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The Ugly Truth
The Ugly Truth, directed by Legally Blonde's Robert Luketic, revolves around Abby Richter (Katherine Heigl) and Mike Chadway (Gerard Butler) who start off as enemies but -- quicker than you can say "battle of the sexes!" -- find themselves inexplicably falling for each other. Abby is the producer of a Sacramento morning TV talk show whose ratings are on the slide. Against her wishes, the station hires notorious cable access show host Mike to serve as a special correspondent to boost ratings.
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The Maiden Heist
I notice art in other people’s offices when I visit there and I go to art museums when I have extra time on a business trip. I enjoy my art and I love the inspiration I get from taking in other people’s art. Museums are wonderful places.
To be a museum security guard must be the most boring job in the world. Have you watched the men and women that stand around in art museums, in uniforms, ties, quiet, alone, never talking to others unless asked by a visitor for directions to the bathroom, mostly? I cannot imagine doing a single 8-hour-shift of this, except the first one, and perhaps the second and third one, until I was done looking at all the art.
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30 Days of Night: Dark Days
Let me first start out this review by saying that the 30 Days of Night series and first film are held in high regard with me. The movie fascinated me and basically is what propelled me back into the world of comic books and graphic novels. The first 30 Days of Night movie was so different than what we had been getting fed at the time on the theme of vampires. Vampire novels and books at the time that the original 30 Days came out in theaters had been reduced to romantic sparkling figures who sulked through their eternal life regretting what they were. Gone was the frightening imagery of a rabid undead who didn't think about what it was doing. It just knew it needed to eat to survive.
That's what made me so fond of 30 Days of Night. It was scary and disturbing. It was also mysterious and didn't really give you all the answers to the questions I had. Basically, all you really got was that some vampires somehow found out about a town where it's dark for 30 days and decide to go to an all-you-can-buffet vacation. While sitting in the theater, I kept asking myself "Where did these vampires come from?" Thus, I picked up the graphic novel and read it and loved it. The movie was pretty loyal to the book, give or take a few things here and there. It answered all my questions I had about the original film.
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Welcome to the world of Charles Bukowski - poet, author, skid row denizen, alcoholic, and hero to millions (most of them in Europe). Factotum is director Bent Hamer’s attempt to bring a version of Bukowski’s novel to the screen. This isn’t the first time the controversial figure’s work has formed the basis of a film. Most memorably, Bukowski scripted 1987’s Barfly, which featured Mickey Roarke in the role of Henry Chinaski, Bukowski’s fictional alter-ego. 18 years later, Matt Dillon steps into that role for Factotum.
Secret Life of Bees
When it comes to movies that touch the heart, few have a more delicate yet undeniable impact than Gina Prince-Bythewood's The Secret Life of Bees. Adapted from the novel by Sue Monk Kidd, the production achieves something few literary interpretations succeed at: bringing out the inner voice of a character without resorting to an incessant voiceover. This is due in no small part to the mature, nuanced performance of Dakota Fanning, whose talent continues to develop as she ages. By resisting the temptation to over-emote, Fanning makes Lily an individual worthy of sympathy and admiration.
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Hills Have Eyes II
The Hills Have Eyes II is a sequel to a remake but not a remake of a sequel. Curiously, Horrormeister Wes Craven has been involved in all four movies featuring the words "hills" and "eyes" in the title. He wrote and directed the 1977 original and its 1985 sequel. He produced the 2006 remake and now he has added writer/producer credits for this movie to his resume. However, whatever optimism I may have had for the movie considering Craven's involvement evaporated quickly once in the theater. Whatever contribution Craven made to the screenplay must have occurred in the middle of the night while he was blindfolded. The hills might have eyes but this is one of those times I wish I didn't; then I could have been spared the headache and boredom inducing experience of sitting through this.
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The Incredibles may become the first Disney/Pixar film not to dominate at the box office. That statement has nothing to do with the film's quality - in fact, The Incredibles is among the best of Pixar's digitally animated movies. However, it's going up against The Polar Express, which has a number of advantages, not the least of which are its built-in audience and seasonal appeal. More than anything else, The Incredibles is likely to be a victim of bad timing. Don't shed any tears for its makers, however. The film will still keep the cash registers ringing until it attains "blockbuster" status, although it won't be the runaway hit that Pixar's last production, Finding Nemo, was.
