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In the opening scene of director Antoine Fuqua's new cop saga Brooklyn's Finest, Vincent D'Onofrio, in a suitably grimy cameo as a wasted drug dealer, lays out the theme of the film: There is no right and wrong -- just righter and wronger, he tells Ethan Hawke's dirty cop Sal. In other words, people can do the right things for the wrong reasons, or they can do the wrong things for the right reasons. Then he serves as the first example of this very notion, much to his character's eternal dismay.
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The Haunting in Connecticut
The latest horror film "based on a true story" -- the facts of which are documented here -- The Haunting in Connecticut follows the Campbell family, who move into a Victorian house in upstate Connecticut in order to be closer to where their teenage son receives his cancer treatments.
Matt (played by Kyle Gallner, known to fanboys as Bart "Flash" Allen in Smallville) is slowly dying from the disease. His mom Sara (Virginia Madsen) and recovering alcoholic dad Peter (Martin Donovan) can barely accept this grim reality as they struggle to make ends meet amidst mounting medical bills. Trouble begins almost as soon as the Campbells move into their new home.
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Last night The Latino Review crew that was in New York got to have a rare all-call meet up for the World Premiere of The Ministers, the new Franc. Reyes (Empire, Illegal Tender) movie from Maya Entertainment.
The Ministers is the story of twin brothers Dante and Perfecto Mendoza, both played by John Leguizamo. When they were kids, their tenement building was burned down by some slum lords in an insurance scam, in their teens their older brother Luis gets gunned down and the case gets shoved aside by the police department. Dante and Perfecto have heard the call of God and will bring vengeance upon those that wronged them.
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Visually stunning, ingeniously crafted, poorly laid out and sporadic at best, “9” is the cinema’s greatest example this year of how an intriguing premise can be squandered through the lack of ability to construct a sound storyline and is, furthermore, living proof that not everything Tim Burton touches turns to gold.
In the wasteland of what used to be Earth, a small puppet comes to life. The year and location are unknown, like many other things, but the puppet, 9 (Elijah Wood), quickly finds he is in a hostile world, filled with mechanical beasts and robots, machines and danger, where life seems to no longer exist.
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They meet as strangers who plunge at once into sudden sex. They catch their breath, marry, and begin to learn about each other. Justin is an official in the British government. Tessa is an activist. She goes to Africa with Justin, her motives unclear in his mind, and witnesses what she thinks is murder in an African hospital. Then she is murdered at a crossroads, along with her African driver. And a doctor named Arnold, who she works with, is found dead, too.
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Graphic artist Oliver Fields (Ewan McGregor) has been trying to come to terms with the fact his widower father Hal (Christopher Plummer) decided to come out of the closet at the age of 75 before being stricken by cancer. Months after his father's death, Oliver meets the enigmatic Anna (Mélanie Laurent) at a party; they're immediately attracted to each other but each are trying to deal with personal issues that might impede their happiness.
The idea of a 75-year-old widower coming out of the closet might sound like an absurd premise for a movie if you didn't realize that aspect of Mike Mills' follow-up to his quirky debut "Thumbsucker" actually comes from his own life. Oddly, this semi-autobiographical dramedy makes Mills' adaptation of Walter Kirn seem conventional by comparison partially due to the film's dual non-linear story structure that cuts between Oliver's quest for love with Anna and his last years with his father. It's a film that's very aware of itself in the way it breaks the fourth wall or switches into different narrative styles with Mills' quirky sensibilities always in full effect.
Lost in Translation
Simply put, Sofia Coppola's Lost in Translation is an amazing motion picture. There may be some controversy over whether she truly wrote the screenplay on her own (there are sequences that argue that she at least had help from someone with a little more experience in life and marriage), but that doesn't impact the final analysis. This study into the unfathomable depths of human relationships has more honesty than 95% of the movies I have seen this year. Beautifully photographed with some amazing shots of nighttime Tokyo (and I thought Times Square was garish!), and a gorgeously composed scene of two characters reflected in a plate glass window as they hold a conversation, this movie has a look to match its acting and content.
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No matter how old you grow, you never forget the rare and special magic associated with a snow day. There's nothing quite like the experience of waking up to a virgin blanket of white, and realizing that, at least for one day, the normal drudgery of lectures, quizzes, and homework has been suspended in favor of building snow forts and snowmen, and engaging in snowball fights. Of course, there's no such thing as a free lunch, and a day off now has to be made up later. But, somehow, going one extra day in June seems to be a bargain for an unexpected vacation in the heart of winter.
