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The Invictus team of director Clint Eastwood and star Matt Damon reunite for Hereafter, a supernatural drama penned by The Queen's Peter Morgan. Hereafter follows three separate storylines set in different countries that ultimately dovetail.
In the first one, celebrated French journalist Marie (Cecile de France) survives a natural disaster. Her near-death experience compels her to explore what may or may not happen after we pass on, a quest that threatens her professional standing.
The Chorus is one of those feel-good stories that Miramax Films has become expert in importing. This one is the French equivalent of Mr. Holland's Opus - the inspiring story of how a teacher comes to change the lives of his headstrong students. A popular theme not always done with music (think Dead Poets Society, Dangerous Minds, and The Emperor's Club, to name a few recent examples), this kind of movie often treads a dangerous line between effective drama and overblown melodrama. Fortunately for viewers of The Chorus, it mostly hits the right notes. Either that, or the fact that it's in French dulls the manipulation.
Bad Boys II
The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad - it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year - the resumes of Hollywood players are littered with them. But, when something this big - a would-be blockbuster with recognizable names in the cast and crew - collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into Michael Bay's latest sinkhole.
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If one was to apply loose definitions, The Lucky Ones could be considered a "war movie." In reality, however, this is less about how the characters react under fire than how they react when removed from it. The Lucky Ones is a road movie and, in the tradition of the genre, it follows a small group of protagonists on a journey from Point A to Point B. Along the way, they encounter difficulties, meet "colorful" individuals, and find out a few things about themselves. There are times when the framework appears creaky and unwieldy, especially considering the story that director Neil Burger wants to tell, and events near the end of the movie take contrivance to the point of absurdity. However, the characters are likeable and well-developed, and this goes a long way toward mitigating problems that exist in tone and plotting.
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Shoot 'Em Up
Ever since people saw him in a tuxedo in Croupier, Clive Owen was considered the likely successor to Pierce Brosnan as James Bond. It remains unclear whether the producers passed over Owen in favor of the lesser known Daniel Craig or whether (as some reports indicate) Owen turned down the opportunity to play the superspy, preferring not to have the baggage along with the paycheck. Whatever the case, Shoot 'Em Up provides an opportunity to glimpse what might have been. While Owen does not play a character with any zeroes in his moniker, he does a lot of the same kind of stunts that are expected from any self-respecting 007. Of course, though his moves might be pure Bond, his manner and appearance are not. No martinis (shaken or stirred), no chic gadgets, no cool cars, and no impeccable threads. Just two-day stubble and clothing that hasn't been washed in a week. Then again, if your leading lady is Monica Bellucci, do you really need anything more? There aren't many Bond girls who can hold a candle to her.
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When I first heard the title of this movie, I thought it was a great ploy to release it around Christmas. Then I realized it was "Tenenbaums", not "Tannenbaums"... so much for that idea. Actually, Touchstone has elected a year-end release because they believe this movie, the third feature from critics' darling Wes Anderson (Rushmore), might have a shot at an Oscar or two. Despite the high profile cast, which features Gene Hackman, Anjelica Huston, Ben Stiller, Gwyneth Paltrow, Owen & Luke Wilson, Danny Glover, and Bill Murray, the movie probably has limited box office potential - it's a little too quirky for mainstream America. But the mercurial Academy may feel differently about the production than the multiplex masses - at least that's the distributor's hope.
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Bed of Roses
While Bed of Roses lacks the freshness of When Harry Met Sally and the smart sensuality of Before Sunrise, it nevertheless possesses enough intelligence and energy to lift it into the upper echelon of "traditional" modern romances. And, with so many of today's recent love stories originating from Jane Austen's pen, something like Bed of Roses can offer a contemporary change of pace.
