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When the opening credits blast across the screen in Superman Returns using the same time honored whooshing style made famous by Richard Donner back in 1978, it's a giddy moment; alive and filled with the sheer power of the Man of Steel. When Bryan Singer's name flies across the picture with his directed by credit, you get the sense that seeing his name there, that way, is something he's been waiting for all his life. What kid wouldn't want their names swooping across the screen in a Superman movie? Forget Scorsese or Spielberg, when you're a kid you want to be Richard Donner. On screen his name had more flair.
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The Wicker Man
Wicker Man may be a remake, but at least it's not another remake of an Asian horror movie. The Wicker Man is all American, and with that comes an obvious plot and a decided lack of scares. It also means Nicolas Cage instead of an unknown teenage actress or worse, Sarah Michelle Gellar.
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After the Wedding
Over the past 15 years with Lars von Trier as its poster boy, Danish cinema has gained an international reputation as cynical and severe. The humor is grim, the drama is grimmer, and the production values are ascetic. So After the Wedding is a fresh and welcome change. Although it doesn't stray far from the "back to basics" Dogme 95 filmmaking values promoted by von Trier (handheld cameras, no artificial lighting, etc.), this melodrama is hopeful and optimistic. It shows that human beings are capable of good things and the defining characteristic of a modern man is not moral corruption.
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My reaction to The Darjeeling Limited is much the same as for most of Wes Anderson's previous efforts: it's an easy movie to admire but more difficult to like. Technically and thematically, there's a lot in The Darjeeling Limited to arrest the attention. Emotionally, there's a void. Try as I might, I could not connect with any of these characters. Anderson keeps them at arm's length. Tragedies, both big and small, occur during the course of this offbeat road trip, but the impact on the viewer is minimal.
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I Now Pronounce You Chuck and Larry
It would be interesting to know what contribution (if any) credited screenwriter Alexander Payne (Election, Sideways) made to the final draft of I Now Pronounce You Chuck and Larry. Except for the cloying, strident preachiness of the third act, this seems to be a standard issue Adam Sandler outing, with occasional bouts of laughter becoming bogged down by sophomoric jokes that aren't as funny as the production team expected them to be. Perhaps concerned that the overload of gay jokes might offend some audience members, I Now Pronounce You Chuck and Larry turns into a full defense of gay rights and an applause of gay culture, including appearances by Lance Bass and Richard Chamberlain. It's a shock to the system when this example of puerile comedy turns into a pulpit-pounding sermon. The film's sledgehammer approach makes it more immature than earnest.
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Bad Teacher takes a delicious premise and leaves a sour aftertaste. Despite the promise of something nasty and cutting, the film turns out to be as edgy as a dull razor with limp "raunchy" comedy and an unwillingness to push envelopes. The concept titillates - an oversexed, drug-abusing, foul-mouthed, doesn't-give-a-shit woman put in charge of a classroom - but the result is drab, obvious, and disappointing. Despite the existence of Bad Santa as an obvious template, Bad Teacher doesn't want to be dark (or at least not too dark); it wants to be naughty enough to get an R-rated but not so naughty that it will shock viewers. The product is akin to a mediocre '80s sex comedy (with minimal nudity) and "daring" is a descriptor only the most naïve and puritanical would employ.
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Bottle Rocket starts and finishes strong, but, somewhere in the middle, it loses its focus and its way. Concentrating on a trio of incredibly inept criminals, there are times when this film seems like Reservoir Dogs as directed by Kevin Smith (Clerks). Unfortunately, while the two bookending capers are hip and funny, the rest of the film is a mixture of elements that clash as often as they mesh. The love story is cute, but the typical male bonding scenes come across as flat, unconvincing, and, worst of all, boring.
