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The Eagle is a reassuringly old-fashioned 'swords and sandals' romp directed by Last King of Scotland-helmer Kevin Macdonald. Shot at the same time as 2010's similarly-themed Centurion, the studio held onto The Eagle for nearly a year to avoid a schedule clash, and for good reason, as both films share similar DNA.
Inspired by 'The Eagle of the Ninth', a much-loved kid's historical adventure novel by Rosemary Sutcliff, both The Eagle and Centurion feature the mysterious disappearance of a Roman legion in northern Britain at the heart of their tales - but told from different angles - with The Eagle being more of a direct adaptation of the source material.
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Universal Solider: A New Beginning
Action fans, the wait is over. Dolph Lundgren and Jean-Claude Van Damme have finally re-teamed for Universal Soldier: A New Beginning, the sequel to their 1992 hit Universal Soldier. But although the stars are older and wiser this time around, the results aren't necessarily better.
The original concerned a squad of super-soldiers who are stronger, fitter and faster than the average man, and who operate without conscience or hesitation. Directed by Roland Emmerich, the film was essentially an excuse to pit two of the biggest action stars of the day against each other, and for that very reason was a blast from start-to-finish.
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When rock historians and biographers cover John Lennon, they usually wind up defining him and the periods of his life in terms of his relationships from his time spent collaborating on some of the twentieth century's greatest pop songs with The Beatles and the next phase of his life spent as a peace activist and artist alongside true love Yoko Ono.
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Star Wars: The Clone Wars
Well, Star Wars: Clone Wars was released, and though it was a much anticipated event (or ploy) to get every Star Wars geek to the theater for something a little different, you might spend your money better on the Genndy Tartakovsky versions.
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Drizzle, rain, floods. England losing the Test series. Big Brother and pretty much everything on television. Really, it's been a dismal summer. Cinema's not been much help: even a great film such as The Bourne Ultimatum is hardly a barrel of laughs. Thank goodness, then, for Knocked Up.
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M. Night Shyamalan didn’t script or direct DEVIL—he was just one of the producers, and it’s based on his story—but since this is the film that may forever be remembered for turning “From the mind of M. Night…” into a viral punchline, it’s worth noting that DEVIL (billed as “The Night Chronicles 1” on screen, if no longer in the marketing materials) does mark something of a change in direction for the beleaguered auteur. Rather than build up to a heretofore concealed, big-surprise plot twist, this movie takes the different if ill-advised tack of explaining in advance what it’s all about.
Life During Wartime
In 1998, Todd Solondz's Happiness became one of the most talked-about and controversial indie films of the year - a black comedy that ventured into David Lynch territory to expose the rot underlying the placid exterior of suburbia. At the time, Happiness was cited as a breakthrough for the reclusive Solondz but, over the course of the next decade, his career has stalled. During the '00s, he made only two movies - the poorly focused Storytelling and the gimmicky Palindromes. Life During Wartime, a direct sequel to Happiness, feels like the attempt of a once-promising filmmaker to recapture some old magic. Thematically, the movie covers the same ground furrowed by its predecessor. Shorter in length and with fewer richly-drawn characters, Life During Wartime relies on uncomfortable black humor and moments of sincere drama to involve viewers. But everything is encased in artifice and the movie becomes a chore to take in.
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13 Going on 30
There's something irresistible about a displaced consciousness story, whether it's an adult occupying the body of a child, a child occupying the body of an adult, or a gender switch. 13 Going on 30 belongs to the same sub-genre as Big, although many of the particulars are different. As films of this sort go, this one is solidly entertaining. It requires that the viewer exhibit a fair amount of willing suspension of disbelief, but buying into the essential premise is more than half the battle. Accept the magic that transports the mind of a 13-year old girl into the future body of her 30-year old self, and little else that director Gary Winick throws out will be difficult to swallow.
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Die Hard with a Vengeance
Perhaps the best way to describe the third segment in the popular Die Hard series is by comparing it to the previous two. That should give an adequate assessment of how far the adventures of John McClane (Bruce Willis) have fallen. The original Die Hard took place in the confined space of a high rise building. The first sequel widened the field to an airport. This one zigs and zags all across New York City. Apparently, the greater the scope, the less engaging the movie. Then there's the character of Holly McClane, played with warmth and appeal by Bonnie Bedelia. She and John had a lot of interaction in the original. In part two, they were separated by the few thousand feet, but she was still there, circling Dulles International Airport in a plane low on fuel. In Die Hard with a Vengeance, Holly is nowhere to be seen. These things, amongst larger issues (like script quality), help explain why the second Die Hard wasn't quite as good as the first, and why this installment doesn't deserve to be mentioned in the same breath as the 1988 and 1990 episodes.
