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Wrong Turn 3: Left for Dead [unrated]
It is always nice to have a day off of work. I decided to do so after traveling two hours to Philadelphia to watch the opening night of the Pearl Jam dates to close down the historic Spectrum where the Flyers won their two Stanley Cup trophies and Kate Smith sang "God Bless America." What I question about my decision to take off and catch up on sleep is the idea I had to watch the two direct-to-video sequels of the subpar "Wrong Turn" film back-to-back. The second film wasn´t too terribly bad and was marginally better than the first. However, the second sequel was an entirely different story and whereas I applaud writer Connor James Delaney for trying to create a deep and involved situation for the cannibal Three Finger to enjoy a romp through the woods of West Virginia, this film is an example of horrible execution and I´m not talking about the gory death scenes.
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There’s a new action star in town and it isn’t anyone you would immediately suspect. Does the name Liam Neeson ring a bell? Yes, the same guys who has primarily played the nondescript role for the majority of his career has found his John McClane as Bryan in the French action, quasi-thriller Taken.
Surprisingly, it isn’t as bad as you may think . . .
Neeson is a retired CIA operative trying to piece together his broken family. After his intense career, his wife Lenore (Famke Janssen) has left him and remarried and he’s all but a stranger to his 17 year-old daughter Kim (Maggie Grace). He finds the only way to reconnect with her and make peace with his ex-wife is to go against his better judgment and allow for Kim to travel to France with her girlfriends. He should have stood his ground though, because shortly after landing in the City of Lights, Kim and her friend are kidnapped by Albanians and sold as sexual playthings to the fabulously rich and the insanely powerful.
The Land That Time Forgot
Many years ago, I had the privilege of seeing Warlords Of Atlantis at my local cinema on a double bill. I can't remember what the supporting feature was. It may have been one of those Nicholas Hammond Spider-Man films culled from the TV series (where is that on DVD?) Suffice to say, I loved it! Several years later I caught the other Kevin Connor-Doug McClure ‘epics', probably over the Christmas period ,and they all became favourites of mine. Best part of 30 years later, I proudly have them in my DVD collection and when I heard that a new version of The Land That Time Forgot was being made I was quietly excited.
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“Bedevilled” emerged as one of the most hard hitting and accomplished films from Korea in 2010, a shocking and unforgettable revenge thriller starring actress Seo Young Hee (“The Chaser”) as a woman pushed too far. The film marked the debut feature of Jang Cheol Su, who previously worked as an assistant to angry auteur Kim Ki Duk, and so it’s perhaps unsurprising that it deals in no-holds barred fashion with themes of abuse, gender politics, and of course, murder. Unusually for an uncompromising and violent outing, the film was hailed by critics around the world, premiering at the International Critic’s Week at Cannes 2010 and going on to win a number of prizes and nominations for Jang Cheol Su and Seo Young Hee.
The film kicks off with cold Seoul career woman Hae Won (Ji Seong Won, also in “Harmony”) having a dreadful day, witnessing the brutal beating of a young woman and being pushed over the edge by the pleadings of an old woman at the bank where she works. Told by her boss in no uncertain terms to take a break, she heads to remote Moo Do Island where she grew up and where her friend Bok Nam (Seo Young Hee) still lives, whose letters she has been simply throwing unopened in the trash. She soon discovers that Bok Nam has been suffering horrific abuse at the hands of her husband and his brutish brother, not to mention being exploited by the handful of cruel old women who make up the rest of the island’s tiny population. After it becomes clear that Hae won is unlikely to help, Bok Nam grabs her young daughter and tries to flee, though is soon recaptured, the poor child dying in the process. Finally snapping, the unhinged woman grabs a sickle and takes bloody revenge.
Winter's Bone offers a case study in the essential philosophical differences between independent motion picture thrillers and Hollywood/mainstream ones. The third feature from director Debra Granik and winner of two awards at the 2010 Sundance Film Festival (including the Grand Jury Prize), Winter's Bone is character-oriented. There are no gunfights or shoot-outs. The protagonist is an atypical choice: a 17-year old girl living in the rural South. She possesses no extraordinary abilities besides her intelligence and resilience; if you hit her, she will bleed. The "villains" have readily identifiable motivations that have nothing to do with mass murder or world domination. The pace is usually languid, allowing the viewer to soak up an atmosphere pregnant with danger, but is occasionally punctuated by moments of violence or extreme tension. And, as is often the case with films that veer off a familiar, formula-paved track, it's tough to see the end until it arrives.
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Wendy and Lucy
Wendy and Lucy is a love story, but not of the conventional sort. It's about how the vagaries of fate can sabotage a seemingly bright future and tear apart two dear companions. It's about the desperate search of one to find the other in a place where she knows no one, is homeless, and has lost her only means of transportation. These two face uncertain prospects and, even if they are reunited, might be forced apart by the reality of their situation. One of these companions is a twenty-something woman named Wendy (Michelle Williams). The other, Lucy, is a dog.
