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Harry Potter and the Half-Blood Prince
There are two faces to the story of Harry Potter. The first is that of a young boy forced into the wondrous and oftentimes dark world of wizardry in order to destroy the evil Lord Voldemort who had long-ago murdered his parents. This is the face that bears the saga's many adventures – magical tournaments and enchanted creatures, harrowing broomstick battles and spells exchanged like gunfire. It is also the face of mystery and intrigue – of secret sects both light and dark, of ministries of magic and old vendettas made new. Then there is the second face – the one of a boy growing slowly and awkwardly into manhood with friends who will prove to be the greatest of his life. It is the face of a boy becoming aware of his abilities and weaknesses, developing a passion for Potions or sports, discovering confidence and virtue, romance and responsibility. It is a face we've all worn, and while those of us who've followed Harry Potter on his seven-story adventure might never know the joys of conjuring a Patronus or casting some spectacular spell, we've all known the joyous -- and occasionally painful -- experience of growing up.
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Marley & Me
Making a movie out of one person's memoirs is hard enough. You've got to capture the person's writing voice, which usually is what makes the book worth reading to begin with, and you have to condense the manifold events of a life into a two-hour running time with some semblance of narrative drive. But when that memoir is something as slim as Marley and Me, John Grogan's account of 12 years or so spent in the company of a rambunctious lab, the challenges are pretty much impossible to overcome.
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21: The Movie
Once again playing to type, one-trick pony Spacey proves that when it comes to being creepy and weird, he’s the master.
Ben Campbell (Sturgess) is a super-bright, socially backward undergraduate at M.I.T., with his sights set on Harvard Medical School. But Ben’s widowed mother cannot afford the tuition, and Ben is up against hundreds of equally bright students for the few scholarships that are available. And then Ben comes to the attention of his maths professor, Micky Rosa (Spacey), who with a team of students has worked out a way to beat the casinos at blackjack. Rosa, with the help of Jill Taylor (Bosworth), persuades an initially reluctant Ben to join.
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Ed Gein: The Butcher of Plainfield
Reality can be much more frightening than fiction. From Wikipedia: "Edward Theodore Gein (August 27, 1906 – July 26, 1984), was an American serial killer. Though only two murders on his part were proved, he gained great infamy due to necrophiliac behavior (which involved the skinning of his murder victims and exhumed corpses, the decoration of his home with parts of corpses, and the creation of articles of clothing and furniture from the skin of corpses). Besides the death of his brother in 1944 under mysterious circumstances, six people disappeared from the Wisconsin towns of La Crosse and Plainfield between 1947 and 1957.
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Kingdom of Heaven
It is the time of the Crusades during the Middle Ages - the world shaping 200-year collision between Europe and the East. A blacksmith named Balian has lost his family and nearly his faith. The religious wars raging in the far-off Holy Land seem remote to him, yet he is pulled into that immense drama. Amid the pageantry and intrigues of medieval Jerusalem he falls in love, grows into a leader, and ultimately uses all his courage and skill to defend the city against staggering odds.
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The Merry Gentleman, which represents the feature directorial debut of actor Michael Keaton, is a meditation on loneliness and about the things we do to fill up those big, empty gaps in life. Anchoring the film, which is driven more by characters than plot, are fine performances by Keaton and Kelly Macdonald and a screenplay in which the pauses between words are as meaningful as the words themselves. The style is unhurried and spare and, with an emphasis on religious iconography, the movie drives home the point that good and evil are perhaps not as easily defined as one might think. Perhaps those concepts are established in the eye of the beholder.
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I have nothing against historical fiction: books or movies using real characters in situations that didn't happen. However, one would hope in such cases that the authors would have a story worth telling. That's not the case with Copying Beethoven, in which writers Stephen J. Rivele and Christopher Wilkinson and director Agnieszka Holland take a chapter from Beethoven's last stage of life and re-imagine it as a standard-order troubled genius motion picture. Copying Beethoven is no more interesting or accurate than the "other" recent Beethoven fiction, Immortal Beloved, and stands far below the Mozart fiction, Amadeus. However, although dramatically impotent, the movie features a great soundtrack and a 15-minute scene of surprising force.
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Solaris may be the first big budget science fiction motion picture that belongs in an art house rather than a multiplex. The movie bears a stronger resemblance to 2001: A Space Odyssey than to Star Wars, with an emphasis on ideas over action. Those expecting to see space battles and bug-eyed aliens will be disappointed. There's nothing like that here. The experience of watching Solaris doesn't just invite thought and rumination; it demands it.
