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We wrote a preview awhile back of an early peek at Clive Barker's latest film Dread which was, looking back on it, only a thinly disguised, and largely positive, review. In celebration of the film's debut at this year's Fantastic Fest, take a look back at our thoughts on Dread below:
A mind as eloquent and twisted and grand and poetic as Clive Barker's was never really meant for the movies.
Star Wars: The Clone Wars
Well, Star Wars: Clone Wars was released, and though it was a much anticipated event (or ploy) to get every Star Wars geek to the theater for something a little different, you might spend your money better on the Genndy Tartakovsky versions.
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Capitalism: A Love Story
Perhaps Michael Moore missed his calling. He could have been a preacher. And not any kind of preacher - a fire-and-brimstone, Jonathan Edwards sort. His movies ooze passion and come across like two-hour sermons. He doesn't just believe in what he's saying; he wants everyone who sees his movies to feel his outrage; whether or not they agree with it is another matter altogether. He's a propagandist and his movies are more like cinematic op-ed pieces than conventional documentaries, but that's alright. No one ever said there was no room for showmanship in non-narrative filmmaking. Capitalism: A Love Story is the latest chapter in the Gospel of St. Michael, and it's a distinct improvement over his last two movies. Fahrenheit 9/11 was a muddled "exposé" of the Bush administration's foreign policy sins and Sicko was an oddly low-key rant about health care. Capitalism seems to be coming more from the heart. There's a simmering anger here that hasn't been present since Moore first burst upon the cinematic world with Roger and Me.
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Ghost World could easily be considered an "anti-Hollywood coming of age story". Although it follows the contours of the genre, the path is different enough to make the movie seem fresh, non-formulaic, and occasionally surprising. Of course, for some viewers, this will represent a down side, since, by choosing not to play by the "rules", Ghost World is not constrained by the necessity to have a happy, unambiguous ending that wraps everything up into a neat little package. Personally, I like open-ended movies - they have more of a "real life" feeling to them - but I recognize that some people can't stand them (at a screening I attended of John Sayles' Limbo - arguably the most open-ended film of all time - distressed audience members threw things at the screen when the closing credits began to roll). Those who are unhappy with open-to-interpretation conclusions may feel cheated by Ghost World.
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Poker is one of those games that, unless you're a die-hard, is a lot more fun to play than to watch. Nevertheless, because on-line poker sites have become so popular in recent years, there has been a upsurge in TV poker shows. The unfortunate byproduct of this "poker revolution" is that Hollywood has decided to get into the mix and, in true big studio fashion, filmmakers have nailed down the formula (which is loosely based on the long-standing one for the sports movie) and don't deviate from the template. Deal is the kind of mess that results from this slavish lack of creativity. The film has more of a checklist of clichés than an actual script and, when it comes to the cast, director Gil Cates Jr. is scraping the bottom of the barrel. There's no compelling reason to see Deal. Everything it offers is familiar to the extent where even though it's not a remake, it feels like one.
My Best Friend's Girl
Romantic comedies are fantasies. They invite us to fall in love with the main characters as they fall in love with each other. That's difficult to accomplish when viewers find themselves actively disliking those characters. How is it possible to succumb to the fantasy when its participants are sleazy, creepy, or bitchy? With My Best Friend's Girl, director Howard Deutch has the beginnings of an excellent anti-romantic comedy: unlikeable characters, betrayals, and a general desire to see everyone die in a nuclear holocaust. For a while, My Best Friend's Girl seems to be going in the direction of a full-on black comedy where the words "ever after" are spoken only in reference to the phrase "praying for the end of time" (with apologies to Meat Loaf). Alas, around the halfway point, the film takes a 180-degree turn and tries to follow the formula, reforming the selfish protagonist and proving that true love conquers all. The problem? We still hate the characters and the happy ending feels as much like a cheat as any I have seen all year.
