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I will say this for Old Dogs: It is exactly as funny as you'd expect a movie to be that stars John Travolta and Robin Williams as two bachelors who must suddenly take care of precocious 7-year-old twins, and that was directed by the man who made Wild Hogs. Which is to say, it is not the least bit funny, not once, not even for a minute. Imagine a season's worth of plot devices from TV's most generic sitcom crammed into 88 excruciating minutes.
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Hardwired kicks off promisingly enough with the depiction of some serious futuristic ad creep (the process whereby advertisements keep popping up in places they have never been before - go read Naomi Klein's No Logo). Trojan corporate logos painted on the Washington monument, MasterCard logos on Mount Rushmore and (perhaps most galling) a Microsoft hologram looming above Stonehenge . . .
Hobo with a Shotgun
Ever since genre fanatics like Steven Spielberg and George Lucas took over the movie industry throughout the late ’70s and early ’80s, people have been saying that b-movies have become the new a-movies. However, today that has become even more true with big name directors like Quentin Tarantino and Robert Rodriguez literally attempting to emulate the look and feel of the low budget grindhouse flicks that they grew up on. The truth is, these retro-style tributes are not always easy to pull off, and as the commercial failure of Grindhouse proved, they are not always easy to sell either. But every now and then someone manages to get it right, and Hobo with a Shotgun most certainly falls into that category.
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Are you ready for a new kind of superhero -- a thirty-something virgin in long underwear? Darryl Walker (Damon Wayans) is a bright but socially inept man with a gift for inventing things but little skill for functioning in the real world. His brother Kevin (David Alan Grier) works on a low-class tabloid news show featuring beautiful anchorwoman Kimberley Jonz (Robin Givens), whom he secretly loves.
2 Days in Paris
I thought this was a porn movie. No, wait, that's One Night in Paris. I guess two days is too long…
2 Days in Paris provides us with a familiar picture: Julie Delpy wandering the streets of the city in the company of an American she's in love with. The two spend much of the movie's 100 minutes talking as their wanderings allow the camera to follow them into areas where major films set in Paris rarely take us. (Another wisecrack at Ms. Hilton's expense seems appropriate here.) Although the narrative and structure of Delpy's film (which she directed, produced, wrote, starred in, scored, and edited) recalls the duet of Before Sunrise and Before Sunset, there are critical differences. In the two Richard Linklater movies, there was palpable romantic chemistry between Delpy and her co-star, Ethan Hawke. Here, barely a flicker exists between the actress and Adam Goldberg. In Sunrise and Sunset, the dialogue turned to interesting topics and seemed to evolve naturally between the performers. In 2 Days in Paris, it's banal and feels scripted. The result is a rather dull experience featuring more than 1 1/2 hours spent in the company of two characters in which it's difficult to generate much interest.
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It's Vin Diesel week! Suddenly, this largely unknown actor, whose only significant credits were a part in Saving Private Ryan and some voice work in The Iron Giant (as the title character), is a hot commodity with significant roles in two films opening the same day. Diesel fans are strongly advised to see both Boiler Room and Pitch Black, as they show different aspects of the actor's range. In Boiler Room, he's a regular guy working a regular job. In Pitch Black, he goes into full Arnold Schwarzenegger mode, flexing his muscles, grunting, and uttering the occasional one liner. It's not an especially challenging part, but Diesel handles it with aplomb.
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Years ago, while watching Delicatessen (in 1992) and The City of Lost Children (in 1995), I wondered which of the co-directors, Jean-Pierre Jeunet or Marc Caro, was more responsible for the films' quirky tone and striking visual style. Although Caro hasn't made a film since The City of Lost Children, Jeunet has continued in the business, accepting the Hollywood offer to helm Alien: Resurrection, then returning to his native France to direct Amelie. With the release of this movie, which has won critical accolades across the world, become one of the most popular home-grown films of all time in France, and captured the audience award at the 2001 Toronto International Film Festival, I have learned the answer to my question. Amelie makes it clear that the primary creative force behind the earlier films' stylistic uniqueness was Jeunet.
