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Director D.J. Caruso takes the next step forward towards being Hollywood’s newest blockbuster thriller director in Eagle Eye. He re-teams with star Shia LaBeouf, whom he found success with in Disturbia by borrowing generously from Rear Window. But Caruso doesn’t want to be Hitchcock, far from it. With Eagle Eye he’s making his play to become the next Michael Bay.
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August Rush is one of those rare movies that made me dislike it, then won be back over before the end credits roll. It’s not common to see a movie accomplish that roller-coaster ride that turns me away from the picture and then picks me back up, but somehow the story manages it and left me a giddy, sappy mess by the end.
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Welcome to the world of Charles Bukowski - poet, author, skid row denizen, alcoholic, and hero to millions (most of them in Europe). Factotum is director Bent Hamer’s attempt to bring a version of Bukowski’s novel to the screen. This isn’t the first time the controversial figure’s work has formed the basis of a film. Most memorably, Bukowski scripted 1987’s Barfly, which featured Mickey Roarke in the role of Henry Chinaski, Bukowski’s fictional alter-ego. 18 years later, Matt Dillon steps into that role for Factotum.
How to Lose Friends and Alienate People
How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but results in tonal shifts that are dizzying. By trying to obey two masters, How to Lose Friends ends up serving neither with enough faithfulness to earn it a recommendation as either a parody or a lighthearted love story.
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Since the release of Jurassic Park, Michael Crichton has become a Hollywood staple. Rights to each new novel are quickly optioned, and the resulting film is on the market as soon as ILM can get the special effects done. Congo is the fourth adaptation of a Crichton novel in two years (following Jurassic Park, Rising Sun, and Disclosure), all of which performed well at the box office. Given its position in the summer blockbuster race, it's unclear how this latest picture will do, but one thing is certain: this is easily the worst filmed version of anything penned by the prolific author.
At dinner, Janes husband collapses and dies, poisoned. She barely maintains consciousness as police and FBI arrive surrounding her house. She escapes and must try to find her would-be killers before they find her. Jane is a contract killer for the CIA with a non-official cover (a NOC). She quickly discovers discrepancies that lead her to believe shes a loose end in a rogue CIA operation. She heads for Trinidad, enlists the help of a tourist (at gunpoint), and enters a bank. Meanwhile, CIA operatives are on her trail, other government figures are involved, and a shadowy West Indian is following her too. Is there any way out?
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Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particularly important attribute of his movies. Cliffhanger was little more than a series of spectacular stunts linked together by a paper-thin story. If anything, the strands of logic in Cutthroat Island are even thinner. Fortunately, as a spectacle for the eye and ear, this high seas adventure is more than capable of capturing its audience's attention. Holding it for more than two hours is a different matter altogether...
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Dead Man's Cards
In an after-hours world of pug-faced scouse smack addicts and street fights, James McMartin and his mentor Paul Barber are privy to a doormans-eye-view of a life most of us only glimpse. Bulldog hard but bullfrog smart, they occupy a no-mans land between the police and the perps that evokes the lawlessness of the Wild West.
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Martin and Lewis
When lounge singer Dean Martin (Northam) and burlesque comic Jerry Lewis (Hayes) clicked during an impromptu pairing in 1946, neither anticipated their unparalleled success as a team. Lewis was going nowhere fast with an act built around miming to records, while Martin was making a decent living as a crooner. Lewis had beseeched his agent to reteam him with the reluctant Martin;
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One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stiffle (Jamie Bell), who found the body, is prescribed more antidepressants by his father Bill (William Fichtner), a psychiatrist. When Dean returns to school, he is antagonized by drug dealers Billy (Justin Chatwin) and Lee (Lou Taylor Pucci), who were supplied by Troy. Their friend, Crystal Falls (Camilla Belle), flirts with Dean, but he soon realizes that her true intentions are for Dean to retrieve the remaining drugs in Troy's home and give them to her, Billy and Lee, and he refuses to cooperate. To force Dean to procure the drugs, Billy and Lee plan to kidnap Dean's brother, Charlie (Rory Culkin), as a ransom, but they end up kidnapping Charlie Bratley (Thomas Curtis) instead of Charlie Stiffle.
