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I have to state that I’m a movie buff and an Asian martial artist so my review might be a bit critical as evidenced by the lively teenagers who were gleefully shaking the cinema (“Ninja” is shown in Malaysian theaters instead of direct-to-dvd like in the US) seats as blood was splashing and heads were rolling. “Ninja” (2009) isn’t as hyped up as “Ninja Assassin” (2009), which came up as my first Google search when I had tried to ascertain what the movie was about after seeing its enigmatic cinema poster ad depicting a stereotypical ninja with the backdrop of New York city. So, I went into the cinema without much expectation.
Ice Age: Dawn of the Dinosaurs
Pixar and everything else - them's the breaks when it comes to judging computer-animated fare these days. Although Pixar has rightfully earned themselves the lead among studios, and by a significant margin, it's all too easy to then marginalize the performance of others.
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Shocking! Revolting! Sadistic! Sick! "Funny Games" is the most interesting movie experience I’ve ever had where sitting through the whole thing isn't necessarily required. I have a morbid curiosity to see how things turn out and so I’m too riveted to stop watching, even if the closing scene is an arbitrary plot note. This film isn’t about plot anyway; it’s about artistic statement.
The Bourne Ultimatum
If nothing else, The Bourne Ultimatum represents the best of 2007's inordinately high number of so-called "threequels." Hopefully, that's not damning with faint praise. The Bourne Ultimatum, the third in the movie trilogy loosely based on Robert Ludlum's novels, is superior to its immediate predecessor but not quite as good as the original. The action is this movie is top-notch (despite the spastic camera) - full of suspense and kinetic energy - but the film doesn't have as much heart or emotional depth as The Bourne Identity. As with The Bourne Supremacy, this movie diverts so far from its "source material" that the only things retained from Ludlum's novel are the title and some of the character names. (Shades of how the James Bond movie producers approached many of Ian Fleming's books.) Ludlum's version of The Bourne Ultimatum is completely different from the one penned by Tony Gilroy and directed by Paul Greengrass.
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Be Kind Rewind
Despite some solid laughs and a feel-good ending, Michael Gondry's Be Kind Rewind exists far from the mainstream and its appeal will be limited to those who embrace the kind of awkward quirkiness that defines the production. This comedy/fantasy/drama constantly reinvents itself as it progresses, skipping gleefully across genres, discarding subplots and plot threads, and occasionally turning nonsensical. It's a hodgepodge of tones and styles but, given a chance, it may grow on a viewer. It's not always easy going, however. For every genuine, hard-earned laugh there are at least two missed chances for something more outrageous, and what starts out as a zany Jack Black physical comedy ends up as a heartfelt homage to independent filmmaking. Predictable this isn't, but that can be seen as both an asset and a detriment.
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There are two ways in which one can consider The Nativity Story. As a piece of religious instruction or an animated version of a crèche, it accomplishes its aims. As a movie, however, it's slow, plodding, and not terribly interesting. There's also an unmistakable whiff of exploitation to be found. Although I'm sure the people directly involved with the making of the movie came to it with the best intentions, one can scent what smells suspiciously like greed coming from the corporate level. (Keep in mind that New Line Cinema is best known for its horror franchises - it owns both Freddy and Jason.) The desire to ride The Passion of the Christ's coattails is understandable - that movie was a bona fide blockbuster. However, The Nativity Story isn't in the same league. It's an uninspired re-telling of a Bible story that every Christian knows by heart.
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Bad Teacher takes a delicious premise and leaves a sour aftertaste. Despite the promise of something nasty and cutting, the film turns out to be as edgy as a dull razor with limp "raunchy" comedy and an unwillingness to push envelopes. The concept titillates - an oversexed, drug-abusing, foul-mouthed, doesn't-give-a-shit woman put in charge of a classroom - but the result is drab, obvious, and disappointing. Despite the existence of Bad Santa as an obvious template, Bad Teacher doesn't want to be dark (or at least not too dark); it wants to be naughty enough to get an R-rated but not so naughty that it will shock viewers. The product is akin to a mediocre '80s sex comedy (with minimal nudity) and "daring" is a descriptor only the most naïve and puritanical would employ.