A Beautiful Mind is a beautifully written, effectively acted, and meticulously crafted effort that is likely to remind many viewers of a simple axiom: a movie doesn't have to be groundbreaking to be compelling. Originality is a prized commodity because there is so little of it in Hollywood these days, but, when filmmakers do such a skillful job with familiar elements, their efforts should be acknowledged. Affecting without being overtly manipulative, A Beautiful Mind tells the life story of John Nash, a Nobel prize winner who struggled through most of his adult life with schizophrenia. As directed by Ron Howard, this becomes a tale not only of one man's battle to overcome his own disability, but of the overreaching power of love - a theme that has been embraced by films as diverse as It's a Wonderful Life and Rocky.
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What Happened Was...
This is not a date movie, especially if it's a first date. Oh, it will give you an endless source of conversational topics, all right, but What Happened Was... is almost guaranteed to warp your view of the entire experience. The Samuel Goldwyn Company is advertising this as "an adventure in romance." More often, however, it feels like some sort of insidious means of torture.
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Why Did I Get Married Too?
The film opens with Terry's (Tyler Perry) and Dianne's (Sharon Leal) son playing with a ball and Terry takes him to the living room. Dianne and Terry leave to go to their marriage retreat. They arrive at the airport and a loud argument signals Angela (Tasha Smith) and Marcus' (Michael Jai White) arrival. Terry and Marcus go to get information about their delayed flight. The woman at the desk recognizes Marcus and Angela embarrasses him by making a scene, screaming at Marcus about flirting with the clerk. Sheila (Jill Scott) and Troy (Lamman Rucker) first arrive at the resort, revealing through conversation that Troy cannot find a job since they moved and they are broke, and that they have a newborn son.
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While She Was Out
On Christmas Eve, suburban housewife Della Myers (Kim Basinger) gets into an argument with her husband Kenneth (Craig Sheffer). After putting her two children to bed, she drives to the mall to buy some wrapping paper. At the mall, she can't find a parking space and angrily leaves a note on the window of a car that is parked using up two parking spaces. By the time she finishes her purchase, the parking lot is nearly deserted, and the note is gone from the car. As she enters her own car, the car on which she had left the note pulls up behind her.
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Wish on a Spell
On locations through historical sites of early Egypt, Europe and the British Isles, bewitching host Deborah Gray, reveals the true history of white witchery and spellbinding ancient formulas and magic charms for love and success in todays world. Also featuring Revealing footage of city witches Interviews with leading teachers and genuine followers of the Craft plus exclusive footage of a candid interview with world famous astrologer Athena Starwoman
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End of the Line
In this unsettling and creepy thriller, Karen (Ilona Elkin), a young nurse who works in a psychiatric ward, boards the last subway train of the night only to have it stop suddenly in the middle of the tunnel. As those around her are brutally murdered, Karen and a handful of survivors must face supernatural forces, homicidal religious cult members, as well as their own fears and suspicions of Armageddon, in order to survive.
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Drug enthusiast and chemical master Silas and his friend Jamal lose their best friend Ivory to a disturbing pot related dread-lock fire, growing a pot plant in his ashes they use his heavenly connections to hook them up with all the knowledge they need to make it to Harvard... where they change the lives of the up-tight ivy league in the way only good stoners can
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A group of Ghost Hunters discover a powerful force that puts one of their members in great danger.
My Own Private Idaho
Surreal character study focusing on the friendship between two male hustlers, Mike and Scott, in Portland, Oregon. They live on the streets, do drugs, and sell themselves to men and women. Mike is quiet, gay and suffers from narcolepsy. Abandoned as a child, he is obsessed with finding his long-lost mother. Scott is the rebellious son of a high-ranking family, who lives this life mostly to embarrass his father. Mike is in love with Scott, who still maintains he is straight and insists that his wild lifestyle on the streets is only temporary. Together, they embark on a quest to find Mikes mother, traveling from Portland to Idaho to Italy, with Scott picking up a beautiful girl along the way.
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