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I Love You Phillip Morris
As I Love You Phillip Morris kicks off, the words 'This really happened' appear on screen. And then to reinforce the point, the filmmakers add 'It really did.' For the new Jim Carrey vehicle is the kind of film that you wouldn't believe unless you knew it to be true.
Carrey plays Steven Russell, a conman extraordinaire who recounts the story of his life from his deathbed. From the moment he discovered he was adopted, Russell developed an insane need for acceptance and affection, driving him to embark on all manner of cons and tricks to prove his worth to the people close to him.
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Have Dreams, Will Travel
Have Dreams, Will Travel is an American coming of age road movie released in 2007. The film changed its title more than once -- and can also be found as West Texas Lullaby and Dream It Out Loud. These changes aim at better reflecting the nature of the story, but result in a greater confusion for the film buffs and the general audience as a whole. The film can be categorized as a drama or romantic comedy as well, and probably the way in which one approaches it will affect the viewing experience.
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The Lost Treasure of the Grand Canyon
The title of this movie sounds likes it's going to be a fun, spooky ride along the lines of tween-classics such as Wanda Nevada, Escape From Witch Mountain, The Watcher in the Woods, or even Stephen Sommers' Mummy movies. It is so not. (First clue: the DVD promo proudly announces the enclosed opus is "from the producers of Sands of Oblivion and The Fallen Ones"!)
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World's Greatest Dad
Death was once considered the great equalizer. These days, it's the best way to reconstruct a damaged reputation. Lionizing the dead isn't just a cottage industry; it's universal. The sins of the living are washed away in death, leaving behind a pristine corpse free of taint. The sullen are said to have been cheerful, the mute are labeled as gregarious, and the misanthropes are reported as bastions of charity and goodwill. With World's Greatest Dad, Bobcat Goldthwait takes this trend and skewers it in one of the least compromising black comedies of the year. The movie isn't perfect - it suffers from an uneven tone in the first half-hour, but it claims the one key ingredient a satire of this nature must possess: fearlessness.
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When in Rome
Those who were regular viewers of Veronica Mars recognize there's an immense wellspring of charisma available to Kristen Bell that she has thus far been unable to tap in her post-Mars career. When in Rome, despite being a standard-order romantic comedy with little about it that could be considered fresh or original, finally provides Bell the opportunity to exude a little of that Veronica Mars charm on the big screen. She's paired with Josh Duhamel, who moderates the cockiness he displayed in Win a Date with Tad Hamilton and two Transformers movies to the point where he's appealing. The end result is an experience that, for all its predictability and strained attempts at screwball humor, is rarely unbearable and occasionally pleasant. Compared to January's other romantic comedy, Leap Year, this falls more solidly in the watchable zone. The reason is simple: Bell and Duhamel work as a pair while the duet of Amy Adams and Matthew Goode is as melodious as fingernails on a blackboard.
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Pursuit of Happyness
With a title like The Pursuit of Happyness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It expands into two hours a story that could have been told more effectively in one. This is not the feel-good movie of the season unless you believe that a few moments of good cheer can redeem 110 minutes of gloom. Sitting through The Pursuit of Happyness is a chore. Downbeat movies aren't inherently bad (in fact, many are powerful), but this one provides artificial characters in contrived circumstances. How is it that movies "inspired by a real story" often feel more fake than those fully embedded in the realm of fiction?
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First, there was the creepy horror of Ridley Scott's atmospheric Alien. Then, some six years later, James Cameron took elements from the first and crafted one of the best science fiction/action films of all time: Aliens. After two such superior efforts, anticipation was high for the third (and final?) installment of the trilogy, especially after early promotional campaigns offered the slogan: "On Earth, everybody can hear you scream."
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Music of the Heart
To call Music of the Heart a departure for filmmaker Wes Craven is to make an understatement of colossal proportions. Craven, the driving force behind two of the world's most popular horror movie series, A Nightmare on Elm Street and Scream, has opted to venture out of the niche where he has experienced his most success and try something different. Music of the Heart is nothing if not a change of pace, and, unfortunately, Craven doesn't appear entirely comfortable in these new surroundings. Instead of crafting a powerful, insightful drama, he has used cliches and manipulation to skate through sentimental material. The end product is overwrought and guilty of pandering to a crowd-pleasing mentality. Think Dangerous Minds meets Mr. Holland's Opus.
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Breakfast on Pluto
A glamorously made-up Patrick "Kitten" Braden (Cillian Murphy) pushing a baby in a pram and flirting insouciantly with construction workers, introduces her life story. Intricately plotted, the film is divided into over 30 brief chapters, each titled onscreen and written in the voice of main character, who is often shown writing autobiographically-inspired fiction within the film.
In the fictional Irish town of Tyrellin, near the border of Northern Ireland in the late 1940s, cartoon robins narrate via subtitles as Baby Patrick's mother abandons him on the doorstep of his father, Father Liam (Liam Neeson), who places him with an unloving foster mother. A young Patrick (Conor McEvoy) is shown donning a dress and lipstick, much to the chagrin of his foster family. Patrick is accepted by his close friends Charlie, Irwin and Lawrence, as well as by Lawrence's father, who tells Patrick that his biological mother looked like blonde American movie star Mitzi Gaynor and ran away to London.
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Owen Baker (Liam Aiken) is a 12-year-old loner who has been working as the neighborhood dog-walker so he can earn the privilege of getting a dog of his own. Owen's hard work pays off when his parents, Mr. and Mrs. Baker (Molly Shannon and Kevin Nealon), let Owen adopt a scruffy Border Terrier that he names Hubble (voice of Matthew Broderick).
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The story revolves around a struggle to determine which of Satan's three sons will succeed their father (Harvey Keitel) as ruler of Hell. Adrian (Rhys Ifans) is the most devious, Cassius (Tom "Tiny" Lister, Jr.) is the cruelest, and Nicky (Adam Sandler) is their father's favorite. Adrian and Cassius claim that Nicky's mother is a goat and torment him by controlling his body with their minds. Nicky has had a speech impediment and a disfigured jaw since Cassius hit him in the face with a shovel.
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In My Father's Den
When his father dies, Paul Prior (Matthew Macfadyen), a disillusioned and battle-weary war photographer, decides to return home to an isolated town in the South Island of New Zealand. His brother Andrew (Colin Moy), a local ostrich farmer, is caught off-guard by Paul's sudden reappearance after 17 years away. Worlds apart, they barely recognise each other. Andrew, a pious man, pressures Paul into staying to help sort out the sale of their father's cottage and the adjoining orchard. Andrew is married to the highly religious Penny (Miranda Otto).
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The Killing of John Lennon
The Killing of John Lennon is a 2006 British non-fiction drama film about Mark Chapman's plot to kill musician John Lennon. The film was written and directed by Andrew Piddington, and stars Jonas Ball, Robert C. Kirk and Thomas A. McMahon.
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Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine Jimmy the Toucan Sabatini, an importer bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he cant refuse, he finds himself caught up in a caper involving endangered species and fine dining.
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Despite the efforts of Ripley and the space marines in the film Aliens, an embryonic alien infiltrates the starship. It accidentally triggers the ships emergency systems, dropping the escape capsule to the surface of a nearby planet. Ripley finds herself in a prison colony peopled by a religious cult composed of former murderers and rapists. Meanwhile, the alien has managed to grow into a new and deadly form, and is picking off the weaponless prisoners. Ripley soon discovers, much to her horror, that the real danger is much more personal...
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Middle of Nowhere
An irresponsible mother blows her eldest daughters college fund on her youngest daughters modeling campaign.
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