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If the highlights of your DVD collection include "Porky's" and "American Pie," then "Hooking Up" is just the kind of cinematic sexplay you're looking for. Starring Corey Feldman as a coked-out 25-year-old who abuses his starry-eyed high-school girlfriend Caroline (Alison Whitney), Brian O'Halloran ("Clerks") as a principal blind to his surroundings, and Bronson Pinchot as new teacher trying to fend off the sexual advances of the principal's 15-year-old daughter, "Hooking Up" isn't so much of a plot as it is a week in the life of a number of hormone-stuffed sex-obsessed teenagers.
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Cats & Dogs: The Revenge of Kitty Galore
Although critter movies have performed extremely well at the boxoffice, "Cats and Dogs: The Revenge of Kitty Galore" will put that trend to a tough test.
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Le scaphandre et le papillon
By Michael Phillips, Chicago Tribune Movie Critic
Even an excellent year in film yields a limited number of efforts strong and idiosyncratic enough to be called masterworks, and to appear effortless. We have one in "The Diving Bell and the Butterfly." It is wonderful: a rhapsodic adaptation of a memoir, a visual marvel that wraps its subject in screen romanticism without romanticizing his affliction. It left me feeling euphoric. And without making conventional movie-ish pleas for our sympathy, director Julian Schnabel has met his subject, French fashion-magazine editor Jean-Dominique Bauby - egotistical hedonist, allow me to introduce you to egotistical hedonist - on his own terms.
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don't know where to start. Some sick part of me enjoys the self-torture of the Sci-Fi/SyFy Originals, but after this one, I don't know how long I can hold on. I have limited knowledge of WW2 (I sucked in history), but even I knew this stuff was made-up! The Japanese guys had an American truck, and somehow the American women knew how to fly Japanese planes? Come on. And somehow they were going to fix their big broken planes with junk from a mostly abandoned Japanese camp ripped apart by blue pterodactyls? To add insult to injury, I don't care how big the dino is... it can't fly as fast as a plane. While watching the movie, I didn't know the planes topped out at 300mph, but I knew it had to be faster than any flying animal! The worst insult to my intelligence was the "fact" that the pterodactyls were fearless in ripping through planes (literally), which had loud engines, whirling sharp propellers, and of course someone in them shooting giant bullets at the monsters... and yet the dinos were terrified at the sight of a torch. A TORCH. Come on.
Sex and the City: the Movie
Remember Carrie Bradshaw, Samantha Jones, Miranda Hobbes and Charlotte York? If you have never watched an episode of “Sex And The City,” then these names may mean nothing to you, but, to thousands of women, these four are the soldiers on the front lines for single women everywhere, answering their questions, making the mistakes, and, of course, testing out the shoes.
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King of California
King of California is the second movie opening this month to feature Evan Rachel Wood and, while it's better than the other one (Across the Universe), it's not that much better. Wood's performance is at about the same level, albeit without the singing. Here's she's paired opposite Michael Douglas, who plays her father. This is the art-house answer to National Treasure - it's about a mentally ill man who believes he has found a treasure map. The movie develops in two pieces - one dealing with the quest for the hidden riches and once concentrating on the relationship between father and daughter. The latter works; the former doesn't. The ending is touching without being too melodramatic.
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Director Catherine Breillat is known for her racy and sometimes sexually explicit movies, many of which deal with themes of female empowerment. She has built a reputation in France as a woman for whom no subject is taboo. Her films have depicted full nudity, hardcore experiences (intercourse, fellatio, etc.), and other activities avoided by non-porn filmmakers. Breillat delights in shocking audiences, but perhaps the biggest surprise in store for viewers of The Last Mistress is how relatively tame it is. A costume drama free of many of the director's trademark excesses, this is a study of how sexual obsession can overpower true love. Perhaps it's the lack of sex or perhaps it's the incessant, banal chattering of the characters, but this movie is more likely to inspire sleep than interest. Breillat has done something I never expected from her: made a boring film.
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Elegy, based on Philip Roth's The Dying Animal, provides an incisive perspective of how a person's inability to believe in love destroys a single, fragile chance at happiness. The movie tells the poignant tale of how one man - intelligent, urbane, and witty - represents his own worst enemy when it comes to relationships. Borrowing text liberally from the source material, screenwriter Nicholas Meyer's script not only chronicles the relationship, but provides insight into the mind of the protagonist. We recognize that the love affair is both inevitable and doomed, but watch anyway to see if somehow these two will find away to overcome their self-imposed obstacles.