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A hard-boiled tale of bloody revenge... Cash, a gun-slinging ex-convict, is on a death quest to find Hector Gonzales, the man who murdered his wife over a decade ago. Hector Gonzales is a ruthless kingpin who has risen through the ranks over the last ten years and now stands on the verge of ruling the city - a city on the verge of an all out syndicate war. Cash and Gonzales are on an ultra-violent collision course that will determine, once and for all, who owns the streets.
Fed up with Brad's (Frank Roberts) on-screen antagonist's foul-ups, his director, Hilary Jacobs (Kylie Minogue) publicly humiliates him and fires him on the spot in front of onlookers. Her further degrading of him (as he comes hoping for one more chance) in her office causes this actor to go berserk, mutilating himself before cutting out her tongue using the modified prop shears as his real-life signature weapon. Before he could harm anyone else, his co-star Vanessa Turnbill (Molly Ringwald) gives him a makeshift tracheotomy which ends in Brad being seemingly electrocuted as P.A. man Lossman (Geoff Revell) looks on. But as Brad dies it seems he curses the source of his misery: Hot Blooded and all who would work on it. Now in present-day Australia, Lossman is a teacher is using his personal experiences as warnings to his students that any attempts to complete filming or even screening of Hot Blooded! has ended up with lives being lost in mysterious and disturbing ways (like a producer being suspiciously electrocuted in an editing room or a director mysteriously discovered with his throat slit). But some of his pupils decide such a chance is too much of a temptation and despite his better wishes they decide to try and finish the film as a graduation grade. They contact Vanessa Turnbill to co-star, she is persuaded by her agent to go back to Australia, when she arrives at the airport she is greeted by Raffy and Hester who take her to a press conferance to give the film publicity, while being interviewed a local reporter asks Vanessa if she is worried about the curse on the film, she passes off the question with a joke saying that "Oh if I die, I get paid extra". After that Raffy & Hester Then the conferance ends & all the film crew meet up to watch the print of Hot Blooded, Vanessa leaves shortly after it starts due to the bad memories, then as the print ends
Iron Eagle II
Chappy Sinclair is called to gather together a mixed SovietU.S. strike force that will perform a surgical strike on a massively defended nuclear missile site in the Middle East. Chappy finds that getting the Soviet and U.S. Pilots to cooperate is only the most minor of his problems as he discovers someone in the Pentagon is actively sabotaging his mission. As they begin their assault, Chappy finds that a nuclear strike has been ordered should they fail, which will catch his forces on the ground next to ground zero.
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Eddie and the Cruisers II: Eddie Lives!
Satin Records, who twenty years prior had rejected Eddie and the Cruisers last album, A Season in Hell, launches an "Eddie Lives!" campaign to make more money from his image in a publicity stunt, despite them not believing he is alive. The record label re-releases the band's first album, which becomes an even bigger hit than it had on its first release. As seen in the first film, the "lost recordings" from Season in Hell are released and become yet another hit album. In fact, Eddie Wilson is living, and had simply slipped away following the car crash in which he was believed killed. By that stage in his life, he simply wanted to leave music behind him. The newly generated constant spotlight surrounding his supposed death angers the reclusive rocker, by now living in Canada as a construction worker under the name Joe West.
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Empire of Assassins
One man is out for revenge after a life-altering event destroys his family. After years of preparation he seeks out his justice, while unaware of their relation, on his brother. As these two brothers seek to destroy each other certain memories are triggered and although many trusted allies will be dishonest and misleading neither one will stop until they know the truth
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Danny, a respected cop, is set up after an investigation goes wrong. While lying low in his new jail cell, Danny is forced to get involved in the inmates underground cage-fighting circuit. With the help of Irving, a former mixed martial arts champion, Danny devises a scheme to bring justice and innocence to his familys name, if he can get out of the cage alive.
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