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Antichrist, like many films by its Danish director Lars von Trier, has had the foaming-mouthed witch burners of the popular press out in full, end-of-the-world effect. It is, they hiss and scream with the moral certainty of which only the most self-regarding ideologues are ever capable, a work of pornography.
The cinema of Bernardo Bertolucci has provided the meat of many a heated film debate since his emergence in the 1970ís. Those with a soft spot for European cinema have always maintained that his work, even at itís most grandiloquent, deserves to be included in the pantheon of post-war classics. Those with sympathies more firmly lodged on the west coast of America have used the dreaded P word (amongst others) to describe the Italianís output. Wherever your loyalties lie itís impossible to ignore the buzz his films still command. He is one of only a handful of international directors whose name on the poster is the key selling point for the film, regardless of whoís starring in it, or what itís about.
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With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time. If you think there are rules for this sort of motion picture, guess again. And it's not just that Tarantino is using the spaghetti western as his template; it's that the sheer unpredictability of where all this is going makes it compelling from beginning to end. Even the film's occasional artistic flourishes (such as chapter titles and out-of-period music pieces) work within the context of what Tarantino is trying to accomplish. This is clearly an attempt by the director to expand his range and step outside of the comfort zone in which he has worked for the majority of his career.
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Miss Pettigrew Lives for a Day
Amy Adams must enjoy fairy tales - this is the second one in which she has appeared during the last six months. Although Miss Pettigrew Lives for a Day differs substantially in many key areas from Enchanted, both movies are anchored by Adams, whose beauty, charisma, and infectious energy make them compulsively watchable. Miss Pettigrew is a female buddy movie frosted with elements of whimsy and a little romance. Its setting of London during the latter years of the Great Depression allows its fanciful edge to meld with a bittersweet element of nostalgia. (Odd how one of the most widespread periods of human suffering during the 20th century has been romanticized over the years.) Miss Pettigrew is a feel-good production that strives and succeeds to put smiles on the faces of its viewers.
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What Planet Are You From?
Ever had the feeling that you're not getting the whole story? That's what it's like to watch What Planet Are You From?, which suffers from the kind of editing job that indicates a cluttered cutting room floor. The product that survived appears to be held together with glue and staples - significant chunks of the plot have been excised, characters come and go with little rhyme or reason, and subplots vanish into thin air. Making sense of this movie is a feat that requires a nimble mind and a fertile imagination.
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Girl Next Door
The Girl Next Door builds up enough good will during its successful first half that we're willing to forgive some of the strange and disappointing convolutions the plot takes us through during the final 45 minutes. There are two primary reasons why it's not hard to recommend this likeable (albeit raunchy) romantic comedy: director Luke Greenfield and his screenwriters have a genuine feel of what it's like to be a high school outsider, and it's been a long time since there has been as appealing a young couple as Emile Hirsch and Elisha Cuthbert. (He's 18 and she's 21, and they play characters who match their real-life ages.)
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In the tradition of Shattered Glass and Catch Me if You Can, The Hoax presents the anatomy of an audacious con artist and illustrates how the sin eventually catches up with the sinner. Due to an uneven tone, various unresolved plot threads, and a sense that a few too many liberties are being taken with the facts of the case, The Hoax falls a notch below those other films. It is neither as entertaining nor as involving, and the main character isn't as complex or sympathetic. For director Lasse Hallström, this represents another near-miss on a resume that is fast becoming crowded with them.
eXistenZ, the latest from iconoclastic director David Cronenberg (Crash, Dead Ringers, The Fly), looks at the dangers of virtual reality. The movie seems to have been designed as a cautionary tale, and, as such, contains elements of pointed satire. Unfortunately, the production as a whole has a disjointed feel, and the flaw is compounded by several ill-advised casting decisions, a meandering middle act, and an ending that cheats the audience by employing the kind of plot twist that just about anyone can see coming from a mile away. Because of the potential of the idea and Cronenberg's reputation as a film maker, it's a real disappointment to watch eXistenZ fall apart the way it does.
