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Oscar-winning director Ron Howard returns to helming more lighthearted fare for the first time since 2000's How the Grinch Stole Christmas with The Dilemma.
The story follows bachelor Ronny (Vince Vaughn), who is riddled with anxiety and doubt over whether to tell his longtime best friend and business partner Nick (Kevin James) that his wife (Winona Ryder) is cheating on him with a young thug (Channing Tatum).
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The Fighter tells the true story of boxer "Irish" Micky Ward (Mark Wahlberg), a struggling pugilist who gets one last shot at a title bout, a match that could also heal his fractured family.
Set in working class Lowell, Massachusetts, the film, directed by Uncharted's David O. Russell, focuses on Micky's relationship with his older half-brother Dickie Eklund (Christian Bale), a former boxing hero who now trains Micky but threw away his own shot at glory when he descended into crack addiction and became an emaciated shadow of his former self. He's stuck in the past, reliving the glory of his big bout with Sugar Ray Leonard.
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Call me old school, but I like my children's films to actually be written for children. With the glut of animated films flooding the kiddie film market, it seems that studios -- and the people they hire to write the scripts for them -- are convinced that the only way to get parents to take their tykes to the theater to see a kids' movie is to fill them to overflow with adult references, and Happy Feet is the latest offender. The film opens with a female penguin, Norma Jean (voiced by Nicole Kidman), swaying seductively through a crowd of male penguins. The female is drawn with an inflated chest, presumably to simulate a large bosom. Real female Empire Penguins don't have boobies, of course, but I suppose the filmmakers thought that real men can't manage to sit through a 90-minute film with their kids without some simulated penguin cleavage to keep their attention. Norma Jean moves through the males, singing, until her attention is caught by Memphis (Hugh Jackman), who channels Elvis and says things like, "Whoa, Mama" a lot.
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No matter how compelling and intriguing a real-life story may be, it doesn't necessarily translate into an equally compelling and intriguing motion picture. Breach is a case in point. Based on the widely publicized case of turncoat FBI agent Robert Hanssen, which dominated headlines in late February 2001, the movie succeeds at being a thriller with few thrills. With an end that is predetermined (and revealed to anyone who might be in the dark in the opening scene, a news clip of John Ashcroft announcing Hanssen's arrest), there's little room for suspense. Billy Ray's chronicling of Hanssen's capture has its high points, but it's a little on the dry side. Thank god for Chris Cooper.
The Ninth Gate has two modes: tedious and moronic, with the two not being mutually exclusive. Then, one-hundred minutes into this seemingly interminable movie (which clocks in at about 2:10), things take a turn for the worse and The Ninth Gate spirals out of control. A jaw-droppingly bad mixture of film noir and the occult, this picture plods and meanders its way through one uninspired scene after another until it reaches an improbable, laughable climax followed by an equally ridiculous denouement. Only the lobotomized and the brain dead will be able to figure out the logic embraced by The Ninth Gate.
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Dances with Wolves
There was a time when the western was one of Hollywood's most popular genres. Whether it was Gary Cooper standing tall in High Noon, Burt Lancaster and Kirk Douglas taking out the Clantons in Gunfight at the O.K. Corral, John Wayne fighting the Apaches in Rio Grande, or Clint Eastwood looking more bad than good or ugly in Sergio Leone's trilogy, the Old West was a sure way to break into the black at the box office. But that was during the '50s and '60s. Since then, another cinematic generation has taken over and the western has gone the way of the musical. In 1990, while it wasn't yet as extinct as the Sabertooth Tiger, it was definitely on the endangered species list - until Kevin Costner came along and singlehandedly breathed new life into the genre. Suddenly, in the span of three years, two westerns had captured the Best Picture Oscar (Dances with Wolves and Unforgiven). And, while this newfound popularity didn't come close to challenging what had once been, film makers could take solace that they would not be summarily denied funding the moment they mentioned the words "Old West."
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Midnight in the Garden of Good and Evil
One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra-sensitive tearjerker called The Bridges of Madison County. Now, following a romp through more familiar territory in Absolute Power, Eastwood the director is back with this slow, moody adaptation of John Berendt's novel, Midnight in the Garden of Good and Evil. It's a compelling but meandering tale of lust, murder, sex, voodoo, and betrayal. Despite the presence of so many titillating elements, the film's nearly somnambulant pace makes it easy for a viewer to lose his or her concentration.
