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The Spiderwick Chronicles
The Spiderwick Chronicles has all the elements that make up great kids' movies: a haunted house, a family secret, an ordinary child granted an extraordinary skill, and an emotional subplot that anchors the fantasy within real human experience. Though it doesnít match the immortal greats like E.T., it comes remarkably close, and provides a genuinely thrilling adventure story that never panders or condescends. Itís hard to come by good kids' entertainment these days, as Alvin and the Chipmunks demonstrates, so weary parents should be especially grateful for this fantasy romp.
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Eternal Sunshine of the Spotless Mind
A unique romantic comedy, unfettered by the normal expectations of the genre, is a rare and wondrous thing. That's precisely what director Michel Gondry, working from a screenplay by Charlie Kaufman (Being John Malkovich, Adapatation), delivers. Without being too offbeat or esoteric, Eternal Sunshine of the Spotless Mind nevertheless manages to convey romance without forcing the mind to shift into neutral or dragging the characters through a formulaic structure where chemistry becomes the most important asset.
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Bad Santa's Willie (Billy Bob Thornton) is the kind of guy who makes Scrooge look like a generous, mild mannered eccentric. With a character as thoroughly unlikable as this, you know immediately that Bad Santa is not going to be just another modern-day version of A Christmas Carol. It has two modes: dark and darker, and dares to do some things with the Christmas motif that haven't been done since Norman Rene's Reckless. Realistically, however, what else would you expect from a movie directed by Terry Zwigoff (Crumb, Ghost World) and executive produced by the Coen Brothers?
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What Planet Are You From?
Ever had the feeling that you're not getting the whole story? That's what it's like to watch What Planet Are You From?, which suffers from the kind of editing job that indicates a cluttered cutting room floor. The product that survived appears to be held together with glue and staples - significant chunks of the plot have been excised, characters come and go with little rhyme or reason, and subplots vanish into thin air. Making sense of this movie is a feat that requires a nimble mind and a fertile imagination.
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Hitch is a pleasant, if slightly overlong, romantic comedy from two men who have forged reputations in the genre. Director Andy Tennant is no stranger to love stories, having previously helmed Fools Rush In, Ever After, and Sweet Home Alabama. And, although Will Smith has had some success as an action hero and a dramatic leading man, he is at his most appealing in this kind of movie, when he makes us laugh and gets the girl.
The Ladykillers is an interesting concoction - a faithful update of the original Ealing comedy cooked in vat of Coen Brothers' seasoning. Even though this is based on the 1955 British film of the same name, those unfamiliar with The Ladykillers' pedigree might mistake it for an original. It's an understandable error - The Ladykillers is at home with certain other Coen Brothers titles, namely Raising Arizona, The Hudsucker Proxy, The Big Lebowski, and Intolerable Cruelty. Although the plot closely tracks that of Alexander Mackendrick's original, many of the nuances, not to mention the funniest jokes, are pure Joel & Ethan Coen.
Jonathan Hensleigh's directorial debut is the second movie to be based on the Marvel Comics character of The Punisher. The first film, released in 1989, stars Dolph Lundgren in the role essayed here by Thomas Jane. The earlier picture is rarely cited as one of the great comic book-to-screen translations, and, unfortunately, the 2004 version doesn't make a noticeable improvement. In recent years, a lot of Marvel superheroes have made the leap from printed page to silver screen. None has been given more shoddy treatment than The Punisher.
Read My Lips
It has been nearly a year since I first saw Read My Lips, and the taste of the film still lingers. Time may leech away the specifics, but the overall impression remains. So it is with many great films. By far, the most impressive French film I saw at 2001 edition of the Toronto Film Festival was Read My Lips, the fourth feature from director Jacques Audiard. Although the movie contains elements of a romantic thriller, it is equally powerful as a drama. The two main characters are effectively developed and fully realized. In fact, it's the protagonists - in particular, the interaction between them - that drives this motion picture forward and keeps us involved. However, unlike in many character studies, the plot is more than just a simple framework. It is complex and unpredictable, and, as a result, provides the perfect means to better get to know the characters and understand the shifting nature of their relationship.
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If you were bored by My Dinner with Andre, The Designated Mourner isn't for you. If Spalding Gray's monologues put you to sleep, prepare to snooze through The Designated Mourner. And if you think Twister is perfectly paced, give The Designated Mourner a pass. This film, a series of often-disjointed ruminations about culture and class, demands active intellectual participation, and those who prefer motion pictures to be passive events will be profoundly unappreciative of its approach.
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Beyond Borders is an epic tale of the turbulent romance between two star-crossed lovers set against the backdrop of the worlds most dangerous hot spots. Academy Award winner Angelina Jolie stars as Sarah Jordan, an American living in London in 1984. She is married to Henry Bauford son of a wealthy British industrialist, when she encounters Nick Callahan a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.
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Michelle Rosen is a poor girl who is the 'new kid' at her high school. Jealous of the popular cliques, she spends her lunch reading under a tree when approached by the handsome football star, Aaron, who invites her to a party. Aaron's ex-girlfriend, Debbie, a member of the popular clique makes up rumors about Michelle. At the party Aaron slips Michelle a roofie, and gang rapes her with his friends. The rapists' girlfriends then assume that Michelle seduced them, duct tapes her to a tree, and writes "slut" on her forehead. Later at school, Michelle finds posters all over the hallways stating "Michelle Rosen is a slut". She then gets her revenge with a series of bloody murders.
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The Book of Life
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New Years Eve takes on new meaning when the Devil, Jesus Christ, and Christs assistant Magdelina discuss and debate the end of the world, the opening of the seven seals, and the essence of being human.
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Invasion of the Pod People
After a meteor shower in California, Melissa feels that her co-workers and her boss Samantha that work in the agency owned by Vickland are acting differently after receiving a weird plant. She shares her fears with her colleague Billie and with Detective Alexander that are the only persons that she can trust.
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Miles from Home
Two brothers who are forced off their farm in the debt stricken mid-west become folk heroes when they begin robbing the banks that have been foreclosing on farmers.
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Me & You, Us, Forever
A love story based in 1974 and 2004. A 47-year-old Christian man, on the other side of an unwanted divorce, reminisces about his old high school girlfriend from 30 years prior.
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This time the subject matter of Lommells grainy handi-cam composition is Richard Ramirez, dubbed The Night Stalker by the media, a serial killer who killed somewhere in the neighborhood of 16 souls during his reign of terror in Los Angeles back in the Eighties. We first learn that Ramirezs unsavory uncle practically raised him to grow up a pot-smoking woman-hater. Moving from El Paso, Texas to Los Angeles, California as a young adult, Ramirez falls in with a coven of devil worshippers. To hear them talk about their satanic freedom-to-do-whatever-they-want ideals, they sound less like satanists and more like Goth hippies. Getting involved in satanism proves to be the trigger that inspired Ramirez to cross the line and begin sneaking into the homes of mildly chunky women with big boobs and gunning them down as they shower...
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