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Eddie Murphy does not make "comebacks", because, according to him, he hasn't been out of the spotlight. But, following three critical and box-office flops (The Distinguished Gentleman, Beverly Hills Cop III, and Vampire in Brooklyn), Murphy is hoping The Nutty Professor gets his career back on track. Combining his own brand of high-energy comedy with that of Ace Ventura veterans Tom Shadyac and Steve Oederkerk, Murphy is attempting to appeal to as wide an audience as possible. And, while the flatulence-joke lovers who flocked to Dumb and Dumber will doubtless be overwhelmed, not to mention doubled-over, by this movie, those hoping for more cerebral humor are destined to be disappointed. The Nutty Professor aims for guffaws at the lowest level -- anyone with a double-digit IQ will get every joke. Whether you laugh at them or not is often more of a matter of taste than a question of having a sense of humor.
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There's no doubt that the subject matter tackled by Arlington Road is topical. Terrorism at home is a very real danger in this current climate of world uncertainty, and, arguably, a greater danger is posed to U.S. security by radical political groups within this country than by outside forces. By borrowing heavily from the images and events surrounding the Oklahoma City tragedy, Arlington Road postulates that there might be a huge underground conspiracy driving this sort of activity, and, if it isn't stopped, history will repeat itself. As long as there's a patsy to take the fall, there's no motivation to dig deeper.
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The bayous of Louisiana are a strange and wonderful place -- a world unto their own, overflowing with a wealth of story and thematic possibilities. Whether it's the heated mystery of The Big Easy, the nonstop action of Hard Target, or the gory scares of Candyman, the cajun state has attracted projects in search of a setting like no other in North America. It is here, amidst the darkly beautiful swamps, that first-time director Kasi Lemmons has set Eve's Bayou, a fascinating tale of guilt, consequences, and voodoo.
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The Outlaw Josey Wales
Clint Eastwood has directed, played in or starred in a lot of westerns. We all have our favorites and this my favorite Eastwood western, along with the more set-in-modern-day western, "Bronco Billy." (The latter is really a drama more than a western.)
This is simply an extremely entertaining story with two lead characters - played by Eastwood and Chief Dan George - who were fascinating to watch. Also, as in most westerns, I enjoyed the good photography and was surprised, considering the year of release, that the language was pretty tame.
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Twenty five years ago, the SS Corona Queen disappeared in the region known as, The Bermuda Triangle. Now, it has returned. Seven people go on board to learn the truth behind her disappearance but the ship did not return alone...
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Katherine "Katy" McLaughlin (Alison Lohman) has big dreams of administering her father's Wyoming horse ranch one day, but her father, Rob (Tim McGraw), has other plans for his daughter. He is currently grooming her older brother, Howard (Ryan Kwanten), to take over the ranch and sends Katy away to an exclusive private school where she constantly feels like a misfit. Being a similar, independent spirit to Katy, Rob has a hard time understanding his daughter as she continually defies his authority to follow her own path.
An ancient stone amulet and calendar disc has the power to stop time. Passed from generation to generation, these magical artifacts end up in the hands of an 18-year-old half Shoshoni Indian named Justin, who chooses to use his power to make the world a better place. But on the other side of the equation is the power-seeking philanthropist, Michael Romano, who seeks to indulge in the riches of the world.
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When Dougs father, an Air Force Pilot, is shot down by MiGs belonging to a radical Middle Eastern state, no one seems able to get him out. Doug finds Chappy, an Air Force Colonel who is intrigued by the idea of sending in two fighters piloted by himself and Doug to rescue Dougs father after bombing the MiG base. Their only problems Borrowing two fighters, getting them from California to the Mediteranean without anyone noticing, and Dougs inability to hit anything unless he has music playing. Then come the minor problems of the states air defenses.
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Confessions of a Window Cleaner
Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.
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On the last working day of Sheriff Wayne, his small town is attacked by blood thirsty ravens that eat human flesh. Meanwhile his wife Cynthia visits a farm where a Mennonite family lives to say farewell to her friend Gretchen and discloses a dark secret about the origin of the fierce ravens.