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Writer/director Todd Phillips follows up the successful The Hangover with Due Date, another R-rated comedy featuring men who behave badly. Phillips brings back Hangover's Zach Galifianakis, pairs him up with the most unlikely co-star, Robert Downey Jr, and sets them on a cross-country road trip. Think Planes, Trains and Automobiles but with a 15 pound French bulldog as a central character and masturbation as a punch line.
The Hangover stands as the highest-grossing R-rated film in history, and Due Date's sure to attract a good amount of moviegoers based solely on the fact it's a Todd Phillips film with one of the Hangover guys. And having Robert Downey Jr for Galifianakis to play off of just adds to its box office appeal. Unfortunately, what audiences will find is that Due Date's not nearly as funny as The Hangover and has two of the most irritating characters you could possibly imagine as focus of the film.
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Rob Zombie doesn't like you. In fact, if there's anything that Zombie respects less than his audience, it's the movies themselves. In recent interviews, Zombie has played down his previous animosity toward the idea of making a sequel to his Halloween remake, a distain revoked after a year and a half of stalled projects and no easy green-lights. He's openly denied, and in fact laughed at, speculation that the opening 15 minutes of Halloween II, in which Michael Myers stalks an injured Laurie through an abandoned hospital, is in no way a homage, rip-off or reference to the original sequel, set entirely in Haddonfield Memorial. He's also stated on numerous occasions how much he respects John Carpenter, his classic thriller and the iconic character he created. The only problem is that given his behavior and the films as evidence, none of these things appear remotely true. With that in mind, either Zombie is little more than a self-interested liar hiding behind his rockstar, anti-establishment facade…or he's an inept filmmaker incapable of building upon what might otherwise have been an interesting idea.
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Dead Space: Aftermath
The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke, but now also the USG O'Bannon, the first responder ship sent to rescue them. Four crew members of the O'Bannon have survived.
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It's a tough thing for a dysfunctional-family-at-Christmas movie to avoid doses of melodrama, and it's fair to say that The Family Stone contains its share. But the nice thing about the movie is that it avoids overt manipulation. There's some - it's virtually impossible for a movie of this sort to generate an emotional response without any - but it's kept to a minimum and doesn't come at the viewer like a sledgehammer. Instead of having to sit through a Terms of Endearment scene, we are offered something more tasteful.
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At first glance, Yes Man appears to be yet another high-concept Jim Carrey comedy. After all, the premise can be summed up in a sentence: "A character played by Carrey in 'zany form' must say 'yes' to every proposal." Over the years, we have gotten used to these kinds of movies from the guy who was once best known as a Pet Detective, so one could not be faulted for assuming that Yes Man would be a lot like Liar, Liar and Bruce Almighty in tone and intent. However, while a viewer might be expecting a screwball, he/she ends up with a changeup. Because, despite all the funnyman Carrey trappings, this is, in essence, a fairly generic romantic comedy. Carrey does enough mugging at the beginning to fool us into thinking Yes Man is something other than what it is, but the minute Zooey Deschanel appears, the movie takes a left turn. Deschanel isn't just a token female love interest in a Carrey movie. She's a legitimate romantic foil. And that makes the movie a little different from how it's being sold.
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There's nothing in The Guardian that audiences haven't previously been exposed to ad nauseam. Take a little of An Officer and a Gentleman and a little Top Gun and throw in some waves and underwater sequences, and you have The Guardian - only with less charismatic actors, more tame sex scenes, and a lot less energy. The director is Andrew Davis, who made The Fugitive more than a decade ago. It hardly seems possible that this lazy, sluggish, overlong production could be the work of the same man.
Grosse Pointe Blank
Grosse Pointe Blank should come with a warning against advertisement-induced expectations which might diminish a viewer's appreciation of the film. The previews and TV commercials make the movie look like a frothy romantic comedy. In reality, Grosse Pointe Blank is a bleak, black satire that occasionally strays all the way into Pulp Fiction territory. That's certainly not a bad thing, but it isn't what the marketing people at Hollywood Pictures are selling the movie as.
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Midnight in the Garden of Good and Evil
One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra-sensitive tearjerker called The Bridges of Madison County. Now, following a romp through more familiar territory in Absolute Power, Eastwood the director is back with this slow, moody adaptation of John Berendt's novel, Midnight in the Garden of Good and Evil. It's a compelling but meandering tale of lust, murder, sex, voodoo, and betrayal. Despite the presence of so many titillating elements, the film's nearly somnambulant pace makes it easy for a viewer to lose his or her concentration.
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There's no secret why this new version of Psycho exists. Redundant and unnecessary as it is, it will likely make money for Universal Pictures (a studio in dire need of a box office success). As far as I can tell, there are two audiences for this film: those who have seen Hitchcock's classic thriller and are curious about the remake, and those who haven't previously seen Psycho but are willing to give this new edition a shot because it features actors they "know" and is in color.