Go is the latest piece of high-octane eye candy aimed squarely at members of the infamous Generation X. Fast-paced and often witty, but ultimately vapid, Go borrows heavily both in rhythm and approach from Quentin Tarantino's Pulp Fiction. And, since the 1994 crime movie invested most of its originality into the way it put the pieces together, Go, by following a similar path, cannot claim to be breaking new ground. The 103 minute motion picture features drug dealers, addicts, con men, gamblers, and assorted low lifes; is characterized by a non-linear plot that adds to rather than detracts from the narrative; offers several tangential conversations on strange issues (Tantric sex, the Family Circus, etc.); and attempts a few violently surprising things along the way. Ultimately, however, it lacks Pulp Fiction's edge and the climax is a letdown.
Flesh & Blood
Flesh & Blood is a vivid and muscular, if less than fully startling, account of lust, savagery, revenge, betrayal and assorted other dark doings in the Middle Ages.
Drama opens with a successful siege on a castle by Lord Arnolfini (Fernando Hillbeck), who has recently been ousted from the premises.
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The Last Castle
Much of the potential dramatic juice has been drained out of "The Last Castle," a disappointingly pedestrian prison meller that falls between stools artistically and politically.
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Nature Unleashed: Earthquake
JOSH, 40s, a respected engineer, is asked by his company to inspect a Nuclear Power plant in Russia. Hes reluctant to go, but when he discovers there has just been a minor earthquake in the region hes on the first plane out. The reason for his change of heart? His ex-wife, RACHEL, works at the plant, and his kids, DYLAN, 17, and CHERIE, 14, are living in the area. Upon arriving in Russia, hes taken on a tour of the power plant by EMILIO, the manager of the facility. He finally meets up with Rachel, only to receive the cold shoulder.
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She Wore a Yellow Ribbon
The second of John Ford's "Cavalry Trilogy", She Wore a Yellow Ribbon is the only one of the three to be lensed in Technicolor. In an Oscar-calibre performance, 42-year old John Wayne plays sixtyish Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of Custer and by double-dealing Indian agents. After a series of minor victories and major frustrations, Brittles decides to ride into the Arapaho camp, there to smoke a pipe of peace with his old friend, Chief Pony That Walks (Chief John Big Tree).
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A film based on the true story of Ed Kemper, a serial killer who murdered ten in Santa Cruz, CA during the late sixties and early seventies.
My Little Eye
The story follows five contestants who agree to take part in a reality webcast. The rules are simple: “Spend 6 months in a house for $1 MILLION. If someone leaves, everyone loses!“ With the end of the 6 months nearing, the tension between contestants Matt (Sean Cw Johnson), Emma (Laura Regan), Charlie (Jennifer Sky) and Rex (Kris Lemche) is at a high level. Instead of their regular food deliveries, packages containing things like a gun, champagne or a letter, that tells one contestant a family member has died, arrive.
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When an aspiring rock musician TONY returns to his college town to make up with his estranged girlfriend ROSEMARY, he finds his life taking an unexpected turn to the dark side when he encounters a mysterious rock band NEOWOLF led by rocker VINCE and the alluring band girl PAULA. When Rosemarys best friend KEVIN turns up dead, Rosemary seeks out a Nursery owner MRS. BELAKOV who knows the secrets of an ancient evil.
Young D.A. Louie Jeffries is hit by a car and dies in 1964 but manages to slip by the pearly gates and is instantly reborn. Twenty-three years later, his widow Corinne still misses him, ignoring the frustrated devotion of his best friend Phillip Train, who has pretty much raised his only daughter Miranda (Mary Stuart Masterson) as his own. When Phillip brings Yale graduate Alex Finch to meet the Jeffries family, Alex (Robert Downey, Jr.) quickly realizes he is in fact Corinne's dead husband reborn.
His memories of his life as Louie return just as Alex begins a romantic involvement with Louie's (his) daughter Miranda. Instead, Louie then spurns his daughter's advances and begins romancing his widow Corinne (Cybill Shepherd), frustrating Phillip's attempts to court Corrine, and resulting in a number of comic mixups.
Soon, however, Alex/Louie realizes Phillip and Corinne should be together and arranges things so they can realize their love and he can get out of their way.
With Phillip and Corinne together at last, a bump on the head causes Alex to be admitted to hospital. While unconscious, Alex is administered a special injecton he should have received at the pearly gates 23 years previous, to make him forget his past life as Louie. When he wakes, he tells Miranda that the last thing he remembers is them kissing in the corner of the refrigerator. He happily resumes romantic interest in Miranda, which she gladly accepts, having never been informed of his other identity by anyone. Oddly this relationship continues with Phillip and Corinne's full knowledge and approval, although neither of them has forgotten "Louie" lives on in Alex.
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