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Where the Wild Things Are
In so many ways, Max is a modern child. His father is gone. His older sister has outgrown him. His mother, who works late to support the household, is dating a stranger. His teachers are slowly introducing him to the realities of an adult life, offering lessons on tsunamis and supernovas. He has no friends with whom to share his frustrations or figure out his feelings, some combination of betrayal or anger or loneliness. Yet his imagination is strong and provides him with a shelter from the storms of his everyday existence. But when, one evening, his emotions boil over and he runs from his home in a rage, he crosses some imaginary boarder into the realm of the Wild Things.
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Audie & the Wolf
A very long time ago, I told you guys about AUDIE AND THE WOLF, an interesting werewolf horror/comedy with a very original werewolf spin. Instead of a normal man turning into a bloodthirsty wolf… a normal wolf turns into a bloodthirsty man! I believe the colorful new one-sheet up top nicely illustrates this concept. When it comes to humor-infused flicks, I really like posters that take advantage of the wild cast of characters.
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Religulous is the much-anticipated collaboration between one of the guys responsible for Borat and Curb Your Enthusiasm (Larry Charles) and the Politically Incorrect stand-up comedian (Bill Maher). The problem with the movie, whose title compresses "religious" and "ridiculous" into a single word, isn't that it milks more than one sacred cow but that it does so with minimal subtlety and intelligence. Being snarky and smug doesn't equate to providing insight, and there's more than one occasion when the filmmakers lose sight of this in their zeal to spread the Gospel According to Maher.
Robert Frost famously wrote, "Good fences make good neighbors," and that's one of the first phrases that comes to mind while watching Lakeview Terrace, the latest thriller from Neil LaBute. LaBute began his filmmaking career with the scathing In the Company of Men, but his previous effort was the deservedly reviled remake of The Wicker Man. While Lakeview Terrace isn't as horrendous as The Wicker Man, it's nowhere close to the level LaBute attained with his debut. The first two-thirds of Lakeview Terrace offer a little more subtlety and complexity than the seemingly straightforward premise would afford, but the climax is loud, dumb, generic, and over-the-top. Those hoping for something more interesting will be disappointed by the level to which the filmmaker stoops to get an unearned visceral rush. In pandering to Hollywood standards about how stories like this should unfold, LaBute has lost his edge.
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So much pot is con sumed in Billy Corben's "Square Grouper," an absorbing and troubling documentary about marijuana smuggling in Florida in the 1970s and '80s, that you could get a contact high just watching it.
The film, which takes its name from the bales of marijuana tossed overboard by smugglers while being chased by the cops, follows three sets of people:
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In some ways, The Town can be considered a throwback, at least insomuch as any movie reflecting the approach of '80s and '90s cop dramas can be tagged with such a label. With a crisp, clear style and a focus on character, director Ben Affleck is able to imbue staple action scenes with a sense of urgency and tension. Take, for example, what could be a routine car chase. Because of the way it's shot, the viewer finds himself unexpectedly caught up in the excitement. On paper, the scene might be generic; on screen, it's more than that. The same can be said about many elements of The Town. The pieces and parts assembled herein are familiar, but the manner in which Affleck puts them together results in an engrossing two hours of cinema. Few will depart from a showing of The Town overwhelmed, but neither will they be dissatisfied by the experience.
Oldboy could be considered a mystery. Or a bloody revenge picture. Or a twisted romance. Or a tale of extreme karma. Regardless of how you look at Oldboy, it's unlike anything you are likely to have seen before. Director Park Chan-wook starts with a great premise, and uses it as a springboard for a flawed-yet-compelling yarn of life-and-death, cat-and-mouse games between Oh Dae-su (Choi Min-sik) and his arch-enemy, Lee Wu-jin (Yu Ji-tae), with the beautiful, vulnerable Mido (Kang Hye-jeong) caught in the middle. And, just when you think you know where Oldboy is headed, the film takes a turn designed to foil all expectations.
Red Is the Color
The tense marriage between two painters is shaken and stirred when the husbands provocative free-spirited nude model ignites his wifes sexual and spiritual awakening. In a three way game of subtle seduction, each of the three confront desires and frustrations that threaten to destroy the illusions of their lives.
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The film chronicles a day in the life of siblings, Trish (portrayed by Gina Philips) and her brother Darry Jenner (played by Justin Long) coming home from college. As they drive through the North Florida countryside in their 1960 Chevrolet Impala, a mysterious driver in a rusty old delivery truck tries to run them off the road. After letting the vehicle pass them, they later see the same truck, in the distance off the side of the road, with a hulking man sliding what looks to be bodies covered with blood stained sheets, into a large pipe sticking out of the ground next to an old abandoned church.
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Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesnt tell Jack why. The goons learn from Pilots drug source where the youths are headed, and they follow, hell bent on breaking Jacks feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobains memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends competing needs can be resolved?
A brooding detective assumes the persona of his young daughter and obsessively hunts internet chat rooms for the pedophile who killed her.
Return in Red
Certain electromagnetic frequencies can cause mental disruption in human beings... and now someone has decided to put that to the test on the people of a small town. Used as guinea pigs, the citizens find their lives turned upside down in a terrifying nightmare that will haunt your mind long after the chilling climax.
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Don Wilson plays retired kickboxer Jake Raye, who travels to Manila, where his brother is favored to win a kickboxing competition. His brother is killed, and Jake realizes he must enter the competition himself to flush out his brothers killer.
Set in 1972, The Resting Place stars John Lithgow as an Army major who accompanies the body of a young black lieutenant killed in action to the dead mans Georgia home town. Though the local cemetery is for whites only, the towns resident liberal has paid for a plot for the deceased lieutenant. Lithgow attempts to convince the racially divided community that the boy deserves to be buried in the segregated cemetery because he died a hero--but in so doing, the major unearths evidence that the lieutenant may have been fragged by his own troops. While it might seem that far too many issues are being raised for a mere two hours screen time, Walter Halsey Davis script successfully balances all the elements, and the results are both provocative and moving.
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Don't Answer the Phone
A deeply disturbed photographer and Vietnam veteran, named Kirk Smith, terrorizes Los Angeles by going around strangling lingerie-clad young women in their homes while taunting Lindsay Gale, a young psychologist, by calling her on a radio call-in show to describe his sexual hang-ups and misogynistic ways, while a local police detective, Lt. McCable, is always two steps behind in trying to catch the psycho.
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Three more stories told from a comic book are presented by the Creep. The first is about a dime-store Native American that seeks vengeance on those who killed the stores owners. The second is about a carnivorous mass of pond scum that attacks four people on a raft. The final tale is about a rich woman who accidentally kills a hitchhiker while speeding home from an affair with a male prostitute.
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