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George of the Jungle
I suppose there are a lot of Generation Xers who harbor a certain fondness for the old TV cartoon George of the Jungle, which ran on Saturday mornings in the late '60s and early '70s (apparently, there were only 17 episodes produced, but they were rerun so often that it seemed like a lot more). As a result, it was only to be expected that in this era of re-hashing TV products for the big screen, someone would stumble upon George. The outcome is a live-action re- interpretation of the cartoon that, despite changing numerous details, remains faithful to the spirit of its inspiration. However, perhaps the most surprising thing about this movie is that it's far more entertaining than one might reasonably expect given the premise.
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One Eyed King
Residents of Manhattans Hells Kitchen attempt to balance family and friendship against the harsh street life that unfolds around them.
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One Point O
When computer-programmer Simon J. (Jeremy Sisto) begins finding empty plain brown paper packages in his apartment, he goes to great length to try and secure his boundaries, but the packages keep appearing. Simon attempts to find out who is leaving the packages, and his investigation exposes him to his eccentric neighbors, an artificial intelligence robot head, a virtual reality sex-game, and the possibility of a corporate conspiracy. With security cameras watching him constantly, Simon begins to lose his grip on reality, and develops an inexplicable craving for Nature Fresh brand milk. Then murders start happening in the building. Simon eventually finds out that everyone else is receiving packages too but were keeping quiet. These people also got addicted to consuming other products like fresh juice and farm fresh meat. The courier-man friend tells Simon about a corporate experiment to ‘infuse’ Nanomites in to people's brains to make them addicted to certain products. He first dismisses it as a lie but eventually understands that's indeed what's happening.
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True story about a woman who falls in love with a violent rapist and murderer. Karla Homolka marries Paul Bernado despite already having aided him in the rape and murder of her younger sister. Through their marriage he brags to her about other rapes he commits and involves Karla herself in the sexual assault and murder of three female victims. Told from Karlas point of view.
The film opens at Xcalibur Bowling Centre, a disco-themed bowling alley in Surrey, British Columbia. Egerton (Dan Ellis), the janitor, has allowed two groups of teenagers to bowl against one another after hours. The "prep", Steve (Alistair Gamble), is still bitter after his best friend Jamie (Nathan Witte), the "jock", had sex with Lisa (Candice Lewald), a girl with whom Steve was smitten and even took to their senior prom. After Steve and his friends Joey (Wade Gibb), Patrick (Trevor Gemma) and A.J. (Nathan Dashwood) harass the "tranny", Sam (Jimmy Blais), they are chastised by Jamie. This leads to a brawl between Steve's team and Jamie's. Lisa breaks up the fight by dropping a bowling ball on Steve's foot just as Steve is about to kick Jamie again. Egerton, brandishing a shotgun, tells the teenagers to leave and they can continue their tournament the following night.
Ghost in the Shell and Avalon director Oshii Mamoru takes on live-action for the first time in eight years with the sci-fi action film Assault Girls, a visually impressive movie featuring some of Japans hottest young actresses, and a haunting musical score by Kawai Kenji. In a virtual world called Avalon, four warriors - Gray (Kuroki Meisa), Colonel (Saeki Hinako), Lucifer (Kikuchi Rinko), and Jager (Fujiku Yoshikatsu) - band together to fight giant sand monsters destroying the world. They discover that theres only room for one survivor in their world, and they must play by the rules.
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Donna Trenton is a frustrated suburban housewife whose life is a turmoil after her husband learns about her having an affair. Brett Camber is a young boy whose only companion is a Saint-Bernard named Cujo, who in turn is bitten by a rabid bat. Whilst Vic, Donnas husband is away on business, and thinking over his marital troubles, Donna and her 5-year-old son Tad take her Pinto to Brett Cambers dads car shop... the car fails, and Cujo is very, very sick...
Creating a World: Aeon Flux
25st century. Deadly virus has wiped almost the all population of humans, and the survivors have to live in the single city ruled by a congress of scientists. Aeon Flux (Charlize Theron) is a sexy revolutionist assassin having the governments top leader as a latest target. The story is based on an animated series by Peter Chung.
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Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boys mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard and the entire township rallies together in solidarity - to support her and Detective Cordins efforts to find the killers.