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A Nightmare on Elm Street
We're not usually ones to advocate for more skin in a non-'skin-flick' (well, okay— we are), but this is one of those rare instances where a film broaches the risky 'too-serious' shooting style for a premise as implausible and silly as they come. What would fix this? Surely taking a deep breath and letting go of the pretence, embracing the silliness and giving people as much titillation as possible. Heck—it worked for Wes Craven's original film back in 1984 and again most recently with 'Jennifer's Body'. Unfortunately, 'A Nightmare on Elm Street' is neither as enjoyably schlock as the original or as slickly produced (and marketed) as the successful Megan Fox creature feature.
For those unfamiliar with the dubiously "classic" original, A Nightmare on Elm Street is a slasher-film in the purest sense, revolving around the killing of teens – and lots of them. The villain is the iconic Freddy Krueger, a being who haunts his victims in their dreams, breaking through to their waking lives to tear them apart with his single finger-bladed glove.
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An Italian family drama is as warm and familiar as taking a walk in the sun. It’s something that everyone can appreciate in some capacity and (for the most part) can come home having somewhat benefited from it. Ferzan Ozpetek’s latest offering is no exception, exploring themes of homosexuality and social norms as he’s known to do (2003’s Facing Windows an example). With a fluid and comedic style comes a film that understands its place in Italian society and doesn’t expect any less than complete competency from its audience.
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Anne (Rebecca Palmer) is a hottie bike messenger who has a rough one-nighter with Chris, a guy who claims to be a cop; feeling guilty about the whole thing, Anne decides to take a trip to the mountains with her white-bread boyfriend Michael in an attempt to smooth things over.
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The film opens to the sound of a woman's screams over a black screen. The narrative circle begins in a hospital maternity ward, where the unseen woman has just given birth to a baby girl. It will be her ruin, because her husband and in-laws are expecting a boy. This is the end of her brief story, but her name will be mysteriously heard once again at pic's end, in a police station.
Along Came Polly
Usually, the problem with romantic comedies is that, although the "romantic" part of the equation works, the "comedy" aspect falls flat. With Along Came Polly, it's the other way around. The film, written and directed by John Hamburg (Safe Men), has plenty of funny moments, but there's no chemistry between stars Ben Stiller and Jennifer Aniston. It's hard to accept that these two characters are, or even could be, in love. So, while the film is pleasant and sporadically entertaining, it can't be considered an unequivocal success.
The motivation behind Along Came Polly was to develop the same kind of charming, sweet, crudely funny mélange that made There's Something About Mary so wildly popular. To this end, Universal Pictures recruited the male lead of Mary, Ben Stiller, and paired him with the popular and talented Jennifer Aniston. However, although both of these actors are capable of building likable characters and generating laughs from the comedic material, they never connect. Thus, the ultimate payoff of any romantic movie - the unavoidable "happily ever after" moment - turns out to be flat.
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It has been said that one of the greatest fears expressed by human beings is to be suddenly struck blind - plunged into a blankness into which sound but no light can penetrate. Imagine this happening not to one person but to an entire population. Those who are blind from birth or lose their sight over time develop means of coping. In a case where vision is suddenly stripped away en masse, the result would be widespread panic. The degree to which society would crumble and fall into oblivion is a matter of individual interpretation, but this is the underlying premise of director Fernando Meirelles' Blindness, a dark, intellectually challenging adaptation of the novel by Jose Saramago. A meditation on isolation and primal urges, Blindness could loosely be classified as a post-apocalyptic story, but the "event" that occurs in this scenario isn't something as prosaic as a nuclear holocaust or a lethal plague. Instead, it's a sickness that renders everyone in the world blind except one woman. To quote Erasmus, "In the kingdom of the blind, the one-eyed man is king."
Dr. Dolittle 3
Maya Dolittle, the Doctor's youngest daughter, has inherited her father's gift for talking to animals, but so far it's brought her nothing but trouble. So, Maya heads to Durango summer camp to get in touch with her abilities.
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The Librarian: Quest for the Spear
Noah Wyle plays Flynn Carsen, a perpetual college student who has 22 academic degrees . Carsen’s professor kicks him out of college, telling Carsen that he lacks real life experience and needs to experience life outside of college. Carsen’s mother, Margie (Olympia Dukakis) is constantly worried about her son and encourages him to get a job, find a bride, and be happy.
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The film begins with a shaggy, candy-loving dog named Dougal trying to get sweets from a candy cart. He goes so far as to place a tack in the road to pop its tire, thinking to be rewarded for watching the cart. After convincing the driver to leave, Dougal is trying to decide which candy he will request when he accidentally starts the cart up again and causes it to collide with the titular magic roundabout at the center of the village. A blue jack-in-the-box-like creature emerges from the top and flies away, snatching a decorative Foot Guard figurine from the roundabout before leaving. The roundabout freezes over, trapping repairman Mr. Rusty, Dougal's young owner Florence, and two other children named Basil and Coral within an icy cell.
The 4th Tenor
Eternal bachelor Lupo plays the comical presenter to the musical acts in his own Italian restaurant Serenade Caf
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Driving Miss Daisy
Mrs. ("Miss") Daisy Werthan (Jessica Tandy), a 72-year-old Jewish widow, lives in Atlanta, Georgia, alone except for an African American housemaid named Idella (Esther Rolle). In 1948, after a driving mishap where her automobile is wrecked, Miss Daisy’s son, Boolie (Dan Aykroyd), tells her she will have to get a chauffeur because no insurance company will cover her. She refuses, but Boolie is determined to find her one. Meanwhile, she is stuck at home and is unable to run errands or visit friends.
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Flight of the Navigator
A 12 year old boy goes missing in 1978, only to reappear once more in 1986. In the eight years that have passed, David hasnt aged. It is no coincidence that at the time David comes back, a flying saucer is found, entangled in electricity cables.
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Good Day for It
A man forced to abandon his wife and daughter years earlier must risk his life to settle an old score and reunite his family.
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Addict actor and producer, Mark, is brought against his will from London to the rehab clinic Vista Clara run by psychologists Bill and his wife Kelly. Mark is addicted to drugs, booze and sex, and joins a few other drug addicts. When the treatment program requires the presence of their families, the clinic invites Marks wife Jane while Mark sends a private invitation to his girlfriend Pamela. The triangle of lovers brings friction between the women while Bill and Kelly have also problems in their relationship. After a fire, the truth about love and commitment is disclosed in Vista Clara.
Rayford Steele is an airline pilot whose relationship with his wife has gone sourhe ponders having an affair with an attractive flight attendant, Hattie Durham. In the midst of a flight to London, a number of their passengers mysteriously disappear, and chaos takes hold as a number of vehicles on the ground and in the air are suddenly unmanned. Meanwhile, Buck Williams, a television journalist, is pondering the rash of sudden disappearances as he works on a report about Dr. Chaim Rosenzweig, an Israeli scientist who has devised a formula that would make any soil on earth easy to cultivate. However, Buck wonders if theres more to Rosenzweig than he first imagined when he discovers the doctor is in cahoots with two multi-millionaires who plan to broker the invention to promote their own agenda of international domination.
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Motive is an edgy thriller that centers around Emery Simms, a highly educated and successful business tycoon who happens to be married to the quintessential wife Constance. Things go dangerously awry when the thrill seeking Emery engages in an adulterous fling with the wildly free-spirited and exotic Allanah. Timing couldnt be any worse when the politics of high society, shady business deals, bad press, and a violent murder collide, they threaten to destroy more than just his shaky marriage. As police probe into his situation, they uncover a labyrinth of deception, agendas and motives, where the stakes are enormous and nothing is what it seems.