Spoiler is one of the most depressing movies I've ever seen. That doesn't necessarily mean it's a bad movie - there are many good movies that happen to be given that label. One of my favorite movies is Seconds, a drama with science fiction overtones starring Rock Hudson, that has been called one of the most depressing movies ever made. Spoiler, however, is different from almost all depressing movies by it not really being a drama, but more of a science fiction tale with action/adventure overtones. Plus, the star of the movie is B movie martial arts star Gary Daniels - not exactly the kind of person you'd expect to be in a downbeat movie such as this. Especially since his martial art talents are pretty much ignored here.
Dr. Dolittle 3
Maya Dolittle, the Doctor's youngest daughter, has inherited her father's gift for talking to animals, but so far it's brought her nothing but trouble. So, Maya heads to Durango summer camp to get in touch with her abilities.
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In 3028 AD, humanity has developed deep-space travel. An experimental discovery called Project Titan has caused the Drej, a malevolent, energy-based species, to become alarmed. Fearing humans will become the dominant species in the galaxy, the Drej declare war on humanity. As the Drej are about to destroy Earth, Professor Sam Tucker (Ron Perlman), the lead researcher for Project Titan, gives his son, Cale (Alex D. Linz), a ring and sends Cale on one of the evacuation ships with his alien friend, Tek (Tone Loc). Meanwhile, Sam and other members of his team fly the Titan spacecraft from Earth and into hyperspace. Earth is destroyed, and the remainder of the humans become drifters, generally ridiculed by other species.
Fifteen years after Earth's destruction, Cale (Matt Damon) works in a salvage yard in the Tau 14 asteroid belt alongside Tek. Cale meets Joseph Korso (Bill Pullman), a human captain who requests Cale's help to find the Titan. He shows Cale how his ring contains a map to the Titan. It is genetically-encoded to Cale's father and will also respond to Cale himself, making him the only chance for humanity's future. Cale and Korso escape to Korso's ship as the Drej arrive and attempt pursuit.
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The movie begins with Detective Sergeant (DS) Tom Brant (Jason Statham), a hot headed police officer of turbulent South East London station, beating up 3 youngsters who were trying to steal a car.
Brant is approached by PC Elizabeth Falls (Zawe Ashton) asking to help her in passing Sergeant's exam. Brant advises her to give it some time as she had been out of the rehab recently (previously she was working undercover for Drug Squad and hence got addicted). Brant is also warned by his superior to control his actions, which include bugging the Superintendent's Office, beating a person unconscious in a billiards hall and the earlier assault on the 3 youths.
Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy Fat Dog Baker wanders into Fritzs office one day, flashing a wad of cash, Fritz is hired to follow Fat Dogs kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that Solly K is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force. But what is Cathcart doing in business with a mobster? And why is Jane shacked up with a man old enough to be her grandfather? Fritz starts asking some questions, and the answers are all bad news. Fritz finds himself back on Haywood Cathcarts short list, and as the bodies start to pile up around him, Fritz stands to lose more than his job this time around as some old debts get repaid.
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In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the countrys most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. In 1939, the aristocratic Lady Sarah Ashley travels from Great Britain to Australia to meet her husband Maitland Ashley in northern Australia. The husbands drover comes to the city of Darwin to bring Sarah to their farm however, when they reach Faraway Downs Farm, they find that Maitland was murdered. Sarah befriends Nullah, who tells her that the administrator Neil Fletcher is stealing her cattle has killed her husband and is working for the cattle baron King Carney. Sarah fires Fletcher and his men and together with Drover, Nullah and a group of loyal employees, they ride together to take the cattle to supply the army and win a tender in times of war. But the ambitious Fletcher has other intentions and uses Nullah to press Sarah.
Breaking Up Is Hard to Do
Vince and Shonda have come to the proverbial end of their ropes with one another. Set in Atlanta during the 2008 Presidential Election season, Breaking Up Is Hard To Do is the touching story of what happens when two people feel they have nothing more to give to a relationship. A funny and intimate look at how people fall in love and what it takes to stay there, Breaking Up Is Hard To Do touches on the reality of the outside forces that can make or break a relationship. They say the truth will set you free, but when Shonda and Vince are armed with the truth, will they use it to set themselves free for once and for all?
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L: Change the World
A spin-off of the popular Death Note films, L Change The World focuses on the legendary detective L as he uses his final 23 days to solve crimes all over the world. When a young girl and boy come to him for aid, L is soon faced with what may be his most difficult case yet stopping a group of corrupted scientists from spreading a lethal virus throughout the earth.
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