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Fantastic Mr. Fox
“Fantastic Mr. Fox” is a proudly analog animated entertainment, making its handmade way into a marketplace glutted with digital goodies. Next to the three-dimensional, computer-generated creatures that swoop and soar off the screen these days, the furry talking animals on display here, with their matted pelts, jerky movements and porcelain eyes, might look a little quaint, like old-fashioned wind-up toys uneasily sharing the shelf with the latest video game platforms.
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Tomorrow, When the War Began
Seven teenagers from a small Australian country town called Wirrawee – Ellie, Corrie, Homer, Kevin, Lee, Robyn and Fiona – decide to pack a Landrover and go bush for the weekend. They don their packs and venture into the wild, little-visited, cliff-encircled gorge called Hell: flirting with members of the opposite sex, mucking about, and generally enjoying themselves so much that they think little of the fleet of planes that fly overhead one night.
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An outrageous cut-rate producer, Charlie LaRue (Christopher Meloni) is about to fulfill his lifelong dream to make a movie about the most offensive, dirtiest jokes ever told. As Charlie and his filmmaking team hilariously struggle to write a script and assemble their award-winning cast, the movie-within-a-movie emerges with one dirty joke after another. Only one can take the crown for writing the dirtiest joke ever told and Charlie will do whatever he can to be that king. Written by Elizabeth, Marketing Manager
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For its first two-thirds, In Bruges is an intelligent, gently paced thriller about what happens to hitmen when they screw up. The movie crawls at a deliberate pace for most of its running length, allowing the characters to be fleshed out and offering opportunities for mordant humor. As one might guess from its title, there are also some gorgeously scenic shots of the Belgian city Bruges, where the action takes place. Unfortunately, the film's final act doesn't come close to equaling what precedes it. Once the shooting starts, everything collapses, and the ending is the kind that causes head-shaking. It's as if the filmmaker realized he wrote himself into a corner and had to resort to a contrivance to bring things to a close.
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Since the death of Alfred Hitchcock, many filmmakers have vied to succeed the Master of Suspense. With apologies to rip-off artist Brian De Palma, my vote goes to David Mamet, whose films House of Games and The Spanish Prisoner can stand alongside any of the best modern mystery/thrillers. No, they don't always make sense, but they are incredibly enjoyable - two characteristics that were true of many of Hitchcock's works.
Watching The Scorpion King, the question that came to mind was whether Dwayne "The Rock" Johnson could become a Schwarzenegger for the '00s. Having asked that, however, it's worth considering whether Schwarzenegger in his prime could have had the same kind of career had he started today. The '80s were a different decade, and the kind of muscle-bound, hulking hero that Arnold represented might no longer have a place in cinematic circles. WWF mega-star The Rock resembles a younger Schwarzenegger in many ways: he has the same kind of physique, the same complete lack of acting ability, the same screen presence, and the same general appeal. Only the accent is missing. And, much as Arnold made his feature film splash in Conan the Barbarian, The Rock is using this low-rent Conan as his first starring vehicle.
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Making an enjoyable family Christmas comedy must be one of the most difficult things to accomplish in Hollywood, because the late-year presence of a good one in multiplexes is more rare than a White Christmas in New York City. Fred Claus, which fits loosely under the umbrella occupied by the forgettable Santa Clause trilogy, is the latest such failed endeavor. The movie is passable in a made-for-TV fashion, but the problem is that it isn't made-for-TV. This sort of thing tries to please adults and children, but the mismatched marriage of flimsy fancy and twelve step program parody fails to click with viewers of any age. The film's multitude of flaws might be more easily forgiven if the movie didn't overstay its welcome by at least a half-hour.
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Look at Me (Comme une image)
At first glance, Look at Me appears to be a standard French drama about a dysfunctional family. All the elements are in place: the domineering father whose celebrity status has made him indifferent to the needs of his family, the meek trophy wife, the overweight daughter who craves her father's unavailable affection, and several outsiders who find themselves drawn into an unstable orbit around these people. Yet first glances can be deceiving. Yes, this is a dysfunctional family drama, but it's also something more profound. Look at Me takes aim at the common human character flaw of self-absorption and examines how we no longer seem to communicate with one another. And, as is typical of her work, director Agnès Jaoui (she co-wrote Un Air de Famille for director Cedric Kapisch) gives us plenty of smart dialogue and accents her drama with black humor.
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Controversy is swirling around Bandit Queen, likely to be one of 1995's most discussed features. Supposedly based on the real-life experiences of a modern Indian folk hero named Phoolan Devi, the authenticity of the film's script is now under attack by none other than the subject herself. Devi has not only disavowed her autobiography, but has filed a lawsuit to keep Bandit Queen from being released in Indian theaters. At this point, there is enough confusion surrounding the factual accuracy of the movie that its claim to be "a true story" should be accepted with reservations. Nevertheless, regardless of its historical veracity, Bandit Queen is an excellent examination of caste discrimination, human suffering, and the role of women in India's changing culture.
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Lewis Black: Black on Broadway
Lewis Black goes on tirade after tirade about stupidity in America. He covers everything from corporate greed and Martha Stewart to WMDs and homeland security
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Korean War in Color
Sandwiched in the history books between the grand drama of World War II and the well-publicised turmoil of the Vietnam War, this was the forgotten war. This programme brings you a war-torn Korea in colour for the first time. Experience the terror, courage, blood and chaos that reigned from 1950 to 1953 as we chronicle a true picture of a horrific war in colour. Much of the footage included has never been seen before by the general public. This unique programme has pulled together recently de-classified footage, personal films and photographs of veterans who lived and breathed the horrors of the front line. In bearing witness to the death and destruction unleashed by both sides, we can understand more clearly the dangers, suffering and heroism that marked the first great confrontation of the Cold War.
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Point of Origin
Fact-based drama about an arson investigator (Ray Liotta) searching for the perpetrator of a string of deadly fires in 1980s California.
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Comedy writer Jerry Stahl (Ben Stiller), whose 6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahls flashback. Other women in Stahls life are his British wife Sandra (Elizabeth Hurley) and his agent Vola. For the TV series Mr. Chompers (inspired by ALF), Stahl meets with sitcom exec Craig Ziffer and puppeteer Allen. For freaky freebasing, Stahl hangs with mumbler Nicky and druggie Gus.
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A married drunk hooks up with the ex-girlfriend of a vicious local criminal. He gets booted out of home for his infidelity, has a murderer on his tail, and must try to write the story of his life in order to save his journalism job. He gets help from a stripper dressed as a nun and goes undercover dressed as Shaggy from Scooby Doo. He finds a drinking buddy in an American fellow journalist.
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Me & You, Us, Forever
A love story based in 1974 and 2004. A 47-year-old Christian man, on the other side of an unwanted divorce, reminisces about his old high school girlfriend from 30 years prior.
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Nothing to Lose
Nick Beams life couldnt get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last straw for Nick. With everything to gain and nothing to lose, he kidnaps T. Paul and attempts to put his life back together.
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