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Kicking off a subgenre that we'll lovingly refer to as "the Vampocalypse" – in which the human race is essentially wiped out and replaced by vampires -- Daybreakers has little more on its mind than presenting a neo-Noir, semi-sci-fi future in which the blood supply has been sucked almost literally bone dry. Vampires everywhere, living a life not so dissimilar from that which we humans currently enjoy, are on the verge of starvation. The government has determined that the remaining blood supply will only last the population another thirty days. Some vamps have started feeding on themselves, or each other, transforming into horrific mutants with little semblance of self-control. Meanwhile, the efforts to finance the engineering of a biologically acceptable blood substitute are producing less-than-acceptable results.
An earnest gay biopic that teeters on the edge of preciousness before plunging headlong into the drink, Little Ashes does have an audience out there, I'm sure. I just know that I'm not in it, nor are most of the people who will be checking it out for its much-hyped casting of Twilight heartthrob Robert Pattinson as a gay-experimenting Salvador Dalí.
While with a healthier budget, tighter script and steadier directorial hand, Ashes may have been the next Brideshead Revisited or Before Night Falls, it lands more in the neighborhood of Savage Grace.
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The Young Victoria
‘I will be good,’ Princess Victoria said on discovering she would be Queen. But, as things turned out, it was a touch more complicated. This sumptuous film has no interest in the ‘good’ dumpy adult Victoria, instead giving us a bildungsroman: after a stifling childhood, Victoria (Emily Blunt, above) must find maturity and independence – not easy with a controlling mother (Miranda Richardson), two scheming uncles and a snake-like prime minister (Paul Bettany). As in any traditional romance (and this, written by Julian Fellowes, is so trad its corsets creak), there are blips and the odd tear en route to a prince. That the prince, in this case, is Albert (Rupert Friend), her mother’s choice, just delays the inevitable.
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Arthur et la guerre des deux mondes
When Arthur receives a distress call sent from the Minimoys, the invisible people who live in his back garden, he rushes to their aid, ready to fight the evil Emperor Maltazard and save Princess Selenia. But, what he doesn't know is that the plea for help is all part of Maltazard's evil plan to trick Arthur into entering the Minimoys' world, reversing the magic that makes him bigger.
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The marketing goal with Baghead is to turn it into another The Blair Witch Project: a horror film where the terror is more psychological than physical and where the characters spend a lot more time chatting and arguing than running for their lives. The problem with Baghead isn't that it's cheaply made but that it's sloppily composed. Even under the most undiscriminating scrutiny, its logic doesn't hold up. The acting varies from awful to sub-par. And the direction celebrates the film's low budget. Baghead contains individual moments that work effectively but, when assembled into a whole, everything crumbles like a poorly stacked house of cards.
Many fans of Nick Park have been wondering what the animated filmmaker has been doing recently. Known to millions across the globe as the creator of the characters Wallace & Gromit (a British inventor with a penchant for Rube Goldberg devices and his smart dog), Park can no longer live in the obscurity he once enjoyed. It has been half-a-decade since the last Wallace & Gromit short reached audiences, and Park has been quiet since then. The reason can be summed up in two words: Chicken Run. An ambitious, full-length motion picture employing Park's signature clay-animation style (albeit without Wallace or Gromit), Chicken Run represents an attempt by Park to break free of his status as a cult figure and move into the mainstream. To that end, he has recruited some instantly recognizable voices (such as Miranda Richardson and Mel Gibson) to voice his characters and struck a distribution deal with Dreamworks Pictures. If Chicken Run doesn't broaden Park's audience, nothing will
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Without a Paddle
Want to know why Paramount Pictures is struggling? Watch Without a Paddle and you'll gain some insight. At least the film understands what it is, as is indicated by the steaming pile of excrement that appears 2/3 of the way through the proceedings. By then, we don't really need the clue, but it's appreciated. About the only way to make things worse would have been to add Tom Green to the cast.
