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Repo Men has Jude Law, Forest Whitaker, and Liev Schreiber in starring roles. It also has lots of action, blood, guts, gore, and bodies mutilated using a wide assortment of unusual weapons. In one particularly gruesome scene, a hacksaw is even put to use to dispatch bad guys. And after sitting through this preposterous and ponderous production, I'm ready to take that hacksaw to all Repo Men prints.
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The Morgue is a silly horror film rated R for violence and for the gratuitous and severe overuse of the worst word that you can use. Lisa Crilley stars as our illustrious and somewhat dimly-lit morgue worker/college student, Margo Dey. How long has she worked there? I wonder to myself, as she hasn't noticed what a bad place this seems to be.
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Streets of Blood
Streets of Blood is as ridiculous as it sounds. The DVD box reads, 'The Big Easy is losing the fight,' but it should say, 'The Bad Movie is killing the audience.' Here is a direct-to-video Festival of the Absurd so over-the-top, so incompetently made, so lacking in decent taste and common sense that the only thing missing to keep it from late-night Skinemax is a couple of sleazy softcore sex scenes. Sure, the film loves gratuitous jiggle shots, but they are not nearly long-winded enough to make the grade. Sad, since that is the only vein in which a movie like this could be deemed remotely successful.
At first the movie simply seems outdated, since it takes place in the immediate aftermath of Hurricane Katrina in New Orleans. But we soon forget that simple fact once we realize that the setting is merely tertiary, and the story being told within that setting makes so little sense that it might as well take place in Lizard Lick, NC. Streets of Blood has literally nothing to do with New Orleans other than its characters' strained Creole accents and the occasional second-unit close-up of a Big Easy street sign that cuts away to transparent, poorly-lit sound stages.
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“Mother’s Day” … is about a set of brothers who end up in their old house only to find a new family living there. They proceed to manipulate and torture the new tenants, as well as friends who are there for a party, until the brother’s mother (Rebecca De Mornay) shows up to straighten everything out. And that’s when things get really messed up.
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Terry Gilliam's Brazil is one of those films whose enduring reputation is based at least in part on events surrounding its stormy distribution history. Taken at face value, Brazil is a stinging, Strangelovian satire of the power of the bureaucracy in an Orwellian landscape. The vision is clearly Gilliam's; his penchant for striking visual flourishes and dark comedy have seeped into the fabric of the narrative, but it's not the strongest story he has worked with. Plot-wise, Brazil is rather hum-drum and derivative; its energy and appeal derive not from its thin characters or their actions but from the world they inhabit. Take away the controversy and the very public squabble that surrounded Brazil's U.S. release and it would likely have gone down as a middle-of-the-road title on Gilliam's eclectic filmography.
Perceptive is the best single word I can come up with to describe The Ice Storm, Ang Lee's near-masterpiece that deconstructs the American family. For, although the film is provocative, entertaining, and impeccably crafted, its greatest strength is its ability to convey truths that lie deep beneath the surface. The Ice Storm is perceptive about people, relationships, and human nature, and there's not a single moment in the entire 112 minute running length that rings false.
Back in the early '90s, the Taiwan-born Lee had a pair of art house hits, The Wedding Banquet and Eat Drink Man Woman, that brought him international acclaim. Then, in 1994, Lee was selected to helm Emma Thompson's adaptation of Jane Austen's Sense and Sensibility. The film, which was released in 1995, earned multiple Academy Award nominations and ensured that Lee would never again be relegated to obscurity. For his followup to Sense, Lee chose The Ice Storm, and the accomplished result points to a director who has matured in every way.
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During the operation Storm in Desert in Iraq, the tough Marine Sergeant of Special Operations MacPherson and his great pal and family man, the Mexican Corporal Miguel Silva, are seriously wounded and retired.
How to Kill Your Neighbor's Dog
Shy, chain-smoking, insomniac Peter McGowan is an L.A. playwright with a string of hits that preceded his current ten years of failed productions. His mother-in-law is sinking into senility, a stranger is meandering the neighborhood claiming to be him, neighbors have a new dog that barks all night his wife wants to have a child, and he does not hes become impotent. Hes working on a new play when a single mom moves in next door with her 8-year-old daughter. His wife immediately invites the girl into the McGowan household. Will this child stir Peters paternal feelings? Will she also help him get his dialogue right? And what of his doppelganger and the neighbors dog?
