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After almost 30 years, Disney has made the bold move to continue the story of Tron rather than reboot the original film. Yes, they're claiming that Tron: Legacy is a film that new eyes, who've never seen the clunky-yet-pioneering original film, can latch onto, but I honestly can't imagine seeing this new film without some sort of context. Sure, we're all overly familiar with the idea of a virtual world, but the Tron world needs a little more explanation than that and I fear that some things might get lost in translation, but I suppose that's not my job to worry about.
What viewers will get, regardless of their relationship with the 1982 film, is a thrilling, moving 3D adventure that will leave you wanting more. Whereas 3D has quickly become a dirty, corporate word, Tron: Legacy's use of the new technology to bring the audience directly into this very specific and unique world makes this movie a completely immersive experience.
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There really isnít much of a point in reviewing a spoof flick like Superhero Movie, which is probably why studios donít offer advance screenings to critics most of the time. At one time parodies were well crafted and pointed out the flaws and foibles of a genre. Now screenwriters are content to take the entire story from one movie, add in a bunch of body humor jokes, and call it a day. If youíve liked the spoof movies that came before, youíll probably get your yuks from Superhero Movie, otherwise itís best to just steer clear.
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The reason "body swap" movies (in which someone's mind is transposed into a different body) are so popular is because they are ripe with potential. Unfortunately, that potential is rarely reached. Productions like Big and Prelude to a Kiss are the exceptions, not the rule. 17 Again falls into the less creative, more generic majority category. Imagine a generic script and mediocre acting and you have unearthed the essence of 17 Again, which appears to have been made for the sole purpose of spotlighting Zac Efron. The target audience is roughly the same as for Hannah Montana: The Movie, and the quality is in the same neighborhood as well.
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Capote tells two stories, presenting both without hiccups. The first is an exposé of how the title author's In Cold Blood was written. The second shows the emotional and psychic dissolution of the man who starts out the film as a brilliant eccentric and finishes it as a basket case.
Wassup Rockers could easily be seen as an attempt by maverick director Larry Clark to approach the mainstream. With Kids, Clark began his directorial career mired in scandal. (The Weinsteins had to spin off Excalibur Films because Miramax was prohibited by Disney from releasing an NC-17 production.) The film was raw, but it worked. His middling follow-up, Another Day in Paradise, was succeeded by Bully, a powerful cinematic gut-punch. Next came the colossal misfire of Ken Park, one of the recent group of movies to tread the line between hardcore sex and art. With Wassup Rockers, Clark pulls back from the edge. The movie employs his usual cinema verite style (complete with an introductory "interview" with one of the principals), and the amateur actors are playing fictional analogs of themselves, but Wassup Rockers has entered a controversy-free zone. The sex - and there isn't much - is tame and off-screen. The R-rating is a product of kids talking the way one would expect kids to talk when they hail from South Central L.A. The problem with the film is that caricatures replace characters and Clark's "tell it like it is" approach is undermined by his moralizing and ill-placed satire.
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Years after the war between humans and vampires has come to an end thanks to the aid of specially-trained Warrior Priests, the humans are living in large cities sheltered by the Church and the Priests have been disbanded. When a former Priest (Paul Bettany) learns his niece Lucy (Lily Collins) has been taken by vampires, he joins with a local sheriff (Cam Gigandet) to get her back, going against the commands of the Church who took away the Priests' powers.
Cider House Rules
Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see The Cider House Rules without having previous knowledge of certain elements would do well to bail out now and return after they have seen the film.
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It's probably unfair to characterize The Phantom as a Batman-wannabe, since Lee Falk's comic book creation predated the Caped Crusader. Nevertheless, as far as motion picture adaptations are concerned, Michael Keaton first stepped into his suit seven years before Paramount Pictures released this movie. And, since both superheroes lack recognizable super powers and wear costumes, the connection is obvious. It should be noted, however, that while Batman's form-fitting suit looks a lot more stylish than The Phantom's cheesy purple outfit, appearance isn't everything -- this film is more fun than Tim Burton's 1989 atmosphere-soaked, empty-headed yarn.
My Family, the portrait of a Mexican-American family living in East Los Angeles, boasts a series of distinguished thematic antecedents, including Francis Ford Coppola's The Godfather and Zhang Yimou's To Live. Here, as in the 1972 gangster saga, the significance of family is a central issue, although each movie chooses to explore this differently. In The Godfather, Vito and Michael Corleone struggled to hold their household together regardless of outside pressures; in My Family, family unity gives meaning to existence.
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I wonít beat around the bush with this review, Dynamite Warrior is another film where the action scenes save the movie. Dynamite Warrior is the story of a young man on a quest for vengeance against the man that killed his parentsÖ sounds pretty unoriginal right? The fights are all wire-enhanced Muay-Thai, and everyone not struck with a blunt, wooden object, takes a knee or an elbow to the head or chest.
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Feast II: Sloppy Seconds
The film opens with brief clips from the previous installment which the survivors Bozo, Hot Wheels, and Tuffy/Heroine 2 driving off into the sunrise.
As the movie begins, Biker Queen discover the severed arm of Harley Mom from the previous film. Upon discovering the surviving Bartender, she tortures him into telling her who killed Harley Mom. He reveals that it was Bozo and points her to a town where he lives. She knocks Bartender out and takes him with her to the town.
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One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stiffle (Jamie Bell), who found the body, is prescribed more antidepressants by his father Bill (William Fichtner), a psychiatrist. When Dean returns to school, he is antagonized by drug dealers Billy (Justin Chatwin) and Lee (Lou Taylor Pucci), who were supplied by Troy. Their friend, Crystal Falls (Camilla Belle), flirts with Dean, but he soon realizes that her true intentions are for Dean to retrieve the remaining drugs in Troy's home and give them to her, Billy and Lee, and he refuses to cooperate. To force Dean to procure the drugs, Billy and Lee plan to kidnap Dean's brother, Charlie (Rory Culkin), as a ransom, but they end up kidnapping Charlie Bratley (Thomas Curtis) instead of Charlie Stiffle.
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Based on a true story. He called himself the Angel of Death. But when the police discovered that he was involved with over 40 deaths, his name soon became Killer Nurse. In the beginning it was his story against theirs. Soon he gave up his version of the events and admitted to killing 43 patients in his care at the St. Marys Hospital. Charles Cullen also became one of the most notorious serial killers in the history of the US.
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Johnson County War
Three brothers against an army. Justice knows no boundaries.
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Charlie Murphy: I Will Not Apologize
Throughout his career, Charlie Murphy has done it all. As co-star of Comedy Centrals top-rated Chappelles Show, writer of the DreamWorks comedy Norbit and voice on the critically acclaimed cartoon The Boondocks, Charlie Murphy has made quite a name for himself. His film credits have spanned the last 20 years, ranging from Harlem Nights with Eddie Murphy to The Perfect Holiday with Morris Chestnut and Gabrielle Union. Now, drenched in the same in your face style of comedy that has made him a fan favorite, Charlie Murphy delivers his debut stand-up performance, I Will Not Apologize, as only he can...raw and uncut.
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Jersey Shore - Season Two
The show debuted amid large amounts of controversy regarding the use of the words GuidoGuidette, portrayals of Italian-American stereotypes, and scrutiny from locals because the cast members were not residents of the area.
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