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Never Let Me Go
Based on the acclaimed novel by Kazuo Ishiguro, Never Let Me Go is a beautifully crafted yet fatally flawed meditation on what it means to be human.
The film kicks off with a caption explaining that there was a breakthrough in medical science in 1952 leading, only a decade later, to people regularly living beyond 100.
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Youth in Revolt
Based on the popular book by C. D. Payne, Youth in Revolt is awkwardly charming and subtly subversive, much like its young star, Michael Cera. In the dual role of Nick Twisp and his mischievous, imaginary alter ego Francois, Cera manages to expand on his usual on-screen persona – the sensitive, lovesick teen who finds himself out of his depth. Cera and his co-star, newcomer Portia Doubleday, are the best things about the film, which pushes the boundaries of the kinds of transgressions a protagonist can commit without losing the audience's sympathy.
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He's playing games with me, I just know it. You probably think I am being paranoid but paranoia is just knowing all the facts. I mean, how else do you explain my editor once again giving me a DVD to review with zero special features. He keeps telling me to focus my reviews on them but I'd like you to tell me how you review special features like "Play" and "Scene Selection" and nothing else? I tell you that whorehopper is laughing at me.
Blonde and Blonder
Positing itself (in title at least) as something of a cross between Dumb & Dumber and Legally Blonde (two massively successful films starring A-list stars), Blonde and Blonder hits the shelves boasting little more than short skirts and cleavage as selling points. Add to that an abundance of overused puns and a cliched cast of daffy characters, throw it in a blender, and you've just written the script yourself.
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It's interesting to note that, as Kevin Smith has changed and matured as a filmmaker, he has elected to close the circle and look back from a perspective of a dozen years at the movie that put him on the indie map, Clerks. Clerks II is a direct sequel to that movie, albeit one that transpires a decade later - the first such movie Smith has done (although many of his films have featured cameos by characters from other pictures). It feels both the same as and different from its predecessor: the same, in that the script is constructed around a truckload of nearly X-rated gags, and different, in that Smith is peddling a message.
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I sat down to watch “Camp Hell” thinking maybe I was in for an 80’s throwback to the days of the slasher. Or maybe even a “Friday the 13th” rip-off of some sort would have be cool. As soon as I pushed play the title screen wasn’t a blood splashed “Camp Hell” but it actually read “Camp Hope”. To say I was dumbfounded would be an understatement since I really had no idea what the hell I was watching. I couldn’t figure out what the story was, if it was propaganda, or where the true horror was. I made it through the film and I have to say it was tough to get through.
Tommy (Will Denton) is on his way to camp. He studies the bible and lives very close to God’s words along with his parents Michael and Patricia (Andrew McCarthy and Dana Delany). God is their main focus and faith is all important. At camp, the kids are separated, boys and girls, any contact is considered a sin. No impure thoughts and no youthful influence. Father McAllister (Bruce Davison) tries to drive home the idea that sin leads to the devil and demons entering our lives. When Tommy gives in to those urges with Melissa (Valentina de Angelis), evil enters the camp and everyone’s faith is tested.
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I'm Not There
Few figures in 20th century music are more deserving of the label "enigma" than Bob Dylan. Reclusive, frequently misunderstood, and never pigeonholed into a niche, Dylan has remained a mercurial figure for the entirety of his long career. So when filmmaker Todd Haynes (Far from Heaven) announced he was going to make a film that would deconstruct Dylan, there was reason for optimism. Unfortunately, the muddled reality, called I'm Not There, doesn't live up to the promise. To capture the essence of a sometimes pretentious, occasionally unfathomable artist, Haynes has made a sometimes pretentious, occasionally unfathomable film. Dylan fans will love it for the music, but that's about all the production has going for it. In the end, many viewers will leave with two impressions: the music is as good as it always has been and Dylan is a bigger asshole than one might have suspected.
