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By the end of his film Jon Favreauís Iron Man is a light and fluffy character, a superhero colored in with bright bits of crayon, but he doesnít start out that way. Ironically itís early on in the story when Tony Stark, the man inside the bright red suit, is still a carefree playboy and globe-trotting arms merchant that he has the most edge. Itís there that Favreauís superhero movie works best, as Stark is captured by a group of terrorists known as the Ten Rings (nod to all you Mandarin fans), injured, and forced to work in a dank cave designing weapons.
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Room of Death
Two weeks ago my mac died, and I lost all my saved reviews. But F that, we begin anew. "Room of Death" is a French thriller from 2007. It's also one of the best surprises in a while. Basic cable includes access to some on-demand channels, including "free movies on demand" (nice!). A quick imdb search showed mixed reviews for this pic, but the praise was convincing. I'm glad that I read between the lines, as I may have passed this over.
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Direktøren for det Hele
The Boss of It All (Direktøren for det hele) is a straight up comedy from Lars von Trier, or so we're led to believe. In fact it is actually pretty much that, but hidden within are plenty of messages about the human condition and a few interesting japes at actors, companies and how the operate.
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Brian Kessler, a journalist researching serial killers, and his photographer girlfriend Carrie set out on a cross-country tour of the sites of the killings. Sharing the ride and their expenses are Early Grayce, a paroled white trash criminal, and his girlfriend Adele. As the trip progresses, Early begins to appear more and more unstable, and Brian and Carrie begin to fear that they may have a real-life killer in the back seat of their car.
Me and You and Everyone We Know
Me and You and Everyone We Know, the winner of a Special Jury Prize for "Originality of Vision" at the 2005 Sundance Film Festival, feels like a throwback film to the American independent films of the early 1990s. Today, it's increasingly rare that we see a film with this kind of quiet depth and poetic soul escape from the film festival circuit and enter general distribution. Lately, the term "independent film" has become synonymous with "inexpensively made," but the content (and sometimes the actors) are pure Hollywood. Me and You and Everyone We Know is truly independent, which is to say offbeat, daring, and the kind of offering Hollywood will never come close to embracing.
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Crouching Tiger, Hidden Dragon
One of many things that can be said about director Ang Lee is that he's not afraid to take a chance. The Taiwanese-born director has embarked upon such diverse projects as Eat Drink Man Woman (about family relations and the clash of old and new values in modern-day Taiwan), Sense and Sensibility (based on the Jane Austen novel), The Ice Storm (a flawless look at the dark side of the '70s), and Ride With the Devil (a Civil War adventure/drama). For his latest, most ambitious outing, Lee has turned his focus to a mythical China of several hundred years ago. The critically celebrated Crouching Tiger, Hidden Dragon is an epic martial arts film that combines incredible action sequences with elements of romantic melodrama and superhero derring-do. As visually stunning as it is inventive, Crouching Tiger, Hidden Dragon is sure to gain an immediate following. It has a reserved slot on many critics' Top Ten lists and, if U.S. distributor Sony Pictures Classics has its way, it will make a splash both at the box office and when the Academy Award nominations are announced.
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Some will argue that a film, being essentially a means of entertainment, can do little to change a national consciousness. Others, citing the power of the medium, will claim that motion pictures possess this rare and extraordinary ability. These two opposing viewpoints are about to be put to the test with a pair of films that, while different in so many ways, have a number of fundamental similarities. The first is Steven Spielberg's Schindler's List. The second is Jonathan Demme's Philadelphia. For viewers of the latter movie, the question is not whether they sympathize with Tom Hanks' AIDS-afflicted, gay character, but whether that sympathy opens up a different perspective on the victims of the disease in the real world.
Credit the marketing masters at Twentieth Century Fox -- they've managed to make Independence Day the most eagerly-anticipated motion picture of a potentially record- breaking summer. Tantalizing shots of the White House and Empire State Building being destroyed by alien ships have been shown in multiplexes since last Christmas. It's a saturation philosophy: show the previews before every movie and tell people that this is "the event" of 1996, and they will come. Whether Independence Day takes in $30 million, $50 million, or $80 million during its first weekend is irrelevant -- it will make a huge splash. Unfortunately, and perhaps not unexpectedly, it doesn't live up to the hype.