Of his last four films, Oscar-winning director Steven Soderbergh has developed three remakes (besides this one, the other two are Traffic and Ocean's 11). Solaris is based on the novel by Stanisalw Lem, which was first brought to the screen in 1972 by Soviet filmmaker Andrei Tarkovsky. The earlier film, which clocks in at a lengthy 165 minutes, is as slow as it is fascinating. Soderbergh's re-interpretation, which is more economical (it's about 65 minutes shorter), has many of the same strengths as Tarkovsky's version without the somnambulant pace. Soderbergh's Solaris establishes a dreamlike state that allows events to unfold in an unhurried fashion without losing a patient audience's attention.
Kids Are All Right
The kids may be all right, but the adults aren't. That's the underlying premise of Lisa Cholodenko's unconventional family drama - a motion picture that uses wry humor and uncommon sensitivity to underscore some of the difficulties inherent in any family, regardless of how unusual the structure may be. However, although many of the ideas and emotions expressed in The Kids Are All Right have universal implications, Cholodenko resists the urge to close things out in an artificially clean manner. When the 104-minute running time has expired, there's a sense of satisfaction that the story has been told, but by no means are all the loose ends neatly knotted. In fact, the untidiness of the ending hints at greater honesty than one might uncover when catharsis is achieved for all characters by squelching ambiguity.
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The fourth of five movie versions of the rugged Rex Beach novel of the same name, 1942's The Spoilers stars Marlene Dietrich, John Wayne, and Randolph Scott. The plot, involving the cheating of Alaskan gold rush prospectors by a crooked gold commissioner, requires that Scott play a villain, Alexander McNamara. Prospector Roy Glennister (Wayne) is continually persecuted by McNamara, who has the law on his side, until the two decide to settle their dispute man-to-man in a spectacular reel-long fistfight.
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Ross (Jason Schwartzman) is a customer of Spider Mike (John Leguizamo), a methamphetamine dealer. Spider Mike and his girlfriend Cookie (Mena Suvari) are constantly arguing, and Ross strikes up a friendship with Nikki (Brittany Murphy), a fellow addict. Nikki takes Ross to "The Cook" (Mickey Rourke), who supplies Spider Mike with drugs from a meth lab he has set up in a motel room. The Cook gives a small amount of meth to Ross in exchange for bringing Nikki (his girlfriend) home, and says that he will get in touch with Ross if he needs a driver.
For the past 13 years, Dr. Herbert West (Jeffrey Combs) has been serving his prison sentence for his role in the death of a teenage girl at the hands of one of his zombies. With what scant supplies he has on hand in the prison medical center, Dr. West has been capable of performing only extremely basic experiments on rats. However, his lack of supplies does not prevent him from uncovering a key element in his re-animation process. When a young doctor named Howard Phillips (Jason Barry) comes to work at the prison, he teams up with West to help him attain the supplies and tools needed to bring his experiments to the next level. Phillips is the younger brother of the teenage girl who was killed (he's shown watching West being taken away by the cops) and came to the prison for the explicit purpose of working with West. In the meantime, Phillips gets a girlfriend, the journalist Laura Olney.
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War Eagle, Arkansas
Coming of age in an Ozark town. Enoch is a high school senior he stutters, has one friend, Wheels, a kid with CP whos in a wheelchair, and thinks about college in Tennessee on a baseball scholarship. Hes philosophical, loves poetry, and lives with his mom and grandfather. Life gets complicated when he finds himself attracted to Abby, one of the popular girls. When he starts hanging out with her, even though he wants Wheels along, in part to help him finish his sentences, it causes friction between the two friends and gives Enoch pause about whether he should leave town to make something of himself. Can he figure out what he wants without hurting anyones feelings? Maybe not.
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In the Cold of the Night
Scott is a fashion photographer concerned about the sudden appearance of nightmares in his nightly dreams. In these, he seems to be involved in the murder of a beautiful young woman. When he actually meets this dreamwoman in reality, he begins to suspect that something strange must be responsible. As he attempts to solve the enigma of his troubling dreams, he is falling deeply in love with the mysterious woman. In the end, he uncovers a diabolical and sinister plot....
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A woman has dreams that she is a werewolf so she goes out and finds men. She proceeds to have sex with them and then rip their throats out with her teeth. She eventually falls in love but then she is raped and her lover is murdered so she goes out for revenge.
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Motive is an edgy thriller that centers around Emery Simms, a highly educated and successful business tycoon who happens to be married to the quintessential wife Constance. Things go dangerously awry when the thrill seeking Emery engages in an adulterous fling with the wildly free-spirited and exotic Allanah. Timing couldnt be any worse when the politics of high society, shady business deals, bad press, and a violent murder collide, they threaten to destroy more than just his shaky marriage. As police probe into his situation, they uncover a labyrinth of deception, agendas and motives, where the stakes are enormous and nothing is what it seems.