to a form of Alzheimers common in prizefighters. To further complicate circumstances, Dorian falls in love with his girlfriends best friend from college, Anna. The film follows Shanley through a maze of pharmacies, clubs and binges and surgeries, into the heart of drug abuse.
I'll Always Know What You Did Last Summer
Amber Williams (Brooke Nevin), her friends Zoe (Torrey DeVitto) and Roger (Seth Packard), and her boyfriend Colby Patterson (David Paetkau) stage a prank at the town carnival, with Roger faking the return of the "Fisherman" killer. However, their friend P.J Davis (Clay Taylor) is accidentally killed during the stunt, and to cover up what happened they burn the evidence and make a pact that the secret will die with them.
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The Prophecy 3: The Ascent
Danyael Rosales, a street preacher and the child of Valerie Rosales and the angel Danyael from the previous film, is forced to face his destiny. As a Nephilim, he has some of the angels' abilities, such as regeneration, and can only be killed if his heart is removed. One night, a blind assassin shoots Danyael as he preaches before a crowd, but the assassin is driven off before he can take out Danyael's heart, and Danyael is able to regenerate while lying in the city morgue. As punishment for his failure, Zophael kills the assassin and starts going after Danyael himself with an extendable bladed weapon (the blade can be turned into a three-pronged hook) with which he plans to use to remove Danyael's heart, killing him for good. However, Danyael is protected by Gabriel, a now-human fallen angel who killed Danyael's father and performed many misdeeds. After being defeated by Danyael's mother, Gabriel was turned into a human as punishment. He has spent eighteen years as a human, and realized how wrong he was in the past so has now switched sides.
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In 1997, Los Angeles is suffering from both a heat wave and a turf war between heavily-armed Colombian and Jamaican drug cartels. A Predator watches a shootout between the police and Colombians, observing as Lieutenant Michael Harrigan (Danny Glover) charges into the firefight to rescue two wounded officers and drive the Colombians back into their hideout. Before the police can follow them in, the Predator crashes through a skylight and kills the Colombians. Harrigan and his detectives Leona Cantrell (María Conchita Alonso) and Danny Archuleta (Rubén Blades) find the Colombians have been slaughtered. Harrigan pursues the gang leader onto the roof and shoots him, catching a glimpse of the camouflaged Predator's silhouette, but dismissing it as an effect of the heat. Harrigan is rebuked by his superiors for disobeying orders. He is also introduced to Special Agent Peter Keyes (Gary Busey), leader of a federal task force purportedly investigating the cartels, and Detective Jerry Lambert (Bill Paxton), the newest member of Harrigan's team.
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A Vietnam vet blinded in the war uses his samurai fighting skills and a concealed sword stick to help protect the son of a dead comrade from a crime organisation.
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After Kelly Reyes and her teammate lose a close semi-final match in the Association of Volleyball Professionals championship, a print journalist, Holden Grant, wants to interview her. He says that losers comments are more interesting than winners. The interview leads to dinner and a night together. News comes that one of the women on the team that defeated Kelly has died in a hit-and-run accident. Kelly takes her place on the team that will play in the championship in two weeks, the police investigation into the hit-and-run discloses that Kelly may be in grave danger, and Holden may not be what he says. A murderer is out there waiting for the championship game.
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Ollie Trinkie is a publicist, who has a great girlfriend, Gertrude, whom he marries and they are expecting a baby but while he is looking forward to being a father, he doesnt lighten his workload. Gertrude gives birth but dies in the process. Ollie doesnt live up to his responsibilities as a father. Eventually the strain and pressure of losing his wife and being a father gets to him and he has breakdown, which leads to his termination. So with nothing much to do he tries to be good father to his daughter, Gertie. He also meets a young woman name Maya, who likes him but he is still not over his wife.
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Gustav Klimt lived his life like he painted it full of intensity, sensuality and passion. In this biographical fantasy by acclaimed director Ral Ruiz (Time Regained), Klimt (John Malkovich) recalls the decadence of his past in feverish visions from his deathbed. Reflecting on his many torrid affairs and his struggles for artistic freedom, he travels back to the 1900 World Exhibition in Paris. There, Klimt is introduced to a mysterious dancer, Lea de Castro (Saffron Burrows), who emerges as his muse and the personification of his own erotic ideals and carnal desires.
Roy Parmenter is an FBI agent in San Diego 20 years ago his partner was killed by a Soviet spy, nicknamed Scuba, still at large. Scuba is now trying to extort the Soviets to prove hes serious, hes killing their agents one by one, including sleepers, agents under deep cover awaiting orders. Roy interviews a high school lad, Jeff Grant, an applicant to the Air Force Academy. In a routine background check, Roy discovers that Jeffs parents are sleepers. He must see if Jeff is also a spy, confront the parents yet protect them, and catch his nemesis. Meanwhile, the Soviets have sent their own spy-catcher, the loner Karpov, to reel in Scuba. Alliances shift its cat and mouse.
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