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15 years ago, this is the kind of chilling, gripping thriller that a hungry distributor like Miramax would have snapped up. Now, it's up to a small company like Wellspring to find these gems in the rough and bring them to our attention. Red Lights is one of the best thrillers I have seen this year: tight, taut, and unpredictable. A great screenplay (based on a novel by French crime writer Georges Simenon, the creator of Inspector Maigret) and top-notch direction (by Cédric Kahn) are only
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In the Land of Women
In the Land of Women is enjoyable for a movie in which pretty much nothing happens. The things that occur during the course of Jonathan (son of Lawrence) Kasdan's debut feature are all subtle and character-based. This is the sort of motion picture one might assume was made in France if everyone wasn't speaking perfect English and setting was somewhere more exotic than Michigan. In the Land of Women is comprised of a number of nice little scenes that, while they don't combine to form something momentous, are each effective in their own low-key manner.
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Election becomes the first droplet in the recent deluge of teen comedies to score a palpable hit. In the wake of Can't Hardly Wait, She's All That, Never Been Kissed, and about a dozen others, Election arrives like a desperately needed cool breeze on a hot summer night. The film, directed by Alexander Payne and written by Payne and Jim Taylor (based on Tom Perrotta's novel), is smart, funny, and possessed of a razor-sharp edge. It perfectly captures the spirit (if not the particulars) of the high school years in general, and student council elections in particular. A quartet of solid performances only adds to the movie's strength.
Mask of Zorro
Zorro, the swashbuckling hero of the undertrodden, was introduced to the world in 1919 when he debuted in the pages of Johnston McCulley's serialized novel, The Curse of Capistrano. Within a year, the masked man had appeared in a film, the silent The Mark of Zorro. Over the next eight decades, Zorro would be played by the likes of Douglas Fairbanks Sr., Tyrone Power, Guy Williams, and now both Anthony Hopkins and Antonio Banderas. The Mask of Zorro, a '90s attempt to revive interest in the venerable hero, offers just what one might reasonably expect from a Zorro movie: a great deal of excitement and adventure, all brought to the screen by using a somewhat irreverent tone that keeps the mood light without trivializing the characters.
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Home Alone 3
It was a shrewd studio executive who decided that the ''Home Alone'' series didn't require the towheaded, hooded-eyed screen presence of Macaulay Culkin to stay alive and kicking. As ''Home Alone 3'' vigorously demonstrates, all the franchise really needs to keep going is a charismatic child (Alex D. Linz has replaced Mr. Culkin) with no great acting skills but loads of pseudo-innocent chubby-cheeked adorability.
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Bachelor Party Vegas
Another typical Road Trip/American Pie retread, with plenty of horny guys, hot babes, and unbridled hedonism, Bachelor Party Vegas is a film so generic, even the title reveals the lack of originality. The usual sex gags are trotted out for the short duration, featuring a cavalcade of titillating situations and embarrassing moments for the protagonists to have to endure just to get laid.
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40 Days and 40 Nights
Matt Sullivan (Josh Hartnett) and his roommate, Ryan (Paulo Costanzo), are co-workers at a the San Francisco dot-com company. Matt is obsessed with his ex-girlfriend, Nicole (Vinessa Shaw), who has just gotten engaged. He confides to his brother, John (Adam Trese), who is training to become a Catholic priest, that he has sexual problems because of his obsession. Matt vows to go without sex for 40 days and 40 nights for Lent. John warns Matt that celibacy is not easy, and Ryan starts a popular office pool to bet on how long Matt can last.
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The Hard Easy
In Los Angeles, the gambler Paul Weston is a loser, and owes a lot of money to the dangerous mobster Freddie. When he is brutally beaten and the life of his former wife is threatened by the Freddie, his acquaintance bartender Vinnie sends him to Dr. Charlie Brooks first and then he convinces him to participate of a heist in the jewelry district with the professional thief Gene to raise the necessary money to pay his debt. Meanwhile, the stock market broker Roger Hargitay finds that the company where he works embezzled US 5,000,000.00 from their clients and he will be arrested in a couple of days. His boss Ed Koster convinces Roger and two co-workers to participate in an easy robbery of a jewelry planned by an inside man. On Saturday morning, both gangs arrive in the same jewelry for the same heist at the same time.
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Roger & Me
El Cartel aka The Cartel
When Jules Land, a nave journalist, approaches Mexico s most notorious drug cartel and requests an audience with its leader, a one-time priest turned murderous cutthroat, he quickly realizes he s in over his head.Wanting only the chance to kick-start his struggling career, Jules goes from seeking to understand the principles behind the cartel s success, to fighting to return home with his wits-and his life intactBased on Mexico s current climate, EL CARTEL is a rare look into the values and practices of the world s most intriguing and enigmatic industry the multi-billion dollar business of drug trafficking.One HD 720p and 1080p PC, Mac, PS3 and XBOX 360 COMPATIBLE
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