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Dead Man Running
When illness causes his mother (Brenda Blethyn) to need a wheelchair, doting con Nick Kane (Tamer Hassan) goes straight, opening a travel agency with a £100,000 loan from sinister gangster, Mr Thigo (50 Cent). But when the credit crunch bites, mean-spirited Mr Thigo calls in his loan and gives Nick 24 hours to pay – or his mum gets it. With best mate Bing (Danny Dyer) in tow, Nick first tries to raise the readies legally but soon slips back into his old ways of intimidation and violence.
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Pleasure and pain -- for any film to evoke either emotion takes a considerable effort, for better or worse, and to extract one sensation out of the other takes a defter touch yet. Olly Blackburn's Donkey Punch starts out with its characters indulging in all manner of proud debauchery, and when they come to bear the consequences of their behavior, their pain becomes our pleasure. That admittedly may not spell out 'entertainment' for everyone, but it wouldn't be entertaining in the hands of just anyone, and Blackburn takes one boat, one body, a rising tide of panic and a rising number of corpses and uses them all to craft the best bad news possible.
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There’s a new action star in town and it isn’t anyone you would immediately suspect. Does the name Liam Neeson ring a bell? Yes, the same guys who has primarily played the nondescript role for the majority of his career has found his John McClane as Bryan in the French action, quasi-thriller Taken.
Surprisingly, it isn’t as bad as you may think . . .
Neeson is a retired CIA operative trying to piece together his broken family. After his intense career, his wife Lenore (Famke Janssen) has left him and remarried and he’s all but a stranger to his 17 year-old daughter Kim (Maggie Grace). He finds the only way to reconnect with her and make peace with his ex-wife is to go against his better judgment and allow for Kim to travel to France with her girlfriends. He should have stood his ground though, because shortly after landing in the City of Lights, Kim and her friend are kidnapped by Albanians and sold as sexual playthings to the fabulously rich and the insanely powerful.
Girl with a Pearl Earring
Girl with a Pearl Earring is the first feature for director Peter Webber. Most freshman filmmakers don't come close to Webber's level of accomplishment, and (not to take anything away from him) some of the credit must certainly be parceled out to the cast and the cinematographer, Eduardo Serra. Girl with a Pearl Earring offers sumptuous visuals and compelling drama effectively intermingled in a pleasing, satisfying production. The director has crafted the film with great care, composing each frame like a painting with respect to color, light, camera placement, and texture. Girl with a Pearl Earring could be silent and it would still be an amazing achievement. Indeed, the dialogue is sparse, which forces the performers to do most of their acting with expressions and body language - something Scarlett Johansson (who can also be seen in Lost in Translation) excels at. By reading her eyes and face, we understand her thoughts.
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Babel represents director Alejando Gonzalez Iñárritu's conclusion to a stylistic and thematic trilogy begun in Amores Perros and continued in 21 Grams. Of the three, Babel is arguably the most accessible. As with 21 Grams (and to a lesser degree Amores Perros), this movie is constructed as a puzzle, with different pieces transpiring during different times and in different places over a five-day span. However, this one is less complicated to put together. (Think of it as the difference between assembling a 250-piece jigsaw and a 50-piece one.) The temporaral discontinuities are not extreme, and there is clear background evidence of how each sequence relates to those around it and fits into the global time-line. This allows story to take precedence over structure.
If David Lynch and David Mamet can do it, why not Danny Boyle? I'm talking about hard-R directors suddenly producing a film that is suitable for family viewing. Lynch and Mamet both went G several years ago (Lynch with The Straight Story and Mamet with The Winslow Boy); now it's the Trainspotting director's turn. (Actually, the MPAA has given the movie a PG, but the content is appropriate for young teens and pre-teens, and this is likely the closest Boyle will ever come to crafting a kid-friendly motion picture.) Millions is a different sort of endeavor for the British filmmaker, but his fans will not be disappointed by some of the places where it goes.