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How to Make an American Quilt
There's more to a quilt than fabric and thread -- each patchwork design has its own unique story (or stories) to tell. In How to Make an American Quilt, the first Hollywood release from Australian director Jocelyn Moorhouse (Proof), we come to understand how the tales of the seven makers imbue their creation with passion and vitality. All the sorrows, joys, longings, sufferings, and loves of these women are sewn into their quilt and, as their bittersweet memories are given expression, one young woman applies these lessons of the past to her own uncertain future.
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Hurlyburly is a talky film - the entire movie is constructed around lengthy sequences of dialogue where the characters talk and talk and talk, often saying nothing. However, because the vocal rhythms are so perfect, the words are so well-chosen, and the performances are so powerful, listening to so much talk is a pleasure, not a chore. It's possible to lose oneself in Hurlyburly, precisely because nearly every line has a hypnotic quality. The action and suspense is in the words, not the deeds. We don't wait to see what the characters will do next, we wait to hear what they will say next.
City of Industry
Betrayal and revenge are the key ingredients of this violent, streetwise crime drama. Roy Egan (Harvey Keitel) was once a highly successful thief but has gotten out of the business and now leads a quiet life in the Midwest. He's lured out of retirement by his brother, Lee (Timothy Hutton); Lee figures that he's come to the end of his rope as a small-time thief and wants to pull one last job that will earn him a healthy score.
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Middle school student Roy A. Eberhardt (Logan Lerman) has just moved to Florida from Montana. He is mercilessly teased and bullied. He is exasperated, but then he makes the acquaintance of Beatrice "The Bear" Leep (Brie Larson), and her stepbrother, "Mullet Fingers" (Cody Linley). Meanwhile, the corrupt and ruthless CEO of a pancake company is attempting to construct a new pancake house on a nearby vacant lot.
Confessions of a Teenage Drama Queen
The film is about Mary "Lola" Cep (pronounced as both "sep" and "step" in the film) (Lindsay Lohan), a 15-year-old girl who grew up in New York City and wants desperately to be a famous Broadway actress. Lola narrates the story. Much to her chagrin, she moves with her family to the suburbs of Dellwood, New Jersey, but she confidently tells the audience "A legend is about to be born. That legend would be me."
At school, Lola makes friends with an unpopular girl named Ella Gerard (Alison Pill), who shares her love for the rock band Sidarthur. Lola idolizes the band's lead singer Stu Wolff (Adam Garcia). She also meets Sam, a cute boy who takes a liking to her, and makes enemies with Carla Santini (Megan Fox), the most popular girl in school.
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The president is on his way to give a speech. While he is traveling there a man shows up with a camera. A reporter tries to ask a member of the secret service a question. When the president enters he is shot by the man with the camera. The president's main bodyguard (Alex Thomas) is grazed by the bullet that hits the
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Lucas is a promising kid, bright, inquisitive, knowledgeable, industrious, but for a boy aged 14 those qualities dont count for much socially, his daily life in high school is a brave but hopeless struggle against cruel ridicule (nicknamed leukoplakia) and abuse on account of his frail figure, miniature size and athletic ineptitude, while any demonstration of precocious erudition is frowned upon by his ignorant, dumber peers and seniors, fortunately with one remarkable exception the studly football team captain, generally known as Cappie, gallantly protects the shrimp and as soon as he gets to know Lucas appreciates his mind and courage, eager to learn from him. The arrival of an attractive new girl in his school and neighborhood proves a mixed blessing Maggie becomes his best friend and companion, admiring his many talents, but inevitably she soon falls for Cappie the other way, so now his big brother and protector seems little Lucass rival, however hard the hunk tries to stay friends...
Geraldine Ferraro Elementary is on the brink of collapse the lowest test scores in the state, teachers who are either drunk or having sex on school grounds, and a principal who extorts money from parents. Its up to Tom, the down-on-his-luck vice-principal, to rally the lazy teachers, expose the principals corruption, and turn the school around before an end of the day board decision that is certain to lead to its closure.
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