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Indiana Jones and the Kingdom of the Crystal Skull
It's not that Indiana Jones and the Kingdom of the Crystal Skull, exhumed after 19 years to be the fourth in this series, is bad, exactly. But it's undeniably creaky.
At its world premiere in Cannes, the audience cheered it in advance, even breaking into a wordless singing of its theme tune. But they ended up laughing at moments that weren’t intentionally funny, and they seemed listless for long spells. Their response at the end was polite but muted.
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The modern serial killer thriller, as established in 1991 by Jonathan Demme's expert The Silence of the Lambs and then further in 1995 by David Fincher's superb Se7en, has deteriorated into an uninventive collection of familiar tricks, tropes and tiresomely murky cinematography. If regurgitation has become the genre's guiding principle, there are far worse sources to plagiarize than the canon of Alfred Hitchcock, which is more or less what first-time writer-director David Ondaatje does with The Lodger, a modern update of the 1913 Marie Belloc Lowndes-penned mystery that was the basis for Hitch's 1927 silent film The Lodger: A Story of the London Fog. Predictably, the results aren't nearly as inspired when viewed in direct comparison. Worse still, they're also not inspired when viewed through the prism of the past two decades' worth of likeminded cinema (and the network-TV behemoth C.S.I.). Stolidly including every cliché in sight while failing to keep things tense or intriguing, it's a film that deviates not an inch from its rickety template and, consequently, disallows its sturdy cast from maneuvering in ways that might bring some novelty to the cat-and-mouse tale.
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Woody Allen fans were thrilled when his 2005 feature, Match Point, signaled a return to form for the respected director. That, as much as anything, fueled anticipation for Scoop. There were reasons for optimism. The film, like its predecessor, is set in England. Also, like Match Point, the star is Scarlett Johansson. Alas, Scoop proves to be a disappointment - a return to the uninspired pre-Match Point era that nearly choked Allen's career. A blend of lackluster comedy and lazy plotting, the film feels a lot like bad Hitchcock.
Touching the Void
Truth, they say, is stranger than fiction… and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this - a man versus nature epic so amazing that, if it was presented in a strictly narrative format, viewers would doubt its veracity. To capture this story in a way that would do it justice, British filmmaker Kevin Macdonald (the documentarian responsible for One Day in September, about the terrorist attack on the 1972 Israeli Olympic team in Munich) has blended elements of docudrama and documentary into a satisfying whole that will keep even the most stoic movie-goer gripping the armrest throughout.
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Now begins a period of prayer for Eddie Murphy - he must pray that no one who can cast a Best Supporting Actor vote in the 2007 Oscar race will see Norbit, because no one in their right mind could think of providing an honor to anyone involved in this misfire, Murphy included. All the goodwill built up for the actor as a result of Dreamgirls is cast aside by Norbit. The movie combines with Hannibal Rising to form an odd configuration on their shared opening weekend: Hannibal Rising is a horror movie that's unintentionally comedic and Norbit is a comedy that's unintentionally horrifying. (Its mere existence is enough to cause that reaction.)
"Belle Epoque is the story of Paradise: too good to last. It's about the discovery of life, but the real one, I mean: freedom, art, love, sex, friendship...all the things that make life interesting. It's an oasis... Maybe it's too idealistic, but I always thought one of the reasons for cinema was to give pleasure and happiness to the audience. I don't want to make people think about how miserable life is. I prefer to leave that for tomorrow. I like to hear the audience laughing in a dark theater. That's the best music for me."
- Fernando Trueba, director/producer of Belle Epoque
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The wonderful thing about dreams, like hope, is that everyone can nurture their own, and there's no cost. It's taking the next step -- transforming those wispy ideals and half-realized wishes into reality -- that demands a price, and sometimes a high one at that. Hoop Dreams, the tale of two high school basketball players, is less a story about the sport than it is a chronicle of life in the inner city and of following Aldous Huxley's advice that "a man's reach should exceed his grasp."
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The Ghost and the Darkness
In 1898, Sir Robert Beaumont (Tom Wilkinson), the primary financier of a railroad project in Tsavo, Kenya, is furious because the project is running behind schedule. He seeks out the expertise of John Henry Patterson (Val Kilmer), a military engineer, to get the project back on track. Patterson travels by train to Tsavo, where he meets supervisors Angus Starling (Brian McCardie) and Samuel (John Kani), a native African (and the film's narrator), and the doctor, David Hawthorne (Bernard Hill). Hawthorne tells Patterson of a recent lion attack. That night, Patterson kills an approaching lion with one shot, earning the respect of the workmen. The project gets back on schedule. However, not long afterwards Mahina (Henry Cele), the construction foreman, is dragged from his tent in the middle of the night. His half-eaten body is found the next morning. Patterson then attempts a second night-time lion hunt, but the next morning another worker is found dead at the opposite end of the camp from Patterson's position.
