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Back in June the Sci-Fi Channel was scheduled to premiere an original movie entitled NYC: TORNADO TERROR. Days before its premiere a real-life tornado struck a Boy Scout camp in Iowa killing several kids. The Sci-Fi Channel pulled the film claiming they did so out of respect for the week's tragedy. Now, on the very day Hurricane Ike ransacked parts of Texas, the Sci-Fi Channel did not pull their premiere of BA'AL THE STORM GOD, in which all of mankind is threatened by a super-sized storm of supernatural proportions.
Well, here is a colossal fiasco. "Virgin Territory" is the egregious title of many that were considered for this adaptation of "The Decameron," a novel by 14th century Italian writer Giovanni Boccaccio that featured 100 bawdy tales of sex, deception, and religious hypocrisy against the backdrop of the Black Death. A noted influence on other literary works, including Chaucer's "The Canterbury Tales," "The Decameron" was memorably adapted for the screen in 1971 by Pier Paolo Pasolini. His version featured eight stories from the novel, all possessing an irreverent sense of humor and a frankness that made the film consistently entertaining. In this new film, directed by David Leland and produced by the often lambasted Dino De Laurentiis, only one of Boccaccio's 100 stories has been adapted and sluggishly expanded to feature length.
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The Water Horse: Legend of the Deep
About 25 years ago a small movie that was seen by one or two people told the story of a fatherless boy who finds an alien and gets it addicted to Reese’s Pieces. The alien, who appears in a backyard shed, forges a strong bond with the boy. However, the alien must leave the boy pursued by the authorities who fear the alien. I was just thinking of this movie, for no particular reason, after watching The Water Horse: Legend of the Deep.
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The Lincoln Lawyer
Matthew McConaughey may be the only actor in Hollywood who can swagger while sitting down. He drawls and cracks out that toothy grin and it’s lock-up-your-daughters/hide granny’s mattress money time. You either fall for his charm or roll your eyes at his chutzpah.
“The Lincoln Lawyer” gives this charming devil his due, a role that plays right into his wheelhouse — a slick, smarmy, hustling lawyer whose clientele is the rough trade; hookers, pot pushers and biker gangs. Mick Haller (McConaughey) cajoles, sweet-talks and overcharges many of those clients, doing business in and around LA out of the back of his late model Lincoln town car. But what game can Mick run when he is hired by Beverly Hills money to defend a very rich and seemingly quite dangerous young man (Ryan Phillippe)?
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Darren Aronofsky is not what you could consider a mainstream director. His movies are visually stunning, intellectually and emotionally challenging, and generally hated by the audience. It takes dedication to make it all the way through an Aronofsky film, something few movie-goers are willing to do. His latest offering, The Fountain, isn't any different in that respect, but if you grant Mr. Aronofsky the luxury of your full attention and bring a little something of yourself to the watching, there's a good chance you'll be rewarded for your effort.
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After missing out on BBC’s “Planet Earth” and “Life” I was ecstatic when I was offered the opportunity to watch their latest nature documentary, “Human Planet,” and in gorgeous Blu-Ray no less. When I received the package I quickly unwrapped it and popped the first disc in my PS3 and sat back to get my documentary on, and I was not disappointed. “Human Planet” is an eight episode documentary narrated by John Hurt (“Hellboy”) that takes viewers around the globe and shows us why we are the most successfully adaptable species on the planet. Where “Planet Earth” was about nature as a habitat, and “Life” was about the wildlife that lives in those habitats, “Human Planet” is about how humans have adapted to those same environments and in some cases created new ones.
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I Am Number Four
For someone who has never seen another movie, I Am Number Four might be an astounding experience, cobbling together bits and pieces of other, better productions as it does. It's very loud, very fast paced, and very derivative. Like a casserole made from leftovers, the storyline contains stringy, overcooked bits of teenage dramas (a.k.a. "afterschool specials"), superhero adventures (especially origin stories), romances, buddy movies, cheesy science fiction, monster flicks, and action/adventure stuff. The problem isn't just the lack of originality evident in I Am Number Four, but that it cherry-picks well-known material and presents it with the intelligence and elegance of a fifth grade drama production. This is a "greatest hits" album from a cover band so bad they couldn't even play a bar mitzvah. And, while the film is designed as the first installment of a hoped-for franchise, it feels more like a T.V. pilot circa 1990. The recycling goes as deep as the dialogue, which is a mangled and blended refrain of clichés.
