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Transformers: Revenge of the Fallen
Set two years after the events of the first film, Transformers: Revenge of the Fallen finds Optimus Prime (voice of Peter Cullen) and his Autobots working alongside a multi-national, top secret military unit dubbed NEST -- which includes returning characters Captain Lennox (Josh Duhamel) and Master Sergeant Epps (Tyrese Gibson) -- to hunt down the remaining Decepticons hiding around the globe. There is a new administration in Washington – unlike the previous film, which implied that the president was George W. Bush, the new movie specifically refers to Barack Obama – that is at odds with the military about how to handle the alien robot dilemma, which remains a secret to the world at large. Intrusive National Security Advisor Theodore Galloway (John Benjamin Hickey) wants to disband NEST and have the Autobots leave the Earth, much to the chagrin of the military and Optimus Prime.
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Valley of Angels
As far as the movies go, thrillers and action movies are a dime a dozen. As genres they have been solid standbys for good entertainment since Cagney and Bogart came onscreen. Yet it is all too easy to make a thriller that is high on violence and attitude and low on story and character. And now in the post Tarantino era, it seems like every hip, young director comes on the scene with his crime opus that is supposed to set the world on fire with cooler than liquid nitrogen dialogue and badass gun fights. But if there’s one thing every filmmaker should realize is this, there is only one Tarantino and the multitudes of copycats trying to follow in his footsteps have easily proven the point. Thankfully, a new talent has sprung up from the ranks and has crafted a debut feature that is both as confident and skillful as Reservoir Dogs, while containing the spiritual contemplation often inherent in Scorsese’s films. The director’s name is Jon Rosten and his film is the ironically titled Valley of Angels.
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A film about spelunkers going where no sane man (or woman) has gone before and running afoul of things that lurk in the deep darkness… Sound familiar? If you're thinking of a misbegotten film called The Cave, put it from your mind. That movie was flat-out stupid. This one is a creepy white-knuckle excursion into horror, where even the "boo!" moments are so well developed that they cause a jolt. It's too early in the year to coronate a movie with the title of "Scariest Movie of 2006" but, when all the corpses have been counted on New Year's Eve, The Descent will at least be near the top. For horror fans and those who love things that go bump in the night, this is one not to miss.
Shaun of the Dead
Shaun of the Dead is a spoof, but at the same time, it's a semi-serious horror movie. It's also an homage to George Romero's Dead series (Night of the Living Dead, Dawn of the Dead, Day of the Dead) and a societal commentary. Admittedly, with so many choices on the menu, director Edgar Wright cooks some of them better than others. But the bottom line is simple: Shaun of the Dead may not be consistently scary (in fact, it's almost never scary), but it is consistently funny (if you have a slightly warped sense of humor) and never loses its audience.
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Haunting and disturbing, Time is the kind of motion picture that gets under your skin and doesn't let go. It lingers long after the final credits have rolled and, for those who see it with friends, it will provoke endless post-movie discussions. A meditation on identity and how our physical appearance relates to who we are, Time is the product of the fertile creative mind of controversial (some love him, some despise him) South Korean director Kim Ki-duk. Like Kim's previously seen international efforts (Spring Summer Fall Winter...and Spring, 3-Iron), this one takes a seemingly straightforward storyline and twists it to devastating effect during the final act. The result is a production of intellectual and emotional power. It's nowhere close to conventional and aptly fits the term "challenging."
George of the Jungle
I suppose there are a lot of Generation Xers who harbor a certain fondness for the old TV cartoon George of the Jungle, which ran on Saturday mornings in the late '60s and early '70s (apparently, there were only 17 episodes produced, but they were rerun so often that it seemed like a lot more). As a result, it was only to be expected that in this era of re-hashing TV products for the big screen, someone would stumble upon George. The outcome is a live-action re- interpretation of the cartoon that, despite changing numerous details, remains faithful to the spirit of its inspiration. However, perhaps the most surprising thing about this movie is that it's far more entertaining than one might reasonably expect given the premise.
