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Flickan Som Lekte Med Elden
Taking place more than a year after weíve left Lisbeth Salander (Noomi Rapace) and journalist Mikael Blomkvist (Michael Nyqvist) in The Girl with the Dragon Tattoo, Flickan som lekte med elden [The Girl Who Played with Fire] begins with two halves of a sprawling story soon to bring them back together. For the first two-thirds, Iíd almost say one doesnít have to watch the first installment of Stieg Larssonís Millennium Trilogy because this entry has its own case of men hating on women, the characters being the bridge connecting them. Itís nice to know, though, why an accomplished journalist would so adamantly believe a Goth, surely mentally imbalanced girl with violence in her background isnít the culprit of the triple homicide she is being hunted for and there are also a few little tidbits, able to be glossed over, that add detail to the proceedings if youíre in on the game. Once the final act commences, however, you realize just how caught in the web everything youíve seen is, turning this seemingly one-off detective case of falsely accused murder into a crucial look at Lisbeth, shedding light on how she became the creature she is.
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Guy Ritchie Ė who created the mockney gangster flick with his hugely successful comedic crime capers Lock Stock and Two Smoking Barrels and Snatch - has spent the last few years in the cinematic wilderness. His previous two films were Swept Away - a god-awful miss-fire starring his new missus, Madonna, and Revolver - a pretentious slice of cinematic clap-trap that was constantly in danger of disappearing up its own arse.
The key to making a successful formula motion picture is to infuse it with energy and add a few original elements. The overall product might seem familiar but that doesn't mean it can't be an enjoyable viewing experience. This is true regardless of the formula: underdog sports hero, boy meets girl, or unconventional teacher who makes a difference. Freedom Writers falls into the latter category and, as often seems to be the case with movies of this genre, it is based on a true story. Writer/director Richard LaGravenese (whose previous screenplays include The Fisher King and The Bridges of Madison County) does what competent filmmakers do with these Dangerous Minds tales - he takes the basic facts and massages them until they are suitably cinematic. The MTV imprimatur indicates the movie is being targeted at teenagers.
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Deck the Halls
Think of every bad scene from every bad Christmas movie ever made. Now mix them all together however you like and toss them up on a movie screen. The end result, I promise you, will still be a better film than Deck the Halls, an incredible mess of a film starring Matthew Broderick, Danny DeVito, Kristin Davis and Kristin Chenoweth. The four leads all seem vaguely embarrassed to be seen in this film (and they should be), as if they kind of hope you won't notice it's them up there. If I took all twelve days of Christmas, I still couldn't enumerate all the ways in which this is a truly atrocious movie, but I'll do my best to give you a general idea.
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Rush Hour 2
While the rules of the buddy/action comedy are significantly different from those of the romantic comedy, one key ingredient is common to both popular genres: that of chemistry between the leads. Unfortunately, while both motormouthed Chris Tucker and rubber limbed Jackie Chan are energetic and charismatic in their own right, they mix as well as oil and water. Yes, their characters - Hong Kong Detective Inspector Lee and LAPD's Detective James Carter - are supposed to be mismatched. The problem is that the actors seem to be less in synch than their on-screen alter egos. There's more going on between sizzling Roselyn Sanchez and Chan, who only share a handful of scenes, than between Chan and Tucker.
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Docu-drama based on the life of Ted Bundy, a serial killer who killed at least 19 young women during the 1970s (though some sources say as many as 30 to 35 were murdered). Set from his college student years, to his first victims, his capture, escape from prison (twice), his final killing spree to his trial, conviction and execution.
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Frida begins with the traumatic accident Frida Kahlo (Salma Hayek) suffered at the age of 18 when a car trolley collided with a bus she was riding. She is impaled by a metal pole and the injuries she sustained plague her for the rest of her life. To help her through convalescence, her father brings her a canvas upon which to start painting. Throughout the film, a scene starts as a painting, then slowly dissolves into a live-action scene with actors.
The Battle of Shaker Heights
The plot revolves around Kelly Ernswiler (Shia La Beouf), a young war reenactment enthusiast, who works at his local store with love interest Sarah (Shiri Appleby) and his friend, Bart Bowland (Elden Henson) as they use military strategy against high school bully Lance (Billy Kay). Kelly's father, Abe (William Sadler), works with drug addicts, being clean himself for over 5 years, which is scorned by an angry Kelly, who, when told this, replies, "So what? I've been clean the whole time." His mother, Eve (Kathleen Quinlan), is a commercial artist who works out of their garage and is desperate for Kelly to forgive his father. When confronted as to when he is going to forgive him, Kelly replies, "I'll forgive him when I can go to college. But I can't, can I, because he used all my college fund to buy Mexican Black Tar." Kelly is furious at his father for the torture he put him through.
