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Reign Over Me
I took a class in graduate school devoted to melodrama in film. I'm not sure what that says about higher education or my own education, but it enabled me to label Reign Over Me concisely as male melodrama, a type of dramatic movie we don't see very often since many people equate "melodrama" with "women's film." Many people also wrongly equate melodrama with hackneyed filmmaking that manipulates an audience to wring tears out of them (thus the term "tearjerker"). The stories are often overwrought and unbelievable, but the point is the effect of the film as a whole. For the most part, Reign Over Me succeeds on a melodramatic level, offering an emotional ride without excess artificiality.
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For roughly the first 50 minutes of its running time, Certified Copy progresses like a straightforward drama with romantic inclinations. Two characters, a well-known British author named James Miller (William Shimell) and an unnamed woman (Juliette Binoche) who is a fan, spend an afternoon together in her antiques shop, taking a road trip in her car, and wandering the streets of a little town in Tuscany. They discuss philosophy, often returning to his assertion that, in art, a copy can be as good as the original. To bolster his argument, he points out that the Mona Lisa isn't an original - it's Leonardo Da Vinci's copy of a real woman's face. And when a copy is more beautiful than its source, why should it be denigrated? These are issues that writer/director Abbas Kiarostami lays out for the audience during the movie's first half. Is there a payoff? Perhaps. It depends on individual interpretation of what happens beyond the mid-way point.
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In Search of a Midnight Kiss
The average romantic movie is all about "happily ever after." It's about the promise of a romance that lasts for eternity, about soulmates who find each other in a world where the odds are stacked against them. In Search of a Midnight Kiss has a different agenda. This film is all about the moment: how an intense connection can occur between two ships that pass in the night. It's about the heady intersection in the lives of two lonely people who may never again see each other but, in the instance, there's nowhere else they would rather be and no one else they would rather be there with. In Search of a Midnight Kiss is wonderfully romantic and romantically bittersweet. It's not about forever; it's about now.
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I have a strong dislike for artificial drama - stories where the so-called "characters" are little more than pawns for the screenplay to move around like pieces on a chess board. Such is the unfortunate case with Chaos Theory, a bogus and unconvincing narrative that pretends to deal with real human issues like betrayal and paternity. Chaos Theory stumbles from one contrived circumstance to the next, and there's not a moment in this entire mess that conveys any sort of genuine human emotion or reaction. Even the dialogue rings false. Director Marcos Seiga has done a lot of work for television, and that's what this feel like: a rejected television pilot. (And when one considers that kind of shows that make it to the air, that's saying a lot.)
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The creative and financial successes of two franchises - Harry Potter and The Lord of the Rings - have changed the way in which fantasy is viewed by movie-goers. Once a genre pigeonholed as fit only for Dungeons & Dragons nerds, fantasy has gone mainstream. So why has 20th Century Fox released this embarrassment - whose quality would be dubious for a direct-to-video release - into theaters? Eragon, based on the inexplicably popular by-the-numbers fantasy novel written by then-teenager Christopher Paolini, is a throwback to the Dungeons & Dragons movie crapfest of 2000. It's hard to imagine anyone having the patience to sit through this movie except perhaps a handful of 11-year old boys seeking vicarious wish fulfillment.
Horror films are like candy corn: familiar, bland, and sickening if consumed in large quantities. They're both ubiquitous at this time of year and there must be a large group of individuals who appreciate their dubious charms because they never go away. I like a good, scary horror film - something that raises the hackles and keeps me on the edge of my seat. It's been a while since I have seen one, however. (Maybe the last one was The Descent.) I have watched all four Saw movies but didn't review installment #2 or #3. I have selected to review this one to show how far this series has fallen since its promising debut.
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The Shipping News
The film makes a multitude of changes from the book, notably: Quoyle had two daughters in the novel, but only one in the film; in the film he does not begin working as a reporter until after arriving in Newfoundland; and a number of characters, such as the younger Buggit family, were deleted or merged.
It climaxes with a storm which destroys the Quoyle's ancestral family home and almost drowns the Gammy Bird's editor Jack Buggit, caught in the rope of a lobster pot while fishing. Buggit is thought to have drowned but is actually in a state of shock resulting from hypothermia. He regains consciousness during his wake in front of a large crowd of mourners, central to the theme of rebirth in the optimistic ending of the story.
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Spider is an exploration of a schizophrenic mind told through the eyes of a grown man who is given a room in a house catering for mentally disturbed persons. The man has just been released from a mental institution and in his new abode starts piecing together or recreating in his memory an apparently fateful childhood event. The grown man roams the nearby derelict urban area and the local canal and starts to relive or visualize a period of his childhood with his mother and his father. Set in 1950s London, exterior shots were made at Kennington for the gas towers and Pullens buildings in Walworth made the exterior for 'Pegge Street'. In this visualization, a shift takes place in the child's psyche when he witnesses his mother groping with his father in the garden and, subsequently, when he sees his mother in a silky night gown she wore for his father. The son, as a grown man seems to recreate in his memory the build up to his father's murder of his mother with the passive support of his mistress who then moves into the house and is presented as his mother. The young son then kills the mistress by gassing her in the kitchen.
Gone, But Not Forgotten
Drew (Aaron Orr) is a forest ranger who meets yuppie Mark (Matthew Montgomery) after he falls while rock climbing...
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The Shell Seekers
Artists daughter Penelope Keeling can look back on a full and varied life a bohemian childhood in London and the wilds of Cornwall...
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The Russia House
Three notebooks supposedly containing Russian military secrets are handed to a British publisher during a Russian book conference. The British secret service are naturally keen to learn if these notebooks are the genuine article. To this end, they enlist the help of the scruffy British publisher Barley Blair, who has plenty of experience with Russian and Russians. Barley, an unconventionaly character who doesnt respond well to authority, finds himself in a game more complex than he first thought when he digs into the origin of the notebooks.
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Billy Madison is the 27 year-old son of Bryan Madison, a very rich man who has made his living in the hotel industry. Billy stands to inherit his fathers empire but only if he can make it through all 12 grades, 2 weeks per grade, to prove that he has what it takes to run the family business.
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Land of the Blind
A political drama about terrorism, revolution, and the power of memory. In an unnamed place and time, an idealistic soldier named Joe strikes up an illicit friendship with a political prisoner named Thorne, who eventually recruits him into a bloody coup detat. But in the post-revolutionary world, what Thorne asks of Joe leads the two men into bitter conflict, spiraling downward into madness until Joes co-conspirators conclude that they must erase him from history.
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Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boys mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard and the entire township rallies together in solidarity - to support her and Detective Cordins efforts to find the killers.
My Family's Secret
Grady suffers from multiple personality disorder. Lara doesnt know she just angered the most dangerous one.
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