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If nothing else, Ninja Assassin is true to its title. There are ninjas, and yes, they assassinate the hell out of people. And if that's all that you're looking for in this stylized action flick, then certainly the film will deliver on the promise of its title. But if you're looking for anything resembling an actual movie -- with a story, a plot, performances, nuance, etc. -- you'll likely find yourself at least mildly disappointed once the blood begins to dry.
The film opens with a bang, kicking off in a Yakuza nightclub where an envelope containing only black sand is delivered to the gangster in charge. After a long monologue by an old tattoo artist about the violence that erupted the last time he saw such an envelope, the ninja strikes, emerging from the shadows to slice and dice his way through an army of gun-shooting henchmen. There is, of course, much beheading and vivisecting and fake CGI blood, and at least in this opening sequence -- as over-acted as it all may be -- there's a fair amount of martial arts awesomeness, as well. It's only in the next sequence, when this over-long action set piece attempts to be an actual movie, that things go so horribly awry.
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Nick and Norah's Infinite Playlist
Nick and Norah have the kind of lives any suburban teenager would envy-- for one night, at least. Wandering from dingy club to slightly dingier club, across what remains of Manhattan's gritty East Village, the two wax poetic about their favorite bands, engage in the usual battle of the sexes and, what would you know, fall in love. Nick and Norah's Infinite Playlist, based on the popular young adult novel of the same name, is a surprisingly timeless story given its hip trappings, and will enthrall teen viewers who imagine such a adventurous, music-fueled life for themselves.
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Every once and a great while you watch a film and for some reason you know you shouldn't be liking it. It's just so cheesy, so over the top, so obvious, and just over all cheesy. But whenever I see movies like that it brings me back to my favorite time in horror history, the 80s. Films during that period were great because all they really needed to have was some boobs and some blood. They were all shot on film and had at least a half way decent plot. The good ones anyway. Devils Den is definetly one of those movies that you just grab a couple of friends, pick up a keg, sit back and enjoy.
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In the Bedroom
In the Bedroom is arguably one of the year's most anticipated independent releases - a movie whose incessant buzz at Sundance carried it at the crest of a wave to Toronto, then placed it in theaters before the end of the year. For those unable to catch it at a festival, the mainstream release is unquestionably worth the wait.
The feature debut of Todd Field, In the Bedroom deals with issues that are rarely approached with this degree of sensitivity on film. The movie, which transpires in Maine, stars Tom Wilkinson and Sissy Spacek as Matt and Ruth Fowler, a seemingly perfect middle-aged couple. Their only son, Frank (Nick Stahl), is spending the summer on a boat lobstering before going off to an Ivy League school in the fall. His latest girlfriend, Natalie Strout (Marisa Tomei), is a much older woman with two young children. These characters are bound together when a criminal act results in a tragedy.
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Saw is for hard-gore horror aficionados only. To appreciate Saw in its full gory, you have to have a penchant for productions that bask in the traditions of the Grand Guignol. While most of the film relies more on psychological tension and terror, there's plenty of gut-churning, visceral violence, especially during the final 15 minutes. That's the time period when James Wan's otherwise compelling feature goes a little too far over the top, veering out of its David Fincher-inspired darkness into the realm of self-parody. There's lots of blood, plenty of hysteria, and perhaps one twist too many. On the strength of a grippingly original concept and 90 strong minutes of building action, Saw gets a recommendation, but only if you like this kind of thing.
Far From Heaven
Welcome to the world of "Father Knows Best", white picket fences, and brilliant fall colors. Todd Haynes' Far From Heaven takes us to Hartford, Connecticut, circa 1957. However, unlike most traditional period piece dramas, the intention here isn't just to replicate an American community as it was a half-century ago, but to emulate that community as it would have been portrayed in a movie of the era. One of Haynes' goals in crafting Far From Heaven is to emulate the so-called "women's films" of Douglas Sirk. In terms of style, visual approach, and general thematic content, Haynes has come as close as it's possible to in re-creating a '50s domestic melodrama for '00s consumption.
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Ready to Wear
"[Ready to Wear/Pret-a-Porter] is just a silly little movie, it's not a serious epic. So just enjoy, laugh with it, have a good time. It's no big deal."