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Mission: Impossible III
Mission: Impossible III provides lots of action, but too little excitement. It generates lots of pyrotechnics, but too little heat. And it offers lots of Tom Cruise, but too little Ethan Hunt. In short, if you're yearning for a flashy, leave-your-brain-at-the-door summer movie that never does anything interesting or challenging, Mission: Impossible III has what you're looking for. It's loud, raucous, frenetic, and blows things up real good. But it's testosterone without adrenaline, danger without suspense. Maybe it's foolish to be disappointed by a pure popcorn movie, but as I walked out of this film, I felt it had failed in its mission of pure entertainment.
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After a series of disturbances caused by instability in the Earth's electromagnetic field, leading geology expert Dr. Josh Keyes (Aaron Eckhart) and fellow scientists Serge Leveque (Tchéky Karyo) and Conrad Zimsky (Stanley Tucci) learn that the Earth's molten core has ceased its rotation. Within a year, the Earth's electromagnetic field will collapse, irradiating the planet. The three develop a top-secret plan with the United States government to bore into the Earth's core and plant a series of nuclear charges at precise points to restart the core's motion and restore the field. They design a multi-compartment vessel called the Virgil with the help of Ed "Braz" Brazzelton (Delroy Lindo), who has developed both a laser capable of quickly boring through rock and a material known as "unobtainium" suitable for the vessel's hull. Keyes also enlists the help of a young computer hacker, Theodore Donald "Rat" Finch (DJ Qualls), to keep any word of the potential global disaster off the Internet for fear of causing a worldwide panic.
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A jock is seen carrying a bundle of flowers. He creeps into the house of his supposed girlfriend. It is cold inside and he finally approaches his girlfriend's room where he sees a dead man with his mouth wide open. He looks to the side and there are two more corpses.
A montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war.
Full Body Massage
Nina, a successful but world-weary art dealer, is surprised to find that her usual masseur, Douglas, has sent a substitute - Fitch - to provide her with her regular weekly massage at her home. Nina and Fitch find that they are both mutually attracted, and annoy one another a great deal. Their differences of temperament and lifestyle create friction, and they find their similarities nearly as grating. Through flashbacks we learn how Nina and Fitch have arrived at this meeting, and see that perhaps they have enough common ground to learn some important lessons from each other.
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A comedy centered on two single girls working the dating scene in Los Angeles.
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Journey to the End of the Night
In a dark and decadent area of So Paulo, the exiled Americans Sinatra and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a little son. When a client is killed by his wife in their establishment, they find a suitcase with drugs. In the night that they have scheduled a negotiation with African buyers, their African liaison dies while having sex with the travesty Nazda. Sinatra proposes to the Nigerian dishwasher of the brothel, Wemba, to travel to the harbor of Santos, close the business with the drug dealers and in return he would receive a large amount. Wemba accepts but while returning to his car in the harbor, he is attacked by two smalltime thieves and passes out. His lack of contact with Sinatra and Paul leads to a sequence of misunderstandings with a tragic end.
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Le Donk & Scor-zay-zee
An improvised comedy, shot over five days by Shane Meadows, devised with and starring Paddy Considine. Rock roadie and failed musician, Le Donk has lived, loved and learned. Along the way hes lost a girlfriend but he has found a new sidekick in up-and-coming rap prodigy Scor-zay-zee. With Meadows fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee a star...with a little help from the Arctic Monkeys... This low-budget rockumentary follows Le Donk and Scorz on their journey of a lifetime its an unpredictable, irrepressible ode to spontaneous filmmaking - and to a burgeoning UK rap talent.
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A young father asks for pumpkins at the local farm stand. In August? No. the farmer replies. The farmer ruminates on the odd request and gets involved with strangers for the first time since his sons death long ago.
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