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Before seeing Jackass 3D, I only knew the franchise by reputation. I never watched the show or saw the first two movies. I was familiar with the premise: guys torture themselves for our amusement. The intellectual in me (tiny as he may be) always scoffed at the subject. “What a sad commentary on the state of entertainment in post-modern American (cue snobbish laugh)”. But then I remember that I watch Tosh.0 every week and seeing the self-inflected misfortunes of others makes me giggle. With that in mind, I went to see Jackass 3D and got exactly what I expected. While the 3D is only used effectively for about a quarter of the film’s sketches (particularly the first and last sketch), most of the gags are clever and some of the gags will make you gag. But there is no mistaking Jackass 3D, even if this is the first time you’ve stared into their abyss of pain.
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No Country for Old Men
“No Country for Old Men,” adapted by Joel and Ethan Coen from Cormac McCarthy’s novel, is bleak, scary and relentlessly violent. At its center is a figure of evil so calm, so extreme, so implacable that to hear his voice is to feel the temperature in the theater drop.
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A Sad Trumpet Ballad
Alex de la Iglesia is also the President of the Spanish Film Academy , is a filmmaker whose titles have planted a special mark in Spanish cinema. In it are titles such as Perdita Durango, The community or the day of the beast and, most recently, crimes Oxford .
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It's one of life's bitter ironies that one of the first things lost to moral certainty is the capacity for compassion. Righteousness is a cold, hard position, and an unshakeable one. It allows no room for one of the most basic tenants of human existence: doubt. Faith exists not in counterpoint to certainty but to doubt. And those in religious institutions who wish to commune with their fellows must never lose sight of the fact that doubt defines and binds us. Few of us have the capacity to defend a position of uncompromising certainty.
To sum up Alexander in three words, I would choose the following: three-hour miscalculation. Although some aspects of Oliver Stone's sword-and-sandals epic are worthy of mention (and even praise), they are dwarfed by the missteps and examples of bad judgment. Instead of delivering a mainstream tale of battle and glory along the lines of Gladiator, Stone decided to re-imagine the great Alexander as a Hamlet-like figure. Rather than developing the title character as a larger-than-life individual whose flaws give him a more rounded personality, Stone turns Alexander into a character who is defined by those flaws. He is weak, indecisive, plagued by self-doubt, and obsessed. It's not credible that a man of this nature could conquer 90% of the known world by the age of 32, and therein lies Alexander's conundrum. By de-mythologizing Alexander, Stone has turned him into an unbelievable individual. We accept great deeds from great people, not from sniveling whiners.
Because I Said So
Because I Said So is a made-to-order romantic comedy of the type "B" variety (that's the one where the heroine is torn between the socially and financially "ideal" guy and the one who really makes her happy). As I have previously written, a formulaic approach is not always a bad thing in a romantic comedy provided the screenplay shows moderate intelligence, the characters are appealing, and there's chemistry between the leads. Fortunately, Because I Said So satisfies these criteria. So, despite being rooted firmly in "chick flick" territory (with a high "cuteness" index), it has the capacity to please to viewers of both genders who appreciate the genre.
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The Boys & Girl From County Clare
In the late '60s, two brothers return to their hometown for the annual All-Ireland finals for traditional Irish Ceili (folk) music. Jimmy (Colm Meany) and John Joe (Bernard Hill) will do anything to keep the other one's band from winning the contest, but amidst the proceedings, new revelations come out about their past, as the beautiful violin player from John Joe's band (Andrea Corr) falls for the flute player in Jimmy's band.
Director John Irvin is best known for war films like Hamburger Hill and Dogs of War, so it's a surprise to see his name on a movie like The Boys & Girl From County Clare, which is about as far as removed from his other films as is possible. It's more impressive that he does a better job with this warm comedy than he has with other forays into other genres.
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Eat Drink Man Woman
"Everything is much different in Eat Drink Man Woman than the other films I've made. It has a bigger cast and a lot more complex story line... I started thinking about families and how they communicate. Sometimes the things children need to hear most are often the things that parents find hardest to say, and vice versa. When that happens, we resort to ritual. For the Chu family, the ritual is the Sunday dinner... At each dinner the family comes together and then something happens that pushes them farther apart."
- Ang Lee, writer/director of Eat Drink Man Woman
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The alien is the result of the SETI (Search for Extra Terrestrial Intelligence) program. Earth's scientists sent out transmissions with information about Earth and its inhabitants, DNA structure, etc., in hopes of finding life beyond Earth. They then receive transmissions from an alien source on how to create endless fuel effortlessly. Therefore, the scientists assume that this is a friendly alien species. But from a second alien transmission, the scientists receive information about an alien DNA along with instructions on how to splice it with human DNA. A government team led by Xavier Fitch (Ben Kingsley) goes forward with the genetic experiment hoping to induce a female with "more docile and controllable" traits. One of the hundred experimental ova produces a girl named Sil, who looks like a normal human but develops into a 12-year old in 3 months.
Despite its enormously entertaining action sequences and generally high level of energy, Drop Zone has a major draw back: it doesn't make sense. This is a classic example of a script apparently constructed as an afterthought to accommodate the skydiving, fight, and chase scenes. The plot, to put it frankly, is complete rubbish, with far too much time devoted to fruitless attempts at explaining and developing it.
Most recently, skydiving was used to drive Terminal Velocity, and, while no one is going to nominate Drop Zone for an award, it's a more enjoyable way to spend ninety-plus minutes -- assuming you're for some reason forced to choose between the two. Then again, no matter what the arena, Wesley Snipes can act rings around Charlie Sheen, and John Badham (Wargames) is a somewhat more accomplished director than Velocity's Deran Sarafian.
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The Man Who Would Be King
This adaptation of the famous short story by Rudyard Kipling tells the story of Daniel Dravot and Peachy Carnahan, two ex-soldiers in India when it was under British rule. They decide that the country is too small for them, so they head off to Kafiristan in order to become Kings in their own right. Kipling is seen as a character that was there at the beginning, and at the end of this glorious tale.
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With only four days until the bar exam, an utterly unprepared law intern, Rick Robinson (Ben Gourley), is given a rare opportunity to score points with his boss, Maxwell McAllister (Rutger Hauer) and without thinking, commits to a favor he can't afford. Rick soon finds himself stuck in a grueling cross country road trip driving a rundown U-Haul truck carrying all his boss's worldly possessions. To make matters worse, he is left in charge of Mr. McAllister's bratty Hollywood-bound niece Michelle (Mila Kunis) and her out-of-control pet pig.
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On the front lines of Americas drug war, one family is living in the crossfire.
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AVH: Alien vs. Hunter
A galactic hunter chases the most dangerous alien creature in the universe to planet Earth, where humanity is caught between predator and prey.
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Mock Up on Mu
Filmmaker Craig Baldwin offers a bracing mixture of fantasy, fact and bizarre speculation in this satiric science fiction story which features both real-life and fictional characters as well as footage from vintage sci-fi flicks amidst new ...
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Night Of The Demons
A group of kids go to a Halloween party, only to have to face down a group of demons.
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