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The Fourth Kind
Much like The Blair Witch Project and the recent sleeper hit Paranormal Activity, The Fourth Kind is a faux docudrama about weird happenings. But where those two films dealt with the realm of the supernatural, The Fourth Kind chronicles what it claims is a real-life case of alien abduction.
After an introduction by Milla Jovovich, which promises us that disturbing documentary footage is in store, The Fourth Kind follows both the "real" and the reel Dr. Abigail Tyler (played in reenactments by Jovovich) as she recounts her tale of alien abduction, a fourth kind of close encounter that Steven Spielberg never explored. Abby, a psychologist in Nome, Alaska, is still traumatized by her husband's violent, mysterious death. She has vowed to continue the psychological study that he had begun, which employs hypnosis to help patients remember traumatic events they've blocked out.
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While She Was Out
Running out to the mall to do some Christmas shopping as well as get away from her abusive husband, Della manages to anger a group of psychotic young men. After an ill-fated car chase, Della finds herself being chased through the woods, armed with nothing but a red toolbox she took from the back of her jeep. Kim Basinger stars as Della, and Lukas Hass plays Chucky, the sadistic "leader" of the gang.
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When critics complain about the dumbing down of movies into franchise popcorn, what we're really doing is yearning for a terrifically engrossing, tethered-to-the-real-world drama like Michael Clayton. It's better than good; it's such a crackling and mature and accomplished movie that it just about restores your faith. This is a tale of greed, lies, and under-the-table violence — an exposé of what corporations do, and the way corporate law firms help them get away with it — yet if that all sounds familiar from a hundred other muckraking dramas, Michael Clayton makes you feel as if you've never seen any of it before.
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The Forbidden Kingdom
The Forbidden Kingdom features the first ever on screen pairing of cinema’s two greatest living martial arts legends: Jet Li and Jackie Chan. That alone makes this movie a must see for anyone and everyone, but screenwriter John Fusco and director Rob Minkoff have done more than simply throw two of kung fu’s most famous faces together in the same picture. They’ve crafted a magical film using both Chan and Li’s legendary reputations as the lynchpins in telling an entertaining, crowd-pleasin
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The most amazing thing about The Queen, directed by Stephen Frears (High Fidelity, Dirty Pretty Things) is that Frears has taken a concept that angled sharply toward "made-for-tv movie" territory and turned it into a remarkable, insightful and subtle masterpiece of a film. The Queen, which stars Helen Mirren in a performance that's generating Best Actress Oscar buzz, is about the week or so after the death of Diana, the Princess of Wales, in August of 1997. Tony Blair, the Labour Party candidate, had just been elected in a landslide victory by an overwhelming majority of British voters. The public's sympathy and mindset was most assuredly tipping toward the common man, and idolizing the royals had fallen out of favor. Diana, who was always far more popular that her husband, Prince Charles, had ditched her marriage and a future throne and was spreading her wings as a free woman, constantly working in support of her various charitable causes while hob-knobbing with a different set of royalty -- celebrities. And the people of Britain -- indeed, the world -- just couldn't get enough of Diana, even after the divorce.
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Sucker Punch is just not a good film. It is an interesting film, it is an original film, and it is definitely a visually stunning film, but it is also a seizure-inducing mess that laughs at the idea of depth and dares you to find anything more to it. At best it can be described as mindless fun, with a heavy emphasis on mindless. By the end of the movie, most will actually walk out of the theater wondering if they missed something—some key element that was deeply buried in the world of the film. Maybe a hidden metaphor, or some allegory. The answer is no, it is just a superficial and soulless two-hour music video directed by a guy that is almost certainly a victim of ADD.
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Alien vs. Ninja
Once upon a time in Japan, there was a band of great Iga Ninja warriors. One day, they witnessed a strange flash in the sky, followed by a roaring giant fireball crashing into the distant forest.
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Rarely has the question "What the hell?" been more appropriate. An uneven amalgamation of the brilliant and the preposterous, Constantine left me by turns intrigued, confused, and wary. The recipe calls for some ingredients that are compelling, others that are audacious, and others that are downright maddening. With a bold, dynamic visual style that fuses film noir elements with traditional horror motifs, Constantine can be considered many things, but dull is not amongst them. This is not a timid film, yet it's not an entirely successful one, either.
Jonathan Hensleigh's directorial debut is the second movie to be based on the Marvel Comics character of The Punisher. The first film, released in 1989, stars Dolph Lundgren in the role essayed here by Thomas Jane. The earlier picture is rarely cited as one of the great comic book-to-screen translations, and, unfortunately, the 2004 version doesn't make a noticeable improvement. In recent years, a lot of Marvel superheroes have made the leap from printed page to silver screen. None has been given more shoddy treatment than The Punisher.
Kings and Queen
Kings and Queen, the 2004 film by French director Arnaud Desplechin, is wending its way slowly across North America, making its way into select art houses. The movie is quintessentially French, focusing on drama instead of melodrama and character instead of plot. The action here is internalized - quite a refreshing change from the brainless excess of too many teen-oriented summer blockbusters. That's not to say Kings and Queen is a perfect movie. Its length is a drawback - some scenes run too long and others have no obvious reason for inclusion beyond adding a little color. Kings and Queen is at times compelling, at times devastating, and at times long-winded.
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You have to give a film maker credit for exhibiting the necessary chutzpah to take one of the most beloved classics in the English language, Charles Dickens' Great Expectations, and transform it into a modern-day morality play/romance. Viewers who approach this motion picture with the mistaken expectation that it's going to be the kind of rigorously faithful adaptation that David Lean produced in 1946 are likely to be disappointed. Nevertheless, while Alfonso Cuaron's Great Expectations falls considerably short of being a definitive interpretation of the novel, it still offers an entertaining two hours.
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Hard As Nails
A new boss of the American Yakuza, ruthless young Takura (Matt Westmore) achieves power in a fraudulent and murderous way. Knowing that he can rely only on his cunning and mercilessness in the world of big money and steel nerves, he annihilates his rival gangsters and former friends without hesitation. Having made a great deal with the Russian mafia, Takura is determined to kill the weapon purchasers so as to be an indisputable crime lord. However, he is unaware that an intrepid cop working under the shelter of the Russian mafia is intent to ruin his plans
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Lewis Black: Black on Broadway
Lewis Black goes on tirade after tirade about stupidity in America. He covers everything from corporate greed and Martha Stewart to WMDs and homeland security
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This year is the 108th anniversary of the Korean high School WaSanGo (Volcano High). Principal hides himself with Secret Manuscript which every WaSanGo student wants to take from principal...
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The Hard Easy
In Los Angeles, the gambler Paul Weston is a loser, and owes a lot of money to the dangerous mobster Freddie. When he is brutally beaten and the life of his former wife is threatened by the Freddie, his acquaintance bartender Vinnie sends him to Dr. Charlie Brooks first and then he convinces him to participate of a heist in the jewelry district with the professional thief Gene to raise the necessary money to pay his debt. Meanwhile, the stock market broker Roger Hargitay finds that the company where he works embezzled US 5,000,000.00 from their clients and he will be arrested in a couple of days. His boss Ed Koster convinces Roger and two co-workers to participate in an easy robbery of a jewelry planned by an inside man. On Saturday morning, both gangs arrive in the same jewelry for the same heist at the same time.
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The Manipulator aka B.J. Presents
An insane Hollywood makeup man kidnaps a woman, keeps her prisoner in his warehouse full of props.
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