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A serial killer thriller about a woman, the daughter of a slain magician's assistant, setting about to learn the truth behind her mother's death and encountering a Las Vegas illusionist who may be a cunning serial killer. Sounds simple enough, so why is it such a mess? Scenes that serve no purpose, subplots that go nowhere, an unfocused script boasting some of the flattest dialogue this side of Dragon Wars. Good actors relegated to nothing roles while very bad no-name actors get the meatier parts. The most elaborate scene of action being a foot chase between two middle-aged men huffing and puffing along the second floor of a motel balcony. Either Magic Man was one of those productions where things went horribly awry somewhere along the way or there was just so much behind-the-scenes ineptitude that the movie was doomed from the outset.
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More disgusting than scary, “The Ruins” is the latest in a long line of horror films about upper-middle-class travelers being terrorized in unfamiliar environments. It is also, unfortunately, a movie that is nowhere near as original as its monster, a strain of malevolent, seemingly intelligent jungle vine with a taste for human flesh.
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Directed and co-written by Roland Emmerich, who's previously given us Stargate, Independence Day, Godzilla and The Day After Tomorrow, 10,000 B.C. offers audiences the prospect of epic action on a canvas as broad as human history; what it delivers is another matter entirely. In an age where computer-generated effects make spectacle possible, and audiences reward blood-and-thunder films like Gladiator and 300 at the box office, greenlighting 10,000 B.C. must have seemed logical. I can imagine someone pitching the film, to paraphrase Team America: World Police, by saying "It's like 300 .... plus 9,700!"
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Harry Potter and the Deathly Hallows: Part 1
So the end of the journey is here. Well nearly, because as with the forthcoming Twilight and Hobbit adaptations, Harry Potter and the Deathly Hallows has been split in two, Part 1 hitting this Christmas and Part 2 concluding the saga next summer.
The filmmakers claim that the decision was taken to do justice to J.K. Rowling's lengthy final tome, and while it does allow the audience to spend more time with these beloved characters at this most significant time, one can't escape the feeling that Part 1 is all set-up and no pay-off, resulting in a somewhat empty cinematic experience.
Director David Yates -- helming his third Potter flick -- clearly revels in the additional hours afforded him, taking his time to set the scene for the story's big finale.
He builds an oppressive sense of melancholy from the off, with Harry, Ron and Hermione preparing to leave home, perhaps for the last time. In a particularly touching scene, only alluded to in the book, Hermione removes her parents' memories of their only child to protect them for the inevitable, fast-approaching war.
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Youth in Revolt
From the beginning, it's apparent that there's something "off" about Youth in Revolt. It's not that the film is fatally flawed, but the tone is uneven, the satire is blunt, the comedy rarely generates more than feeble laughs, and the lead character never comes fully to life. A shadow of the novel from which it has been adapted, Youth in Revolt tries to be something more than disposable, forgettable entertainment, but doesn't quite succeed. In the end, it's really nothing more than a tepid teenage romantic comedy with a few quirks. Fans of C.D. Payne's Nick Twisp novels will probably be more disappointed than those who have never heard of Payne or read his writing.
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Two for the Money
Two for the Money starts as a high voltage drama about the underbelly of the sports business - the multi-billion dollar gambling industry. The movie takes us into the warts-and-all world of 1-900 numbers and internet betting sites, bringing us on-board and suck(er)ing us along with the main character. For 60 minutes, Two for the Money is a great ride - compelling, informative, and thought-provoking. Unfortunately, around the half-way point, the melodrama kicks in, and the film's focus becomes increasingly murky. Original screenwriting gives way to clichés, and the resolution, while offering closure, seems false - too much a case of the filmmakers wanting to have their cake and eat it, too.
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"Belle Epoque is the story of Paradise: too good to last. It's about the discovery of life, but the real one, I mean: freedom, art, love, sex, friendship...all the things that make life interesting. It's an oasis... Maybe it's too idealistic, but I always thought one of the reasons for cinema was to give pleasure and happiness to the audience. I don't want to make people think about how miserable life is. I prefer to leave that for tomorrow. I like to hear the audience laughing in a dark theater. That's the best music for me."
- Fernando Trueba, director/producer of Belle Epoque
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This story is a fairly faithful adaptation of the play and novel by J. M. Barrie. In it, the perpetually young Peter Pan (Jeremy Sumpter) from time to time visits London in the early 1900s, where he becomes enthralled by the stories that Wendy Darling (Rachel Hurd-Wood) tells to her brothers. Wendy asks to visit Never Land and Peter invites her to be the "mother" to his gang of Lost Boys (most of whom are English accented). Before leaving, she asks to bring her brothers John (Harry Newell) and Michael (Freddie Popplewell), and Peter teaches them all to fly with him.
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A jock is seen carrying a bundle of flowers. He creeps into the house of his supposed girlfriend. It is cold inside and he finally approaches his girlfriend's room where he sees a dead man with his mouth wide open. He looks to the side and there are two more corpses.
Battle for Haditha
The film is inspired by an incident that occurred three months after the Battle of Haditha in the Iraq War. On 19 November 2005, 24 Iraqi men, women and children were killed in Haditha, a city in the western Iraq province of Al Anbar. At least 15 of those killed were noncombatant civilians. All are alleged to have been killed by a group of United States Marines. Since the release of the film, however, charges have been dropped (for lack of evidence) against all the Marines involved, except for Sgt Wuterich, who was the Marine in charge on the ground on that day. The names of the involved parties have been changed in the film.
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Tom Regan (Gabriel Byrne) is the long-time confidant of Leo O'Bannon (Albert Finney), an Irish gangster political boss who runs a Prohibition-era city in the United States. When Leo's Italian rival Johnny Caspar (Jon Polito) announces his intentions to kill the crooked bookie Bernie Bernbaum (John Turturro), Leo goes against Tom's advice and extends his protection to Bernie. Bernie is the brother of Verna Bernbaum (Marcia Gay Harden), an opportunistic gun moll who shares a longtime
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Police Academy 6: City Under Siege
The police must investigate a series of robberies along a strip of land in the city. The Mayor (Kenneth Mars) assigns Captain Harris (G.W. Bailey) and Lt. Proctor (Lance Kinsey) to the case, but while on stakeout the Wilson gang manages to slip through their fingers. The Mayor wants Harris and Proctor to work with Commandant Lassard (George Gaynes) on apprehending the gang.
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Lakota Woman: Siege at Wounded Knee
Mary Crow Dog, daughter of a desperately poor Indian family in South Dakota, is swept up in the protests of the 1960s and becomes sensitized to the injustices that society inflicts on her people. She aids the Lakota in their struggle for their rights a struggle that culminates in an armed standoff with US government forces at the site of an 1890 massacre.
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Madea's Big Happy Family
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the familys life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance wont change you to be someone else, but will allow you to be who you really are.
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My Blueberry Nights
Elizabeths heart is broken. For solace, she drops in late at night a few times at Jeremys diner for blueberry pie a la mode they talk. Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain. She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works. Then, shes in Nevada, working at a casino where she uses her savings (she wants a car) to stake Leslie, a busted gambler, in a high rollers game. After, Beth drives Leslie to Vegas where Leslies estranged father lives. Broken relationships. What about Jeremy?
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