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Clash of the Titans
A remake of the 1981 cult classic of the same name, Clash of the Titans follows demi-god Perseus (Sam Worthington) as he seeks revenge against the gods after the death of his family. His quest will see him embark on a grand adventure where he must battle many fantastic and horrifying creatures in order to rescue Princess Andromeda (Alexa Davalos) and the doomed city of Argos from the wrath of the gods. That's the story in a nutshell. Many characters from the original film have been jettisoned altogether and plot elements have been shifted around.
The original Clash of the Titans is an example of a movie you liked as a child, but when revisited as an adult it's just not as good as you remembered. Indeed, it's quite hokey and boring, and the special effects – as dated as they were even when it came out – are really the biggest reason why it's still talked about. But for many people of a certain age, myself included, the original Clash was often one's first exposure to Greek mythology, and at least in this reviewer's case it helped trigger a lifelong interest in the subject. That said, the acting in the film was pretty bad, with Harry Hamlin as a rather drab and passive Perseus who just has things happen to him. While Worthington's Perseus may not have a terribly complicated or original arc, at least he actually drives the narrative forward, makes his own decisions, and has objectives he wants to achieve rather than simply reacting to the actions of others.
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The Fourth Kind
Much like The Blair Witch Project and the recent sleeper hit Paranormal Activity, The Fourth Kind is a faux docudrama about weird happenings. But where those two films dealt with the realm of the supernatural, The Fourth Kind chronicles what it claims is a real-life case of alien abduction.
After an introduction by Milla Jovovich, which promises us that disturbing documentary footage is in store, The Fourth Kind follows both the "real" and the reel Dr. Abigail Tyler (played in reenactments by Jovovich) as she recounts her tale of alien abduction, a fourth kind of close encounter that Steven Spielberg never explored. Abby, a psychologist in Nome, Alaska, is still traumatized by her husband's violent, mysterious death. She has vowed to continue the psychological study that he had begun, which employs hypnosis to help patients remember traumatic events they've blocked out.
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Synecdoche, New York
It almost feels inappropriate to boil a film of this depth down to a thousand words or so – or even to review it in traditional terms; Synecdoche, New York is mesmerising in its scope, viewing the life of theatre director Caden Cotard from his perspective and then pulling outwards to what eventually becomes a microcosm of his connections, his city, his life. That's a broad-brushstrokes look at masterful writer, director and producer Charlie Kaufman's latest work – a text as much as a film and a dense and provocative look at a subject that Kaufman clearly spends a lot of his waking (and working) hours devoted to : himself and his craft.
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Ghosts of Girlfriends Past
See, according to the logic doled out by the monogamy-hating, scotch-addled mind of one Connor Mead (Matthew McConaughey), the power of any relationship falls to whoever cares less, and my friends, I really could not care less about whether or not his boozing, cruising lothario was going to learn any magical lesson lifted straight out of Dickens. Ergo, the further I slumped in my seat while watching this mawkish, obvious, and not very funny film, the more powerful I grew in this particular relationship, and let me tell you right now: that and two bucks will get you a cup of coffee, with no need for any more artificial sweetener...
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The holiday season heralds the return of the "Madagascar" gang in "Merry Madagascar," a television special looking to produce a pinch of Christmas cheer to fans, admirers, and all of their patient parents.
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Let it Rain
Let it Rain, a French film that has taken two years to reach North American theaters (a testimony to how poor the market is these days even for well-made, high-profile foreign fare), makes the case that simplicity in a motion picture can be a good thing. The director, co-writer, and co-star of Let it Rain is Agnès Jaoui, who has been a presence in French film since the mid-1980s as an actress, the early 1990s as a screenwriter, and 2000 as a director. This is her third film, following The Taste of Others and Look at Me. Jaoui has a distinct style: small, almost inconsequential narratives; well-defined characters; oblique, subtle social commentary; and enough humor to make one wonder whether the movie is better classified as a "drama" or a "comedy" (not that such labels would mean much to the filmmaker). Let it Rain fits in well with Jaoui's other efforts (both as a writer and as a director).