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First Wives' Club
It's something of a mystery how three accomplished comic actresses like Diane Keaton, Goldie Hawn, and Better Midler found themselves in the midst of an atrocious mess like The First Wives Club. My best guess is that the story looked better -- much better -- on paper. After all, the premise -- a trio of women getting revenge on the husbands who dumped them for younger women -- sounds like a good idea for a truly biting satire. Unfortunately, although there are a few nasty thorns here and there, The First Wives Club is a largely uninspired (and unfunny) comedy that collapses completely in the final fifteen minutes. The saccharine ending will threaten to send even a mildly cynical viewer into sugar shock.
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The Crow: Wicked Prayer
Ah, “The Crow” series. It started out so well, but has become so pathetic after just four installments, that it almost makes you feel pity for the poor souls with the bad luck to get involved in it. Each subsequent sequel has been worst than the previous, their scripts little more than carbon copies of the original. “The Crow: City of Angels” was the last entry to make it into theaters, back when there was still life in the franchise, but even so the sequel was nothing more than a pale imitation (script, plot, and even direction) of the Alex Proyas directed, Brandon Lee starring original. “The Crow: Salvation” was so bad, it will only be remembered for one thing: it co-starred a young Kirsten Dunst.
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Here’s an advice to would-be horror filmmakers: never, ever start your film off with a quote from the bible. This is, without a doubt, the single biggest clich’ for a horror movie since the dawn of cinema. I’m sure in prehistoric times some caveman started his cave paintings off with a quote from the bible, too, and even then it was considered terribly clich’. First impressions are everything, and one second post-bible quote, I had a sinking feeling “Evil’s City” was not going to wow me. Alas, the actual film proper does nothing to dispel that first impression.
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A Dog's Breakfast
Patrick (David Hewlett) is single, loves his dog (Mars the Dog) and still lives in his parents' house ten years after their death. Shortly before Christmas, Patrick's sister Marilyn (Kate Hewlett) visits Patrick to introduce him to Ryan (Paul McGillion), a science fiction television star.
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Veronika Decides to Die
The story centers on Veronika, a woman in her mid twenties who appears to have everything good looks, good job and a great life ahead of her. Yet she decides to end her own life. She is unsuccessful and awakens in a mental hospital where she learns that she a short time to live. However in the hospital she meets people who are only insane because they dont always follow societys rules. With little left to lose, Veronika embarks on a journey on which she frees herself to experience relationships and emotions and ultimately discovers what it means to live.
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Handsome silver spoon Texan Trevor Forrest cant always control his tendencies to flirt and gamble, even on honeymoon cruise to Tahiti with Lindsey Ross Forrest, which may compromise their business ambitions. The ship captain asks FBI agent Gwen Merced, on cruise, to investigate discretely when Trevor goes missing, probably fallen or pushed overboard as blood traces are found. Its unclear whether the Hungarian business trio Luka, Max and Ben are innocent flirtatious gamblers like Trevor or criminals, but others have hidden agendas too.
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Last Call aka Against the Current
F. Scott Fitzgerald spent a lifetime battling demons - alcohol and a schizophrenic wife - and yet, wrote some of the greatest novels in American Literature. Despite a tumultuous relationship with his mistress, his ailing wife, declining health, and his daily drinking binges, Fitzgerald secretly wrote a scathing novel about the film industry which some call his best novel. It was his final triumph. Last Call is based on a true story about this troubled genius, starring Oscar, Emmy, and golden globe winner Jeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.
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Marilyn Hotchkiss' Ballroom Dancing & Charm School
Dance is a very powerful drug, if embraced judiciously to reap its rewards, one must shoulder its challenges with intrepid countenance. Frank Keene, a grieving baker in a near catatonic state, happens on a car accident. The loquacious and insightful victim, Steve Mills, is on his way to an appointment in Pasadena with a years-ago acquaintance he asks Frank to go in his place. Its a dance class. Frank goes, to find Steves friend. The story moves back and forth among Steves childhood, the scene of the accident, and the aftermath of Franks first Lindy hop. Black eyes, group therapy, loneliness, boys being boys, roads not taken, and saying good-bye color the story.
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Monsters, Marriage and Murder in Manchvegas
A maniacal slasher is on the loose in the normally peaceful town of Manchvegas. Will the Manchvegas Outlaw Society (M.O.S.), a spirited group of adventurous entrepreneurs, be able to solve the case? More important, will Marshall, leader of M.O.S., start dating Jenny, his cute second-in-command?
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