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Behind Enemy Lines II: Axis of Evil
The story is not linked to the first part of the series. Instead, it focuses on a fictional explanation for the Ryanggang explosion in 2004, in which an unexplained mushroom cloud occurred in North Korea.
After reconnaissance satellites detect a large, three-stage Topol intercontinental ballistic missile carrying a nuclear weapon in North Korea, which can strike anywhere in the continental United States, a fictional United States President Adair T. Manning (Peter Coyote) orders a team of U.S. Navy SEALs to destroy the missile and the launch site. The team led by Lieutenant Robert James (Nicholas Gonzalez).
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James Franco stars as Sonny, the son of Jewel who runs a brothel. Sonny returns home from the army, staying with his mother while waiting to start the job an army buddy of his promised him. Jewel tries to convince Sonny to come back to working for her as he had before the army, saying many of his old clients still missed him and he was the best gigolo she'd ever had. Sonny continually turned her down, wanting to leave that life behind. However, the job he was promised never materialized and he was forced to come back to working for Jewel again. Jewel had also recently recruited a new girl to the brothel, a girl called Carol. Sonny and Carol meet and fall in love. They often talk about getting out of the business and escaping together. They also do some jobs together. One of Carols clients, an older man, proposes to her and asks her to go away with him. She at first declines, hoping to go away with Sonny. She and Sonny fall out as he is making no effort to get out of the business, but becoming more introverted and depressed with the occasional outburst as he looks for more and more work. Carol accepts the marriage proposal. At the end of the film, Carol is in the car with the man, driving away and looking back. We see Sonny coming out of the house, and beginning to run down the street, towards the car. It is left up to the viewer what happens next.
Holiday in the Sun
Madison (Mary-Kate Olsen) and Alex (Ashley Olsen) Stewart are twin sisters from Illinois who are whisked away to Atlantis Resort on Paradise Island, Bahamas by their parents for winter break.
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The cameras of Jacques Perrin fly with migratory birds geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic the flight is a community event for each species. Once in the Arctic, its family time courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go south of the Equator Antarctica is the summer destination. The search for food, good weather, and a place to hatch young takes this annual cycle of stamina across continents and oceans. There is a spare narration and a few titles for the most part its visual, a birds eye view.
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After con artist Joe Dolan accidentally kills his father Mike during a sting, he tries to carry out Mike's dying wish by recovering valuables that Mike's twin brother Lou (also played by Coburn) stole from him years earlier. But Uncle Lou is also a confidence artist, and Joe is soon drawn into his increasingly dangerous schemes.
Bringing Ashley Home
When her wild younger sister Ashley, who suffers from bipolar disorder and drug addiction, goes missing, Libba Phillips pours all her time and energy into finding Ashley and bringing her home. As the years go by, Libba refuses to give up hope, and, at the expense of her marriage and career, Libba finds her calling in life creating a much-needed resource center for other families whose missing loved ones have fallen through the cracks.
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Eva Tudor met in his 16 th birthday and loved it all my life. But their relationship influenced permanent mysterious disappearance of a young man. During one of these disappearances Eva married Baron Von Oswald Seele. But when Tudor back again, the feelings between him and Eve break out with renewed vigor. They hold together nezabyvamoe summer. Eva became pregnant, her marriage is destroyed. Tudor disappears again, but in Europe the war begins ...
A retelling of the bible story. Pharaoh Ramses decrees the death of all Hebrew children, but Moses, placed in a basket in the Nile by his mother, is taken by a royal princess and raised as the brother of the heir to the throne of Egypt, Memefta. Moses is called by God to lead his people from Egypt to the promised land. A very reluctant prophet, feeling unworthy of the call, Moses accepts the task. After a series of plagues Memefta agrees to let the Hebrews go. With second thoughts, he pursues them to annihilation of his army in the parting of the Red Sea. Starvation is averted by manna from heaven, the ten commandments are given the people through Moses, they go astray with worship of the golden calf. Forty years of wandering in the wilderness, until finally they reach what will be their home (which Moses lives to see but not to enter).