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Dan in Real Life
Dan Burns (Steve Carell) is a newspaper advice columnist, a widower, and a controlling father to his children Jane, Cara and Lilly in the New Jersey suburbs. His column is in contention to be syndicated nationally. The family takes a trip to the Rhode Island home of his parents (Dianne Wiest and John Mahoney) to visit his family—including his New York City-based brother, Mitch (Dane Cook), a personal trainer—for an annual family get together. Cara does not want to go, as she does not want to leave her boyfriend Marty (Felipe Dieppa) whom she claims to have fallen in love with in just three days. But Dan insists that it is not possible to fall in love in three days and makes her go. The morning after his arrival, Dan's mother encourages him to go into town for a bit to give his daughters some space. Dan visits a bookstore and a customer named Marie (Juliette Binoche) mistakes him for an employee. Dan and Marie have an obvious connection and continue to talk over breakfast. Marie agrees to meet with Dan again before leaving but tells Dan that she has a boyfriend. Dan returns to his parents' house and happily announces he has met someone new, only to find that Marie is there, her boyfriend being Dan's brother, Mitch.
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Liffey (Kelly Reilly), an ambitious young architect, moves to an isolated and eerie Irish valley to build a modern piece of architecture. The ruined cottage and land that she will use are a gift from her fiancé Richard, and is the former home of Molly, the elderly matriarch of a farming family living on the other side of the woods. Molly’s daughter is Mabs (Miranda Richardson), herself mother of three girls and wife to farmer Tucker.
In the prologue, the film depicts a panicky man who, for unknown reasons, murders his wife with a shotgun. The main storyline opens with Jack and Stephanie, a bickering young couple, who are lost while driving through the backwoods. We soon learn that they are on their way to meet a marriage counselor.
After getting bad directions from a state trooper, the couple get into a car accident when they run over some spiked metal in the road, which Jack dismisses as discarded scrap metal; they find another car which has experienced the same fate, but the occupants are missing. Forced to proceed on foot, Jack and Stephanie find the gothic Wayside Inn, where they try to phone for help. At the inn, they meet the occupants of the other car, the engaged couple Leslie and Randy. Because the phones are inoperative, both couples are forced to spend the night at the inn, which is staffed only by the eccentric proprieter Betty, her creepy son Pete (who develops an instant attraction for Leslie), and the gruff caretaker Stewart.
Jason Ritter plays a video store clerk who works persistently to draw out a reclusive woman, played by Marianna Palka who often comes to the video store where he works and rents soft-core porn. Eventually, despite his strong optimism, her dislike of sex and resulting defensiveness drives them apart. It is revealed toward the end of the film that her dislike of both sex and relationships was fueled by sexual abuse at the hands of her father. It is implied throughout the film that this began early in her life, and continued into her adolescence. This abuse and most likely its large amounts of evidence are what causes her father to take care of all her needs such as her apartment, food, and other expenses. The film ends with a confrontation with her father, and ultimately Ritter's character reuniting with her, implying that she is prepared to be in a relationship with him.
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A Walk in My Shoes
Jake (Philip Winchester) has not been able to focus on a single job orstay in one place ever since the death of his wife. But shortly beforeChristmas, the brakes go out on this pickup and a mysterious womannamed Molly (Yara Martinez) shows up and knows exactly what is wrongand even his what he needs to fix the truck. She disappears as suddenlyas she appeared, but she has given Jake an address and a job.
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Hesher is a loner. He hates the world and everyone in it. He has long greasy hair and homemade tattoos. He is malnourished and smokes a lot of cigarettes. He likes fire and blowing things up. He lives in his van, until he meets TJ.
Dooley and his K-9 partner Jerry Lee are ready to retire from the police force. But before he can retire with his pension he must work as a P.I. to find a set of high tech computer chips.
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Love at First Hiccup
A high school romantic comedy about freshman Victor who has contracted a case of Anya-itis, (acute and incurable love passion for high school senior Anja.) And why shouldnt he?
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The story centers around a man, David (Played by Joe Lando, who discovers that the earth is under attack from thousands of meteors (caused by a failed attempt by world leaders to destroy a comet heading towards earth). David soon discovers that a meteor that landed in nearby Lake Mead (in Nevada), has contaminated the drinking water in the Las Vegas area (where he lives with his wife and daughter). People who drank the water begin to die. This discovery causes the federal government to begin quarantines of people who drank the water a Davids daughter included. David is then separated from his family through a series of plot circumstances.
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