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Writer-director Woody Allen teams with Curb Your Enthusiasm's Larry David in the comedy Whatever Works, a typically Woody-esque serio-comic meditation on human existence and love. David portrays crotchety, self-proclaimed genius Boris Yellnikoff. The misanthropic Boris -- once a Columbia professor whose work on String Theory nearly won him a Nobel Prize for Quantum Mechanics -- fell from prestige after his suicide attempt and failed marriage, and he now makes ends meet by begrudgingly teaching chess to kids in the park.
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Dead Man Running
When illness causes his mother (Brenda Blethyn) to need a wheelchair, doting con Nick Kane (Tamer Hassan) goes straight, opening a travel agency with a £100,000 loan from sinister gangster, Mr Thigo (50 Cent). But when the credit crunch bites, mean-spirited Mr Thigo calls in his loan and gives Nick 24 hours to pay – or his mum gets it. With best mate Bing (Danny Dyer) in tow, Nick first tries to raise the readies legally but soon slips back into his old ways of intimidation and violence.
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A serial killer thriller about a woman, the daughter of a slain magician's assistant, setting about to learn the truth behind her mother's death and encountering a Las Vegas illusionist who may be a cunning serial killer. Sounds simple enough, so why is it such a mess? Scenes that serve no purpose, subplots that go nowhere, an unfocused script boasting some of the flattest dialogue this side of Dragon Wars. Good actors relegated to nothing roles while very bad no-name actors get the meatier parts. The most elaborate scene of action being a foot chase between two middle-aged men huffing and puffing along the second floor of a motel balcony. Either Magic Man was one of those productions where things went horribly awry somewhere along the way or there was just so much behind-the-scenes ineptitude that the movie was doomed from the outset.
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If Big Nothing was a Native American, it'd be called Crazy Ass because trying to describe the story is a non-runner. With the plot changing every two minutes and the upper hand switching back and forth just as quickly, the film is delivered with such lightning pace that you'll stagger out of the cinema light-headed, holding onto the walls for support.
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Evening, based on the 1998 bestseller by Susan Minot, is an example of a well-told familiar story. There are no surprises during the course of the film, which transpires across two time frames (1954 and 1998), but the strength of the screenplay and acting provide a satisfying, although not overwhelming, two hours of romance, drama, and tragedy. Longtime cinematographer-turned-director Lajos Koltai has fashioned the movie in such a way that it feels literate. Everything from the cinematography to the editing to the score has been calculated to remind us that this is an example of literature come to life on the screen. Those in search of traditional summertime fare need not apply.
The Kingdom is a police procedural with a unique - and interesting - twist. While the movie employs all of the investigative techniques we have become familiar with as a result of countless TV shows, there's a little more to this movie than CSI: Saudi Arabia. Politics of many different sorts play a role here, from the international need to keep relations between the United States and Saudi Arabia cordial to the difficulties faced by a female investigator working in a country where women do not hold equal positions to men. Actor-turned-director Peter Berg (Friday Night Lights) handles the tricky material of Matthew Michael Carnahan's dense script effectively and turns out a movie that is both intelligent and, at least in its latter stages, pulse-pounding.
Book of Eli
Arguably, the international fascination with the apocalypse has never been bigger than it is today, and it has resulted in films like Knowing, The Road, 2012, and The Book of Eli arriving in theaters within a 12-month window. The movies have different vantage points, ideas, and themes, but their common thread - the end of the world - makes one wonder if there is such a streak of pessimism in today's society that a dire event of this nature provides compelling escapism. In staking out its place in an increasingly crowded field, The Book of Eli provides audiences with a parable advocating faith as the path through darkness. The words of the Bible will
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Toy Story 3
Pixar has done it again, extending an amazing streak of successes that stretches all the way back to the original Toy Story, which changed the face of feature length animation when it reached theaters in 1995. Now, 15 years after their original debut and 11 years after the first sequel, Toy Story 2, Woody (voice of Tom Hanks), Buzz (Tim Allen), and their fellow toys have returned to the screen for another adventure. Although aspects of Toy Story 3 echo similar elements from the previous films, making this the least original entry in the trilogy, the movie's final act will resonate deeply with many viewers, making this chapter in many ways the most heartfelt.
