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Survival of the Dead
The sixth part of George A. Romero's Dead saga is proof that sometimes the dead should stay that way. Movie series' always have a natural end, after which it becomes foolhardy to resurrect characters, ideas and concepts. That time has come with Survival of the Dead, a weak addition to the zombie series that suffers from bad acting, a poor script and a distinct lack of action. The movie is only partially redeemed by a final twist that belongs to a far better movie.
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The late ’70s high school slasher movie gets a Facebook-era makeover in this sporadically gruesome but non-frightening British horror comedy. Just as squeaky-clean head girl Justine (Tuppence Middleton) gains entry to the ruling ‘In Crowd’ clique, it tears itself apart.
Call me old school, but I like my children's films to actually be written for children. With the glut of animated films flooding the kiddie film market, it seems that studios -- and the people they hire to write the scripts for them -- are convinced that the only way to get parents to take their tykes to the theater to see a kids' movie is to fill them to overflow with adult references, and Happy Feet is the latest offender. The film opens with a female penguin, Norma Jean (voiced by Nicole Kidman), swaying seductively through a crowd of male penguins. The female is drawn with an inflated chest, presumably to simulate a large bosom. Real female Empire Penguins don't have boobies, of course, but I suppose the filmmakers thought that real men can't manage to sit through a 90-minute film with their kids without some simulated penguin cleavage to keep their attention. Norma Jean moves through the males, singing, until her attention is caught by Memphis (Hugh Jackman), who channels Elvis and says things like, "Whoa, Mama" a lot.
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Towelhead is a victim of the economics of movie-making. Despite being a critical success at the 2007 Toronto Film Festival (where is played under the name of Nothing Is Private), Towelhead has languished on shelves for a full year. With Warner Brothers' decision to scale back on releasing "specialty" titles and concentrate on high-profile movies, Towelhead's potential release date was continually pushed back. Once, a long delay between initial public screenings and final release indicated a dysfunctional movie. That's no longer the case. Now, it's all about economics. (Witness Warner Brothers' decision to place Harry Potter and the Half-Blood Prince into an eight-month limbo.) Towelhead's tardy release and the lack of publicity surrounding its opening are more of a comment upon the studio's uncertainty about the film's bankability than they are an indication of its quality.
In 1992, Walt Disney Pictures, riding a wave of euphoria generated by its recent animated successes, The Little Mermaid and Beauty and the Beast, tried to do something that was met by critics with skepticism: revive the live-action musical. Filmmakers took an in-house script in turnaround and commissioned composer Alan Menken and lyricist Jack Feldman to pen about a half-dozen songs. Choreographer Kenny Ortega (whose duties in that role included Xanadu and Dirty Dancing) was brought on board to direct. The stars underwent weeks of dancing and martial arts training, and all were allowed to sing their own parts. (There is no truth to the rumor that Marni Nixon dubbed Christian Bale.) Newsies was born, only to die an ignominious death. After bombing on opening weekend, the film was pulled from most theaters, resulting in a final box office take of less than $3 million. It has been described by many as Disney's greatest failure. Unexpectedly, however, it found a following on home video, where its surprising popularity allowed the taint to dissolve from its image.
As promised, Jay and Silent Bob are back. The quirky duo who hung around in the background of Kevin Smith's 1994 debut feature, Clerks, have returned to the screen for the followup, Mallrats, the middle picture of the so-called "New Jersey Trilogy." (Although ostensibly taking place in the Garden State, Mallrats was filmed almost entirely in Los Angeles and Minnesota.) In many ways, this new movie is a less original, not-as-funny, full color redressing of Clerks. Despite a broad range of effective comedy and a decent laugh-per-minute ratio, Mallrats is likely to be a moderate disappointment for anyone who guffawed their way through the previous film.
Once Were Warriors
Once Were Warriors, a New Zealand export, is centered upon the touchy yet timely topic of domestic violence. It is not, however, merely another "domestic violence motion picture." With its complex cultural backdrop and its stark view of this societal cancer, Once Were Warriors attains a level where it is equally painful and potent.