- Robert Altman, director of Ready to Wear
One wonders whether Robert Altman arrived at that conclusion before or after the much-anticipated Ready to Wear was complete. Despite some delicious moments, this sluggish, overlong, halfhearted satire feels like a movie that wanted to go somewhere but never got there. With punches pulled and fangs capped, this look at high fashion is not at all what was expected from the director of The Player, one of the most vicious and biting sendups of the last two decades.
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"It's my considered opinion that in the fullness of time, history will record the greatness of [Michael] Collins and it will be recorded at my expense."
-- Eamon De Valera, President of the Republic of Ireland, 1966
Of the more than five dozen films to be released this Fall, none is likely to generate more controversy than Neil Jordan's Michael Collins, a biopic of the man who co-founded the IRA and signed the 1921 treaty that partitioned Ireland and provoked the 1922 civil war. Even before its release, the film has fanned passions in the United Kingdom, where it has been tagged with such diverse labels as "ammunition for IRA recruiting sergeants and fund-raisers" (Ruth Dudley Edwards) and "as important a film as ever to be made in Ireland about Ireland" (Art Cosgrove). Opponents are as vocal in their condemnation of the movie as supporters are in their defense of it. Not unexpectedly, writer/director Neil Jordan has been obligated to affirm the picture's integrity, stating at the Toronto Film Festival that "Most of the people who accuse me of inflaming the peace process have no interest in the peace process whatsoever."
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Feast II: Sloppy Seconds
The film opens with brief clips from the previous installment which the survivors Bozo, Hot Wheels, and Tuffy/Heroine 2 driving off into the sunrise.
As the movie begins, Biker Queen discover the severed arm of Harley Mom from the previous film. Upon discovering the surviving Bartender, she tortures him into telling her who killed Harley Mom. He reveals that it was Bozo and points her to a town where he lives. She knocks Bartender out and takes him with her to the town.
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Back in the Day
In BACK IN THE DAY, Reggie Cooper, a young man from the rough side of the tracks who lives with his divorced, affluent father in order to avoid the gang activity that almost claimed his teenage life in his mothers neighborhood. When Reggie reconnects with a recently paroled friend from his past, he slips back into a life of crime with fatal consequences. Reggie becomes involved in the murder of a local preacher and in the aftermath of this crime, he falls in love with the preachers daughter. Ultimately, he must choose between losing everything he cares about and his lifelong loyalty to his oldest friend. BACK IN THE DAY chronicles the powerful story of one mans search for personal redemption.
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Offret aka The Sacrifice
Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happened at all.
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A day in the life of the employees of Empire Records. Except this is a day where everything comes to a head for a number of them facing personal crises - can they pull through together? And more importantly, can they keep their record store independent and not swallowed up by corporate greed?
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Gypsy Creeks 1 cop, Charles Gravytrain believes in three things Truth, Justice, and slapping the no good crook Jimmy Fish Eyes in the slammer for life! And with the help of his foxy new partner, big city cop Miss Uma Booma, he may do just that. But in a town that has more stinky secrets and slippery surprises than a tin of rotten sardines the only question remains...Wheres the Fish?!
Beautiful girls are dying at the hands of a deranged masked killer. Every kill is more brutal than the last. Worst of all, its happening live on camera.
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My Soul to Take
In the sleepy town of Riverton, legend tells of a serial killer who swore he would return to murder the seven children born the night he died. Now, 16 years later, people are disappearing again. Has the psychopath been reincarnated as one of the seven teens, or did he survive the night he was left for dead? Only one of the kids knows the answer. Adam Bug Heller (Max Thieriot) was supposed to die on the last night the Riverton Ripper wrecked havoc on that terrifying night. Unaware of terrifying crimes being committed to the seven children, he has been plagued by nightmares of their murders while not aware if they hold true or if he is simply imagining the images that haunt him. But if Bug hopes to save his friends from the monster thats returned, he must face an evil that wont rest...until it finishes the job it began the day he was born.
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Night of the Twisters
A Nebraska farm community is plagued by a storm with a series of tornados acting against normal patterns. Dan is left at home to look after his baby brother Ryan along with his friend Arthur while Dans mother is at work. His stepfather goes to check on his grandmother. When a tornado destroys the house, Dan and Arthur attempt to re-unite the family
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