Donald Sinclair, the eccentric owner of The Venetian Resort Hotel Casino in Las Vegas, devises a new game to entertain the high rollers who visit his hotel. Six special tokens are placed in the casino's slot machines, and the winners of them are gathered together and told that two million dollars in cash is hidden in a duffel bag in a train station locker in Silver City, New Mexico. They are told they must compete in a no-holds-barred race to get there first and claim the money. Each winner is given a key that will open the locker and they are sent on their way. What they do not know is that Sinclair's wealthy patrons are placing bets on who will win the race.
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Mars Needs Moms
A mischievous and rebellious nine-year-old named Milo (Seth Green, voice-over by Seth Dusky) is just beginning summer vacation, and his father (Tom Everett Scott) is leaving for a business trip. While Milo wants his summer to be a fun one, his mother (Joan Cusack) assigns him chores and tasks like taking out the trash. At dinnertime, Milo is given broccoli. His mother has a "no broccoli, no TV" rule which Milo cleverly evades by feeding the broccoli to his pet cat. When Milo's mother finds the cat throwing up from the broccoli, she grounds him and sends him to bed early. After a heated disagreement with his mother, Milo wishes that he never had a mom. Later that night, his wish comes true when his mother is kidnapped by Martians who plan to steal her "momness" to rear their own young. Milo's quest to save his mom involves stowing away on a spaceship, navigating an elaborate, multi-level planet and taking on the alien nation and their leader, the Supervisor (Mindy Sterling). With the help of tech-savvy subterranean-dwelling earthling Gribble (Dan Fogler), his bionic underground pet Two-Cat (Dee Bradley Baker), and rebellious Martian Ki (Elisabeth Harnois), Milo finds his way back to his mom.
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What's the Worst That Could Happen?
Kevin Caffrey, a thief and conniseur was at a local auction looking at what's worth stealing. He attends an auction where he met Amber Belhaven who was auctioning off her father's painting to pay a hotel bill. While strolling in the city ending with sitting outside a cafe for coffee, Kevin & Amber was talking about the painting and how she ended up in Philadelphia but when Kevin asked Amber about her hotel room which led to Amber asking if he was trying to sleep with her, Kevin blinks rapidly and lies while also telling her that when he blinks he lies. When Kevin asks Amber if he could see her sometime Amber pretends to have the same thing Kevin got and told him sure. While knowing what hotel she was staying in, he shows up to her room with the painting she auctioned off, Kevin told Amber about his stealing business which shocks Amber at first but willing accepts to be with Kevin, before asking him not to lie to her she gave Kevin her father's lucky ring, Kevin promised her that he wouldn't lie to her and spend the rest of the afternoon together.
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The film centers around five strangers who are linked together — and who meet each other at separate times — by a series of events that take place on Christmas Eve.
The main character is Rose (Susan Sarandon), a woman who is struggling to cope with caring for her mother, an Alzheimer's patient. Meanwhile, Nina (Penélope Cruz) and Mike (Paul Walker) are a young couple on the verge of breaking up due to Mike's increasingly jealous behavior. Elsewhere, Artie (Alan Arkin) is an old waiter who searches for his deceased wife every Christmas Eve. Finally, Jules (Marcus Thomas) is a young man who deliberately damages his hand so he can attend a Christmas party in the emergency room, as that was the only happy memory of his childhood. In addition to the five main characters, the mysterious Charlie (Robin Williams) is introduced as the person who may be able to help Rose finally realize that she must look after herself more, rather than worrying about everyone else.
How She Move
Unable to afford the tuition needed to fund her private school education, Rayanna or Raya (Rutina Wesley) returns to her family home in the city while reluctantly re-evaluating her future. Upon learning that the top prize for an upcoming step-dancing competition is $50,000, Raya uses her impressive moves to earn a coveted slot in her good friend Bishop's (Dwain Murphy) predominantly male JSJ crew. Isolated from the local females due to jealousy and separated from her fellow dancers by gender, the ambitious dancer is subsequently kicked-off the team for showing off during a preliminary competition. Now, if Raya has any hope of realizing her medical school dreams, she will have to either earn back Bishop's trust or organize her own dance crew and start over from scratch. In the end, she eventually learns "how she move".
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Still guilt-ridden over the accident that took his familys lives, Eric Norris discovers that his body is host to a parasite from another world. Except, it is more than a parasite it carries his DNA. Is this his new son or as the government believes a threat to mankind?
A Murder Is Announced
A murder is announced in the Chipping Cleghorne Gazette to take place on October 5th, 7 PM at Little Paddocks cottage. The people living there, retired secretary Miss Blacklock, her companion Miss Bunner, Miss Blacklocks two distant cousins, Patrick and Julia and Mrs.Haymes, a gardener, have no idea what the ad is about. Several villagers arrive at the house under the false pretenses of just walking by or Was in the neighborhood. At exactly 7 PM, the lights go out, and a man enters the room, and shines a flashlight in everyones face. Then shots are heard. As the lights come back on, they find the man who entered the room has been shot. Miss Marple must unmask the killer but soon more murders turn up.
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