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The (Leon) Professional
The career aspirations of Mathilda (Natalie Portman) aren't those of the average 12-year old girl. Instead of wanting to be a doctor, fashion model, teacher, lawyer, or nuclear physicist, Mathilda has decided to follow in the footsteps of her best friend, surrogate father, and protector, Leon (Jean Reno). The only problem is that Leon is a "cleaner" -- a professional hit man ("Cool" is her one-word response when she learns this tidbit of information).
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Bristol Boys stars Thomas Guiry as Michael McCarthy, a man who becomes a drug dealer in order to provide for his family. That family becomes threatened as his career grows much larger than he ever intended.
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Faith of My Father
John McCain flies his jet from a carrier on a bombing mission over Hanoi, Vietnam. As a warning buzzer announces incoming missiles, McCain stays with the bomb drop, but is hit by a missile. He lands in the water and is pulled ashore by an angry mob, and taken prisoner. Asked to give information, he gives out the names of a sports team rather than of his squadron.
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Based on a true story. He called himself the Angel of Death. But when the police discovered that he was involved with over 40 deaths, his name soon became Killer Nurse. In the beginning it was his story against theirs. Soon he gave up his version of the events and admitted to killing 43 patients in his care at the St. Marys Hospital. Charles Cullen also became one of the most notorious serial killers in the history of the US.
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College Road Trip
The film is about Melanie Porter (Raven-Symoné), a 17-year-old college-bound girl who is getting ready to graduate from high school and really wants to go to Georgetown University. However, her father James Porter (Martin Lawrence), the chief of police in the quiet Chicago suburb where they live, is overprotective of Melanie, and isn't ready for her to leave and study so far away from home. Chief Porter has other plans for Melanie; he wants her to go to Northwestern University which is only 28 minutes away from home. Porter also receives problems from disagreements with his real estate agent wife, Michelle (Kym E. Whitley), the family pig Albert, who continuously annoys him, and his youngest son Trey, who spends much time with the pig. Melanie gets invited to an interview at Georgetown after a college recruiter saw her performance at a mock trial. Her two best friends, Nancy (Brenda Song) and Katie (Margo Harshman), offer to take her on their college road trip to Pittsburgh. Melanie is all set to go with her friends until her father surprises her with his own college road trip to Washington, D.C..
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Growing up together, Mitch Planko and Dave Lockwood (Ryan Reynolds and Jason Bateman) were two inseparable best friends, but as the years have passed, they have slowly drifted apart. Dave is an overworked lawyer, husband and father of three children and Mitch is a single, quasi-employed man-child who has never met a responsibility he liked. To Mitch, Dave has it all: his beautiful wife Jamie (Leslie Mann), three children who adore him and a high-paying job at a prestigious law firm. To Dave, living Mitch's stress-free life without obligation or consequence would be a dream come true.
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Against All Odds
Terry Brogan, an aging football player in L.A., is cut early in the season he needs money, so he takes a job from a shady friend of his, Jake Wise, to track down Wises girlfriend, Jessie, whos somewhere in Mexico. Shes also the daughter of a very wealthy land developer, who owns Terrys team. He heads for Cozumel, finds Jessie, and promptly falls in love with her. He thinks its mutual, then without warning, she heads back to L.A. and Jake. Whats going on with her, and whats the connection between Jakes hold on Jessie and the various politicians, lawyers, and environmentalists who seem to be converging on some sort of land deal? Terry keeps looking for answers.
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Two stories, 14 years apart, converge in a suburb of New York. Manuel Esquema, an international financier, whose face is badly scarred, is flying from Miami to help a New York politician negotiate a plea bargain with the Justice Department. Years before, this financier was a fresh-faced caba
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A husband and wife, whose marriage is built on shifting sand, find themselves imprisoned by a sadistic killer - forced to make choices that will ultimately determine their familys survival or demise.
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