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Never Back Down
A violent spectacle sport film of the male persuasion, Never Back Down blends faux-relatable sensitivity with extreme violence, resulting a badly paced formula film. This oneís all about the boys. Edited like a music video (lots, lots of montage), Never Back Down has a heart in there somewhere but itís buried under so many layers of dumbness itís difficult to get emotionally involved in the film. The plot concerns an angry young man named Jake Tyler (Sean Faris), who has moved to Orlando, Florida from Iowa when the film begins.
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Whatever you do, don't throw Michael Mann's Heat (or God forbid, The Godfather II) into the DVD player prior to venturing off to your local theater to see Righteous Kill. Part of you might want to watch the film that last featured Robert De Niro and Al Pacino opposite one another to get you in the mood, but you'll surely be disappointed when the popcorn's run out and what you're watching on the big screen doesn't even belong in the same conversation as the film you just watched at home. That's because Righteous Kill is a predictable pile of pass me the paycheck, with both De Niro and Pacino phoning in a combination of past performances -- of men with tough, no-nonsense New York City exteriors and sly, slickly-delivered one-liners. This isn't the De Niro and Pacino of old ... it is, unfortunately, the older De Niro and Pacino.
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Welcome to the world of Charles Bukowski - poet, author, skid row denizen, alcoholic, and hero to millions (most of them in Europe). Factotum is director Bent Hamerís attempt to bring a version of Bukowskiís novel to the screen. This isnít the first time the controversial figureís work has formed the basis of a film. Most memorably, Bukowski scripted 1987ís Barfly, which featured Mickey Roarke in the role of Henry Chinaski, Bukowskiís fictional alter-ego. 18 years later, Matt Dillon steps into that role for Factotum.
Hamlet 2 (a great title) does not represent the first time in recent years that something unconventional has been done to one of the Bard's classics. (Although, to be sure, no one has been as audacious as to develop a musical sequel to a play.) Scotland, PA re-imagined Macbeth as a modern-day comedy. In A Midwinter's Tale, Kenneth Branagh developed a comedy centered on an amateur production of Hamlet. Years later, Branagh elected to adapt Love's Labour's Lost as a musical, using established standards. Aspects of all these productions can be found in Hamlet 2, not to mention swatches of Mel Brooks' The Producers and Christopher Guest's Waiting for Guffman. Despite the richness of the premise for comic invention, however, Hamlet 2 remains a rather mediocre experience, offering sporadic laughs but never achieving the level of consistent humor necessary to make this memorable.
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Death Sentence is Death Wish for the 2000s. However, in place of the slow-burn intensity of Charles Bronson, we have the guilt-riddled stylings of Kevin Bacon. It's easy enough to guess at what director James Wan was trying for with Death Sentence. Unfortunately, the result is such a mish-mash of conflicting tones and ideas that it doesn't play well on any level. It's too pretentious and slow-moving to work as an action movie or a thriller, and it's too over-the-top and at times campy to be effective as a drama. Elements of the one approach conflict with those of the other and the movie ends up failing in a number of ways.
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Jamie Foxx has had a great year this year. Starring opposite Tom Cruise in Collateral, the first movie of his to gross over $100 million, and then to follow it up with arguably the best performance of the year in Ray. When Jamie Foxx is on screen, you do not see Jamie Foxx as Ray Charles, you see Ray Charles. The transformation is made complete by the way Jamie Foxx was able to emulate not only the look but also the mannerisms, diction, and style of Ray Charles.
Fortunately, Foxx's acting is not wasted on the rest of the movie. Ray Charles had a very interesting life and had to overcome many hardships that translate well to film. Ray's life touched many people and the resulting large cast of supporting actors all give good performances.
As with Ray's life, the movie is filled with music. The majority of the singing done in the movie is archival recordings of Ray Charles. Jamie Foxx does sing however, and it is impossible to tell where. The soundtrack is an impressive list of Ray Charles' hits that flow seamlessly through the narrative of his life.
