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How Do You Know
How Do You Know is cute, harmless, and utterly forgettable. For a while it was being buzzed about as a potential Oscar contender, but that was based solely on the fact it's a James L Brooks (Broadcast News, Terms of Endearment, As Good As It Gets) film starring Reese Witherspoon. Once people actually had a chance to see it, the buzz was cut off - and rightfully so. How Do You Know isn't that big epic love story we've been waiting for all year. Instead, it's simply a nice diversion and nothing more.
How Do You Know has a charming cast and an Oscar winning filmmaker at the helm. It had potential, but suffers from having characters who are...and here's the kiss of death...just blah. How Do You Know also disappoints because its blah characters act and talk like they're in a romantic comedy. There's barely a genuine moment in the film, and what does feel real has nothing to do with the three attractive leads but instead comes from supporting player Kathryn Hahn and her relationship with her boyfriend.
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Before the Devil Knows You're Dead
Sidney Lumet's "Before the Devil Knows You're Dead" is such a superb crime melodrama that I almost want to leave it at that. To just stop writing right now and advise you to go out and see it as soon as you can. I so much want to avoid revealing plot points that I don't even want to risk my usual strategy of oblique hints. You deserve to walk into this one cold.
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Harry Potter and the Deathly Hallows: Part 1
So the end of the journey is here. Well nearly, because as with the forthcoming Twilight and Hobbit adaptations, Harry Potter and the Deathly Hallows has been split in two, Part 1 hitting this Christmas and Part 2 concluding the saga next summer.
The filmmakers claim that the decision was taken to do justice to J.K. Rowling's lengthy final tome, and while it does allow the audience to spend more time with these beloved characters at this most significant time, one can't escape the feeling that Part 1 is all set-up and no pay-off, resulting in a somewhat empty cinematic experience.
Director David Yates -- helming his third Potter flick -- clearly revels in the additional hours afforded him, taking his time to set the scene for the story's big finale.
He builds an oppressive sense of melancholy from the off, with Harry, Ron and Hermione preparing to leave home, perhaps for the last time. In a particularly touching scene, only alluded to in the book, Hermione removes her parents' memories of their only child to protect them for the inevitable, fast-approaching war.
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From the way it’s being sold, CHOOSE (currently available on-demand from IFC Films) comes off like the latest SAW derivative, but the movie itself proves to be equally indebted to SE7EN. Needless to say, it’s not as good as either.
“Whole town’s in a tizzy because there might be a madman on the loose,” says Sheriff Tom Wagner (Kevin Pollak—really?)—this after three people have fallen victim to a sadistic killer. Just like Jigsaw, this black-clad figure subjects his victims to life-and-death choices, though the voice with which he delivers these fateful instructions is decidedly less than menacing. In an admittedly bravura opening sequence, a teenage girl is forced to choose whether her mother or father will die—and to do the deed herself—or else they’ll both be killed. By the time the malefactor gets around to a model who’s forced to sacrifice either her eyesight or her looks, the SE7EN echoes have gotten louder, and at this point the film abandons its torturous scenarios to concentrate on a similar investigative plot.
XXX: State of the Union
Where's the Kryptonite?
What many movie producers fail to realize is that one of the keys to making a superhero interesting is to give him an Achilles heel - Kryptonite, so to speak. And one of the big problems with XXX: State of the Union is that the protagonist is essentially invincible. He has no weaknesses. During those rare moments when he finds himself in a tight scrape, we have no doubt he will come out blasting. This isn't Indiana Jones, with his numerous too-human failings. This is The Terminator, only without the snappy one-liners and the weird accent. How can there possibly be suspense when the outcome is never in doubt?
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Disappearance of Alice Creed
When I first saw The Disappearance of Alice Creed at the 2009 Toronto Film Festival, I thought it was a sure bet to be picked up for United States art house distribution. I was wrong. Eventually, however, after the dust from the festival had settled, the producers had lowered their asking price, and Gemma Arterton's star had gone supernova, Anchor Bay stepped up to the plate. The film is not getting a consistent or widespread release; it's showing up in a few "select" theaters around the one-year anniversary of its North American debut in Toronto, but most of those interested in the movie will have to wait for the DVD release. (The limited theatrical distribution is designed to remove the "direct-to-DVD" stigma.) In this case, that's fine, since the claustrophobic movie might arguably play better on the small screen than on the large one.