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Following scathing audience reaction to a "work copy" of Elizabethtown shown at several major late-summer film festivals, writer/director Cameron Crowe went back to the drawing board, paring down the 138-minute "director's cut" to a slightly more manageable 125 minutes. However, having seen both versions, I can state that the elimination of 13 minutes does not address the film's chief flaws. At best, it's a cosmetic fix. The theatrical edition of Elizabethtown, while shorter than its film festival sibling, does not represent a significant improvement.
Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Harold Ramis and co-producer Judd Apatow. Filled to the point of overflowing with gross-out humor, Year One might get some belly laughs from six and seven year olds, who can't resist giggling at the image of someone farting or peeing on himself, but I found the most extreme material to be so tasteless that it voided all comedy. And, when one gets beyond the scatological elements, the rest of the jokes are obligatory, rarely generating more than cursory chuckles.
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Ready to Wear
"[Ready to Wear/Pret-a-Porter] is just a silly little movie, it's not a serious epic. So just enjoy, laugh with it, have a good time. It's no big deal."
- Robert Altman, director of Ready to Wear
One wonders whether Robert Altman arrived at that conclusion before or after the much-anticipated Ready to Wear was complete. Despite some delicious moments, this sluggish, overlong, halfhearted satire feels like a movie that wanted to go somewhere but never got there. With punches pulled and fangs capped, this look at high fashion is not at all what was expected from the director of The Player, one of the most vicious and biting sendups of the last two decades.
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In 1998, the family of the late Roger Maris are preparing to go to Busch Stadium to watch Mark McGwire of the St. Louis Cardinals break their father's record with 62 home runs. Before the game, Maris' widow, Pat, is hospitalized due to complications from arrhythmia and watches the game on television from a hospital bed.
In this anthology of horror tales two hikers are trapped in a cave-in, a jilted teen lover turns bad, and man is murderously desperate to help his ailing wife.
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Love & Sex
When her rather explicit copy on oral sex is rejected, magazine journalist Kate Welles (Famke Janssen) is told by her editor, Monique (Ann Magnuson), to write an article on loving relationships instead -- and to do so by the end of the day or face being fired. This gets Kate thinking back over her own various misadventures searching for love over the years, and wondering if she is in much of a position to write on the subject.
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Dustin Hoffman plays a regular American mathematician, who gets into some trouble with local bullies. He is made fun of and then his wife is raped. When they attack his home, he fights back. His outbreak of violence is extreme.
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Eight Crazy Nights
Adam Sandler invites you to share some holiday cheer in the new, no-holds-barred musical comedy Adam Sandlers 8 Crazy Nights. Davey Stone, a 33-year old party animal, finds himself in trouble with the law after his wild ways go too far. In keeping with the holiday spirit, the judge gives Davey one last chance at redemption-spend the holiday performing community service as the assistant referee for the youth basketball league or go to jail. Davey thinks hes gotten off easy until he meets Whitey Duvall, the eccentric, elf-like head referee. The mismatch between Whiteys good heart and never-ending optimism and Daveys constant troublemaking soon have them both wondering if going to jail wouldnt have been easier! In this new, full-length animated feature about basketball, old girlfriends, holiday spirits, and the mall, Adam Sandler voices the three lead characters of Whitey, Davey, and Whiteys fraternal twin sister Eleanore!
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In the 22nd century, Dr. Paul Merchant has created the ultimate space station for a special purpose to destroy the Lament Configuration, which has brought silent shame to his family for centuries. In the 18th century, French toy maker Phillip LMerchant built the first puzzle box, which was used by magician de LIsle to create a beautiful demon named Angelique, the daughter of Leviathan, the lord of Hells Labyrinth. As the generations passed, LMerchants descendants began the work to create the Elysium Configuration - a box that would destroy the Lament Configuration, until 1996, when one of them, John nearly fell to the power of the box through Angelique. Of course, Pinhead and his Cenobites arent happy about the fact that the gateway to Hell will by destroyed...
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No Right Turn
A haunting fairy-tale thriller set between snowy landscapes and a neon city.
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