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A full frontal (pun intended) assault on celebrity and homophobia, Bruno follows the eponymous gay Austrian TV host (Sacha Baron Cohen) as he sets out to become "the biggest Austrian superstar since Hitler." The exiled fashionista embarks on a global quest to become a celebrity, aping the headline-grabbing antics of stars such as Angelina Jolie and Madonna, in his single-minded pursuit for fame, but he finds more homophobia than lucky breaks during his globe-trotting journey.
There are plenty of movie stars (including one currently headed to theaters donning an eye-patch) whose acting skills amount to riffing on a one-dimensional celebrity persona. And then there are those valuable few like Will Smith, who actively seek out roles -- often in so-so mega-blockbusters -- that challenge their range and demand more than simply endearing smirks and cutesy quips. For Smith, this has resulted in a career at once box-office lucrative and critically respected, with his performances in work as varied as 2007's post-apocalyptic sci-fi actioner I Am Legend and 2006's true-life melodrama The Pursuit of Happyness exhibiting equal amounts of intensity and nuance. Smith can do macho bluster and ladies' man charm in his sleep, yet what elevates him above most of his marquee brethren has always been an ability to lace such outsized qualities with a strain of vulnerable fallibility. He's a figure at once larger-than-life and still relatable, a hero capable of revealing, in ways more subtle than the chaos that frequently surrounds him, mortal tenderness and uncertainty.
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Fistful of Dollars
A drifter, later to be known as The Man With No Name (Clint Eastwood), is born in director Sergio Leone’s Spaghetti Western, A FISTFUL OF DOLLARS. The stranger arrives in a small Mexican village that is over run by two competing gangs who control the guns and the liquor. The only legit business that seems to prosper is the old coffin maker. The anonymous drifter decides to make money by working both sides of the gang as a hired killer, adding more fuel to the hatred feud between the two families.
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The Speed of Thought
Wasn’t it just eight years ago that Nick Stahl was being groomed for Hollywood stardom, and started off his campaign with a major starring role in “Terminator 3: Rise of the Machines”? Nowadays you’ll find the former John Connor plying his trade on a variety of direct-to-DVD movies, having produced an astounding eight — count’em, eight — movies in 2010 alone. Mind you, we’re not talking about cameos here; Stahl was the male lead in five of those titles, and had worthy supporting roles in the rest. Stahl already has five titles upcoming in 2011, including a regular gig on the TV show “Locke and Key”. Evan Oppenheimer’s “The Speed of Thought” is one of Stahl’s 2011 offering, and although moderately budgeted, was surprisingly quite good.
Stahl plays Joshua Lazarus, a telepath (or “scoper” in the movie’s parlance) who works for the U.S. Government (run by “Fringe’s” Blair Brown) in order to help pay the bills at an orphanage for similarly gifted kids run by the kindly Sandy (the inconceivable Wallace Shawn). Sandy’s mansion is like Professor Charles Xavier’s of “X-Men” fame, but instead of guys who can make snowballs and run through walls, these little tykes can all read your minds. Being that they’re quite dangerous unsupervised, the Guv’ment have made a cushy deal with Sandy whereby he supplies them with, essentially, spies for various bad deeds around the world. Human wiretaps without all that warrant baggage, if you will.
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Here's a primer for how to endure Old Dogs if an unfortunate series of circumstances should place you where seeing it is unavoidable. Arrive late and leave early. In between, visit the concession stand as frequently as possible and stand in the longest lines. Drink a gallon of water beforehand so multiple visits to the restroom are mandatory. Hopefully, this will limit your exposure to a level where Old Dogs loses its toxicity and is merely uncomfortable, although I'm not sure that's possible. More tests are needed but there are some experiences no one should be subjected to even in the name of science. It may be that forced viewing of this film has been outlawed by the Geneva Convention.
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I'm as willing as any movie-lover to accept a certain amount of ridiculousness in a movie if it serves the greater purpose of entertainment. And, when it comes to action movies, I like to think that my level of tolerance is pretty high. Hey, I enjoyed the first Tomb Raider movie. But National Treasure takes too many liberties and goes too far. This infantile excuse for an adventure yarn plays more like a triple-cross between The DaVinci Code, "CSI," and "The Amazing Race" than Raiders of the Lost Ark. In fact, as tempting as it might be to call this Raiders of the Pilfered Plot, that would be unfair, because National Treasure's storyline isn't compelling or coherent enough to warrant the term "plot."
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Beat that My Heart Skipped
The Beat that My Heart Skipped is director Jacques Audiard's re-imagination of James Toback's Fingers. Although Audiard and his co-writer, Tonino Benacquista, have retained the premise and some of the ideas of the original, this is, for the most part, a different take on the material. In fact, some of the most important thematic aspects of this film are not evident in Fingers. The Beat that My Heart Skipped is about one man's attempt to walk the tightrope between two divergent aspects of his life, and the ways in which his indecision causes him to fail at both. It's a tale of maturity and self-discovery. Whether or not it has a "happy" ending depends on your perspective. There is no ambiguity about what happens at the conclusion, but Audiard leaves it up to the viewer to put it into perspective.
