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Oscar-winning director Ron Howard returns to helming more lighthearted fare for the first time since 2000's How the Grinch Stole Christmas with The Dilemma.
The story follows bachelor Ronny (Vince Vaughn), who is riddled with anxiety and doubt over whether to tell his longtime best friend and business partner Nick (Kevin James) that his wife (Winona Ryder) is cheating on him with a young thug (Channing Tatum).
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The Last Song
It's gotten to the point where if you've seen one film based on a Nicholas Sparks book, you've seen them all. And that applies more so than ever to The Last Song, a limp effort cobbled together from bits and pieces of Sparks' previous stories. No need to write out a detailed synopsis of this movie because if you're familiar with any of Sparks' books, or their film adaptations, you've seen the story of The Last Song done before, and done much better.
In fact, this is basically Dear John with a volleyball-playing college-bound rich kid (Liam Hemsworth) in place of a guitar-playing college bound rich kid (Amanda Seyfried), and a rebellious musical prodigy estranged from her dad (Miley Cyrus) in place of a rebellious teen-turned-soldier estranged from his dad (Channing Tatum). Both The Last Song and Dear John, which just came out on February 5th and is still fresh in moviegoers' minds, have beach scenes with water dripping off some beautiful bodies. And in addition to the aforementioned similarities, both films involve a character with a deadly disease. But, at least Dear John did a decent job of setting up the 'meet cute', whereas The Last Song makes the initial meeting between the two would-be young lovers completely unbelievable and silly.
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Nanny McPhee returns
Isabel Green is doing the best she can. Her husband is off fighting in the British Army, and it's up to her to corral their three unruly children, manage the struggling family farm, and earn grocery money by working a day job at the town's general store. Once two more youngsters are added to the mix—the Greens' snooty niece and nephew from London—it's clear Isabel has more on her hands than she can handle. When she reaches her wit's end after a particular trying day, every cupboard and tea-pot in the general store comes to life with a clear and emphatic message: "The person you need is Nanny McPhee."
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There is a lot of jittery cigarette smoking and sloshed-down booze in “Revolutionary Road,” a waxworks edition of the corrosive, furiously unsentimental novel by Richard Yates about an unhappy marriage. Set in the lonely-crowd milieu of 1955, though published in 1961, the novel tracks the unraveling of Frank and April Wheeler, a handsome young couple who have been trying and failing to keep disappointment at bay by pretending that, despite their suburban address — despite a life calibrated to the commuter rail schedule, their two small children, well-stocked bar and picture window that looks over a front lawn as manicured as a cemetery — they are not like everyone else.
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his film is a horror film in a different realm. The human condition.
How we cope with things and our refusal to accept a fate or things that happen.
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Wes Keller is a young man living in a world where oil has collapsed, the food supply has been wiped out, and cancer rates for women have skyrocketed, depleting the female population.
With Magnolia, director Paul Thomas Anderson has segued into the realm of the three hour movie. It's an ambitious step to take - making lengthy, ensemble movies with tangentially related and occasionally interconnected storylines can be a risky endeavor, both creatively and financially. When it works and everything snaps into focus, the rewards can be great, but when it fails, the finished product often looks worse than the mangled wreckage of a head-on car crash. Fortunately, Anderson has a deft hand when it comes to filmmaking, and this project does not tax his talent beyond the breaking point. Magnolia is a fascinating and worthwhile motion picture that manages to keep viewers interested in the plights of ten different characters for nearly its full length - right up to and through the improbable climax.
The Battle of Shaker Heights
The plot revolves around Kelly Ernswiler (Shia La Beouf), a young war reenactment enthusiast, who works at his local store with love interest Sarah (Shiri Appleby) and his friend, Bart Bowland (Elden Henson) as they use military strategy against high school bully Lance (Billy Kay). Kelly's father, Abe (William Sadler), works with drug addicts, being clean himself for over 5 years, which is scorned by an angry Kelly, who, when told this, replies, "So what? I've been clean the whole time." His mother, Eve (Kathleen Quinlan), is a commercial artist who works out of their garage and is desperate for Kelly to forgive his father. When confronted as to when he is going to forgive him, Kelly replies, "I'll forgive him when I can go to college. But I can't, can I, because he used all my college fund to buy Mexican Black Tar." Kelly is furious at his father for the torture he put him through.
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Arjun is an assassin trained never to miss. His body is trained to be a weapon and his mind guides his body with lethal precision.
Victor, a crime lord who specializes in contract killing, raised Arjun like a son. Things get complicated when Arjun, never allowed to have friends, meets Manasi.
At the cross-roads of his life is where we find Arjun, torn between his loyalty to Victor and his love for Manasi. Is it possible for a man to change his destiny? Can he
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Alexandra Bergson (Jessica Lange) inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the teenager who stirred her heart. He (David Strathairn) returns 15 years later and rekindles within Alexandra (Jessica Lange) a long-buried dream and newfound desire. Willa Cathers famous novel comes stirringly to life in this made-for-TV movie.
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Lyon Gaultier is a deserter in the Foreign Legion arriving in the USA entirely hard up. He finds his brother between life and death and his sister-in-law without the money needed to heal her husband and to maintain her child. To earn the money needed, Gaultier decides to take part in some very dangerous clandestine fights.
The Newton family from the original Beethoven movies are on vacation in Europe but do plan to join a Newton family reunion and to make sure one of their family members definitely makes it, they ship him to travel to the reunion with George Newtons brother Richard. Guess which family member it was? Thats right, Beethoven! The giant mutt follows Richard Newton and his family of a nagging wife and two bratty kids as they hit the road to California in a huge, shiny - and expensive RV, equipped with a DVD player. Following them are two bumbling crooks who have hidden some secret codes on a DVD that they figure no one in the world will buy, but someone does Richard. So now theyve got a DVD holding top secret information and the crooks must get it back...
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Devolved is a racy teen satire that follows a group of high schoolers on an ill-fated whale watching trip who find themselves stranded on a deserted island off the Mexican Coast.
Love Potion No. 9
Tate Donovan, a geek biochemist with no luck at all with women, is persuaded by his friends to visit a gypsy, Madame Ruth. She gives him Love Potion No. 8, an elixir which can potentially force anyone of the opposite sex to instantly fall in love with him. He shares the potion with his friend, Diane, and together they embark on a scientific evaluation that gets out of hand.
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My Dog Tulip
The story of a man who rescues a German shepherd and how the two become fast friends.
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The Doyle family moves to rural California to start a new life perhaps a strange choice because their new life takes on the form of running the long abandoned Fowler Brothers Funeral Home. The locals fear the place, and there are whispers around town that the land the home lies on is haunted. The Doyle family will soon discover that something lurks beneath the soil-something that raises rotten corpses from their long forgotten graves and feeds on death itself.