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Barry Levinson had an idea, and a pretty good one at that: take an actor, have him assume the role of a vigilante, and, as public adulation of his assumed personae escalates, blur the line between being a vigilante and acting the part. Unfortunately, the idea is all that Levinson had, because the final result -- Jimmy Hollywood -- is a somnolent mess.
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Who Am I?
Somewhere in the jungles of South Africa, a Black Ops unit ambushes a convoy and kidnaps several scientists working on a highly-volatile compound extracted from a recently discovered meteorite. Among the operatives is a Hong Kong national identified by the CIA as "Jackie Chan". The CIA sends Special Agent Morgan (Ron Smerczak) to South Africa to investigate the incident, not knowing that Morgan and newly-retired General Sherman (Ed Nelson) orchestrated the abduction for their personal profit. At the same time, the CIA assigns another operative in South Africa for a more covert operation.
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Korean War in Color
Sandwiched in the history books between the grand drama of World War II and the well-publicised turmoil of the Vietnam War, this was the forgotten war. This programme brings you a war-torn Korea in colour for the first time. Experience the terror, courage, blood and chaos that reigned from 1950 to 1953 as we chronicle a true picture of a horrific war in colour. Much of the footage included has never been seen before by the general public. This unique programme has pulled together recently de-classified footage, personal films and photographs of veterans who lived and breathed the horrors of the front line. In bearing witness to the death and destruction unleashed by both sides, we can understand more clearly the dangers, suffering and heroism that marked the first great confrontation of the Cold War.
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Young and Seductive
A pretty sex researcher is writing a book about sexual liaisons arranged online, but some of her lovely interviewees are turning up strangled to death.
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Tom Regan (Gabriel Byrne) is the long-time confidant of Leo O'Bannon (Albert Finney), an Irish gangster political boss who runs a Prohibition-era city in the United States. When Leo's Italian rival Johnny Caspar (Jon Polito) announces his intentions to kill the crooked bookie Bernie Bernbaum (John Turturro), Leo goes against Tom's advice and extends his protection to Bernie. Bernie is the brother of Verna Bernbaum (Marcia Gay Harden), an opportunistic gun moll who shares a longtime
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The Two Worlds Of Jennie Logan
This movie is about a woman who is trying to rebuild her shattered marriage. She and her husband move to an old Victorian style home, where she finds a beautiful dress in the attic, which has a tear in the shoulder. She has the dress repaired. When she tries it on in the restored attic, she suddenly finds herself in another era. This time travel seems to happen whenever she wears the dress. She learns the house was once owned by an artist who died under mysterious circumstances. She meets the artist and eventually falls in love with him. Knowing what she does about his fate, can her love save him and change history?
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Dead and Gone
A struggling actor moves his comatose wife to their isolated cabin, where he begins to have disturbing interactions with the unconscious woman.
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Grace of My Heart
An aspiring singer, Denise WaverlyEdna Buxton, sacrifices her own singing career to write hit songs that launch the careers of other singers. The film follows her life from her first break, through the pain of rejection from the recording industry an
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Peter Venkman, Ray Stantz, and Egon Spengler are three scientists at Columbia University in New York City. When their grant expires, the guys are fired and they go into business as a ghost extermination company called Ghostbusters. Their first customer is orchestra cello player Dana Barrett, who was scared out of her apartment on the 22nd floor of a high rise apartment building on Central Park West. It seems that Danas neighbor, Louis Tully, is also being affected by the strange happenings in the apartment building. Armed with proton guns, the Ghostbusters become wildly popular, and they are joined by Winston Zeddmore, who is looking for a job with good pay. Overzealous Environmental Protection Agency (EPA) agent Walter Peck thinks the Ghostbusters are frauds, and he has the Ghostbusters put in jail. Peck is forced to believe the Ghostbusters when New York City is put under siege by an ancient Sumerian God named Gozer the Gozerian, who is channeled through the apartment building that Dana and Louis live in, and the mayor has no choice but to let the Ghostbusters out of jail to face Gozer.
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