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White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the character played by Michelle Pfeiffer. Ingrid is strong, beautiful, and self-possessed, but she acts as a poison to everyone around her, especially her impressionable daughter, Astrid (Alison Lohman), who idolizes her mother. Yet Ingrid acts based on her own whims and desires, without considering how they might ultimately damage the daughter she claims to love.
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Despite a title that makes it sound like a heist movie, The Counterfeiters is actually a World War II tale. It is not, however, a traditional war film. Instead, it takes a hard look at one of the most controversial and ethically dubious activities of the war: Jewish collaboration with the Nazis. Like Tim Blake Nelson's The Grey Zone, which explored the existences of the Sonderkommandos in Auschwitz, The Counterfeiters examines many of the same issues from a slightly different perspective. The bottom line is the same, however: Is it morally reprehensible to exchange services that help the Nazis in return for a less harsh life?
The Incredibles may become the first Disney/Pixar film not to dominate at the box office. That statement has nothing to do with the film's quality - in fact, The Incredibles is among the best of Pixar's digitally animated movies. However, it's going up against The Polar Express, which has a number of advantages, not the least of which are its built-in audience and seasonal appeal. More than anything else, The Incredibles is likely to be a victim of bad timing. Don't shed any tears for its makers, however. The film will still keep the cash registers ringing until it attains "blockbuster" status, although it won't be the runaway hit that Pixar's last production, Finding Nemo, was.
Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be such a complete waste of time. Fathers' Day isn't just bad, it's awful. Without a doubt, this is one of 1997's most disappointing motion pictures.
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In 1993, Jerry Shepard (Walker) is a guide at an Antarctica research base under contract with the National Science Foundation. UCLA professor, Dr. Davis McClaren (Greenwood) arrives at the base and presses Shepard to take him to Mount Melbourne to attempt to find a rare meteorite from Planet Mercury. Shepard does so against his own intuition, which tells him that it is too late in the season (January) to complete such a treacherous route. Worried about the snowmobiles breaking through the thinning ice or falling in a crevasse, Shepard tells his boss and McClaren that the only way to get to Mount Melbourne is by dog sled.
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Around the Bend
Four generations of men who havent seen each other in years are suddenly brought together by the chance to uncover the truth about their familys past. Its a journey that takes them out on the road to a world full of surprises - some comic, some dramatic, and all of them personal.
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The life of Blues and folk singer Huddie Leadbetter, nicknamed Leadbelly is recounted. Covering the good times and bad from his 20s to 40s. Much of that time was spent on chain gangs in the south. Even in prison he became well known for the songs he had composed and sung during and before the time he spent there.
After Kelly Reyes and her teammate lose a close semi-final match in the Association of Volleyball Professionals championship, a print journalist, Holden Grant, wants to interview her. He says that losers comments are more interesting than winners. The interview leads to dinner and a night together. News comes that one of the women on the team that defeated Kelly has died in a hit-and-run accident. Kelly takes her place on the team that will play in the championship in two weeks, the police investigation into the hit-and-run discloses that Kelly may be in grave danger, and Holden may not be what he says. A murderer is out there waiting for the championship game.
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Shattered windshields. Twisted wreckage. Last Exit is an action-suspense drama that tells the parallel stories of two ordinary women - one, a single mother barely supporting her handicapped son, and the other, a working mom precariously balancing her family with a high-pressure career - on one extraordinary day. Each womans life frays under the weight of her circumstances and spirals out of control. As police officers race to save them, pieces of a shattered puzzle fall into place - maybe this wasnt just a tragic car accident after all. Both women fight for their lives, but ultimately, only one will survive
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Night of the Demons 2
Angela, the universes most unpleasant party crasher, returns! Angelas sister, Mouse, is taken by her bullying Catholic school classmates to a party at Angelas favorite haunt, and before long, everybodys being turned into demons and only a butt-kickin nun, who wields her ruler like a mighty sword of steel, can save the day.
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