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Adam (Leigh Whannell), a photographer, awakens in a water-filled tub and finds himself in a disused bathroom along with Dr. Lawrence Gordon (Cary Elwes), an oncologist. Both men are chained at the ankle to the pipes at opposite ends of the room. Lying between them is a corpse in a small pool of blood holding a revolver and a microcassette recorder. Adam and Lawrence learn from tapes in their pockets that Adam must escape the bathroom, while Lawrence must kill Adam before six o'clock, or he'll lose his wife and daughter and be left to die. Lawrence's tape also implies that the corpse between them was a similar victim who shot himself before succumbing to the effects of a poison. They find a bag containing two hacksaws, though neither is able to cut through the chains. Lawrence realizes that the saws are meant to be used on their feet.
A Roof Overhead
The decision taken by the hospitals council board of early releasing the neurotics and depressed, throw Mona 36 and Cathy 30 in the real world....
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Get Smart's Bruce and Lloyd Out of Control
This film takes place during the events of Get Smart. Bruce and Lloyd have been testing out an invisibility cloak, but during a party, Maraguayan agent Isabelle steals it for El Presidente. Now, Bruce and Lloyd must find the cloak on their own because the only non-compromised agents, Agent 99 and Agent 86 (Max Smart) are in Russia. With no field experience, Bruce and Lloyd must learn how to get a girl and infiltrate the Maraguayan Embassy to prevent Maraguay from selling the cloak to KAOS.
The film includes a cameo by Anne Hathaway as Agent 99 (a scene that makes reference to events in the main film), Terry Crews as Agent 91, and a brief appearance by Patrick Warburton as the android Hymie. Larry Miller plays a dual role as the "Underchief" in charge of the R&D department, and his twin brother, a CIA official (Miller appears as the CIA official in the theatrical film). The closing credits incorporate bloopers and deleted scenes.
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The Family Man
Jack Campbell is a single, wealthy Wall Street Executive living the high life in New York City. He is in the midst of putting together a billion dollar merger and has ordered an emergency meeting on Christmas day to ensure its success. Family clearly has no meaning for him. In his office on Christmas Eve, he is surprised to hear that his former girlfriend, Kate, tried to call him after many years. After reminiscing a bit, he walks into a convenience store where a lottery contestant, Cash, barges in saying that he has a winning ticket. The store clerk believes that Cash is lying and refuses to give him his winnings. Cash pulls out a gun and is about to shoot the clerk before Jack offers to buy the ticket from him, thus averting disaster. He and Cash settle their business deal outside and he arrogantly offers to help Cash before going to sleep in his penthouse.
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Close Encounters of the Third Kind
Cableman Roy Neary is one of several people who experience a close encounter of the first kind, witnessing UFOs flying through the night sky. He is subsequently haunted by a mountainlike image in his head and becomes obsessed with discovering what it represents, putting severe strain on his marriage. Meanwhile, government agents around the world have a close encounter of the second kind, discovering physical evidence of otherworldly visitors in the form of military vehicles that went missing decades ago suddenly appearing in the middle of nowhere. Roy and the agents both follow the clues they have been given to reach a site where they will have a close encounter of the third kind contact.
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The demon clown Killjoy is resurrected once again, but this time he is not given the name of his victim and is trapped in his realm. Using a magic mirror he lures four unsuspecting college students into his realm where he can have his macabre fun! A mysterious man returns and we finally discover who Killjoys true target is!
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A group of nerdy college guys who cant seem to connect with girls their own age discover the excitement of hooking up with sexy older women.
My Life as McDull
Surprise winner of the FIPRESCI prize at the 26th Hong Kong International Film Festival (2002). Based on characters from a successful series of comic books by co-creators Alice Mak and Brian Tse, the film is told in voice-over by the mature McDull, a piglet in a world populated by both cute animals and humans. The narrative is constructed from several intertitled set pieces involving McDulls birth, education, and training as would-be Olympian, with excursions to his mothers TV cooking show, the Maldives, and other bits of whimsy. Musical accompaniment is provided by a series of adorably jovial nonsense songs set to ruminatively elegiac classical piano pieces by Schubert and Schumann. The photo-realistically animated cityscapes, saturated with remarkable detail, are dazzling. Whats beautiful in the film, is the depth of creativity the filmmakers joyfully deploy in the play of different kinds of images. As the adult McDulls perspective begins to dominate the narrative, the animation gives way to live action. McDull isnt a piglet at all, but a normal, if somewhat intellectually limited, little boy, whose typically ambitious mother pushes him into fabricating a dream world as compensation for her relentless pressure for success. He uses this world to exercise his own creativity in comfort, but ends up disgruntled by what he terms, in a striking closing monologue, this sordid world, this is not so dreamy, not so funny a world. Thankfully, the film doesnt leave him alone facing disillusionment. Moving from fantasy to reality, from a childhood saturated with freely self-deceiving invention to sober self-recognition, McDulls life is, by extension, Hong Kongs. The film, however, proposes that the task of maturity is to start anew, and to use disappointment as a springboard to a fresh beginning. (Excerpts from the review by Shelly Kraicer). The movie is in Chinese, with optional English or Chinese subtitles.
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