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Dumb and Dumber
Sometimes, a movie just can't live up to its advertising campaign (or its name, for that matter). Dumb and Dumber is one such case. Take the newspaper ad, for example, filled with all those fake, witty quotes. That's rather clever (although not original). Unfortunately, the same kind of humorists weren't involved in writing the script. "Dumb" actually overestimates the film's intelligence.
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Robert Downey, Sr. is an original American independent film maker. He has been at his craft for more than 30 years now -- his debut, Chafed Elbows, came out in 1965. His best known work, the trilogy of Putney Swope, Pound, and Greaser's Palace, was released between 1969 and 1972. Downey has always taken his own road, never worrying about or giving into commercial pressure. When asked by the producer of one of his films whether it would make money, he replied "Not a dime."
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Jack and Jill vs. the World
Jack (Prinze Jr.) is a thirty-something New York City advertising executive, living a life forged from routine. He is successful and stylish... and extremely bored. Jack meets Jill (Manning) by chance on a rooftop. Jill is looking for an apartment and asks Jack for directions. Jack suggests Jill's name for an ad shoot. Later he drives Jill to her apartment and realizes the neighborhood may not be all that safe. He helps Jill move out of her place and the two move in together by week's end. The pair pieces together a playful manifesto of "rules to live by." Jack's best friend and business partner, George (Stebbings), notices a more playful side to Jack's usual cynicism, and wants to meet the cause.
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Children of Men
It is 2027 and no children have been born in the world for 18 years, due to a genetic fertility defect in women. With the world collapsing, only the United Kingdom remains with millions or even billions of asylum seekers entering the country. In response, Britain becomes a militarised police state as British forces round up and detain immigrants. Former activist and now office worker Theo Faron (Clive Owen) is kidnapped by an immigrant rights group known as "The Fishes", where he is surprised to see their leader is his estranged wife Julian Taylor (Julianne Moore). The couple parted ways after their son died from a flu pandemic in 2008. Julian offers Theo money for a permit for a young female refugee named Kee (Clare-Hope Ashitey), which Theo obtains from his cousin Nigel (Danny Huston), a minister. However, it requires the bearer to be accompanied, so Theo agrees to escort Kee in exchange for a raise. Luke (Chiwetel Ejiofor), a Fishes member, drives Theo, Kee, Julian, and Miriam (Pam Ferris), a midwife, towards the coast to a boat. They are ambushed by an armed gang and Julian is fatally shot. Two police officers stop their car but Luke kills them and they escape to a safe house.
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Category 6: Day of Destruction
Andy Goodman (Brian Dennehy) is a week away from a forced retirement from his position as chief meteorologist at the National Weather Service storm prediction center. However, tornadoes level Las Vegas, an area normally not prone to the storms. Concerned and upset that the storm system formed unnoticed and that they were unable to warn the people, Goodman begins closely tracking the system. Goodman receives field reports from his friend "Tornado Tommy" (Randy Quaid) and assistance from new intern Sabrina Rogers (Alicia Johnston). As time passes, he realizes the system is heading towards Chicago, joined by an unusual warm storm coming from the south, which is already causing a record-breaking heat wave in the city, and an abnormally early cold front from the Arctic.
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Red is an aging scam-artist whos just been released from prison together with Ronnie, a young and not-so-bright hoodlum who is easily manipulated. Their new business is to organize fake-money sales and then kill the buyer to take his money but when Ronnie kills an undercover secret service agent, his partner Jimmy Mercer vows revenge and is given one week to catch the killers before being transferred.
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In college Raj Malhotra was numero uno. In academics, sports, dramatics and touted as the next cover of Time magazine. But four years after winning the best-student-of-the-year trophy from his architectural college, hes wondering why a brilliant architect like him, with designs to set the Canadian landscape on fire, is still struggling to find that One Big Chance to showcase his mettle. Its almost as though some negative kismat is following him around because whenever something good is about to happen, it seems doomed to fail. Raj meets a quirky oracle,
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Love in the Nick of Tyme
Sexy salon owner Tyme Prentice (Terry Dexter) has a problem that any woman would envy choosing between her on-again off-again boyfriend, jazz musician Marcelles Wynters (Morris Chestnut) and the handsome and charming neighborhood UPS man, Harvey (played masterfully by newcomer Andre Pitre). RB star Avant, American Idol finalist, Trenyce Cobbins, actress Ellia English(The Jaime Foxx Show, Curb Your Enthusiasm), and C.O.C.O. Brown round out this stellar cast. With show-stopping new music by RB songstress Vivian Green, this magical production is entertainment at its finest. For a fun-filled evening of laughter and romance, make time for David E. Talberts Love In The Nick Of Tyme.
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