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Land of the Lost
Sid & Marty Krofft's 1970s cult classic TV series Land of the Lost has been brought to big screen life courtesy of director Brad Silberling and star Will Ferrell. The movie keeps the basic premise of the show -- two males and a female find themselves transported through a space-time vortex into an inter-dimensional world populated by aliens and dinosaurs -- but changes the main characters from a scientist-dad and his two kids to a scientist and two adult companions.
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An earnest gay biopic that teeters on the edge of preciousness before plunging headlong into the drink, Little Ashes does have an audience out there, I'm sure. I just know that I'm not in it, nor are most of the people who will be checking it out for its much-hyped casting of Twilight heartthrob Robert Pattinson as a gay-experimenting Salvador Dalí.
While with a healthier budget, tighter script and steadier directorial hand, Ashes may have been the next Brideshead Revisited or Before Night Falls, it lands more in the neighborhood of Savage Grace.
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Director Kenneth Branagh's updated retelling of Anthony Shaffer's play Sleuth, previously filmed in 1972 by Joseph L. Mankiewicz, is a clever and well-made thriller that only stumbles during the homestretch. Michael Caine, who starred in the 1972 film, assumes the role played by Laurence Olivier in the original, while Jude Law has been cast in the part previously played by Caine.
Based on Posy Simmond's graphic novel, originally serialised in the Guardian's Review supplement, Tamara Drewe is a light and frothy satire on life and lust in a quiet English country village.
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Mr. Bean's Holiday
Most Americans havenít really had the chance to appreciate the quirky humor of Mr. Bean, especially if their only experience with Rowan Atkinsonís bumbling character was the painfully dull Bean which bored theater audiences to tears in the late 90s. Those of us on the States side of the pond who were lucky enough to have a television station that aired old BBC shows know Atkinson has much more to offer. Mr. Bean doesnít need a stupid Americanized family-comedy script to be funny, and in fact he does better without much of a script at all. Someone had that realization when they pulled together Beanís latest cinematic adventure and the result is classic Mr. Bean comedy goodness.
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Powder Blue is one of the most depressingly bad movies ever made. Every decision -- from the screenplay to the acting to the visual palette -- is a cynical calculation based on an uncomfortable amalgam of several other much better movies. The characters are manipulated ciphers, their stories are emotional copycats, and the film is an ugly, wretched bit of sanctimony. Of course the film purports to be about finding hope in the unlikeliest places, but I found absolutely none, except when the credits started rolling.
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The Wackness is a period piece drama that takes viewers back to the summer of 1994 in New York City. It's three months in the life of a drug dealer as he traverses the road from high school graduation to the start of college. This is basically a coming-of-age story with the narrative concentrating almost exclusively on the boy's friendship with his aging hippy psychiatrist and his flirtation with the shrink's step-daughter. Movies about drug dealers are often dark and, while The Wackness is shot using techniques that desaturate color, this is as much a black comedy as it is a drama, and there's no hint of the violence that often permeates films about drugs.
4 Months, 3 Weeks and 2 Days
4 Months, 3 Weeks and 2 Days is an abortion movie with a different perspective from the traditional melodrama or documentary. This production neither moralizes nor takes a side in the pro-life/pro-choice debate. In fact, this isn't about the issue at all (much as Knocked Up, in which abortion is quickly dismissed as an option, is not about it). In fact, by the time the story has begun, any agonizing about whether or not to have the procedure is long past (and has occurred off-screen). There is no doubt, nor is any introduced, that the abortion will take place. Instead, 4 Months, 3 Weeks and 2 Days is about the collateral damage incurred by those involved in obtaining a procedure that, in this time and place, is illegal and can carry a prison term of 5-10 years.
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Blades of Glory
Will Ferrell can be the most maddening of comedians. There are times when he's so funny it hurts to watch him. Then there are times when he's so unfunny it's painful in a different way. Consistency, thy name isn't Ferrell. Blades of Glory is pretty much Talladega Nights on skates. It does for figure skating what the earlier film did for NASCAR - right down to the product placements. There are funny bits strewn about but the movie as a whole is a bit of a yawn. Blades of Glory is a feeble satire that doesn't do much that's incisive or interesting, and the tame PG-13 rating keeps the raunchiness in check.
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Dracula: Dead and Loving It
When it comes to spoofs of horror films, one of the greatest of all time is surely Mel Brooks' Young Frankenstein, a movie that's as clever as it is funny. Now, more than two decades later, Brooks has attempted to re-create the magic by doing to Bram Stoker's vampire legend what he did in 1974 to Mary Shelly's gothic tale. Alas, Dracula: Dead and Loving It doesn't come close to the level attained by Young Frankenstein. It's a toothless parody that misses more often than it hits.
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The film starts with Cristina Moreno applying to Princeton University. She tells the story of her childhood in her college essay.
Flor Moreno (Paz Vega) is a poor, Mexican single mother who gets hired as the housekeeper for John (Adam Sandler) and Deborah Clasky (Téa Leoni), their kids Bernice (Sarah Steele) and Georgie (Ian Hayland), and Deborah's mother Evelyn Wright (Cloris Leachman), a rich American family. John is head chef at a popular restaurant, Deborah a former businesswoman turned stay-at-home mother and Evelyn a former jazz singer.
The Conclave is a courtroom style drama that takes place in Rome in 1458, five years after the fall of Constantinople to Islam. It follows the story of twenty-seven-year-old Cardinal Rodrigo Borgia as he fights to save both his career and his life in his first papal conclave.
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Voodoo Black Exorcist
The mummy of long dormant, but powerful Caribbean voodoo priest Gatanebo gets revived on a luxury South Seas ocean liner as a big buff bald guy and proceeds to terrorize the passengers. Gatanebo beheads several folks, occasionally reverts back to his prune-faced mummified state, and falls for the ravishing Sylvia, who reminds him of his old flame Kenya.
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Howard the Duck
The story begins of a sarcastic humanoid duck the size of a man by the name of Howard from outer space is pulled from his home world to Earth through a laser beam and somehow winds up in Cleavland where he meets and quickly befriends with Beverly Switzler, a lead singer where they must stop an alien invader known as the Dark Overlords at all costs.
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Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiterparty boy who only looks forward to bedding a new guy every night. After Aaron and three other missionaries move into the apartment across from Christian, his friends bet him 50 that he cant get one of them to jump into the sack, so he instantly latches onto Aaron. There are two problems, though - Christian is falling in love with Aaron and the Mormons are not the biggest fans of the homosexual community. Once Aaron is discovered, the two have to go through trials of regret, loss, perseverance, and forgiveness if they both want to get to the thing that matters to them most each other.
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When Dan OGrady returns to the U.S. after stealing some Irish leprechauns pot of gold, he thinks he can settle down and enjoy his newfound wealth. He thought wrong. The leprechaun followed him and OGrady barely gets away with his life, having locked the little monster in his basement. Ten years later, J.D. and his spoiled daughter Tory move in. By accident, the leprechaun is released and almost immediately the annoying creature starts to look for his gold, not displaying any respect for human life.