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When Ishmael is released from prison, he is forced to return to the life on the streets that he thought he had left behind. Determined to survive, he trains as a professional fighter, and struggles to stay out of the world of gangs, drugs and turf war.
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A coming-of-age independent feature film set in late 1970s, Nearing Grace follows high school senior Henry Nearing (Gregory Smith). Nearing has to cope with the death of his mother, and is also forced to come to terms with evolving from a self-absorbed and confused adolescent to accepting the responsibilities of early adulthood. Unfortunately his father, Shep (David Morse), and his older brother, Blair (David Moscow), don’t offer any kind of guidance, and find themselves detaching at the seams. His father quits his teaching job, buys a motorcycle, and becomes a perpetual drunk, while his brother takes off to live as a transient doper. To make things even more complicated, Henry has two young women on his mind: the sexy, wealthy, and very popular Grace (Jordana Brewster) and childhood friend Merna (Ashley Johnson)—one drives him crazy, the other keeps him sane.
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Trail of the Screaming Forehead
A small town infestation of crawling alien foreheads that begin attaching to people and taking them over collides with a scientists experiments to extract foreheadazine and things go horribly horribly wrong.
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Enemies Among Us
Louisiana Governor Chip Majors (James DuMont) is front in line to be North Carolina Senator Edmonds' (Steven Bauer) Vice Presidential nominee. The day he is to be announced, Majors goes to a hotel, where he meets a prostitute. After a few moments, the prostitute takes out a gun and tries to assassinate him, but Majors overpowers her, and realizes that a group (led by a man named Graham (Billy Zane), is trying to assassinate him before he is chosen. Majors kills the prostitute, but his protection, Devon (Griffin Hood) and Thomas Cobbs (Eric Roberts) find out. Majors offers them both a million dollars, and they eventually agree to the bribe.
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Here on Earth
The lives of three young people - a rich student, a girl from the wrong side of the tracks and her boyfriend - unexpectedly intersect during one fateful summer in the romantic drama Here on Earth. Kelley Morse (Chris Klein), who is cocky and brash, normally would never have crossed paths with the residents of a small town near his posh private school. But when he takes his shiny new Mercedes out for a drive, he locks horns with some of the locals, including Jasper (Josh Hartnett). As Jaspers willful girlfriend Samantha (Leelee Sobieski) looks on, Kelley and Jasper engage in a dangerous car race that turns disastrous, leaving a popular diner owned by Samanthas mother in ruins. Kelley and Jasper are sentenced to a creatively ironic but fitting punishment They must help rebuild the diner. Not only does this ruin Kelleys summer plans, he also must board at the home of his rival, Jasper. Kelley begins to fulfill his sentence, but refuses to have anything to do with Jasper and his parents. When Kelley again encounters Samantha, the attraction is immediate and strong. First love blossoms in the Berkshire woods (a little bit of heaven, here on earth, Samantha calls the pastoral setting), angering Jasper, who has known Samantha practically his entire life. These new feelings and the romantic triangle that develops are only the beginning of a new journey for Kelley, Samantha and Jasper, as they ultimately make life-changing discoveries about themselves and each other.
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The poignant yet humor filled story about a single mother of a teenager severely impacted by autism, forced to reckon with her daughters future. As her child becomes an adult, what used to work, no longer does. What will sustain her daughter, and herself? A parent-child love story, when love means letting go.
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Out in the wilds, an aged man tells his grandchildren a tale of his own youth. After his mother dies, his usually-absent father, whom he barely knows, takes him into these same wilds to hunt for a grizzly. They find a mother bear with two cubs. The hunters capture the cubs, but the grizzly captures the lad. Somehow, boy and bear bond and trek across the forest with dad and an Indian friend on their trail. After a while, the boy figures out where he and his new mother are going toward her cubs. Rifles, dogs, hunters, bear, cubs, father, and son are headed for a rendezvous.
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Smiths everyday life in the dorm - hanging out with his arty, sarcastic best friend Stella, hooking up with a beautiful free spirit named London, lusting for his gorgeous but dim surfer roommate Thor - all gets turned upside-down after one fateful, terrifying night.