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It's not often that a slasher/thriller is released by a recognized distributor of art-house fare (in this case, Sony Pictures Classics), but that's the case with Mute Witness. Of course, it's somewhat unfair to pigeon-hole this movie by using the word "slasher", since that term conjures images of Friday the Thirteenth, and this picture aims considerably higher. In approach and execution, if not in content, Mute Witness belongs in the same category as another low-budget edge-of-the-seater: The Stepfather.
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The film begins with a man trying to escape through the forest from the pursuing knight. Just as the knight catches him and hits him with the sword the man disappears. Soon after that the man is discovered barely alive in the middle of the desert, only able to tell a single word - Castlegard. He dies shortly after being transferred to the hospital. One of the physicians discovers a pendant around his neck with the ITC Corp. label. The X-ray photos show many internal organs, veins and bones are out of alignment for an unknown reason. Soon after that an ITC Corp. employee shows up and identifies the dead man as Vincent Taub. He picks up his body and the company decides to cover up the incident.
Set in the New York club scene of the late 1980s thru the 1990s, a tale which chronicles the rise and fall of club-kid promoter Michael Alig, a party organizer, whose extravagant life was sent spiralling downward when he boasted on television that he had killed his friend, roommate, and drug dealer, Angel Melendez. Originally from Indiana, Alig moved to New York, and came to be an underground legend, known for his excessive drug use and outrageous behavior in the club world. At his peak, he had his own record label, and magazine, and hosted Disco 2000, one of the biggest club nights in New York in the 90s. He was doing a lot of drugs, and as his addiction got worse, his party themes became darker and more twisted. Aligs saga reached its tragic crescendo when he viciously murdered his drug dealer, Angel, by injecting him with Drano and throwing him in the East River. The power he wielded on the club scene made him feel untouchable, so he didnt hestitate to boast of the murder. The press thought it was a publicity stunt--until Angels body washed ashore.
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The Mudge Boy
Duncan Mudge (Emile Hirsch) is a shy, isolated, sexually confused farm boy whose mother has recently died, leaving him under the supervision of a stern, depressed father. Duncan seems somehow to have transferred his love for the deceased mother to his favorite chicken, which he takes everywhere, even to bed. He has developed the odd habit of putting the chicken's head in his mouth -- to calm the animal, he says. Duncan also likes to dress in his late mother's clothing, much to the distress of his confused father. The small, insular band of redneck teens that comprise adolescent social life in Duncan's world initially ostracize him, then allow him in to their circle only reluctantly, and largely for their own amusement. Duncan is beset with a profound sense of grief while trying to reconcile himself to a world in which he is a sexual alien. His crush on one of the local kids, Perry (Tom Guiry), leads to a resolution of sorts.
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In 1989, a breakthrough in advanced parasitic research on Cuttyhunk Island, gave scientists a jump in human evolution. Initial tests proved promising as subjects were experiencing heightened physical and mental strength and awareness. But, something in the experiment went horribly wrong and the island mysteriously lost three quarters of its population. Jamie Akerman fled the outbreak, which took her mothers life, twenty years ago. She now returns with her boyfriend and step brother, to sell the family property. There, they uncover the key to Jamies disturbing past, and the horrifying secrets long suppressed by the town leader, Larkin. Now, a new strain of parasite has emerged, and threatens the island once again. Jamie struggles to survive and escape the obsessive pursuit of the local islanders who know that she has inherited more than she could ever have imagined.
The Escort III
Cant find any description in the net. So ahh... Its some kind of a detective movie with lots of late nineties adult stars and some softcore scenes.
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Debbie Macomber has been knitting since the age of twelve. In addition to being a 1 New York Times fiction bestsellerwith books translated into twenty-three languagesshe lends her name to a dozen pattern and craft books and has her own line of knitting products. Debbie and her husband, Wayne, have four children and eight grandchildren and split their time between Washington State and Florida.
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