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Let Me In
Ever since it was announced, controversy has surrounded Let Me In, the American remake of beloved Swedish vampire flick Let the Right One In. Film fans the world over asked why Hollywood felt the need to take a pass at a film that was perfect in its own right, and one that was only released a couple of years back.
Well let us allay your fears from the outset - Let Me In is a marvellous re-imagining of John Ajvide Lindqvist's novel; an intelligent adaptation that has been crafted with such love, care and attention that it deserves to be judged on its own terms, and a film that - dare-we-say-it - might even improve on the original.
In this version proceedings have been transferred to Los Alamos, New Mexico, and the year is 1983 - the Cold War at its height; Americans fearful of the perceived Soviet threat.
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Writer-director Scott Cooper's Crazy Heart follows Bad Blake (Jeff Bridges), a grizzled country singer pushing 60 who is climbing further and further into a bottle and farther away from the spotlight he once basked in as a country music outlaw in the vein of Kris Kristofferson, Merle Haggard, Willie Nelson, Hank Williams Jr. and Waylon Jennings. Bad has endured busted marriages, bouts with booze, has an adult son he doesn't even know, and a protegee, Tommy Sweet (Colin Farrell), who has achieved a level of mainstream success that Bad never did.
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I knew that AWAKE was going to be a disaster the second I got the press kit from the studio. How did I know this?
Simple- the running time of the film was listed as seventy eight minutes. For a big studio film, anything under eighty five minutes is extremely rare. Generally, the bare minimum is eighty two- this is usually a sign that the film has been butchered in the editing room.
Wes Keller is a young man living in a world where oil has collapsed, the food supply has been wiped out, and cancer rates for women have skyrocketed, depleting the female population.
The Merry Gentleman, which represents the feature directorial debut of actor Michael Keaton, is a meditation on loneliness and about the things we do to fill up those big, empty gaps in life. Anchoring the film, which is driven more by characters than plot, are fine performances by Keaton and Kelly Macdonald and a screenplay in which the pauses between words are as meaningful as the words themselves. The style is unhurried and spare and, with an emphasis on religious iconography, the movie drives home the point that good and evil are perhaps not as easily defined as one might think. Perhaps those concepts are established in the eye of the beholder.
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So much pot is con sumed in Billy Corben's "Square Grouper," an absorbing and troubling documentary about marijuana smuggling in Florida in the 1970s and '80s, that you could get a contact high just watching it.
The film, which takes its name from the bales of marijuana tossed overboard by smugglers while being chased by the cops, follows three sets of people:
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Jason Statham has staked out a claim for this page of the calendar. Two years ago, his movie Transporter II arrived on Labor Day weekend. Last year, it was Crank. This year, it's War (although, to be accurate, this movie opens the weekend before Labor Day). However, while Statham was the main man in both Transporter II and Crank, here he plays second fiddle to Jet Li. As the inscrutable, seemingly invincible Rogue, Li gets the lion's share of the screen time. And Li is such a supercool badass that he makes Statham come across as tame and unkempt. Li and the fight scenes are the reasons to see War. Everything else, including the surprisingly convoluted plot, is superfluous.
Ice Age: The Meltdown
Despite its popularity with children, Ice Age represented, at the time, a nadir for digital animation. Although entertaining, the film couldn't stand toe-to-toe with its Pixar and Dreamworks competitors. Ice Age: The Meltdown represents a further step backwards. Although the animation has improved, the regression is keenly felt in other areas - particularly the story. This is a lackluster film that exists exclusively because its predecessor made money.
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The Wild Bunch
The Wild Bunch
1969, Rated R
Ernest Borgnine, William Holden, Robert Ryan, Warren Oates, Jaime Sanchez
Director: Sam Peckinpah
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Minty: The Assassin
MINTY is a youthful, raven haired, punk rock, feminist, female super heroine, that gets her super powers from eating chocolate (which is a good source of antioxidants). One day Mintys agent, BIG BOSS, an older and honorable gentlemen, is taken hostage by DOCTOR BRAIN BENDER, the evil neuro-scientist. Minty then fights her way up various perverse floors of Doctor Brain Benders paranormal building to rescue Big Boss. Several unusual villains stand in her way CAPTAIN CAPABILITY, a freak of nature SENSATIONAL NINJA, an effeminate assassin RAT MONSTER, a depressed mutant BRUCE ZEE, a psycho martial artist MOLLY LEVIATHAN, a sensual super vixen ZEN COWBOY, a blindfolded gunslinger and DOUBLE DELICIOUS, an intellectual lesbian vampire. Throughout this wild odyssey, Minty educates her adversaries on the fascinating world of natural science and then uses her beauty, her brains, and pure brutality to demonstrate the biological theory of the survival of the fittest.
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In the small town of Stone Cove, Maine, deputy sheriff Dwayne Hopper is on the night shift at the police station. He discovers that one of the prisoners in the holding cell is Ronald Perkins, a local psychiatrist and a suspect in the disappearance of 14 children over the past 10 years, including Hoppers young son. Interrogating Perkins, Hopper learns that the mad psychiatrist has built an army of 14 people brainwashed through cult-like methods to protect him from Perkins parents killers. Investigating, Hopper and the police unwittingly unleash his followers on the small town, and a night of terror beings as the 14 super-strong, zombie-like warriors wreck havoc with only one thing on their mind Kill for Mr. Perkins.
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Comedy writer Jerry Stahl (Ben Stiller), whose 6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahls flashback. Other women in Stahls life are his British wife Sandra (Elizabeth Hurley) and his agent Vola. For the TV series Mr. Chompers (inspired by ALF), Stahl meets with sitcom exec Craig Ziffer and puppeteer Allen. For freaky freebasing, Stahl hangs with mumbler Nicky and druggie Gus.
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The Resurrection of Zachary Wheeler
A U.S. Senator is spirited away to a secret New Mexico medical lab after a serious car crash. His injuries are completely healed by a secret organization that has developed advanced medical technology. What does the organization want in exchange for saving his life? Meanwhile, a reporter who witnessed the accident decides to investigate the senators disappearance.
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The Fly II
Seth Brundle was a renowned scientist whose warped experiments with teleportation transformed him into a manfly hybrid called BrundleFly. A few months after the BrundleFly insect met its demise by his lovers, Veronica, shotgun, she dies while giving birth to their son, Martin. Seths corrupt employer, Bartok, adopts Martin, only so Martin can solve the new problems that the still-functioning TelePods present and to use him as a science project because of the dormant insect genes. Martin is now fully grown, even though he is five, and the fly genes begin to awaken and make him just like dear, dead dad. With the help of his girlfriend, Beth, they go to wherever they can find a possible cure before Bartok finds them and brings them back, but not before Martin finishes his transformation into MartinFly, the deadliest of the BrundleFly species.
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Chris Tucker is a small time con man who instantly becomes famous after a murder, wanted dead or alive, his only hope is a journalist named James Russell (Sheen).
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My Daughter, My Angel
In the evening, when there is no his wife, Zherman visiting pornographic sites, he accidentally falls into the pictures of his daughter Natalie, which advertises the upcoming movie with her participation. Dropped everything, Zherman going to Montreal in order to convince Natalie not to take part in the filming.
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