Hulk represents the most involving superhero motion picture since >Superman soared skywards in 1978. By taking its time to develop characters and situations, Hulk does what so many action/adventure movies fail to do - allow us to really feel for the protagonists. Director Ang Lee, fresh off his success from Crouching Tiger, Hidden Dragon has re-imagined The Hulk as a tragic figure trapped by fate and the hubris of others into showing the inner beast whenever rage overwhelms him. In truth, the film has a greater synergy with classic monster movies like Dr. Jekyll and Mr. Hyde, Frankenstein, and (especially) King Kong than it does with the current crop of superhero motion pictures. Spider-Man or X-Men, this isn't.
Another summer, another double-dip of disaster dramas. This time around, instead of volcanoes, it's comets. The films in question, Mimi Leder's Deep Impact and Michael Bay's Armageddon, are separated by two months, so the first should have a chance to run its course before the second reaches the screen. (More likely, the first will get squashed by Godzilla.) The movies, while utilizing similar premises (big piece of space debris on collision course with our beloved planet), have fundamentally different slants. Deep Impact focuses more on the Earth-based sitting ducks than on the would-be astronaut heroes. Armageddon sends Bruce Willis into space to kick asteroid. (Armageddon is not near the top of my "must see" list -- after Mercury Rising, I've had enough of Willis for the year.)
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FIRST ''Rocky.'' Then ''Rocky II,'' and now ''Rocky III'' ''Why?'' you might query. ''Pourquois pas?'' Miss Piggy might rejoin. ''It's money dans la banque.''
Miss Piggy, of course, would be right. ''Miss Piggy does not come idly to mind in connection with Sylvester Stallone's ''Rocky III,'' which opens today at the Cinerama and other theaters. In an early montage in ''Rocky III,'' we are shown what fame means to Rocky Balboa (Mr. Stallone) who, at the end of ''Rocky II,'' had at long last won the world heavyweight boxing title from Apollo Creed (Carl Weathers), Rocky's nemesis from the original ''Rocky.''
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A Good Night to Die
One day in the life of a hit man, Ronnie, who spends it trying to save the life of fellow hit man, August, who he had brought into the business three years ago. August has become a real problem for some of the bosses around town, and Ronnie will soon find out just what his Frankensteins monster will cost him.
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Set in the country of South Africa, the story begins with a cheetah cub being orphaned after his mother was killed by lions. The cub is found on the side of the road by a young boy named Xan (Alexander Michaeletos) and his father Peter (Campbell Scott). Initially reluctant to take in a wild animal, Peter agrees to let Xan take care of the cub. They name him “Duma”, the Swahili name for “cheetah”. Over the years, Duma becomes a part of the family, being closely raised by Xan. As he nears adulthood, Peter and Xan decide to teach Duma how to run by having him chase alongside Peter’s motorcycle, which can barely keep up with him. But with Duma almost fully grown, to Xan’s dismay, his father tells him that it is time to take his friend to his real home before he grows too old to survive in his native habitat. His father says to Xan, “Duma has to live the life he was born to – or he’ll never be fully alive.”
District attorney Ford Cole is running for mayor, promising to capture the citys elusive crime boss, Danny Ludin. On the night of a gas link in the inner city, his interview with a national reporter is interrupted by word that his best prosecutor, Nora Timmer, whos also his lover, has killed a man she claims was assaulting her. A few minutes later, a man shows up at Coles office claiming it was murder, implicating Nora in complicated schemes and crimes. Cole wants a few hours to get to the bottom of a mess that quickly includes land deals, shell corporations, and political corruption. Whos setting up whom?
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The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out its a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
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The world - devastated by the Great Epidemic - is governed by hordes of living dead. Three men - Igor and Alen, two hunters of dead and a scientist, Gyno - try to give an answer to what has happened to the human race. Alen and Igor leave for two days of hunting to find new guinea-pigs for Gyno and meet the most varied characters a crazy painter, neo-Nazis and a mysterious girl, daughter of the feared Plague-Spreader, supposed craftsman of the epidemic...
Sam Baily, upset over losing his job, takes a natural history museum hostage. Max Brackett, journalist, is in the museum when this occurs, and gets the scoop. The story spreads nation wide, and soon it is all anyone talks about. The story itself is the news, not the reason why or the real people behind it.
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Night of the Living Dead (1990)
In this remake of the original classic film, a group of people are trapped inside a farmhouse as legions of the walking dead try to get inside and use them for food.
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