Gordon Gekko lives! But then we all know that - Oliver Stone and Michael Douglas have filmed a sequel to Wall Street that is currently sitting on shelves awaiting its late September 2010 release. However, Douglas gives us a preview of what an alternate universe Gekko might look like in Solitary Man, a character study from Brian Koppelman and David Levien, the writers of Oceans 13 and The Girlfriend Experience. Steven Soderbergh's fingerprints are all over this one, so it should come as no surprise that he's listed as a producer.
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Lost in Space
Lost in Space is New Line Cinema's bid to enter the space franchise race. Undoubtedly impressed by the long-term, consistent profitability of Paramount's Star Trek movies (the ninth of which will be released this year), New Line has decided to resurrect another late-'60s science fiction television enterprise, Lost in Space. Admittedly, thirty years ago, there weren't many similarities between the two programs. Star Trek was a relatively serious, socially-conscious series while Lost in Space became infected with what I'll call the "Batman sickness," and, over the course of its four-year run, devolved from a semi-straight program into pure camp. Much of that silliness has been removed for this big-budget, big-screen effort.
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It's heartening to know that while we sat through one of the emptiest synthetic hit movies of the 1980's, the seeds of parody were being sown. It's also nice to see that the three-headed Zucker-Abrahams-Zucker directorial entity, the one responsible for "Airplane!," has split into three fully formed talents without any apparent loss of verve.
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Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller.
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Jerry (Cuba Gooding Jr.) and Nick (Horatio Sanz) are two best buddies whose love lives have hit rock bottom.
After Nick runs into a friend who has married a beautiful, younger girl he met on a singles cruise, he decides to take a similar cruise with Jerry. Things do not go as planned though, after a vengeful travel agent books them on a cruise for gay men.
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Felicity Ward Textbook Idiot
Award winning stand up comedian and 1992 Walk-A-Thon Participant, Felicity Ward,shines a floodlight on the thoughts that should have stayed in her diary
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The Elite Squad
Set in 1997, in Rio de Janeiro, The Elite Squad follows the lives and exploits of a BOPE captain named Nascimento and his two potential heirs-in-command, Neto Gouveia and André Matias, rising from the ranks of general PMERJ (the state military police) to BOPE (later it is revealed that Nascimento wants to leave the force because his wife is pregnant with his first child).
While Neto Gouveia is a quick-tempered, tougher man, André Matias refuses to compromise his ideals of peace and equality. The latter is also a student of Law at a university in Rio, where his upper class friends are unaware of his job as a policeman, and are clearly shown as "spoiled" kids that tend to see the police as a repressive unit.
Preceding the visit of Pope John Paul II to Rio, the plot unfolds and we are introduced to the day-to-day drug busting operations inside Rio's favelas, ruled by well-armed and powerful drug lords, led by the Brazilian elite unit, BOPE, and the corruption that affects part of the PMERJ.
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Ballistic: Ecks vs. Sever
Michael, the son of Robert Gant (Gregg Henry), director of the Defense Intelligence Agency (DIA), is kidnapped when he returns home from a trip to Berlin, despite a heavily armed DIA escort. The kidnapper is a Chinese woman named Sever (Lucy Liu). Former FBI agent Jeremiah Ecks (Antonio Banderas) is asked by his old boss to investigate the case. He realises that the kidnapper must be one of the Chinese girls the DIA adopts and trains as agents. Sever is pursued by FBI agents and by DIA agents lead by Ross (Ray Park).
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Elder Aaron Davis (Steve Sandvoss), a young Mormon from Pocatello, Idaho, is sent to Los Angeles with three other missionaries to spread the Mormon faith. They move into an apartment next to openly gay party boy Christian Markelli (Wes Ramsey) and his roommate Julie, an aspiring singer. Christian and Julie work as waiters at Lila's, a trendy restaurant owned by retired actress Lila Montagne (Jacqueline Bisset).
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In the year 1693, 3 sisters, Winifred, Mary and Sarah were executed for their unforgivable witchcraft. One fateful Halloween night, that unpleasant honor went to adorable little Emily Binx, sister of teenage Thackery, who immediately ran to his siblings aid when he heard shed been lured by Sarah Sanderson to the witches home in the woods. This was not a well thought out plan though, and the cost was not only the life of his sister Emily, but his own humanity as well. Emilys lifeforce was drained from her body by the three Sanderson witches, and big brother
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