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Following the spectacular failure of Mary Shelly's Frankenstein, Kenneth Branagh returned to England to make the kind of film he was most familiar with: a very British, low-budget production rooted deeply in the works of William Shakespeare. However, instead of filming "Hamlet" straight (as Branagh will do for his next film), the writer/director chose instead to focus his story on a small troupe of largely-untalented actors and their attempts to put together a Christmas week production of the Bard's most celebrated tragedy. Echoing the farcical Noises Off, A Midwinter's Tale is a first-rate comedy that offers far more laughs (all of them
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Force 10 from Navarone
After the successful Navarone mission, Commander Jensen (Philip Latham) tells Mallory (Robert Shaw) and Miller (Edward Fox) to identify and kill a spy known as "Nicolai", who is now thought to be disguised among the Yugoslav Partisans as a Captain Lescovar (Franco Nero). (In The Guns of Navarone, the character Nicolai was the laundry boy suspected of listening to Mallory's conversations.)
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Henry Bromell's Panic, is a perfect example of what the average independent film has become in 2000. It features recognizable stars and has the kind of storyline with the potential to play reasonably well in the average American multiplex. Like Grosse Pointe Blank, Analyze This, and TV's "The Sopranos", Panic features a premise that's quickly growing tired - that of a gangster/bad guy who visits a shrink. In this case, the patient is Alex (William H. Macy). Ultimately, the film is less about his relationship with his doctor (played by John Ritter) than about the reasons he's seeing a psychologist in the first place.
In this darkly karmic vision of Arizona, a man who breathes nothing but ill will begins a noxious domino effect as quickly as an uncontrollable virus kills. As he exits Arizona State Penn after twenty-one long years, Wilson has only one thing on the brain, leveling the score with career criminal, Mackey Willis. As eccentric and intuitive as he is vicious, Mackeys own perfected criminal game will play right into the path Wilson has set for him. With the help of a prison bus driver, Lee Marvin, Wilson acts as a catalyst, putting a plan into action that will bring an untimely end to Mackey Willis. The problem is, no plan is perfect. Meanwhile, an aimless bunch of Arizona twenty-nothings are cooking up a heist that will lead them to the same bank, with different intentions. Skilled at nothing beyond drinking, doing drugs and attending strip clubs, their plan is destined for immediate failure. Heavily armed, without a single identifiable clue, these boys are as blind as they are impulsive. With both plans loosely angled inward, the vengefully mystical presence of the Sonoran landscape will have its way and every solider will fall on his own sword.
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¡Tintorera! aka Tintorera: Killer Shark
Two shark hunters flirt with an attractive British lady while hunting down a large tiger shark terrorizing the Mexican East coast.
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Jenny Hayden never did get over the death of her husband. So when an alien life form decides to model himself on the husband, Jenny is understandably confused if not terrified. The alien, or Starman, as he is called, has a deadline to meet, and kidnaps Jenny in order to meet it.
In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the countrys most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier. In 1939, the aristocratic Lady Sarah Ashley travels from Great Britain to Australia to meet her husband Maitland Ashley in northern Australia. The husbands drover comes to the city of Darwin to bring Sarah to their farm however, when they reach Faraway Downs Farm, they find that Maitland was murdered. Sarah befriends Nullah, who tells her that the administrator Neil Fletcher is stealing her cattle has killed her husband and is working for the cattle baron King Carney. Sarah fires Fletcher and his men and together with Drover, Nullah and a group of loyal employees, they ride together to take the cattle to supply the army and win a tender in times of war. But the ambitious Fletcher has other intentions and uses Nullah to press Sarah.
Jackie Chan Presents: Wushu
Ten years ago, five students joined a martial arts school and learned the disciplines of Wushu and the bonds of friendship. Today, both will be put to the test after they and a former student stumble into a child kidnapping ring.
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Juncture is the exciting first motion picture in the Anna Carter trilogy - the gripping story of an ordinary woman turned vigilante. A controversial fast-paced action thriller that casts a harsh light on the darkness, perversion and greed that lurks just beneath the surface of today society Anna Carter is on a mission. And only death will stop her.
The story about the relationship between a manic depressive man, Mr Jones, and the female doctor who takes more than a professional interest in his treatment.
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