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A Good Night to Die
One day in the life of a hit man, Ronnie, who spends it trying to save the life of fellow hit man, August, who he had brought into the business three years ago. August has become a real problem for some of the bosses around town, and Ronnie will soon find out just what his Frankensteins monster will cost him.
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BloodRayne II: Deliverance
Newton Piles (Chris Coppola), a reporter on assignment for the Chicago Chronicle, has come to the town of Deliverance, Montana, to record tales of the Wild West. The peaceful and quiet town is expecting the arrival of the first Transcontinental Railroad in one week. Along with the railroad however, arrives an unwelcome and deadly guest, a vampiric Billy the Kid. Using the railway, the 357-year old Transylvanian vampire is building an army of cowboy vampires to take over the country and create a vampire kingdom in the New World. Billy and his horde go on a rampage, slaughtering townspeople and rounding up children. Billy spares Newton’s life and promises Newton the greatest story ever told.
Billy's plans hit a snag when Rayne arrives in the town. Rayne is a Dhampir, the product of an unnatural union between a vampire and a human: she wields all the powers of a vampire, yet none of the weaknesses. Born over a century earlier in Romania, Rayne has hunted vampires for a long time and now she sets her sights on Billy.
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Six youths ditch school for the woods where some hot rodding on a stolen moped changes the fate of their day. They crash into Peter, a disheveled drifter, who is delighted to have a group of teens to hang out with. First he gains their trust by joining in their games but then his behavior changes. Peter uses what he has learned about the kids against them, bullying the alpha boys, belittling the weaker ones and saving his worst for the only girl in the group. Realising too late they are being held hostage the kids are forced to embrace the dark side of human nature in order to survive the ordeal.
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Rest Stop: Don't Look Back
In the 1970s, the Winnebago family encounters the Driver (Brionne Davis) standing on the side of the road next to the yellow pickup, out of gas. Once in the R.V., Mrs. Winnebago begins to flirt heavily with the Driver, asking Scotty, her physically deformed child, to take a picture with his camera.
Later that night, Mr. Winnebago finds the Driver having sexual intercourse with his wife. His wife then claims she is being raped (which she was not) and prompts her husband to attack, torture, and kill the Driver. The Driver's ghost later kills the family across the street from the rest stop.
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Selleck plays Phil Blackwood, an American mystery novelist who comes across a dazzling Romanian murder suspect named Nina (Porizkova) when she is arraigned in the courtroom he's visiting. Instantly falling for her, Blackwood poses as a Roman Catholic priest in order to meet her while she is held pending her continued arraignment. With the help of his friend, Sam (Daniels), Blackwood invents an alibi for Nina to secure her release.
Nina then takes up residence with Blackwood, serving as the inspiration for a novel that will decide the fate of his and Sam's careers in writing and publishing, all while evading operatives from communist Romania. The climax of the film takes place during The Funeral of Grimaldi, a jovial memorial service in which many clowns gather to celebrate the life of Joseph Grimaldi.
Although it was Porizkova's best-known film appearance, her role as Nina in Her Alibi earned her a 1990 Golden Raspberry nomination for Worst Actress.
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The story follows the life of low I.Q. Forrest Gump and his meeting with the love of his life Jenny. The film chronicles his accidental experiences with some of the most important people and events in America from the late 1950s through the 1970s including a meeting with Elvis Presley, JFK, Lyndon Johnson, Richard Nixon, fighting in Vietnam, etc. The problem is, hes too stupid to realize the significance of his actions. Forrest becomes representative of the baby boomer generation having walked through life blindly.
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A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both survived.!!!!! Russian is the default audio so you will have to switch to english
A man gives up his job with the IRS and relocates to a small town named Mumford of which he takes the name and passes it off as his own by being a psychologist. While as a psychologist, Mumford decides to give his patients no holds barred advice which changes his life and that of his patients and the residents.
Man to Man
1870. Dr. Jamie Dodd is elated he has finally succeeded in capturing not one, but two pygmies. He brings them to Scotland with the help of Elena Van den Ende, an adventurous woman who sells wild animals to the zoos of Europe. His two anthropologist friends, Alexander and Fraser, and himself are certain they have discovered the missing link, which will make them famous. They start examining the pygmy couple from every angle and Jamie gradually discovers that Toko and Likola are just as sensitive and intelligent as any other homo sapiens. His two colleagues strongly reject this idea as it is glory they are after not the truth. Will Jamie be able to prove the two short people are genuine human beings and not freaks to be shown in a zoo?
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