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Years ago, a mob boss named Lucio Malatesta (George Touliatos) pinned the murder of rival Sammy Carboni (Gino Marrocco) on another rival named Angelo Allieghieri (Anthony Quinn), which led to Sammy's son Gianni vowing revenge.
Frankie Delano (Sylvester Stallone) has spent his life safeguarding Angelo as well as Angelo's daughter, Jennifer Barrett (Madeleine Stowe), whose unsavory husband Kip Barrett (Harry Van Gorkum) has had their young son Rawley (Ezra Perlman) placed in a boarding school against Jennifer's wishes.
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Friends with Benefits
Jamie (Mila Kunis) is an Executive Recruiter for a leading job agency in New York City and Dylan (Justin Timberlake) works as an art director for a small internet company in Los Angeles. Jamie has the task of trying to recruit Dylan to interview for a job with GQ magazine and begin working in New York City. Dylan comes to New York and after interviewing for the position learns from Jamie that he has been given an offer to work for GQ. At first Dylan is hesitant to accept and move from Los Angeles to New York, but in an effort to get Dylan to accept the job Jamie spends the evening taking him around the city trying to sell him on the opportunity and the city.
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White Squall is the true story of a ship school called the Albatross. The school is run by the captain, Christopher Skipper Sheldon and his wife, Dr. Alice Sheldon. In the of 1960, the couple took aboard eight teenage boys from around the country for eight months of learning how to sail, be a crew, and respect one another. the crew goes through hard times and more laid-back times, but they must come together when a freak storm gets them in trouble in the middle of the ocean.
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The film introduces a circle of youths who are addicted to playing Hellworld, an online computer game based on the Hellraiser series. The film opens at the funeral of Adam, one of the friends who was obsessed with the game and ultimately committed suicide after becoming too immersed in the game. The remaining five friends blame themselves for not having prevented Adam's suicide.
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Next Day Air
When a misguided delivery driver inadvertently delivers a package containing concealed bricks of cocaine to the wrong address, it sets in motion a desperate search and battle for the coke between the furious dealer that sent it, the fearful intended recipients that missed it, and the conniving accidental recipients that plan to flip it. Time is running out and everyones trying to get their hands on the package thats been sent...Next Day Air! DVD Quality PC, Mac, PS3 and XBOX 360 COMPATIBLE
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Fed up with Brad's (Frank Roberts) on-screen antagonist's foul-ups, his director, Hilary Jacobs (Kylie Minogue) publicly humiliates him and fires him on the spot in front of onlookers. Her further degrading of him (as he comes hoping for one more chance) in her office causes this actor to go berserk, mutilating himself before cutting out her tongue using the modified prop shears as his real-life signature weapon. Before he could harm anyone else, his co-star Vanessa Turnbill (Molly Ringwald) gives him a makeshift tracheotomy which ends in Brad being seemingly electrocuted as P.A. man Lossman (Geoff Revell) looks on. But as Brad dies it seems he curses the source of his misery: Hot Blooded and all who would work on it. Now in present-day Australia, Lossman is a teacher is using his personal experiences as warnings to his students that any attempts to complete filming or even screening of Hot Blooded! has ended up with lives being lost in mysterious and disturbing ways (like a producer being suspiciously electrocuted in an editing room or a director mysteriously discovered with his throat slit). But some of his pupils decide such a chance is too much of a temptation and despite his better wishes they decide to try and finish the film as a graduation grade. They contact Vanessa Turnbill to co-star, she is persuaded by her agent to go back to Australia, when she arrives at the airport she is greeted by Raffy and Hester who take her to a press conferance to give the film publicity, while being interviewed a local reporter asks Vanessa if she is worried about the curse on the film, she passes off the question with a joke saying that "Oh if I die, I get paid extra". After that Raffy & Hester Then the conferance ends & all the film crew meet up to watch the print of Hot Blooded, Vanessa leaves shortly after it starts due to the bad memories, then as the print ends
Bread and Roses
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers union has assigned organizer Sam Shapiro to bring its justice for janitors campaign to the building. Sam finds Maya a willing listener, shes also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.
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Drop Dead Gorgeous
In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps. Explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town the police are pretty relaxed about it all. Despite everything, main rival (but nice) Amber Atkins wont be stopped. There could well be more death and disappointment to come.
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