David Kepesh is a professor of cultural criticism with a history of having short affairs with female students. His latest would-be conquest is Consuela Castillo (Penélope Cruz), the daughter of Cuban immigrants. Consuela, by David's admission, is a beautiful woman who is aware of her beauty but "isn't sure yet how to use it." It doesn't take long before David and Conseula are lovers but, unlike his previous bed-mates, this turns into more than a one-night stand. He begins to feel something for her that he hasn't ever before experienced, and it makes him jealous and distrustful. His best friend, George (Dennis Hopper), urges him to end the relationship before Consuela humiliates him by leaving him for someone younger. And, while David doesn't heed George's advice, he engages in behavior that guarantees the affair will not last. His obsession about the age difference makes David certain Consuela will eventually discard him, and this becomes a self-fulfilling prophesy. His insecurities, not her proclivities, endanger any future they might have.
The Bourne Supremacy is a serviceable thriller - no more, no less. This may come as a disappointment to those anticipating something on the same level as the surprise hit 2002 movie, The Bourne Identity. Sadly, the cinematic second installment of Robert Ludlum's trilogy falls short of its predecessor in almost every area, except perhaps acting. There's nothing wrong with any of the performances in this movie; it's just that the actors aren't as important as they were two years ago. Action has moved to the fore, shouldering aside plot and character development in order to maintain the frantic pace that director Paul Greengrass believes is necessary to retain his audience's attention.
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Run Lola Run
Run Lola Run is one of those movies with the kind of advance buzz that it's impossible to ignore. A huge hit both at the 1998 Toronto Film Festival (where it made its North American debut) and at the 1999 Sundance Film Festival, the feature has already won over a legion of film critics. Run Lola Run is a must-see for anyone who enjoys a fast-paced, innovative motion picture that refuses to be defined by norms of the genre. As far as I'm concerned, it's the most fun I have had at any movie thus far in 1999. Directed by Tom Tykwer, this German import is a kinetic meditation on fate and destiny. It tells the story of Lola (Franka Potente, an actress with true screen presence), a '90s girl with Raggedy Ann hair, a large tattoo, and a voice so penetrating that when she screams, she can shatter glass. She's also athletic, because, as one might expect from the title, Lola spends most of the movie running.
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Adam (Leigh Whannell), a photographer, awakens in a water-filled tub and finds himself in a disused bathroom along with Dr. Lawrence Gordon (Cary Elwes), an oncologist. Both men are chained at the ankle to the pipes at opposite ends of the room. Lying between them is a corpse in a small pool of blood holding a revolver and a microcassette recorder. Adam and Lawrence learn from tapes in their pockets that Adam must escape the bathroom, while Lawrence must kill Adam before six o'clock, or he'll lose his wife and daughter and be left to die. Lawrence's tape also implies that the corpse between them was a similar victim who shot himself before succumbing to the effects of a poison. They find a bag containing two hacksaws, though neither is able to cut through the chains. Lawrence realizes that the saws are meant to be used on their feet.
Their stories are different... but their profession is the same.
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The film follows two days in the lives of a group of 15-year olds from a mixed-income area of London. The story focuses mainly upon Trevor, known as "Trife" (Aml Ameen), and Alisa (Red Madrell) who is pregnant by him. Other characters are less developed.
God Told Me To
A rash of mass murders in NYC has the detective stumped. When asked why, all the perpetrators say God told me to, then kill themselves.
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On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage he must figure out what Perry wants. Their relationship becomes something more than writer and character Perry killed in cold blood, the state will execute him in cold blood does Capote get his story through cold calculation, or is there a price for him to pay?
Inspired by actual events, JUNKYARD DOG is a gritty psychological-horror-thriller that delves the demented mind of a cannibalistic serial rapist who kidnaps his tenth victim in as many months on Halloween night. Filmed on location in Tennessee, JUNKYARD DOG tells the terror-filled tale of Audra Buckman, a nineteen year-old college co-ed, trapped in a month-long nightmare, struggling to stay alive and uneaten while being held captive, left half-starved and repeatedly savaged by JYD, an oddly charismatic, vicious man-eating monster. Audras only hope of escape from this hell--and the mouth of a madman--is Samantha Deatherage, a tough FBI agent who is sent on a solo assignment to search for the missing girl.
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