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Tenacious D in the Pick of Destiny
Few movies are easier to review or define a recommendation. If you're a die-hard fan of either Jack Black or the band he formed with Kyle Gass, you'll likely love every moment of Tenacious D in the Pick of Destiny. For anyone else, the better choice would be to buy the soundtrack (if you like the music) and skip the movie. This is one of those musicals that provides moderate entertainment when the actors are singing or playing guitar, but devolves into a spiral of tediousness during the increasingly lengthy gaps between numbers. The comedy is juvenile and often unfunny. There are some laugh-aloud moments, but not nearly enough. In the end, you have to possess a sweet spot for Black and his antics to find Tenacious D more than barely watchable.
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Stuck, like many in the thriller/comedy genre, has difficulty handling the tonal shifts between humor and suspense that exist within its framework. That's not to say the movie fails - there are times when it is bitingly funny and times when its bloodiness can cause a wince and a shudder - but director Stuart Gordon is not adept at blending the two extremes into a cohesive whole. Still, the storyline and its presentation are unique enough that it's difficult not to be intrigued about where all this is going once it starts.
Following the spectacular failure of Mary Shelly's Frankenstein, Kenneth Branagh returned to England to make the kind of film he was most familiar with: a very British, low-budget production rooted deeply in the works of William Shakespeare. However, instead of filming "Hamlet" straight (as Branagh will do for his next film), the writer/director chose instead to focus his story on a small troupe of largely-untalented actors and their attempts to put together a Christmas week production of the Bard's most celebrated tragedy. Echoing the farcical Noises Off, A Midwinter's Tale is a first-rate comedy that offers far more laughs (all of them
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There must be something about the combination of Steve Martin and Nora Ephron that doesn't work. Anyone remember My Blue Heaven? (For that matter, does anyone want to remember My Blue Heaven?) Regardless of how dreadfully unfunny that Martin/Ephron collaboration was (she wrote it; he starred in it), it was only a precursor to Mixed Nuts, as unwatchable a motion picture as you're likely to find this Christmas season.
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Mike Leigh has always been known as a creator of exceptional, insightful character studies. Often, his films do little more than trace activities in the life of a person or persons over a several-day period. However, whereas comedies such as Life is Sweet and High Hopes showed Leigh's whimsical side, Naked is anything but charming. This movie is brutal and raw, and its sense of humor comes with a serrated edge.
Their stories are different... but their profession is the same.
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The Prophecy 3: The Ascent
Danyael Rosales, a street preacher and the child of Valerie Rosales and the angel Danyael from the previous film, is forced to face his destiny. As a Nephilim, he has some of the angels' abilities, such as regeneration, and can only be killed if his heart is removed. One night, a blind assassin shoots Danyael as he preaches before a crowd, but the assassin is driven off before he can take out Danyael's heart, and Danyael is able to regenerate while lying in the city morgue. As punishment for his failure, Zophael kills the assassin and starts going after Danyael himself with an extendable bladed weapon (the blade can be turned into a three-pronged hook) with which he plans to use to remove Danyael's heart, killing him for good. However, Danyael is protected by Gabriel, a now-human fallen angel who killed Danyael's father and performed many misdeeds. After being defeated by Danyael's mother, Gabriel was turned into a human as punishment. He has spent eighteen years as a human, and realized how wrong he was in the past so has now switched sides.
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Another 48 Hrs.
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the Ice Man. At the Hunters Point Raceway, Jack confronts Tyrone Burroughs and Arthur Brock. Jack kills Brock in self defense, but Burroughs escapes, and Jack is in danger of going to prison because Brocks gun cant be found. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day. Jack tries to convince Reggie to help him clear his name and find the Ice Man, but Reggie says he wont help unless Jack gives Reggie the 500,000 that Jack has been holding on to for Reggie. Jack refuses to give Reggie the money unless Reggie helps him. After the bus that is transporting Reggie away from the prison is forced to crash by two bikers and Jack gets shot by the same two bikers, Jack forces Reggie to help him by having the hospital release Reggie into his custody. Reggie recognized one of the bikers as Richard Cherry Ganz, the brother of Albert Ganz, the escaped convict Jack killed years ago. Jack got shot because Cherry wants revenge for Alberts death, and Cherry and his partner Willie Hickok are the hitmen who have been hired to kill Reggie. Burroughs, who works for the Ice Man, was trying to hire Brock as insurance, just in case Cherry and Hickok fail. Blake Wilson, the head of the Internal Affairs division, obviously doesnt like Jack, because Wilson will stop at nothing to prosecute Jack for manslaughter in Brocks death, and it turns out that the Ice Man put a price on Reggies head because Reggie knows who the Ice Man is someone Jack never expected it to be.
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How Awful About Allan
After a fire which killed his father and scarred his sister, a guilt-ridden victim of psychosomatic blindness is released from a mental hospital and goes back home to stay with his estranged sister. However, it appears that someone is out for revenge and wants to drive him crazy.
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