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Over the years, many films have taken a dark look at the supposedly perfect ideal of a white picket fence, a little house, and a nuclear family. For many, the suburban life is the American dream. For others, however, it can turn into a twisted nightmare of unfulfilled desires, repressed needs, and shattered hopes. Because of the necessity to keep up appearances, a serene facade often conceals a breeding ground for dysfunction, anxiety, and hypocrisy. Directors like David Lynch have made this their playground. Lynch in particular delights in depicting the root causes of social decay in suburbia - and he does it by autopsy. American Beauty is not as dark as a Lynch project, since it allows for small moments of redemption, but it mines the same general territory.
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George of the Jungle
I suppose there are a lot of Generation Xers who harbor a certain fondness for the old TV cartoon George of the Jungle, which ran on Saturday mornings in the late '60s and early '70s (apparently, there were only 17 episodes produced, but they were rerun so often that it seemed like a lot more). As a result, it was only to be expected that in this era of re-hashing TV products for the big screen, someone would stumble upon George. The outcome is a live-action re- interpretation of the cartoon that, despite changing numerous details, remains faithful to the spirit of its inspiration. However, perhaps the most surprising thing about this movie is that it's far more entertaining than one might reasonably expect given the premise.
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John Buckingham (Ben Chaplin), a lonely St Albans bank clerk, orders a mail-order bride Nadia (Nicole Kidman) from Russia on the Internet. John is uncomfortable and shy, but Nadia is sexually bold. Though Nadia cannot speak English and John cannot speak Russian, they soon bond. Later on, a man she introduces as her cousin Yuri (Mathieu Kassovitz) and his friend Alexei (Vincent Cassel) turn up to celebrate her birthday. Alexei soon shows that he has a temper. After a violent altercation, Alexei holds Nadia hostage and demands a ransom from John. John has grown to care for Nadia, and is forced to steal from his bank where he has worked for ten years. After the ransom is paid, he realises that he has been the victim of an elaborate con. Nadia, Yuri and Alexei are criminals, and Alexei is actually Nadia's boyfriend.
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The Hillside Strangler
In the end of the 70s, the dysfunctional Kenneth Bianchi lives with his mother and is obsessed to join the police force. When his application is refused, his mother sends him to Los Angeles to live with his sadistic cousin Angelo Buono. Kenneth unsuccessfully tries to join LAPD, and Angelo convinces him to start a prostitution business with him. They force two girls from Tucson to work for them, but their competitors destroy their business and steals their money. The frustrated Kenneth and Angelo decide to revenge against a prostitute, and Kenneth strangles her, feeling a great pleasure with her death. The two cousins become addicted in death, initially killing prostitutes and then attacking single women, dumping their bodies on the hill.
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Its not just a mans world anymore.
Kardia weaves fiction and science to tell the story of Hope, a pathologist who embarks on a journey of reconciliation. Hope discovers that the experimental heart operation she underwent as a child has mysteriously linked her life with another. To unlock the secret of her past, Hope must revisit her childhood and explore regions of her life that have heart stopping results.
The year is 1675. England is threatened by religious and political rivalries. King Charles IIs Catholic brother, James, is next in line for the throne, but many Protestants put their faith in Charles illegitimate son, The Duke of Monmouth. On the kings death, conflict is inevitable... Over seven days journey from London, Exmoor is a primitive and lawless area. Here, farmer Jack Ridd lives with his wife Sarah, son John, and two daughters. The only shadow over their simple life is cast by the notorious outlaw family the Doones. The aristocratic Doones were banished from their ancestral lands and now live through looting, theft, and murder. Their brutality is legendary...
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